Abrams, Meyer H., The Mirror and the Lamp: Romantic Theory and the Literary Tradition. Oxford University Press 1953

Acherknecht, Erwin H., “On the Comparative Method in Anthropology”. In R. Spencer (ed.), Method and Perspective in Anthropology. University of Minnesota Press 1954, pp. 117–25

Adorno, Theodor W., and Max Horkheimer, Dialectic of Enlightenment. Trans. John Cumming, London: Verso 1979

Allers, Rudolf, “Microcosmus, from Anaximandros to Paracelsus”. Traditio, Studies in Ancient and Medieval History, Thought and Religion, vol. 11, New York 1944, pp. 319–407Google Scholar

Antoniades, Anthony, Poetics of Architecture: Theory of Design. New York: Van Nostrand Reinhold 1990

Arendt, Hannah, The Human Condition. University of Chicago Press 1989

Arendt, Hannah, Between Past and Future, Eight Exercises in Political Thought. New York: Penguin 1993

Aristotle, Poetics. Trans. J. Hutton, New York: Norton 1982

Auerbach, Eric, Mimesis, the Representation of Reality in Western Literature. Princeton University Press 1953

Bambach, Charles R., Heidegger, Dilthey, and the Crisis of Historicism. Cornell University Press 1995

Barnett, R. D., and A. Lorenzini, Assyrian Sculpture in the British Museum. Toronto: McClelland & Stewart 1975

Bauer, Hermann (ed.), Probleme der Kunstwissenschaft, vol. 1: Kunstgeschichte und Kunsttheorie im 19. Jahrhundert. Berlin: de Gruyter 1963

Baumgarten, Alexander Gottlieb, Meditiationes philosophicae de nonnullis ad poema pertinentibus (1735). Reflections on Poetry. Trans. K. Aschenbrenner and W. Holther, University of California Press 1954

Becherer, Richard, Science Plus Sentiment: César Daly's Formula for Modern Architecture. University of Michigan Research Press 1984

Beiser, Frederick C., The Fate of Reason: German Philosophy from Kant to Fichte. Harvard University Press 1987

Bell, Matthew, Goethe's Naturalistic Anthropology: Man and Other Plants. Oxford: Claredon 1994

Below, Georg, “Die vergleichende Methode”. Historische Vierteljahrschrift, 21, Jahrgang, Dresden 1922–3, pp. 129–39Google Scholar

Bergdoll, Barry, Léon Vaudoyer, Historicism in the Age of Industry. Cambridge, Massachusetts: MIT Press 1994

Bergdoll, Barry, Karl Friedrich Schinkel, An Architecture for Preussia. New York: Rizzoli 1994

Berlage, Hendrik P., “Thoughts of Style in Architecture” (1905). In I. Boyd-Whyte (ed. and trans.), Hendrik Petrus Berlage, Thoughts on Style 1886–1909. Santa Monica: Getty 1996

Berlin, Isaiah, Four Essays on Liberty. Oxford University Press 1969

Berry, James D., The Legacy of Gottfried Semper. Studies in Späthistorismus. Unpublished Ph.D. dissertation, Providence: Brown University 1989

Bialostocki, Jan, “The Renaissance Concept of Nature and Antiquity”. In Acts of the Twentieth International Congress of the History of Art, vol. 2, Princeton 1963, pp. 19–30Google Scholar

Bisanz, R. M. “The Romantic Synthesis of the Arts: Nineteenth-Century German Theories on a Universal Art” Konsthistorisk Tidsskrift XXXXIV, 1975Google Scholar

Blumenberg, Hans, Work on Myth. Trans. R. M. Wallace, Cambridge, Massachusetts: MIT Press 1985

Blunt, William, The Compleat Naturalist: A Life of Linnaeus. London: Collins 1971

Borsche, Tilman, Wilhelm von Humboldt. Munich: Beck 1990

Bötticher, Karl, Architektonische Formen-Schule in Ornamenterfindung. Potsdam 1847

Bötticher, Karl, Die Tektonik der Hellenen, vols. 1–2. Potsdam: Riegel 1844–52

Bötticher, Karl, Der Baumkultus der Hellenen nach den gottesdienstlichen Gebräuchen und den überleferten Bildwerken dargestellt. Berlin: Weidmann 1856

Bötticher, Karl, Die Tektonik der Hellenen, vols. 1–2 (second, revised edition). Berlin: Ernst & Korn 1874

Boullée, Etienne-Louis, Architecture, Essay on Art. H. Rosenau (ed. and trans.). London: Academy 1976

Braham, William W., “What's Hecuba to Him? On Kiesler and the Knot”. Assemblage, no. 36, August 1998, pp. 6–23

Breck, Allen D., “The Use of Biological Concepts in the Writing of History”. In A. D. Breck and W. Yourgrau (eds.), Biology, History and Natural Philosophy. London: Plenum 1972

Bryant (née Häusler), Gabriele, ‘Art as “Precursor of Redemption’: Peter Behrens and the Gesamtkunstwerk”. Mac Journal, no. 5, 1999

Bury, J. B., The Idea of Progress: An Inquiry into its Origin and Growth. New York: Dover 1960

Butler, Eliza M., The Saint-Simonian Religion in Germany. Oxford University Press 1926

Carl, Peter, “Architecture and Time: A Prolegomena”. AA Files 22, Autumn 1991, pp. 48–65Google Scholar

Cassirer, Ernst, “Structuralism in Modern Linguistics”. In Word: Journal of the Linguistic Circle of New York, vol. 1, no. 2, New York 1945, pp. 199–220CrossRefGoogle Scholar

Cassirer, Ernst, The Problem of Knowledge, Philosophy, Science and History since Hegel. Trans. W. H. Woglom and C. W. Hendel, Yale University Press 1950

Cassirer, Ernst, The Philosophy of the Enlightenment. Trans. F. C. A. Koelln and J. P. Pettegrove, Boston: Beacon 1955

Cassirer, Ernst, The Philosophy of Symbolic Forms, vols. 1–3. Trans. R. Manheim, Yale University Press 1965

Cassirer, Ernst, Goethe und die geschichtliche Welt. Hamburg: Meiner 1995

Cicero, Markus Tullius, De Inventione. Trans C. D. Yonge, London: Bell 1888

Coleman, Francis X. J., The Aesthetic Thought of the French Enlightenment. University of Pittsburgh Press 1971

Coleman, William, Georges Cuvier, Zoologist: A Study in the History of Evolution Theory. Harvard University Press 1964

Coleman, William, Biology in the 19th Century: Problems of Form, Function, and Transformation. Cambridge University Press 1971

Collins, Peter, Changing Ideals in Modern Architecture. London: Faber & Faber 1965

Collon, Dominique, Ancient Near Eastern Art. London: British Museum 1995

Colomina, Beatriz (ed.), Sexuality and Space, Princeton Architectural Press 1992

Comte, August, The Essential Writings. Ed. and trans. Gertrud Lenzer, New York: Harper & Row 1975

Condillac, Étienne Bonot de, Essai sur l'origine des Connoissances humaines. Amsterdam 1746

Conger, George P., Theories of Macrocosms and Microcosms in the History of Philosophy. New York: Columbia University Press 1922

Crook, Joseph Mordaunt, The Dilemma of Style, Architectural Ideals from the Picturesque to the Post-Modern. London. Murray 1987

Cuvier, Georges, Lecons d'anatomie comparée, vols 1–5, Paris: Crochard, Fantin, Badouin 1805

Cuvier, Georges, The Animal Kingdom Arranged in Conformity with its Organisation, with Additional Description of all the Species Hitherto Named, and of Many Not Before Noticed, vols. 1–16. Ed. and trans. E. Griffith and G. B. Whittaker, London 1827

Dal Co, Francesco, Figures of Architecture and Thought: German Architectural Culture 1880–1920. New York: Rizzoli 1990

Certeau, Michael, “Writing vs. Time: History and Anthropology in the Works of Lafitau”. Yale French Studies 59, Yale 1980, pp. 37–65CrossRefGoogle Scholar

Descartes, René, Meditations on First Philosophy. Trans. J. Cottingham, Cambridge University Press 1986

Descartes, René, The Philosophical Writings of Descartes, vol. 1. Trans. R. Stoothoff, Cambridge University Press 1990

Diderot, Denis, Recherches philosophiques sur l'origine et la nature du beau. Paris 1751

Dilthey, Wilhelm, Gesammelte Schriften, vols. 1–19. Stuttgart: Teubner and Göttingen: Vanderhoeck & Ruprecht 1914–1982

Dilthey, Wilhelm, Descriptive Psychology and Historical Understanding. Trans. K. L. Heiges and R. M. Zaner, The Hague: Nijhoff 1977

Dilthey, Wilhelm, Poetry and Experience, Selected Works, vol. 5. Eds. R. A. Makkreel and F. Rodi, trans. L. Agosta, R. A. Makkreel, M. Neville, C. Rodie, and J. Ross, Princeton University Press 1985

Dilthey, Wilhelm, Introduction to the Human Sciences, Selected Works, vol. 1. Eds. R. A. Makkreel and F. Rodi, trans. J. Barnouw, R. A. Makkreel, M. Neville, and F. Schreiner, Princeton University Press 1989

Donaldson, Thomas Leverton, “On a New Style in Architecture”. AA Papers, London 1847

Donaldson, Thomas Leverton, “Obituary for Gottfried Semper”. Transactions of the RIBA, Session 1878–79. London 1879, pp. 233–5

Dresden Technische Universität, Gottfried Semper 1803–1879: Sein Wirken als Architekt, Theoretiker und Revolutionärer Demokrat und die schöpferische Aneignung seines progressiven Erbes. Dresden Technische Universität, no. 13, 1980

Drüeke, Eberhard, Der Maximilianstil. Zum Stilbegriff der Architektur im 19. Jahrhundert. Mittenwald: Mäander 1981

Durand, Jean-Nicolas-Louis, Recueil et Paralléle des édifices de tout genre, anciens et modernes. Paris 1801

Durand, Jean-Nicolas-Louis, Précis des leçons d'architecture données à l'École Polytechnique, 2 vols., Paris 1802–5

Eck, Caroline van, Organicism in Nineteenth-Century Architecture: An Inquiry into its Theoretical and Philosophical Background. Amsterdam: Architectura & Natura 1994

Eck, Caroline van, J. McAllister, and R. van de Vall (eds.), The Question of Style in Philosophy and the Arts. Cambridge University Press 1995

Eco, Umberto, Art and Beauty in the Middle Ages. Trans. H. Bredin, Yale University Press 1989

Eggan, Fred, “Some Reflections on Comparative Method in Anthropology”. In M. E. Spiro (ed.), Context and Meaning in Cultural Anthropology. New York: Free Press 1965, pp. 357–71

Eggert, Klaus, “Gottfried Semper, Carl von Hasenauer”. In Renate Wagner-Rieger (ed.), Die Wien Ringstrasse: Bild einer Epoche. Die Erweiterung der inneren Stadt Wien unter Kaiser Franz Joseph, vol. VIII, Wiesbaden: Steiner 1978, pp. 79–225

Einem, Herbert von, Beiträge zu Goethes Kunstauffassung. Hamburg: Schröder 1956

Ellul, Jaques, Technological Society. Trans. J. Wilkinson, London: Cape 1965

Else, G. F., “Imitation in the Fifth Century”. Classical Philology, no. 53, 1958, pp. 73–90

Elsner, John, and Roger Cardinal (eds.), The Cultures of Collecting. London: Reaktion 1994

