Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-2xdlg Total loading time: 0 Render date: 2024-06-20T23:27:05.317Z Has data issue: false hasContentIssue false

5 - Medieval Parchment: Two Glossed Bible Books In Context

Published online by Cambridge University Press:  05 February 2021

Get access

Summary

Abstract

This paper explores the history and role of parchment in understanding the circumstances of production of two glossed books of the Bible in the State Library of Victoria. These two manuscripts – an Italian copy of the Epistles of St Paul from around 1200, which was almost certainly monastically produced; and a copy of Leviticus produced in the first quarter of the thirteenth century in Paris, then a major centre for commercial book production – have very different patterns of how the skins of their parchment have been used. This difference is mirrored in developments in their complex page layout – an important characteristic of this genre of book.

Keywords: Parchment; Bible; Glossed book; Leviticus; Epistles of St. Paul; Medieval art

This essay focuses on two manuscripts in the collection of the State Library of Victoria in relation to both their layout and the use of parchment, showing how both these elements can be used to place the manuscripts in context. The manuscripts are both glossed Bible books, and were probably produced around a quarter of a century apart in two different regions and under quite different circumstances. The first is a copy of the Epistles of Saint Paul accompanied by the Glossa ordinaria. It was produced in central Italy, and has been dated to c.1200.1 The second is a copy of the Book of Leviticus accompanied by a gloss from the commentaries of Rabanus Maurus. It was produced in the first quarter of the thirteenth century, a product of what was arguably the most well-organised centre for commercial book production in the Middle Ages – the Paris book trade at its height.

Neither the Leviticus nor the Glossed Epistles of St Paul is a deluxe manuscript. They have very little decoration and no gold at all, but they are interesting for several reasons. The first is that they are representations of a particular genre in the evolution of the most important book in Europe in the Middle Ages, the Bible, and at two different stages of that evolution. The second is that their simplicity conceals complexity. They are tools – adaptable, uniquely designed for their purpose, and able to be used in multiple ways.

Type
Chapter
Information
Antipodean Early Modern
European Art in Australian Collections, c. 1200–1600
, pp. 97 - 110
Publisher: Amsterdam University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×