Book contents
- Frontmatter
- Contents
- List of Figures
- Acknowledgments
- 1 Legacies of Early European Art In Australian Collections
- 2 Heaven and Earth: the Worlds of the Rothschild Prayer Book
- 3 The Rothschild Prayer Book As Political, Social and Economic Agent Through the Ages
- 4 ‘Women Who Read Are Dangerous’: Illuminated Manuscripts and Female Book Collections In the Early Renaissance
- 5 Medieval Parchment: Two Glossed Bible Books In Context
- 6 Beginnings and Endings: the Shaping of the Book of Hours
- 7 An Associate of the Jouvenel Master and the Breviary of Prior François Robert
- 8 Chrysalis to Butterfly: An Aspect of the Evolution of the Book of Hours From Manuscript to Print
- 9 The Sorbonne Press and the Chancellor’s Manuscript
- 10 Thielman Kerver’s Book of Hours of 10 September 1522 In The Kerry Stokes Collection
- 11 An Accessory of Intellect: A Renaissance Writing Casket From The Kerry Stokes Collection
- 12 ‘A Very Rich Adornment’: A Discussion of the Stokes Cassone
- 13 The Dormition of the Virgin Altarpiece From the Kerry Stokes Collection
- 14 Through the Son: Pieter Brueghel the Younger’s Crucifixion
- 15 The Kerry Stokes Schembart Book: Festivity, Fashion and Family In The Late Medieval Nuremberg Carnival
- Index
2 - Heaven and Earth: the Worlds of the Rothschild Prayer Book
Published online by Cambridge University Press: 05 February 2021
- Frontmatter
- Contents
- List of Figures
- Acknowledgments
- 1 Legacies of Early European Art In Australian Collections
- 2 Heaven and Earth: the Worlds of the Rothschild Prayer Book
- 3 The Rothschild Prayer Book As Political, Social and Economic Agent Through the Ages
- 4 ‘Women Who Read Are Dangerous’: Illuminated Manuscripts and Female Book Collections In the Early Renaissance
- 5 Medieval Parchment: Two Glossed Bible Books In Context
- 6 Beginnings and Endings: the Shaping of the Book of Hours
- 7 An Associate of the Jouvenel Master and the Breviary of Prior François Robert
- 8 Chrysalis to Butterfly: An Aspect of the Evolution of the Book of Hours From Manuscript to Print
- 9 The Sorbonne Press and the Chancellor’s Manuscript
- 10 Thielman Kerver’s Book of Hours of 10 September 1522 In The Kerry Stokes Collection
- 11 An Accessory of Intellect: A Renaissance Writing Casket From The Kerry Stokes Collection
- 12 ‘A Very Rich Adornment’: A Discussion of the Stokes Cassone
- 13 The Dormition of the Virgin Altarpiece From the Kerry Stokes Collection
- 14 Through the Son: Pieter Brueghel the Younger’s Crucifixion
- 15 The Kerry Stokes Schembart Book: Festivity, Fashion and Family In The Late Medieval Nuremberg Carnival
- Index
Summary
Abstract
This introduction to the Rothschild Prayer Book – an illuminated manuscript that is one of the finest products of the Flemish Renaissance – discusses the function of the book beyond its devotional use and seeks to place it in the context of its production, drawing attention to distinctive Flemish architecture, contemporary liturgical practices and the luxury accessories of the Habsburg court included in the sacred scenes of the miniatures. The role of the principal artists responsible for the miniatures – Gerard Horenbout, Alexander Bening, his renowned son Simon Bening, and Gerard David, primarily known for his panel-paintings – is discussed along with the division of their labour within the Prayer Book and the nature of artistic collaboration. Little is known of the manuscript's provenance before c.1870 when it entered the collection of Anselm von Rothschild, but here possible identities are offered for the original patron and an early owner.
Keywords: Simon Bening; Alexander Bening; Gerard David; Rothschild Prayer Book; Gerard Horenbout; Flemish illumination
The Rothschild Prayer Book is a fabulous manuscript. Made for an unknown patron in the early years of the sixteenth century by a group of the most notable Flemish painters, it is essentially a very luxurious example of a Book of Hours, the most popular form of prayer book from the fourteenth to the sixteenth centuries. Although such books emulated elements of the liturgy performed by priests and members of religious orders, Books of Hours were not primarily intended for use in church: they were for private prayer. The component texts could vary, although there were standard inclusions.
The central and most important devotion was the Office or Hours of the Blessed Virgin Mary. Made up of hymns, psalms and prayers to be said at the eight canonical divisions of the day, this was the text that gave the book its name. The illumination of the pages with the opening of prime, the first daylight hour, in the Office of the Virgin in the Rothschild Prayer Book is a great demonstration of both the narrative richness and the opulent technique (Figure 2.1). Scenes from the Life of the Virgin, mostly from the Infancy of Christ, were the most common subjects to illustrate this Office, yet this opening is far from a routine treatment.
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- Information
- Antipodean Early ModernEuropean Art in Australian Collections, c. 1200–1600, pp. 33 - 54Publisher: Amsterdam University PressPrint publication year: 2018