Ermarth, Michael: Wilhelm Dilthey: The Critique of Historical Reason. Chicago University Press 1978

Esposito, Joseph I., Schelling's Idealism and Philosophy of Nature. Bucknell University Press 1977

Ettlinger, Leopold, Gottfried Semper und die Antike: Beiträge zur Kunstanschauung des deutschen Klassizismus. Halle: Nieft 1937

Ettlinger, Leopold, “On Science, Industry, and Art: Some Theories of Gottfried Semper”. Architectural Review ⅭXXXVI, 1964, pp. 57–60Google Scholar

Evans-Pritchard, E. E., “The Comparative Method in Social Anthropology”. In E. E. Evans-Pritchard (ed.), The Position of Women in Primitive Societies and Other Essays in Social Anthropology. New York: Free Press 1965, pp. 13–36

Fischer von Erlach, Johann Bernhard, Entwurf einer historischen Architektur. In Abbildung unterschiedenes berühmten Gebäude, des Alterthums und fremdes Völcker. Vienna 1721

Fischer, Albert, “Die ästhetischen Anschauungen Gottfried Sempers und die moderne Psychologische Ästhetik”. Archiv für die gesamte Psychologie, vol. 2. Leibzig 1904, pp. 362–422Google Scholar

Forty, Adrian, “Of Cars, Clothes and Carpets: Design Metaphors in Architectural Thought”. Journal of Design History, vol. 2, no. 1, 1989CrossRefGoogle Scholar

Foucault, Michel: The Order of Things: An Archaeology of the Human Sciences. London: Routledge 1970

Frampton, Kenneth, Studies in Tectonic Culture: The Poetics of Construction in Nineteenth-and Twentieth-Century Architecture. Ed. J. Cava, Cambridge, Massachusetts: MIT Press 1995

Fröhlich, Martin, Gottfried Semper. Zeichnerischer Nachlass an der ETH Zürich: Kritischer Katalog. Basel: Birkhäuser 1974

Gadamer, Hans-Georg, Kleine Schriften, vols. 1–4. Tübingen: Mohr 1967–1977

Gadamer, Hans-Georg, Reason in the Age of Science. Trans. F. G. Lawrence, Cambridge, Massachusetts: MIT Press 1981

Gadamer, Hans-Georg, Gesammelte Werke, vols. 1–10. Tübingen: Mohr 1985–1995

Gadamer, Hans-Georg, The Relevance of the Beautiful and Other Essays. Ed. R. Bernasconi, Cambridge University Press 1986

Gadamer, Hans-Georg, Truth and Method. Trans. J. Weinheimer and D. G. Marshall, London: Sheed & Ward 1989

Gandy, Joseph, “On the Philosophy of Architecture”. Magazine of Fine Arts, vol. 1, 1821, pp. 289–93 and 370–9Google Scholar

Gantner, Joseph, Revision der Kunstgeschichte: Prolegoman zu einer Kunstgeschichte aus dem Geiste der Gegenwart. Mit einem Anhang: Semper und Le Corbusier. Vienna: Schroll 1932

Georgiadis, Sokratis, “Sempers schwierige Rückkehr aus dem zweiten Exil”. Werk, Bauen + Wohnen, no. 4, 1992, pp. 61–2Google Scholar

Gerbino, Anthony, “Imitation, Character, Typology: The Concept of Style in the Architectural Theory of Jaques-Guillaume Legrand”. Unpublished essay, University of Cambridge 1994

Germann, Georg, “Gottfried Semper über Kontinuität und Innovation”. Zeitschrift für Schweitserische Archaeologie und Kunstgeschichte, vol. 33, 1976Google Scholar

Germann, Georg, Einführung in die Geschichte der Architekturtheorie. Darmstadt: Wissenschaftlige Buchgesellschaft 1980

Gillispie, C. Coulston (ed.), Dictionary of Scientific Biography. New York: Schribner's 1973

Goethe, Johann Wolfgang von, Italian Journey. Trans. W. H. Auden and E. Mayer, London: Penguin 1962

Goethe, Johann Wolfgang von, Goethe on Art. Ed. and trans. J. Gage, London: Scholars 1980

Goethe, Johann Wolfgang von, Scientific Studies. Ed. and trans. D. Miller, New York: Suhrkamp 1988

Golden, Leon, Aristotle on Tragic and Comic Mimesis. American Classical Studies 29, Atlanta, Georgia: Scholars 1992

Gollwitzer, Heinz (ed.), 100 Jahre Maximilianeum. Munich: Pflaum 1953

Grassi, Ernesto, Kunst und Mythos. Hamburg: Rowohlt 1957

Grassi, Ernesto, Die Theorie des Schönes in der Antike. Schauburg: DuMont 1962

Gregory, Frederick, Scientific Materialism in Nineteenth-Century Germany. Dordrecht: Reidel 1977

Gurlitt, Cornelius, Zur Befreiung der Baukunst, Ziele und Taten deutscher Architekten im 19. Jahrhundert. Gütersloh: Bertelsmann Fachverlag 1969

Haag Bletter, Rosmarie, “On Martin Frölich's Gottfried Semper”. Oppositions, no. 4, October 1974, pp. 146–53

Haag Bletter, Rosmarie, “Gottfried Semper”. Macmillan Encyclopaedia of Architects, vol. 4, London: Free Press 1982, pp. 25–33

Habermas, Jürgen, Knowledge and Human Interests. Trans. J. J. Shapiro, London: Heinemann 1972

Halliwell, Stephen, Aristotle's Poetics. London: Duckworth 1986

Hallowell, Irving A., “The History of Anthropology as an Anthropological Problem”. Journal of the History of Behavioral Sciences, vol. 1, 1965, pp. 24–383.0.CO;2-B>CrossRefGoogle Scholar

Hammerschmidt, Valentin, Anspruch und Ausdrucks in der Architektur des späten Historismus in Deutschland, 1860–1914. Frankfurt am Main: Lang 1985

Harries, Karsten, The Meaning of Modern Art, A Philosophical Interpretation. Northwestern University Press 1968

Harries, Karsten, The Bavarian Rococo Church: Between Faith and Aestheticism. Yale University Press 1983

Harries, Karsten, The Broken Frame: Three Lectures. Washington, DC: Catholic University of America Press 1989

Harries, Karsten, “Theatricality and Re-presentation”. Perspecta: The Yale Architecture Journal, no. 26, 1990

Harries, Karsten, The Ethical Function of Architecture. Cambridge, Massachusetts: MIT Press 1996

Harrington, Kevin, Changing Ideas on Architecture in the “Encyclopédie”, 1750–1776. Ann Arbor: University of Michigan Press 1985

Hartoonian, Gevork, Ontology of Construction, On Nihilism of Technology in Theories of Modern Architecture. Cambridge University Press 1994

Harvey, Lawrence, “Semper's Theory of Evolution of Architectural Ornament”. Transactions of the RIBA, New Series vol. 1, 1885, pp. 29–54Google Scholar

Häusler, Gabriela, “In the Artwork We Become One.” In The Problem of the Gesamtkunstwerk in the Visual Arts of the Early Twentieth Century, unpublished dissertation, University of Cambridge 1989

Hayek, F. A., The Counter Revolution of Science – Studies in the Abuse of Reason. London: The Free Press of Glencoe, Collier-Macmillian 1955

Hegel, Georg Wilhelm Friedrich, Introduction to Aesthetics. Trans. T. M. Knox, Oxford: Claredon 1979

Heidegger, Martin, The Question Concerning Technology and Other Essays. New York: Harper & Row 1977

Heidegger, Martin, Nietzsche, vols. 1–4. Trans. F. A. Capuzzi, ed. D. Farrell-Krell, San Francisco: Harper & Row 1979

Heidegger, Martin, Kant and the Problem of Metaphysics. Trans. R. Taft, Indiana University Press 1990

Heidegger, Martin, Being and Time. Trans. J. Macquarrie and E. Robins, Oxford: Blackwell 1992

Heidegger, Martin, The Concept of Time. Trans. W. McNeill, Oxford: Blackwell 1992

Heidegger, Martin, The History of the Concept of Time. Trans. T. Kisiel, Indiana University Press 1992

Heidegger, Martin, Basic Writings. Ed. D. Farell Krell, London: Routledge 1993

Heizmann, Bertold, Ursprünglichkeit und Reflexion. Die poetische Ästhetik des jungen Herder im Zusammenhang der Geschichtsphilosophie und Anthropologie des 18. Jahrhundert. Frankfurt am Main: Lang 1981

Herder, Johann Gottfried, Essay on the Origin of Language (1772). Trans. A. Gode, in Two Essays on the Origin of Language, Jean-Jacques Rousseau and Johann Gottfried Herder, University of Chicago Press 1986

Herder, Johann Gottfried, Auch eine Philosophie der Geschichte zur Bildung der Menschheit (1774). Ed. H. S. Irmscher, Stuttgart: Reclam 1990

Herrmann, Wolfgang, Deutsche Baukunst des 19. und 20. Jahrhunderts. Basel: Birkhäuser 1977

Herrmann, Wolfgang, Gottfried Semper: Theoretischer Nachlass an der ETH Zürich. Katalog und Kommentare. Basel: Birkhäuser 1981

Herrmann, Wolfgang, Gottfried Semper: In Search of Architecture. Cambridge, Massachusetts: MIT Press 1984

Herrmann, Wolfgang, Laugier and Eighteenth-Century French Theory. London: Zwemmer 1985

Herrmann, Wolfgang (ed.), In What Style Should We Build? The German Debate on Architectural Style. Santa Monica: Getty 1992

Hirt, Aloys L., Die Baukunst nach den Grundsätzen der Alten. Berlin 1809

Hodgen, Margaret, Early Anthropology in the Sixteenth and Seventeenth Centuries. University of Pennsylvania Press 1964

Hoenigswald, Henry M., “Etymology Against Grammar in the Early 19th Century”. HEL: Histoire, Épistemologie, Langage, vol. 6, no. 2, 1984, pp. 95–100CrossRefGoogle Scholar

Hohner, Ulrich, Zur Problematik der Naturnachahmung in der Ästhetik der achtzehnte Jahrhundert. Erlangen: Palm & Enke 1976

Holy, Ladislav (ed.), Comparative Anthropology. Oxford: Blackwell 1987

Honigmann, John J., The Development of Anthropological Ideals. Homewood, Illinois: Dorsey 1976

Huizinga, Johan, Homo Ludens: A Study of the Play Element in Culture. London: Temple Smith 1970

Hull, David L., “The Metaphysics of Evolution”. British Journal for the History of Science, vol. 3, 1967, pp. 309–37CrossRefGoogle Scholar

Humboldt, Wilhelm von, Werke In fünf Bänden. Eds. A. Flitner and K. Giel, Stuttgart: Cotta 1960

Hume, David, The Natural History of Religion. London 1757

Husserl, Edmund, The Crisis of European Sciences and Transcendental Phenomenology. Trans. D. Carr, Evanston: Northwestern University Press 1970

Hutcheson, Francis, An Inquiry into the Original of our Ideas of Beauty and Virtue. London 1726

Iggers, Georg, The German Conception of History. Wesleyan University Press 1968

Iversen, Margaret, “Riegl versus Semper.” Daidalos, no. 29, 1988

Jaspers, Karl, Man in the Modern Age. Trans. E. and C. Paul, London: Routledge and Kegan 1951

Jauss, H. R. (ed.), Nachahmung und Illusion. Munich: Eidos 1964

Jenkins, Ian, Archaeologists & Aesthetes in the Sculpture Galleries of the British Museum 1800–1939. London: British Museum Press 1992

