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Kaufman, R. J., ‘The Seneca Perspective and the Shakespearean Poetic’, Comparative Drama 1 (1967), 182–98Google Scholar

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Kiefer, Frederick, ‘Senecan Influence: A Bibliographical Supplement’, Research Opportunities in Renaissance Drama 28 (1985), 129–42Google Scholar

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Ewbank, Inga-Stina, ‘The Fiend-Like Queen: A Note on Macbeth and Seneca's Medea’, ShS 19 (1966), 82–94Google Scholar

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Hunter, G. K., ‘Seneca and English Tragedy’, in Seneca, ed. C. D. N. Costa (London 1974), 166–204

Kaufman, R. J., ‘The Seneca Perspective and the Shakespearean Poetic’, Comparative Drama 1 (1967), 182–98Google Scholar

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Kiefer, Frederick, ‘Senecan Influence: A Bibliographical Supplement’, Research Opportunities in Renaissance Drama 28 (1985), 129–42Google Scholar

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Miola, Robert S., Shakespeare and Classical Tragedy: The Influence of Seneca (Oxford (1992)CrossRef

Miola, Robert S., ‘Othello Furens’, ShQ 41 (1990), 49–64Google Scholar

Muir, Kenneth, ‘Shakespeare and the Tragic Pattern’, Proceedings of the British Academy 44 (1958), 145–62Google Scholar

Ornstein, Robert, ‘Seneca and the Political Drama of Julius Caesar’, Journal of English and Germanic Philology 57 (1958), 51–6Google Scholar

Stapleton, M. L., Fated Sky: The Femina Furens in Shakespeare (Newark and London 2000)

Truax, Elizabeth, ‘Macbeth and Hercules: The Hero Bewitched’, Comparative Drama 23 (1989–90), 359–76CrossRefGoogle Scholar

Wallace, John M., ‘The Senecan Context of Coriolanus’, Modern Philology 90 (1992–3), 465–78CrossRefGoogle Scholar

Wallace, John M., ‘Timon of Athens and The Three Graces: Shakespeare's Senecan Study’, Modern Philology 83 (1980), 349–63CrossRefGoogle Scholar

Berry, E. G., ‘Shakespeare and Suetonius’, The Phoenix 2 (1947–8), 73–81CrossRefGoogle Scholar

Montgomerie, William, ‘More an Antique Roman Than a Dane’, Hibbert Journal 59 (1960–1), 67–77Google Scholar

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Womersley, D. J., ‘3 Henry VI: Shakespeare, Tacitus, and Parricide’, Notes and Queries 230 (1985), 468–73CrossRefGoogle Scholar

Bates, Paul A., ‘Shakespeare's Sonnets and Pastoral Poetry’, Shakespeare Journal 103 (1967), 81–96Google Scholar

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Bono, Barbara J., Literary Transvaluation: From Vergilian Epic to Shakespearean Tragicomedy (Berkeley (1984)

Bulman, James C., ‘Shakespeare's Georgic Histories’, ShS 38 (1985), 37–47Google Scholar

Hamilton, Donna B., Virgil and ‘The Tempest’: The Politics of Imitation (Columbus, OH 1990)

Hamilton, Donna B., ‘Re-Engineering Virgil: The Tempest and the Printed English Aeneid’, in The Tempest and Its Travels, ed. Peter Hulme, William H. Sherman, and Robin Kirkpatrick (Philadelphia 2002), 114–20

James, Heather, ‘Cultural Disintegration in Titus Andronicus: Mutilating Titus, Vergil, and Rome’, in Violence in Drama, ed. James Redmond (Cambridge 1991), 123–40

James, Heather, Shakespeare's Troy: Drama, Politics, and the Translation of Empire (Cambridge 1997)

James, Heather, ‘Dido's Ear: Tragedy and the Politics of Response’, ShQ 52 (2001), 360–82Google Scholar

Knight, G. Wilson, Vergil and Shakespeare (Exeter 1977)

Kott, Jan, ‘The Aeneid and The Tempest’, Arion 3 (1978), 425–52Google Scholar

Miola, Robert S., ‘Vergil in Shakespeare: From Allusion to Imitation’, in Vergil at 2000: Commemorative Essays on the Poet and his Influence, ed. John D. Bernard (New York 1986), 241–59

Nuttall, A. D., ‘Virgil and Shakespeare’, in Virgil and his Influence, ed. Charles Martindale (Bristol 1984), 71–93

Pitcher, John, ‘“A Theatre of the Future”: The Aeneid and The Tempest’, Essays in Criticism 34 (1984), 194–215Google Scholar

Savage, Roger, ‘Dido Dies Again’, in A Woman Scorn'd: Responses to the Dido Myth, ed. Michael Burden (London 1998), 3–38

Tudeau-Clayton, Margaret, Jonson, Shakespeare, and Early Modern Virgil (Cambridge 1998)

Wiltenburg, Robert, ‘The Aeneid in The Tempest’, ShS 39 (1986), 159–68Google Scholar

Wright, Laurence, ‘Epic into Romance: The Tempest, 4.1, and Virgil's Aeneid’, Shakespeare in Southern Africa 9 (1996), 49–65Google Scholar

Dean, Paul, ‘Antony and Cleopatra: An Ovidian Tragedy?’, Cahiers Elisabéthains 40 (1991), 73–7CrossRefGoogle Scholar

Westbrook, Perry D., ‘Horace's Influence on Shakespeare's Antony and Cleopatra’, Publications of the Modern Language Association of America 62 (1947), 392–8CrossRefGoogle Scholar

See also Shakespeare and Rome, Plutarch

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Gill, E. M., ‘The Plot Structure of The Comedy of Errors in Relation to its Sources’, University of Texas Studies in English 10 (1930), 13–65Google Scholar

Barton, Anne, ‘Livy, Machiavelli, and Shakespeare's Coriolanus’, ShS 38 (1985), 115–29Google Scholar

Heuer, Hermann, ‘From Plutarch to Shakespeare: A Study of Coriolanus’, ShQ 10 (1957), 50–9Google Scholar

Pelling, Christopher, ‘The Shaping of Coriolanus: Dionysius, Plutarch, and Shakespeare’, Poetica: An International Journal of Linguistic—Literary Studies 48 (1997), 3–32Google Scholar

Velz, John W., ‘Cracking Strong Curbs Asunder: Roman Destiny and the Roman Hero in Coriolanus’, English Literary Renaissance 13 (1983), 58–69CrossRefGoogle Scholar

Wallace, John M., ‘The Senecan Context of Coriolanus’, Modern Philology 90 (1992–3), 465–78CrossRefGoogle Scholar

Bergeron, David M., ‘Cymbeline: Shakespeare's Last Roman Play’, ShQ 31 (1980), 31–41Google Scholar

Gesner, Carol, ‘Cymbeline and the Greek Romance: A Study in Genre’, in Studies in English Renaissance Literature, ed. Waldo F. McNeir (Baton Rouge 1962), 105–31, 226–31

Kott, Jan, ‘Lucian in Cymbeline’, Modern Language Review 67 (1972), 742–4CrossRefGoogle Scholar

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Schleiner, Louise, ‘Latinized Greek Drama in Shakespeare's Writing of Hamlet’, ShQ 41 (1990), 29–48Google Scholar

Stewart, Douglas J., ‘Falstaff the Centaur’, ShQ 28 (1977), 5–21Google Scholar

Betts, John H., ‘Classical Allusions in Shakespeare's Henry V with Special Reference to Virgil’, Greece and Rome15 (1968), 147–63CrossRefGoogle Scholar

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