Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-pftt2 Total loading time: 0 Render date: 2024-06-03T14:37:47.461Z Has data issue: false hasContentIssue false

Patience and Hope in the Writings of Julian of Norwich and Etty Hillesum

Published online by Cambridge University Press:  21 November 2020

Get access

Summary

Abstract

It may seem unlikely that comparing a fourteenth-century Christian visionary and anchorite with Etty Hillesum might be a fruitful exercise. After all, although Etty Hillesum sometimes longed for a convent cell, she committed herself to solidarity with her fellow Jews at a perilous time. However, these two women can be seen as kindred spirits in their openness to suffering, the way in which they relate to others, and their determined attention to the possibility of beauty in the most unpromising of circumstances. For both of them, patience is hard but important work, and hope is a quality that is intrinsically connected with practical, intimate, mutual and vulnerable loving-kindness.

Keywords: Julian of Norwich, love, anchorites, visions, patience, hope, agape

Introducing Julian of Norwich

One of the surprising and encouraging turns in English-language theology of recent years is the amount of attention and respect given to the short fourteenth-century book, Revelations of Divine Love, by Julian of Norwich. It is often said that Revelations was the first book-length text we have written by a woman in English. It is, in fact, two books, consisting of a relatively “short text” written when Julian was in her early thirties and the so-called “long text” written twenty years later. Her writing was occasioned by a short period of acute illness when she was thirty years old in which she, and those around her, were convinced that she was going to die. It was in this state that she experienced a series of what she called “shewings” which are often thought of as visions because some of them are so visually vivid, but the better word is “revelations” because not all of what is “shown” to Julian is visual. Indeed, one feature of her writing style is that she often uses the word “see” to mean “understand.” So to a considerable extent, it is possible to say that when we describe Julian as a visionary or mystic, we mean that she was a thinker; and when we talk about her “revelations,” we are talking about her “reflections.”

In Julian's day, Norwich was the second largest city in England and while she was a child, it was half destroyed by the plague.

Type
Chapter
Information
Publisher: Amsterdam University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×