Kant, Immanuel, Idea for a Universal History from a Cosmopolitan Point of View. In L. White Beck (ed. and trans.), Immanuel Kant on History, Indianapolis: Bobbs-Merrill 1963

Kant, Immanuel, Critique of Judgement. Trans. W. S. Pluhar, Indianapolis: Hackett 1987

Kant, Immanuel, Critique of Pure Reason. Trans. P. Guyer and A. W. Wood, Cambridge University Press 1998

Kearney, Richard, The Wake of Imagination: Ideas of Creativity in Western Culture. London: Hutschinson 1988

Klemm, Gustav Friedrich, Allgemeine Kulturgeschichte der Menschheit, vols. 1–9. Leibzig: Teubner 1843–51

Kolakowski, Leszek, Positivist Philosophy from Hume to the Vienna Circle. Trans. N. Guterman, Harmondsworth: Penguin 1972

Koller, Herrmann, Die Mimesis in der Antike, Nachahmung, Darstellung, Ausdruck. Bern: Francke 1954

Koselleck, Reinhart, Futures Past: On the Semantics of Historical Time. Trans K. Tribe, Cambridge, Massachusetts: MIT Press 1985

Kristeller, Paul O., “The Modern System of the Arts.” In Kivy, P. (ed.), Essays on the History of Aesthetics, Rochester University Press, 1992

Krogseth, Otto, Den tyske historismen. En idéhistorisk undersøkelse av den tyske historismens utviklingshistorie. Oslo: Universitetsforlaget 1984

Kruft, Hanno-Walter, Geschichte der Architekturtheorie, von der Antike bis zur Gegenwart. Munich: Beck 1991

Laudel, Heidrun, Gottfried Semper: Architektur und Stil. Dresden: Verlag der Kunst 1991

Laugier, Marc-Antoine, An Essay on Architecture. Trans. W. and A. Herrmann, Los Angeles: Hennessey & Ingalls 1977

Lavin, Sylvia, Quatremère de Quincy and the Invention of a Modern Language of Architecture. Cambridge, Massachusetts: MIT Press 1992

Leatherbarrow, David, The Roots of Architectural Invention: Site, Enclosure, Materials. Cambridge University Press 1993

Legrand, J. G., Essai sur l'historie générale de l'architecture, pour servir de texte explicatif. Au Recueil et parallele des edifices de tout genre, anciens et modernes. 2nd edition, Paris 1809

Leibniz, Gottfried Wilhelm: New Essays on Human Understanding. Trans. and ed. P. Remnant and J. Bennett, Cambridge University Press 1996

Leopold, Joan, Culture in Comparative and Evolutionary Perspective: E. B. Tylor and the Making of Primitive Culture. Berlin: Reimer 1980

Leroy, Julien-David, Les ruines des plus beaux monuments de la Grèce: ouvrage divisé en deux parties, ou l'on considere dans la premiere, ces monuments du côte de l'histoire; et dans la seconde, du côte de l'architecture. Paris 1758

Lindberg, David C., and Robert S. Westman (eds.), Reappraisals of the Scientific Revolution. Cambridge University Press 1990

Linnaeus, Carl, Reflections on the Study of Nature. London: Nicol 1785

Lipp, Wilfried, Natur, Geschichte, Denkmal: Zur Entstehung des Denkmalbewusstsein der bürgerlichen Gesellschaft. Frankfurt am Main: Campus 1987

Loos, Adolf, Spoken into the Void: Complete Essays 1897–1900. Trans. J. O. Newmann and J. H. Smith, Cambridge, Massachusetts: MIT Press 1982

Lovejoy, Arthur O., Essays in the History of Ideas. Baltimore: Johns Hopkins Press 1948

Lovejoy, Arthur O., The Great Chain of Being, A Study in the History of an Idea. Harvard University Press 1964

Löwith, Karl, Meaning in History: The Theological Implications of the Philosophy of History. University of Chicago Press 1949

Löwith, Karl, From Hegel to Nietzsche, the Revolution in Nineteenth-Century Thought. Trans. D. E. Green, London: Constable 1964

Lützow, Carl, “Review of Semper's Der Stil Recensionen und Mittheilungen über bildende Kunst,” vol. 2, no. 5, pp. 85–6

Madrazo, Leandro, “Durand and the Science of Architecture”. Journal of Architectural Education, vol. 48, no. 1, September 1994, pp. 12–24CrossRefGoogle Scholar

Madrazo, Leandro, The Concept of Type in Architecture: An Inquiry into the Nature of Architectural Form. Unpublished dissertation, Zurich: Eidgenössische Technische Hochschule 1995

Makkreel, Rudolf A., Dilthey, Philosopher of the Human Studies. Princeton University Press 1975

Mallgrave, Harry Francis, “Commentary on Semper's November Lecture”. RES: Journal of Anthropology and Aesthetics, 6 Fall 1983, pp. 23–31Google Scholar

Mallgrave, Harry Francis, “Gustav Klemm and Gottfried Semper: The Meeting of Ethnological and Architectural Theory”. RES: Journal of Anthropology and Aesthetics, 9 Spring 1985, pp. 68–79Google Scholar

Mallgrave, Harry Francis, and Wolfgang Herrmann (eds.), Gottfried Semper: The Four Elements of Architecture and Others Writings. Cambridge University Press 1989

Mallgrave, Harry Francis (ed.), Otto Wagner, Reflection on the Raiment of Modernity. Santa Monica: Getty 1993

Mallgrave, Harry Francis, and Eleftherios Ikonomou (eds.), Empathy, Form, and Space: Problems in German Aesthetics 1873–1893. Santa Monica: Getty 1994

Mallgrave, Harry Francis, Gottfried Semper: Architect of the Nineteenth Century. Yale University Press 1996

Manchester, Martin L., The Philosophical Foundation of Humboldt's Linguistic Doctrines. Amsterdam: Benjamin 1985

Manuel, Frank E., Freedom from History and Other Untimely Essays. University of London Press 1972

Marx, Karl, and Friedrich Engels, Selected Works in Three Volumes. Moscow: Progress 1983

Mauro, Tullio de, and Lia Formigari (eds.), Leibniz, Humboldt, and the Origins of Comparativism. Amsterdam: Benjamin 1990

McFarland, J. D., Kant's Concept of Teleology. University of Edinburgh Press 1970

McMullin, Ernan, “The Conception of Science in Galileo's Work”. In R. Butts and J. Pitts (eds.), New Perspectives on Galileo, Dordrecht: D. Reidel 1978

Meillet, Antoine, The Comparative Method in Historical Linguistics. Trans. G. B. Ford Jr., Paris: Champion 1966

Meinecke, Friedrich, Historism: The Rise of a New Historical Outlook. Trans. J. E. Anderson, London: Routledge & Kegan 1972

Merz, Johann Theodore, A History of European Scientific Thought in the Nineteenth Century. Edinburgh: Blackwood 1896

Middleton, Robin (ed.), The Beaux-Arts and Nineteenth-Century French Architecture. London: Thames and Hudson 1984

Middleton, Robin, “Symmetry: A French Obsession”. Daidalos 15, 1985Google Scholar

Middleton, Robin, “The Rationalist Interpretation of Classicism of Léonce Reynaud and Viollet-le-Duc”. AA Files 2, 1986Google Scholar

Miller, Edward, That Noble Cabinet, A History of the British Museum. Athens, Ohio: Ohio University Press 1974

Montesquieu, Charles de Secondat, Baron de, The Spirit of the Laws. Trans. T. Nugent, Chicago: Encyclopaedia Britannica 1952

Morawánsky, Ákos, Die Architektur der Donaumonarchie 1867–1918. Berlin: Ernst 1988

Mueller-Vollmer, Kurt (ed.), The Hermeneutics Reader: Texts of the German Tradition from the Enlightenment to the Present. Oxford: Blackwell 1984

Müller, Karl Otfried, Ancient Art and Its Remains, or a Handbook of the Archaeology of Art. Trans. J. Leitch, London 1850

Murray, Michael, Modern Philosophy of History; Its Origin and Destination. The Hague: Nijhoff 1970

Muthesius, Hermann, Style Architecture and Building-Art, Transformations of Architecture in the Nineteenth Century and its Present Conditions. Trans. S. Anderson, Santa Monica: Getty 1994

Nabrings, Arie, “Historismus als Paralyse der Geschichte”. Archiv für Kulturgeschichte, vol. 65, Vienna: Böhlan 1983, pp. 157–212

Nietzsche, Friedrich, Untimely Meditations. Trans. R. J. Hollingdale, Cambridge University Press 1983

Oechslin, Werner, “Premises for the Resumption of the Discussion of Typology”. Assemblage no. 1, October 1986

Oechslin, Werner, Stilhülse und Kern: Otto Wagner, Adolf Loos und der evolutionäre Weg zur modernen Architektur. Zurich: gta 1994

Olender, Maurice, The Language of Paradise. Trans. A. Goldhammer, Harvard University Press 1992

Panofsky, Erwin, Renaissance and Renaissances in Western Art. Stockholm: Almquist & Wikell 1960

Panofsky, Erwin, Idea: A Concept in Art Theory. University of South Carolina Press 1968

Parrot, André, Nineveh and Babylon. Trans. S. Gilbert and J. Emmons, London: Thames and Hudson 1961

Peréz-Goméz, Alberto, Architecture and the Crisis of Modern Science. Cambridge, Massachusetts: MIT Press 1992

Peréz-Goméz, Alberto, and Louise Pelletier, Architectural Representation and the Perspective Hinge. Cambridge, Massachusetts: MIT Press 1997

Pevsner, Nikolaus, Some Architectural Writers of the Nineteenth Century. Oxford: Claredon 1972

Plato, The Collected Dialogues. Ed. E. Hamilton and H. Cairns, Princeton University Press 1989

Podro, Michael, The Critical Historians of Art. Yale University Press 1992

Prinzhorn, Hans, Gottfried Sempers aesthetische Grundanschauungen. Stuttgart: Union 1909

Pruscha, Carl (ed.), Das Semper Depot. Munich: Prestel 1997

Pugin, Augustus Welby Northmore, Contrasts, or A Parallel Between the Noble Edifices of Fourteenth and Fifteenth Centuries and Similar Buildings of the Present Day, Showing the Present Decay of Taste (1836). Leicester: Leicester University Press 1969

Pugin, Augustus Welby Northmore, The True Principles of Pointed or Christian Architecture (1841). London: Academy 1973

Quatremère de Quincy, Antoine-Chrysostome, Dictionnaire d'architecture, 3 vols. Part of Encyclopédie méthodique, ou par ordre de matières, ed. C.-J. Panckoucke, Paris 1788–1825

Quatremère de Quincy, Antoine-Chrysostome, The Destination of Works of Art and the Use to Which They Are Applied. Trans. H. Thomson, London 1821

Quatremère de Quincy, Antoine-Chrysostome, “Essays from Encyclopedie Methodique: Architecture (1788–1825)”. In J. C. Loudon (ed.), Architectural Magazine, 1836–7

Quatremère de Quincy, Antoine-Chrysostome, Essay on the Nature, the End, and the Means of Imitation in the Fine Arts. Trans. J. C. Kent, London 1837

Quitzsch, Heinz, “Sempers Kunsttheorie.” In Gottfried Semper 1803–1879. Baumeister Zwischen Revolution und Historismus, Staatliche Kunstsammlung, Dresden und Institut für Denkmalspflege, Munich: Callwey 1980

