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7 - Profanity and Piety in the Church Porch: the Place of Transgression in Early Modern England

Published online by Cambridge University Press:  09 January 2024

Ashley Null
Affiliation:
University of Cambridge and Durham University
Alec Ryrie
Affiliation:
Durham University
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Summary

When laypeople join in the process of contesting orthodoxy and orthopraxy, their interventions are often focused on specific places – whether church buildings or their own bodies. This essay explores one such liminal site of contention: the early modern English church porch, a no-man’s-land whose multiple uses suggest that orthodoxy could be whatever individuals chose to make it. A church porch was, or could be, both a practical storage site and God’s antechamber. That ambiguity – and the practical control laypeople exercised over it – made this a sliver of orthopraxy in which theologians and hierarchies were never dominant. They were even a site for sexual encounters, which were commoner in churches and church porches than anyone liked to admit in early modern England. Sex in churches and porches often plainly had a certain frisson to it, not least when – as in the cases of homosexuality which the essay documents – it openly defied long-established doctrine.

We think of churches as tidy. Outside is the profane world – literally pro fanum, before the temple – inside is consecrated space, devoted to God. But this expectation of tidiness is a product of modernity, so we must begin by resetting our expectations. Early modern spaces were characteristically porous, and churches were among the most porous of all. The holy was full of holes, as leaky as a sieve, with sacredness spilling out and profanity seeping in, mixing promiscuously together.

In this essay I want to consider how society organised the boundary between the sacred and profane in a time and place – early modern England – when transgression was the rule rather than the exception. In particular, I want to consider one particular space intended to regulate transit: the doorway or porch of the church. In a famous passage, Mircea Eliade made church doors a symbol of the distinction between the sacred and the profane which, for him, formed the basis of religion.

For a believer, the church shares in a different space from the street in which it stands. The door that opens on the interior of the church actually signifies a solution of continuity. The threshold that separates the two spaces also indicates the distance between two modes of being, the profane and the religious. The threshold is the limit, the boundary, the frontier that distinguishes and opposes two worlds – and at the same time the paradoxical place where those worlds communicate, where passage from the profane to the sacred world becomes possible.

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Contesting Orthodoxies in the History of Christianity
Essays in Honour of Diarmaid MacCulloch
, pp. 120 - 137
Publisher: Boydell & Brewer
Print publication year: 2021

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