Quitzsch, Heinz, Die ästhetischen Anschaungen Gottfried Sempers. Studien zur Architectur-und Kunstwissenschaft, vol. 1. Berlin: Akademie-Verlag 1962

Rand, Colin, “Two Meanings of Historicism in the Writings of Dilthey, Troeltsch, and Meinecke”. Journal of the History of Ideas, no. 25, 1964, pp. 503–18

Ricoeur, Paul, A Ricoeur Reader: Reflection and Imagination. Ed. Mario J. Valdés, University of Toronto Press 1991

Ricoeur, Paul, Hermeneutics and the Human Sciences. Trans. J. B. Thompson, Cambridge University Press 1982

Ricoeur, Paul, Time and Narrative, vol. 1–3. Trans. K. McLaughlin and D. Pellauer, University of Chicago Press 1983

Riegl, Alois, Late Roman Art Industry. Trans. R. Winkes, Rome: Bretschneider 1985

Riegl, Alois, Problems of Style: Foundations for a History of Ornament. Trans. E. Kain, Princeton University Press 1992

Rothacker, Erich, Logik und Systematik der Geisteswissenschaften. Munich: Oldenbourg 1965

Rousseau, Jean-Jacques, Discours sur l'origine et les fondements de l'inègalité parmi les hommes. Amsterdam 1755

Rousseau, Jean-Jacques, Essay on the Origin of Languages Which Treats of Melody and Musical Imitation. Trans. J. H. Moran, in Two Essays on the Origin of Language, Jean-Jacques Rousseau and Johann Gottfried Herder. University of Chicago Press 1986

Rykwert, Joseph, On Adam's House in Paradise. The Idea of the Primitive Hut in Architectural History. Cambridge, Massachusetts: MIT Press 1981

Rykwert, Joseph, “Preface to London Lecture of November 11, 1853”. In RES: Journal of Anthropology and Aesthetics, 6 Fall 1983, pp. 5–7Google Scholar

Rykwert, Joseph, The Idea of a Town, the Anthropology of Urban Form in Rome, Italy and the Ancient World. Cambridge, Massachusetts: MIT Press 1995

Rykwert, Joseph, The Dancing Column: On Order in Architecture. Cambridge, Massachusetts: MIT Press 1996

Saint-Simon, Claude Henri de, The Political Thought of Saint-Simon. Ed. and trans. G. Ionescu, Oxford University Press 1976

Saisselin, Rémy G., The Rule of Reason and the Ruses of the Heart, A Philosophical Dictionary of Classical French Criticism, Critics, and Aesthetic Issues. Cleveland: The Press of Case Western Reserve University 1970

Schelling, Friedrich Wilhelm Joseph, Ideas for a Philosophy of Nature, as Introduction to the Study of This Science (1798; 2nd ed., 1803). Trans. E. E. Harris and P. Heath, Cambridge University Press 1988

Schelling, Friedrich Wilhelm Joseph, The Philosophy of Art. Trans. D. W. Stott, University of Minnesota Press 1989

Schenker, Manfred K., Batteux und seine Nachahmungstheorie in Deutschland. Hildesheim: Gerstenberg 1977

Schiller, Friedrich, On the Aesthetic Education of Man in a Series of Letters. Trans. R. Snell, Bristol: Thoemmes 1994

Schlegel, August Wilhelm, Vorlesungen über Ästhetik, vol. 1 (1798–1803). Ed. E. Behler, Munich: Schöning 1989

Schlegel, Friedrich, Ueber die Sprache und Weisheit der Indier: Ein Beitrag zur Begründung der Alterthumskunde. Heidelberg: Mohr & Zimmer 1808. Reprinted Amsterdam: Benjamin 1977

Schlegel, Friedrich, Kritische Friedrich Schlegel Ausgabe, vol. 2, Charakteristiken und Kritiken (1796–1801). Ed. E. Bettler, Munich: Schöning 1967

Schmarsow, August, Grundbegriffe der Kunstwissenschaft am Übergang vom Altertum zum Mittelalter kritisch erörtert und in systematischem Zusammenhang dargestellt. Leibzig: Teubner 1903

Schneider, Donald D., The Work and Doctrines of Jaques Ignace Hittorf, 1792–1867. New York: Garland 1977

Schopenhauer, Arthur, Die Welt als Wille und Vorstellung (1819). In Sämtliche Werke, vol. 1, Wiesbaden: Brockhaus 1972

Schorske, Carl, Fin-de-siècle Vienna: Politics and Culture. Cambridge University Press 1979

Schwarzer, Mitchell, German Architectural Theory and the Search for Modern Identity. Cambridge University Press 1995

Sedlmayr, Hans, Johann Bernhard Fischer von Erlach. Munich: Wien 1956

Semper, Hans, Gottfried Semper, ein Bild seines Lebens und Wirkens. Berlin: Calvary 1880

Semper, Hans, and Manfred Semper (eds.), Gottfried Semper: Kleine Schriften. Berlin and Stuttgart 1884; Mittenwald: Mäander 1979

Semper, Manfred, “Zur kunstgeschichtlichen Würdigung Gottfried Sempers”. Deutsche Bauzeitung 19, 1885, no. 67, pp. 401–4, and no. 68, pp. 409–11Google Scholar

Simon, W. M., European Positivism in the Nineteenth Century, An Essay in Intellectual History. Cornell University Press 1963

Singer, Charles, A History of Biology to About the Year 1900. London: Abelard-Schuman 1959

Sola-Morales, Ignacio, “The Origins of 19th-Century Eclecticism: The Theories of Architecture in Early 19th-Century France”. Quaderns, April-June 1984, pp. 66–79

Sørensen, Bengt Algott, Symbol und Symbolismus in den ästhetischen Theorien des 18. Jahrhunderts und der deutschen Romantik. Copenhagen: Munksgaard 1963

Stafford, Barbara Maria, Voyage into Substance: Art, Science, Nature, and the Illustrated Travel Accounts, 1760–1840. Cambridge, Massachusetts: MIT Press 1984

Steadman, Philip, The Evolution of Designs: Biological Analogy in Architecture and the Applied Arts. Cambridge University Press 1979

Stockmeyer, Ernst: Gottfried Sempers Kunsttheorie. Zurich: Rascher 1939

Szambien, Werner: Jean-Nicolas-Louis Durand, 1760–1834. De L'imitation à la norme. Paris: Picard 1984

Tatarkiwicz, W., The History of Aesthetics, vol. 1–3. The Hague: Mouton 1970

Taylor, Charles, Sources of the Self. Cambridge University Press 1989

Thomas, Downing A., Music and the Origins of Language: Theories from the French Enlightenment. Cambridge University Press 1995

Toulmin, Stephen, Cosmopolis, the Hidden Agenda of Modernity. Chicago University Press 1990

Troeltsch, Ernst, Gesammelte Schriften, vol. 3, Der Historismus und seine Probleme. Tübingen: Mohr 1922

Vallier, Ivan (ed.), Comparative Methods in Sociology: Essays on Trends and Applications. University of California Press 1971

Ven, Cornelis, “Ideas of Space in German Architectural Theory 1850–1930”. Architectural Association Quarterly, vol. 9, no. 2–3, 1977, pp. 30–9Google Scholar

Venturi, Lionel, History of Art Criticism. Trans. C. Morriatt, New York: Dutton 1936

Verdenius, Willem J., Mimesis: Plato's Doctrine of Artistic Imitation and Its Meaning to Us. Leiden: Brill 1949

Vesely, Dalibor, “Surrealism, Myth and Modernity”. Architectural Design, vol. 48, no. 2–3, 1978Google Scholar

Vesely, Dalibor, “Architecture and the Conflict of Representation”. AA Files 8 1987Google Scholar

Vesely, Dalibor, “Architecture and the Poetics of Representation”. Daidalos, September 1987

Vesely, Dalibor, “The Nature of Creativity in the Age of Production”. Scroope, Cambridge Architecture Journal, no. 4, 1992

Vico, Giambattista, The New Science (3rd edition, 1744). Trans. T. G. Bergin and M. H. Fisch, Cornell University Press 1994

Vidler, Anthony, “The Third Typology”. Oppositions, no. 7, 1976, pp. 1–4

Vidler, Anthony, “The Idea of Type: The Transformation of the Academic Ideal, 1750–1830”. Oppositions, no. 8, 1977, pp. 95–115

Vidler, Anthony, “The Hut and the Body: The ‘Nature’ of Architecture from Laugier to Quatremère de Quincy”. Lotus International, vol. 33, 1981, pp. 102–12Google Scholar

Vidler, Anthony, “The ‘Art’ of History: Monumental Aesthetics from Winckelmann to Quatremère de Quincy”. Oppositions, no. 25, 1982, pp. 53–67

Vidler, Anthony, The Writing of the Walls: Architectural Theory in the Late Enlightenment. Princeton Architectural Press 1987

Villari, Sergio, “J. N. L. Durand (1760–1843).” Art and Science of Architecture. New York: Rizzoli 1990

Viollet-le-Duc, Eugéne-Emmanuel, Discourses on Architecture (1859–72), vols. 1–2. Trans. B. Bucknall, London: Allen & Unwin 1959

Vitruvius, The Ten Books on Architecture. Trans. M. Hicky Morgan, New York: Dover 1960

Voegelin, Eric, Science, Politics and Gnosticism, Two Essays by Eric Voegelin. Washington, DC: Regnery Gateway 1968

Voegelin, Eric, From Enlightenment to Revolution. Ed. J. Hallowell, Duke University Press 1975

Voget, Fred W., “Progress, Science, History and Evolution in Eighteenth-and Nineteenth-century Anthropology”. Journal of the History of Behavioral Sciences, vol. 3, 1967, pp. 132–2553.0.CO;2-O>CrossRefGoogle Scholar

Vogt, Adolf, Max, Christina Reble, and Martin Frölich (eds.), Gottfried Semper und die Mitte des 19. Jahrhunderts. Basel: Birkhaüser 1976

Waetzold, Wilhelm, Deutsche Kunsthistoriker, vols. 1–2. Berlin: Hessling 1965

Wagner, Otto, Modern Architecture (1896). Trans H. F. Mallgrave, Santa Monica: Getty 1988

Wagner, Richard, Richard Wagner's Prose Works, vols. 1–3. Trans. W. A. Ellis, London: Reeves 1895

Wagner, Richard, My Life. London: Constable 1994

Watkin, David, and Tilman Mellinghoff, German Architecture and the Classical Ideal 1740–1840. London: Thames and Hudson 1987

Wegmann, Peter, Gottfried Semper und das Winterthurer Stadthaus: Sempers Architektur im Spiegel seiner Kunsttheorie. Bibliothek Winterthur 1985

Weidlé, Wladimir, Gestalt und Sprache des Kunstwerkes, Studien zur Grundlegung einer nichtästhetischen Kunsttheorie. Mittenwald: Mäander 1981

Wellek, René, A History of Modern Criticism: 1750–1950. London: Cape 1955

Wiedmann, August K., Romantic Roots in Modern Art: Romanticism and Expressionism: A Study in Comparative Aesthetics. Surrey: Gresham 1979

Wikman, K. R. V., Lachesis and Nemesis: Four Chapters on the Human Condition in the Writings of Carl Linnœus. Stockholm: Almquist & Wiksell 1970

Winckelmann, Johann Joachim, On the Imitation of the Painting and Sculpture of the Greeks (1755). In D. Irwin (ed. and trans.), Winckelmann: Writings on Art, London: Phaidon 1972

Wingler, Hans M., Wissenschaft, Industrie und Kunst, und andere Schriften über Architektur, Kunsthandwerk und Kunstunterricht. Mainz: Kupferberg 1966

Wright, T. R., The Religion of Humanity: The Impact of Comtean Positivism on Victorian Britain. Cambridge University Press 1986

Yim, Seockjae, Imitation and Ideal Type: A Study of Eighteenth-Century French Architecture. Unpublished dissertation, University of Pennsylvania 1992

Zanten, Ann Lorenz van, “Form and Society: César Daly and the Revue Générale de l'architecture”. Oppositions, no. 8, 1977

Zanten, David van, The Architectural Polychromy of the 1830s. New York: Garland 1977

Zeising, Adolf, Neue Lehre von den Proportionen des menschlichen Körpers. Leibzig: Weigel 1854

Zeising, Adolf, Aesthetische Forschungen. Frankfurt: Meidinger 1855

Abrams, Meyer H., The Mirror and the Lamp: Romantic Theory and the Literary Tradition. Oxford University Press 1953

Acherknecht, Erwin H., “On the Comparative Method in Anthropology”. In R. Spencer (ed.), Method and Perspective in Anthropology. University of Minnesota Press 1954, pp. 117–25

Adorno, Theodor W., and Max Horkheimer, Dialectic of Enlightenment. Trans. John Cumming, London: Verso 1979

Allers, Rudolf, “Microcosmus, from Anaximandros to Paracelsus”. Traditio, Studies in Ancient and Medieval History, Thought and Religion, vol. 11, New York 1944, pp. 319–407Google Scholar

Antoniades, Anthony, Poetics of Architecture: Theory of Design. New York: Van Nostrand Reinhold 1990

Arendt, Hannah, The Human Condition. University of Chicago Press 1989

Arendt, Hannah, Between Past and Future, Eight Exercises in Political Thought. New York: Penguin 1993

Aristotle, Poetics. Trans. J. Hutton, New York: Norton 1982

Auerbach, Eric, Mimesis, the Representation of Reality in Western Literature. Princeton University Press 1953

Bambach, Charles R., Heidegger, Dilthey, and the Crisis of Historicism. Cornell University Press 1995

Barnett, R. D., and A. Lorenzini, Assyrian Sculpture in the British Museum. Toronto: McClelland & Stewart 1975

Bauer, Hermann (ed.), Probleme der Kunstwissenschaft, vol. 1: Kunstgeschichte und Kunsttheorie im 19. Jahrhundert. Berlin: de Gruyter 1963

Baumgarten, Alexander Gottlieb, Meditiationes philosophicae de nonnullis ad poema pertinentibus (1735). Reflections on Poetry. Trans. K. Aschenbrenner and W. Holther, University of California Press 1954

Becherer, Richard, Science Plus Sentiment: César Daly's Formula for Modern Architecture. University of Michigan Research Press 1984

Beiser, Frederick C., The Fate of Reason: German Philosophy from Kant to Fichte. Harvard University Press 1987

Bell, Matthew, Goethe's Naturalistic Anthropology: Man and Other Plants. Oxford: Claredon 1994

Below, Georg, “Die vergleichende Methode”. Historische Vierteljahrschrift, 21, Jahrgang, Dresden 1922–3, pp. 129–39Google Scholar

Bergdoll, Barry, Léon Vaudoyer, Historicism in the Age of Industry. Cambridge, Massachusetts: MIT Press 1994

Bergdoll, Barry, Karl Friedrich Schinkel, An Architecture for Preussia. New York: Rizzoli 1994

Berlage, Hendrik P., “Thoughts of Style in Architecture” (1905). In I. Boyd-Whyte (ed. and trans.), Hendrik Petrus Berlage, Thoughts on Style 1886–1909. Santa Monica: Getty 1996

Berlin, Isaiah, Four Essays on Liberty. Oxford University Press 1969

Berry, James D., The Legacy of Gottfried Semper. Studies in Späthistorismus. Unpublished Ph.D. dissertation, Providence: Brown University 1989

Bialostocki, Jan, “The Renaissance Concept of Nature and Antiquity”. In Acts of the Twentieth International Congress of the History of Art, vol. 2, Princeton 1963, pp. 19–30Google Scholar

Bisanz, R. M. “The Romantic Synthesis of the Arts: Nineteenth-Century German Theories on a Universal Art” Konsthistorisk Tidsskrift XXXXIV, 1975Google Scholar

Blumenberg, Hans, Work on Myth. Trans. R. M. Wallace, Cambridge, Massachusetts: MIT Press 1985

Blunt, William, The Compleat Naturalist: A Life of Linnaeus. London: Collins 1971

Borsche, Tilman, Wilhelm von Humboldt. Munich: Beck 1990

Bötticher, Karl, Architektonische Formen-Schule in Ornamenterfindung. Potsdam 1847

Bötticher, Karl, Die Tektonik der Hellenen, vols. 1–2. Potsdam: Riegel 1844–52

Bötticher, Karl, Der Baumkultus der Hellenen nach den gottesdienstlichen Gebräuchen und den überleferten Bildwerken dargestellt. Berlin: Weidmann 1856

Bötticher, Karl, Die Tektonik der Hellenen, vols. 1–2 (second, revised edition). Berlin: Ernst & Korn 1874

Boullée, Etienne-Louis, Architecture, Essay on Art. H. Rosenau (ed. and trans.). London: Academy 1976

Braham, William W., “What's Hecuba to Him? On Kiesler and the Knot”. Assemblage, no. 36, August 1998, pp. 6–23

Breck, Allen D., “The Use of Biological Concepts in the Writing of History”. In A. D. Breck and W. Yourgrau (eds.), Biology, History and Natural Philosophy. London: Plenum 1972

Bryant (née Häusler), Gabriele, ‘Art as “Precursor of Redemption’: Peter Behrens and the Gesamtkunstwerk”. Mac Journal, no. 5, 1999

Bury, J. B., The Idea of Progress: An Inquiry into its Origin and Growth. New York: Dover 1960

Butler, Eliza M., The Saint-Simonian Religion in Germany. Oxford University Press 1926

Carl, Peter, “Architecture and Time: A Prolegomena”. AA Files 22, Autumn 1991, pp. 48–65Google Scholar

Cassirer, Ernst, “Structuralism in Modern Linguistics”. In Word: Journal of the Linguistic Circle of New York, vol. 1, no. 2, New York 1945, pp. 199–220CrossRefGoogle Scholar

Cassirer, Ernst, The Problem of Knowledge, Philosophy, Science and History since Hegel. Trans. W. H. Woglom and C. W. Hendel, Yale University Press 1950

Cassirer, Ernst, The Philosophy of the Enlightenment. Trans. F. C. A. Koelln and J. P. Pettegrove, Boston: Beacon 1955

Cassirer, Ernst, The Philosophy of Symbolic Forms, vols. 1–3. Trans. R. Manheim, Yale University Press 1965

Cassirer, Ernst, Goethe und die geschichtliche Welt. Hamburg: Meiner 1995

Cicero, Markus Tullius, De Inventione. Trans C. D. Yonge, London: Bell 1888

Coleman, Francis X. J., The Aesthetic Thought of the French Enlightenment. University of Pittsburgh Press 1971

Coleman, William, Georges Cuvier, Zoologist: A Study in the History of Evolution Theory. Harvard University Press 1964

Coleman, William, Biology in the 19th Century: Problems of Form, Function, and Transformation. Cambridge University Press 1971

Collins, Peter, Changing Ideals in Modern Architecture. London: Faber & Faber 1965

Collon, Dominique, Ancient Near Eastern Art. London: British Museum 1995

Colomina, Beatriz (ed.), Sexuality and Space, Princeton Architectural Press 1992

Comte, August, The Essential Writings. Ed. and trans. Gertrud Lenzer, New York: Harper & Row 1975

Condillac, Étienne Bonot de, Essai sur l'origine des Connoissances humaines. Amsterdam 1746

Conger, George P., Theories of Macrocosms and Microcosms in the History of Philosophy. New York: Columbia University Press 1922

Crook, Joseph Mordaunt, The Dilemma of Style, Architectural Ideals from the Picturesque to the Post-Modern. London. Murray 1987

Cuvier, Georges, Lecons d'anatomie comparée, vols 1–5, Paris: Crochard, Fantin, Badouin 1805

Cuvier, Georges, The Animal Kingdom Arranged in Conformity with its Organisation, with Additional Description of all the Species Hitherto Named, and of Many Not Before Noticed, vols. 1–16. Ed. and trans. E. Griffith and G. B. Whittaker, London 1827

Dal Co, Francesco, Figures of Architecture and Thought: German Architectural Culture 1880–1920. New York: Rizzoli 1990

Certeau, Michael, “Writing vs. Time: History and Anthropology in the Works of Lafitau”. Yale French Studies 59, Yale 1980, pp. 37–65CrossRefGoogle Scholar

Descartes, René, Meditations on First Philosophy. Trans. J. Cottingham, Cambridge University Press 1986

Descartes, René, The Philosophical Writings of Descartes, vol. 1. Trans. R. Stoothoff, Cambridge University Press 1990

Diderot, Denis, Recherches philosophiques sur l'origine et la nature du beau. Paris 1751

Dilthey, Wilhelm, Gesammelte Schriften, vols. 1–19. Stuttgart: Teubner and Göttingen: Vanderhoeck & Ruprecht 1914–1982

Dilthey, Wilhelm, Descriptive Psychology and Historical Understanding. Trans. K. L. Heiges and R. M. Zaner, The Hague: Nijhoff 1977

Dilthey, Wilhelm, Poetry and Experience, Selected Works, vol. 5. Eds. R. A. Makkreel and F. Rodi, trans. L. Agosta, R. A. Makkreel, M. Neville, C. Rodie, and J. Ross, Princeton University Press 1985

Dilthey, Wilhelm, Introduction to the Human Sciences, Selected Works, vol. 1. Eds. R. A. Makkreel and F. Rodi, trans. J. Barnouw, R. A. Makkreel, M. Neville, and F. Schreiner, Princeton University Press 1989

Donaldson, Thomas Leverton, “On a New Style in Architecture”. AA Papers, London 1847

Donaldson, Thomas Leverton, “Obituary for Gottfried Semper”. Transactions of the RIBA, Session 1878–79. London 1879, pp. 233–5

Dresden Technische Universität, Gottfried Semper 1803–1879: Sein Wirken als Architekt, Theoretiker und Revolutionärer Demokrat und die schöpferische Aneignung seines progressiven Erbes. Dresden Technische Universität, no. 13, 1980

Drüeke, Eberhard, Der Maximilianstil. Zum Stilbegriff der Architektur im 19. Jahrhundert. Mittenwald: Mäander 1981

Durand, Jean-Nicolas-Louis, Recueil et Paralléle des édifices de tout genre, anciens et modernes. Paris 1801

Durand, Jean-Nicolas-Louis, Précis des leçons d'architecture données à l'École Polytechnique, 2 vols., Paris 1802–5

Eck, Caroline van, Organicism in Nineteenth-Century Architecture: An Inquiry into its Theoretical and Philosophical Background. Amsterdam: Architectura & Natura 1994

Eck, Caroline van, J. McAllister, and R. van de Vall (eds.), The Question of Style in Philosophy and the Arts. Cambridge University Press 1995

Eco, Umberto, Art and Beauty in the Middle Ages. Trans. H. Bredin, Yale University Press 1989

Eggan, Fred, “Some Reflections on Comparative Method in Anthropology”. In M. E. Spiro (ed.), Context and Meaning in Cultural Anthropology. New York: Free Press 1965, pp. 357–71

Eggert, Klaus, “Gottfried Semper, Carl von Hasenauer”. In Renate Wagner-Rieger (ed.), Die Wien Ringstrasse: Bild einer Epoche. Die Erweiterung der inneren Stadt Wien unter Kaiser Franz Joseph, vol. VIII, Wiesbaden: Steiner 1978, pp. 79–225

Einem, Herbert von, Beiträge zu Goethes Kunstauffassung. Hamburg: Schröder 1956

Ellul, Jaques, Technological Society. Trans. J. Wilkinson, London: Cape 1965

Else, G. F., “Imitation in the Fifth Century”. Classical Philology, no. 53, 1958, pp. 73–90

Elsner, John, and Roger Cardinal (eds.), The Cultures of Collecting. London: Reaktion 1994

Ermarth, Michael: Wilhelm Dilthey: The Critique of Historical Reason. Chicago University Press 1978

Esposito, Joseph I., Schelling's Idealism and Philosophy of Nature. Bucknell University Press 1977

Ettlinger, Leopold, Gottfried Semper und die Antike: Beiträge zur Kunstanschauung des deutschen Klassizismus. Halle: Nieft 1937

Ettlinger, Leopold, “On Science, Industry, and Art: Some Theories of Gottfried Semper”. Architectural Review ⅭXXXVI, 1964, pp. 57–60Google Scholar

Evans-Pritchard, E. E., “The Comparative Method in Social Anthropology”. In E. E. Evans-Pritchard (ed.), The Position of Women in Primitive Societies and Other Essays in Social Anthropology. New York: Free Press 1965, pp. 13–36

Fischer von Erlach, Johann Bernhard, Entwurf einer historischen Architektur. In Abbildung unterschiedenes berühmten Gebäude, des Alterthums und fremdes Völcker. Vienna 1721

Fischer, Albert, “Die ästhetischen Anschauungen Gottfried Sempers und die moderne Psychologische Ästhetik”. Archiv für die gesamte Psychologie, vol. 2. Leibzig 1904, pp. 362–422Google Scholar

Forty, Adrian, “Of Cars, Clothes and Carpets: Design Metaphors in Architectural Thought”. Journal of Design History, vol. 2, no. 1, 1989CrossRefGoogle Scholar

Foucault, Michel: The Order of Things: An Archaeology of the Human Sciences. London: Routledge 1970

Frampton, Kenneth, Studies in Tectonic Culture: The Poetics of Construction in Nineteenth-and Twentieth-Century Architecture. Ed. J. Cava, Cambridge, Massachusetts: MIT Press 1995

Fröhlich, Martin, Gottfried Semper. Zeichnerischer Nachlass an der ETH Zürich: Kritischer Katalog. Basel: Birkhäuser 1974

Gadamer, Hans-Georg, Kleine Schriften, vols. 1–4. Tübingen: Mohr 1967–1977

Gadamer, Hans-Georg, Reason in the Age of Science. Trans. F. G. Lawrence, Cambridge, Massachusetts: MIT Press 1981

Gadamer, Hans-Georg, Gesammelte Werke, vols. 1–10. Tübingen: Mohr 1985–1995

Gadamer, Hans-Georg, The Relevance of the Beautiful and Other Essays. Ed. R. Bernasconi, Cambridge University Press 1986

Gadamer, Hans-Georg, Truth and Method. Trans. J. Weinheimer and D. G. Marshall, London: Sheed & Ward 1989

Gandy, Joseph, “On the Philosophy of Architecture”. Magazine of Fine Arts, vol. 1, 1821, pp. 289–93 and 370–9Google Scholar

Gantner, Joseph, Revision der Kunstgeschichte: Prolegoman zu einer Kunstgeschichte aus dem Geiste der Gegenwart. Mit einem Anhang: Semper und Le Corbusier. Vienna: Schroll 1932

Georgiadis, Sokratis, “Sempers schwierige Rückkehr aus dem zweiten Exil”. Werk, Bauen + Wohnen, no. 4, 1992, pp. 61–2Google Scholar

Gerbino, Anthony, “Imitation, Character, Typology: The Concept of Style in the Architectural Theory of Jaques-Guillaume Legrand”. Unpublished essay, University of Cambridge 1994

Germann, Georg, “Gottfried Semper über Kontinuität und Innovation”. Zeitschrift für Schweitserische Archaeologie und Kunstgeschichte, vol. 33, 1976Google Scholar

Germann, Georg, Einführung in die Geschichte der Architekturtheorie. Darmstadt: Wissenschaftlige Buchgesellschaft 1980

Gillispie, C. Coulston (ed.), Dictionary of Scientific Biography. New York: Schribner's 1973

Goethe, Johann Wolfgang von, Italian Journey. Trans. W. H. Auden and E. Mayer, London: Penguin 1962

Goethe, Johann Wolfgang von, Goethe on Art. Ed. and trans. J. Gage, London: Scholars 1980

Goethe, Johann Wolfgang von, Scientific Studies. Ed. and trans. D. Miller, New York: Suhrkamp 1988

Golden, Leon, Aristotle on Tragic and Comic Mimesis. American Classical Studies 29, Atlanta, Georgia: Scholars 1992

Gollwitzer, Heinz (ed.), 100 Jahre Maximilianeum. Munich: Pflaum 1953

Grassi, Ernesto, Kunst und Mythos. Hamburg: Rowohlt 1957

Grassi, Ernesto, Die Theorie des Schönes in der Antike. Schauburg: DuMont 1962

Gregory, Frederick, Scientific Materialism in Nineteenth-Century Germany. Dordrecht: Reidel 1977

Gurlitt, Cornelius, Zur Befreiung der Baukunst, Ziele und Taten deutscher Architekten im 19. Jahrhundert. Gütersloh: Bertelsmann Fachverlag 1969

Haag Bletter, Rosmarie, “On Martin Frölich's Gottfried Semper”. Oppositions, no. 4, October 1974, pp. 146–53

Haag Bletter, Rosmarie, “Gottfried Semper”. Macmillan Encyclopaedia of Architects, vol. 4, London: Free Press 1982, pp. 25–33

Habermas, Jürgen, Knowledge and Human Interests. Trans. J. J. Shapiro, London: Heinemann 1972

Halliwell, Stephen, Aristotle's Poetics. London: Duckworth 1986

Hallowell, Irving A., “The History of Anthropology as an Anthropological Problem”. Journal of the History of Behavioral Sciences, vol. 1, 1965, pp. 24–383.0.CO;2-B>CrossRefGoogle Scholar

Hammerschmidt, Valentin, Anspruch und Ausdrucks in der Architektur des späten Historismus in Deutschland, 1860–1914. Frankfurt am Main: Lang 1985

Harries, Karsten, The Meaning of Modern Art, A Philosophical Interpretation. Northwestern University Press 1968

Harries, Karsten, The Bavarian Rococo Church: Between Faith and Aestheticism. Yale University Press 1983

Harries, Karsten, The Broken Frame: Three Lectures. Washington, DC: Catholic University of America Press 1989

Harries, Karsten, “Theatricality and Re-presentation”. Perspecta: The Yale Architecture Journal, no. 26, 1990

Harries, Karsten, The Ethical Function of Architecture. Cambridge, Massachusetts: MIT Press 1996

Harrington, Kevin, Changing Ideas on Architecture in the “Encyclopédie”, 1750–1776. Ann Arbor: University of Michigan Press 1985

Hartoonian, Gevork, Ontology of Construction, On Nihilism of Technology in Theories of Modern Architecture. Cambridge University Press 1994

Harvey, Lawrence, “Semper's Theory of Evolution of Architectural Ornament”. Transactions of the RIBA, New Series vol. 1, 1885, pp. 29–54Google Scholar

Häusler, Gabriela, “In the Artwork We Become One.” In The Problem of the Gesamtkunstwerk in the Visual Arts of the Early Twentieth Century, unpublished dissertation, University of Cambridge 1989

Hayek, F. A., The Counter Revolution of Science – Studies in the Abuse of Reason. London: The Free Press of Glencoe, Collier-Macmillian 1955

Hegel, Georg Wilhelm Friedrich, Introduction to Aesthetics. Trans. T. M. Knox, Oxford: Claredon 1979

Heidegger, Martin, The Question Concerning Technology and Other Essays. New York: Harper & Row 1977

Heidegger, Martin, Nietzsche, vols. 1–4. Trans. F. A. Capuzzi, ed. D. Farrell-Krell, San Francisco: Harper & Row 1979

Heidegger, Martin, Kant and the Problem of Metaphysics. Trans. R. Taft, Indiana University Press 1990

Heidegger, Martin, Being and Time. Trans. J. Macquarrie and E. Robins, Oxford: Blackwell 1992

Heidegger, Martin, The Concept of Time. Trans. W. McNeill, Oxford: Blackwell 1992

Heidegger, Martin, The History of the Concept of Time. Trans. T. Kisiel, Indiana University Press 1992

Heidegger, Martin, Basic Writings. Ed. D. Farell Krell, London: Routledge 1993

Heizmann, Bertold, Ursprünglichkeit und Reflexion. Die poetische Ästhetik des jungen Herder im Zusammenhang der Geschichtsphilosophie und Anthropologie des 18. Jahrhundert. Frankfurt am Main: Lang 1981

Herder, Johann Gottfried, Essay on the Origin of Language (1772). Trans. A. Gode, in Two Essays on the Origin of Language, Jean-Jacques Rousseau and Johann Gottfried Herder, University of Chicago Press 1986

Herder, Johann Gottfried, Auch eine Philosophie der Geschichte zur Bildung der Menschheit (1774). Ed. H. S. Irmscher, Stuttgart: Reclam 1990

Herrmann, Wolfgang, Deutsche Baukunst des 19. und 20. Jahrhunderts. Basel: Birkhäuser 1977

Herrmann, Wolfgang, Gottfried Semper: Theoretischer Nachlass an der ETH Zürich. Katalog und Kommentare. Basel: Birkhäuser 1981

Herrmann, Wolfgang, Gottfried Semper: In Search of Architecture. Cambridge, Massachusetts: MIT Press 1984

Herrmann, Wolfgang, Laugier and Eighteenth-Century French Theory. London: Zwemmer 1985

Herrmann, Wolfgang (ed.), In What Style Should We Build? The German Debate on Architectural Style. Santa Monica: Getty 1992

Hirt, Aloys L., Die Baukunst nach den Grundsätzen der Alten. Berlin 1809

Hodgen, Margaret, Early Anthropology in the Sixteenth and Seventeenth Centuries. University of Pennsylvania Press 1964

Hoenigswald, Henry M., “Etymology Against Grammar in the Early 19th Century”. HEL: Histoire, Épistemologie, Langage, vol. 6, no. 2, 1984, pp. 95–100CrossRefGoogle Scholar

Hohner, Ulrich, Zur Problematik der Naturnachahmung in der Ästhetik der achtzehnte Jahrhundert. Erlangen: Palm & Enke 1976

Holy, Ladislav (ed.), Comparative Anthropology. Oxford: Blackwell 1987

Honigmann, John J., The Development of Anthropological Ideals. Homewood, Illinois: Dorsey 1976

Huizinga, Johan, Homo Ludens: A Study of the Play Element in Culture. London: Temple Smith 1970

Hull, David L., “The Metaphysics of Evolution”. British Journal for the History of Science, vol. 3, 1967, pp. 309–37CrossRefGoogle Scholar

Humboldt, Wilhelm von, Werke In fünf Bänden. Eds. A. Flitner and K. Giel, Stuttgart: Cotta 1960

Hume, David, The Natural History of Religion. London 1757

Husserl, Edmund, The Crisis of European Sciences and Transcendental Phenomenology. Trans. D. Carr, Evanston: Northwestern University Press 1970

Hutcheson, Francis, An Inquiry into the Original of our Ideas of Beauty and Virtue. London 1726

Iggers, Georg, The German Conception of History. Wesleyan University Press 1968

Iversen, Margaret, “Riegl versus Semper.” Daidalos, no. 29, 1988

Jaspers, Karl, Man in the Modern Age. Trans. E. and C. Paul, London: Routledge and Kegan 1951

Jauss, H. R. (ed.), Nachahmung und Illusion. Munich: Eidos 1964

Jenkins, Ian, Archaeologists & Aesthetes in the Sculpture Galleries of the British Museum 1800–1939. London: British Museum Press 1992

Kant, Immanuel, Idea for a Universal History from a Cosmopolitan Point of View. In L. White Beck (ed. and trans.), Immanuel Kant on History, Indianapolis: Bobbs-Merrill 1963

Kant, Immanuel, Critique of Judgement. Trans. W. S. Pluhar, Indianapolis: Hackett 1987

Kant, Immanuel, Critique of Pure Reason. Trans. P. Guyer and A. W. Wood, Cambridge University Press 1998

Kearney, Richard, The Wake of Imagination: Ideas of Creativity in Western Culture. London: Hutschinson 1988

Klemm, Gustav Friedrich, Allgemeine Kulturgeschichte der Menschheit, vols. 1–9. Leibzig: Teubner 1843–51

Kolakowski, Leszek, Positivist Philosophy from Hume to the Vienna Circle. Trans. N. Guterman, Harmondsworth: Penguin 1972

Koller, Herrmann, Die Mimesis in der Antike, Nachahmung, Darstellung, Ausdruck. Bern: Francke 1954

Koselleck, Reinhart, Futures Past: On the Semantics of Historical Time. Trans K. Tribe, Cambridge, Massachusetts: MIT Press 1985

Kristeller, Paul O., “The Modern System of the Arts.” In Kivy, P. (ed.), Essays on the History of Aesthetics, Rochester University Press, 1992

Krogseth, Otto, Den tyske historismen. En idéhistorisk undersøkelse av den tyske historismens utviklingshistorie. Oslo: Universitetsforlaget 1984

Kruft, Hanno-Walter, Geschichte der Architekturtheorie, von der Antike bis zur Gegenwart. Munich: Beck 1991

Laudel, Heidrun, Gottfried Semper: Architektur und Stil. Dresden: Verlag der Kunst 1991

Laugier, Marc-Antoine, An Essay on Architecture. Trans. W. and A. Herrmann, Los Angeles: Hennessey & Ingalls 1977

Lavin, Sylvia, Quatremère de Quincy and the Invention of a Modern Language of Architecture. Cambridge, Massachusetts: MIT Press 1992

Leatherbarrow, David, The Roots of Architectural Invention: Site, Enclosure, Materials. Cambridge University Press 1993

Legrand, J. G., Essai sur l'historie générale de l'architecture, pour servir de texte explicatif. Au Recueil et parallele des edifices de tout genre, anciens et modernes. 2nd edition, Paris 1809

Leibniz, Gottfried Wilhelm: New Essays on Human Understanding. Trans. and ed. P. Remnant and J. Bennett, Cambridge University Press 1996

Leopold, Joan, Culture in Comparative and Evolutionary Perspective: E. B. Tylor and the Making of Primitive Culture. Berlin: Reimer 1980

Leroy, Julien-David, Les ruines des plus beaux monuments de la Grèce: ouvrage divisé en deux parties, ou l'on considere dans la premiere, ces monuments du côte de l'histoire; et dans la seconde, du côte de l'architecture. Paris 1758

Lindberg, David C., and Robert S. Westman (eds.), Reappraisals of the Scientific Revolution. Cambridge University Press 1990

Linnaeus, Carl, Reflections on the Study of Nature. London: Nicol 1785

Lipp, Wilfried, Natur, Geschichte, Denkmal: Zur Entstehung des Denkmalbewusstsein der bürgerlichen Gesellschaft. Frankfurt am Main: Campus 1987

Loos, Adolf, Spoken into the Void: Complete Essays 1897–1900. Trans. J. O. Newmann and J. H. Smith, Cambridge, Massachusetts: MIT Press 1982

Lovejoy, Arthur O., Essays in the History of Ideas. Baltimore: Johns Hopkins Press 1948

Lovejoy, Arthur O., The Great Chain of Being, A Study in the History of an Idea. Harvard University Press 1964

Löwith, Karl, Meaning in History: The Theological Implications of the Philosophy of History. University of Chicago Press 1949

Löwith, Karl, From Hegel to Nietzsche, the Revolution in Nineteenth-Century Thought. Trans. D. E. Green, London: Constable 1964

Lützow, Carl, “Review of Semper's Der Stil Recensionen und Mittheilungen über bildende Kunst,” vol. 2, no. 5, pp. 85–6

Madrazo, Leandro, “Durand and the Science of Architecture”. Journal of Architectural Education, vol. 48, no. 1, September 1994, pp. 12–24CrossRefGoogle Scholar

Madrazo, Leandro, The Concept of Type in Architecture: An Inquiry into the Nature of Architectural Form. Unpublished dissertation, Zurich: Eidgenössische Technische Hochschule 1995

Makkreel, Rudolf A., Dilthey, Philosopher of the Human Studies. Princeton University Press 1975

Mallgrave, Harry Francis, “Commentary on Semper's November Lecture”. RES: Journal of Anthropology and Aesthetics, 6 Fall 1983, pp. 23–31Google Scholar

Mallgrave, Harry Francis, “Gustav Klemm and Gottfried Semper: The Meeting of Ethnological and Architectural Theory”. RES: Journal of Anthropology and Aesthetics, 9 Spring 1985, pp. 68–79Google Scholar

Mallgrave, Harry Francis, and Wolfgang Herrmann (eds.), Gottfried Semper: The Four Elements of Architecture and Others Writings. Cambridge University Press 1989

Mallgrave, Harry Francis (ed.), Otto Wagner, Reflection on the Raiment of Modernity. Santa Monica: Getty 1993

Mallgrave, Harry Francis, and Eleftherios Ikonomou (eds.), Empathy, Form, and Space: Problems in German Aesthetics 1873–1893. Santa Monica: Getty 1994

Mallgrave, Harry Francis, Gottfried Semper: Architect of the Nineteenth Century. Yale University Press 1996

Manchester, Martin L., The Philosophical Foundation of Humboldt's Linguistic Doctrines. Amsterdam: Benjamin 1985

Manuel, Frank E., Freedom from History and Other Untimely Essays. University of London Press 1972

Marx, Karl, and Friedrich Engels, Selected Works in Three Volumes. Moscow: Progress 1983

Mauro, Tullio de, and Lia Formigari (eds.), Leibniz, Humboldt, and the Origins of Comparativism. Amsterdam: Benjamin 1990

McFarland, J. D., Kant's Concept of Teleology. University of Edinburgh Press 1970

McMullin, Ernan, “The Conception of Science in Galileo's Work”. In R. Butts and J. Pitts (eds.), New Perspectives on Galileo, Dordrecht: D. Reidel 1978

Meillet, Antoine, The Comparative Method in Historical Linguistics. Trans. G. B. Ford Jr., Paris: Champion 1966

Meinecke, Friedrich, Historism: The Rise of a New Historical Outlook. Trans. J. E. Anderson, London: Routledge & Kegan 1972

Merz, Johann Theodore, A History of European Scientific Thought in the Nineteenth Century. Edinburgh: Blackwood 1896

Middleton, Robin (ed.), The Beaux-Arts and Nineteenth-Century French Architecture. London: Thames and Hudson 1984

Middleton, Robin, “Symmetry: A French Obsession”. Daidalos 15, 1985Google Scholar

Middleton, Robin, “The Rationalist Interpretation of Classicism of Léonce Reynaud and Viollet-le-Duc”. AA Files 2, 1986Google Scholar

Miller, Edward, That Noble Cabinet, A History of the British Museum. Athens, Ohio: Ohio University Press 1974

Montesquieu, Charles de Secondat, Baron de, The Spirit of the Laws. Trans. T. Nugent, Chicago: Encyclopaedia Britannica 1952

Morawánsky, Ákos, Die Architektur der Donaumonarchie 1867–1918. Berlin: Ernst 1988

Mueller-Vollmer, Kurt (ed.), The Hermeneutics Reader: Texts of the German Tradition from the Enlightenment to the Present. Oxford: Blackwell 1984

Müller, Karl Otfried, Ancient Art and Its Remains, or a Handbook of the Archaeology of Art. Trans. J. Leitch, London 1850

Murray, Michael, Modern Philosophy of History; Its Origin and Destination. The Hague: Nijhoff 1970

Muthesius, Hermann, Style Architecture and Building-Art, Transformations of Architecture in the Nineteenth Century and its Present Conditions. Trans. S. Anderson, Santa Monica: Getty 1994

Nabrings, Arie, “Historismus als Paralyse der Geschichte”. Archiv für Kulturgeschichte, vol. 65, Vienna: Böhlan 1983, pp. 157–212

Nietzsche, Friedrich, Untimely Meditations. Trans. R. J. Hollingdale, Cambridge University Press 1983

Oechslin, Werner, “Premises for the Resumption of the Discussion of Typology”. Assemblage no. 1, October 1986

Oechslin, Werner, Stilhülse und Kern: Otto Wagner, Adolf Loos und der evolutionäre Weg zur modernen Architektur. Zurich: gta 1994

Olender, Maurice, The Language of Paradise. Trans. A. Goldhammer, Harvard University Press 1992

Panofsky, Erwin, Renaissance and Renaissances in Western Art. Stockholm: Almquist & Wikell 1960

Panofsky, Erwin, Idea: A Concept in Art Theory. University of South Carolina Press 1968

Parrot, André, Nineveh and Babylon. Trans. S. Gilbert and J. Emmons, London: Thames and Hudson 1961

Peréz-Goméz, Alberto, Architecture and the Crisis of Modern Science. Cambridge, Massachusetts: MIT Press 1992

Peréz-Goméz, Alberto, and Louise Pelletier, Architectural Representation and the Perspective Hinge. Cambridge, Massachusetts: MIT Press 1997

Pevsner, Nikolaus, Some Architectural Writers of the Nineteenth Century. Oxford: Claredon 1972

Plato, The Collected Dialogues. Ed. E. Hamilton and H. Cairns, Princeton University Press 1989

Podro, Michael, The Critical Historians of Art. Yale University Press 1992

Prinzhorn, Hans, Gottfried Sempers aesthetische Grundanschauungen. Stuttgart: Union 1909

Pruscha, Carl (ed.), Das Semper Depot. Munich: Prestel 1997

Pugin, Augustus Welby Northmore, Contrasts, or A Parallel Between the Noble Edifices of Fourteenth and Fifteenth Centuries and Similar Buildings of the Present Day, Showing the Present Decay of Taste (1836). Leicester: Leicester University Press 1969

Pugin, Augustus Welby Northmore, The True Principles of Pointed or Christian Architecture (1841). London: Academy 1973

Quatremère de Quincy, Antoine-Chrysostome, Dictionnaire d'architecture, 3 vols. Part of Encyclopédie méthodique, ou par ordre de matières, ed. C.-J. Panckoucke, Paris 1788–1825

Quatremère de Quincy, Antoine-Chrysostome, The Destination of Works of Art and the Use to Which They Are Applied. Trans. H. Thomson, London 1821

Quatremère de Quincy, Antoine-Chrysostome, “Essays from Encyclopedie Methodique: Architecture (1788–1825)”. In J. C. Loudon (ed.), Architectural Magazine, 1836–7

Quatremère de Quincy, Antoine-Chrysostome, Essay on the Nature, the End, and the Means of Imitation in the Fine Arts. Trans. J. C. Kent, London 1837

Quitzsch, Heinz, “Sempers Kunsttheorie.” In Gottfried Semper 1803–1879. Baumeister Zwischen Revolution und Historismus, Staatliche Kunstsammlung, Dresden und Institut für Denkmalspflege, Munich: Callwey 1980

Quitzsch, Heinz, Die ästhetischen Anschaungen Gottfried Sempers. Studien zur Architectur-und Kunstwissenschaft, vol. 1. Berlin: Akademie-Verlag 1962

Rand, Colin, “Two Meanings of Historicism in the Writings of Dilthey, Troeltsch, and Meinecke”. Journal of the History of Ideas, no. 25, 1964, pp. 503–18

Ricoeur, Paul, A Ricoeur Reader: Reflection and Imagination. Ed. Mario J. Valdés, University of Toronto Press 1991

Ricoeur, Paul, Hermeneutics and the Human Sciences. Trans. J. B. Thompson, Cambridge University Press 1982

Ricoeur, Paul, Time and Narrative, vol. 1–3. Trans. K. McLaughlin and D. Pellauer, University of Chicago Press 1983

Riegl, Alois, Late Roman Art Industry. Trans. R. Winkes, Rome: Bretschneider 1985

Riegl, Alois, Problems of Style: Foundations for a History of Ornament. Trans. E. Kain, Princeton University Press 1992

Rothacker, Erich, Logik und Systematik der Geisteswissenschaften. Munich: Oldenbourg 1965

Rousseau, Jean-Jacques, Discours sur l'origine et les fondements de l'inègalité parmi les hommes. Amsterdam 1755

Rousseau, Jean-Jacques, Essay on the Origin of Languages Which Treats of Melody and Musical Imitation. Trans. J. H. Moran, in Two Essays on the Origin of Language, Jean-Jacques Rousseau and Johann Gottfried Herder. University of Chicago Press 1986

Rykwert, Joseph, On Adam's House in Paradise. The Idea of the Primitive Hut in Architectural History. Cambridge, Massachusetts: MIT Press 1981

Rykwert, Joseph, “Preface to London Lecture of November 11, 1853”. In RES: Journal of Anthropology and Aesthetics, 6 Fall 1983, pp. 5–7Google Scholar

Rykwert, Joseph, The Idea of a Town, the Anthropology of Urban Form in Rome, Italy and the Ancient World. Cambridge, Massachusetts: MIT Press 1995

Rykwert, Joseph, The Dancing Column: On Order in Architecture. Cambridge, Massachusetts: MIT Press 1996

Saint-Simon, Claude Henri de, The Political Thought of Saint-Simon. Ed. and trans. G. Ionescu, Oxford University Press 1976

Saisselin, Rémy G., The Rule of Reason and the Ruses of the Heart, A Philosophical Dictionary of Classical French Criticism, Critics, and Aesthetic Issues. Cleveland: The Press of Case Western Reserve University 1970

Schelling, Friedrich Wilhelm Joseph, Ideas for a Philosophy of Nature, as Introduction to the Study of This Science (1798; 2nd ed., 1803). Trans. E. E. Harris and P. Heath, Cambridge University Press 1988

Schelling, Friedrich Wilhelm Joseph, The Philosophy of Art. Trans. D. W. Stott, University of Minnesota Press 1989

Schenker, Manfred K., Batteux und seine Nachahmungstheorie in Deutschland. Hildesheim: Gerstenberg 1977

Schiller, Friedrich, On the Aesthetic Education of Man in a Series of Letters. Trans. R. Snell, Bristol: Thoemmes 1994

Schlegel, August Wilhelm, Vorlesungen über Ästhetik, vol. 1 (1798–1803). Ed. E. Behler, Munich: Schöning 1989

Schlegel, Friedrich, Ueber die Sprache und Weisheit der Indier: Ein Beitrag zur Begründung der Alterthumskunde. Heidelberg: Mohr & Zimmer 1808. Reprinted Amsterdam: Benjamin 1977

Schlegel, Friedrich, Kritische Friedrich Schlegel Ausgabe, vol. 2, Charakteristiken und Kritiken (1796–1801). Ed. E. Bettler, Munich: Schöning 1967

Schmarsow, August, Grundbegriffe der Kunstwissenschaft am Übergang vom Altertum zum Mittelalter kritisch erörtert und in systematischem Zusammenhang dargestellt. Leibzig: Teubner 1903

Schneider, Donald D., The Work and Doctrines of Jaques Ignace Hittorf, 1792–1867. New York: Garland 1977

Schopenhauer, Arthur, Die Welt als Wille und Vorstellung (1819). In Sämtliche Werke, vol. 1, Wiesbaden: Brockhaus 1972

Schorske, Carl, Fin-de-siècle Vienna: Politics and Culture. Cambridge University Press 1979

Schwarzer, Mitchell, German Architectural Theory and the Search for Modern Identity. Cambridge University Press 1995

Sedlmayr, Hans, Johann Bernhard Fischer von Erlach. Munich: Wien 1956

Semper, Hans, Gottfried Semper, ein Bild seines Lebens und Wirkens. Berlin: Calvary 1880

Semper, Hans, and Manfred Semper (eds.), Gottfried Semper: Kleine Schriften. Berlin and Stuttgart 1884; Mittenwald: Mäander 1979

Semper, Manfred, “Zur kunstgeschichtlichen Würdigung Gottfried Sempers”. Deutsche Bauzeitung 19, 1885, no. 67, pp. 401–4, and no. 68, pp. 409–11Google Scholar

Simon, W. M., European Positivism in the Nineteenth Century, An Essay in Intellectual History. Cornell University Press 1963

Singer, Charles, A History of Biology to About the Year 1900. London: Abelard-Schuman 1959

Sola-Morales, Ignacio, “The Origins of 19th-Century Eclecticism: The Theories of Architecture in Early 19th-Century France”. Quaderns, April-June 1984, pp. 66–79

Sørensen, Bengt Algott, Symbol und Symbolismus in den ästhetischen Theorien des 18. Jahrhunderts und der deutschen Romantik. Copenhagen: Munksgaard 1963

Stafford, Barbara Maria, Voyage into Substance: Art, Science, Nature, and the Illustrated Travel Accounts, 1760–1840. Cambridge, Massachusetts: MIT Press 1984

Steadman, Philip, The Evolution of Designs: Biological Analogy in Architecture and the Applied Arts. Cambridge University Press 1979

Stockmeyer, Ernst: Gottfried Sempers Kunsttheorie. Zurich: Rascher 1939

Szambien, Werner: Jean-Nicolas-Louis Durand, 1760–1834. De L'imitation à la norme. Paris: Picard 1984

Tatarkiwicz, W., The History of Aesthetics, vol. 1–3. The Hague: Mouton 1970

Taylor, Charles, Sources of the Self. Cambridge University Press 1989

Thomas, Downing A., Music and the Origins of Language: Theories from the French Enlightenment. Cambridge University Press 1995

Toulmin, Stephen, Cosmopolis, the Hidden Agenda of Modernity. Chicago University Press 1990

Troeltsch, Ernst, Gesammelte Schriften, vol. 3, Der Historismus und seine Probleme. Tübingen: Mohr 1922

Vallier, Ivan (ed.), Comparative Methods in Sociology: Essays on Trends and Applications. University of California Press 1971

Ven, Cornelis, “Ideas of Space in German Architectural Theory 1850–1930”. Architectural Association Quarterly, vol. 9, no. 2–3, 1977, pp. 30–9Google Scholar

Venturi, Lionel, History of Art Criticism. Trans. C. Morriatt, New York: Dutton 1936

Verdenius, Willem J., Mimesis: Plato's Doctrine of Artistic Imitation and Its Meaning to Us. Leiden: Brill 1949

Vesely, Dalibor, “Surrealism, Myth and Modernity”. Architectural Design, vol. 48, no. 2–3, 1978Google Scholar

Vesely, Dalibor, “Architecture and the Conflict of Representation”. AA Files 8 1987Google Scholar

Vesely, Dalibor, “Architecture and the Poetics of Representation”. Daidalos, September 1987

Vesely, Dalibor, “The Nature of Creativity in the Age of Production”. Scroope, Cambridge Architecture Journal, no. 4, 1992

Vico, Giambattista, The New Science (3rd edition, 1744). Trans. T. G. Bergin and M. H. Fisch, Cornell University Press 1994

Vidler, Anthony, “The Third Typology”. Oppositions, no. 7, 1976, pp. 1–4

Vidler, Anthony, “The Idea of Type: The Transformation of the Academic Ideal, 1750–1830”. Oppositions, no. 8, 1977, pp. 95–115

Vidler, Anthony, “The Hut and the Body: The ‘Nature’ of Architecture from Laugier to Quatremère de Quincy”. Lotus International, vol. 33, 1981, pp. 102–12Google Scholar

Vidler, Anthony, “The ‘Art’ of History: Monumental Aesthetics from Winckelmann to Quatremère de Quincy”. Oppositions, no. 25, 1982, pp. 53–67

Vidler, Anthony, The Writing of the Walls: Architectural Theory in the Late Enlightenment. Princeton Architectural Press 1987

Villari, Sergio, “J. N. L. Durand (1760–1843).” Art and Science of Architecture. New York: Rizzoli 1990

Viollet-le-Duc, Eugéne-Emmanuel, Discourses on Architecture (1859–72), vols. 1–2. Trans. B. Bucknall, London: Allen & Unwin 1959

Vitruvius, The Ten Books on Architecture. Trans. M. Hicky Morgan, New York: Dover 1960

Voegelin, Eric, Science, Politics and Gnosticism, Two Essays by Eric Voegelin. Washington, DC: Regnery Gateway 1968

Voegelin, Eric, From Enlightenment to Revolution. Ed. J. Hallowell, Duke University Press 1975

Voget, Fred W., “Progress, Science, History and Evolution in Eighteenth-and Nineteenth-century Anthropology”. Journal of the History of Behavioral Sciences, vol. 3, 1967, pp. 132–2553.0.CO;2-O>CrossRefGoogle Scholar

Vogt, Adolf, Max, Christina Reble, and Martin Frölich (eds.), Gottfried Semper und die Mitte des 19. Jahrhunderts. Basel: Birkhaüser 1976

Waetzold, Wilhelm, Deutsche Kunsthistoriker, vols. 1–2. Berlin: Hessling 1965

Wagner, Otto, Modern Architecture (1896). Trans H. F. Mallgrave, Santa Monica: Getty 1988

Wagner, Richard, Richard Wagner's Prose Works, vols. 1–3. Trans. W. A. Ellis, London: Reeves 1895

Wagner, Richard, My Life. London: Constable 1994

Watkin, David, and Tilman Mellinghoff, German Architecture and the Classical Ideal 1740–1840. London: Thames and Hudson 1987

Wegmann, Peter, Gottfried Semper und das Winterthurer Stadthaus: Sempers Architektur im Spiegel seiner Kunsttheorie. Bibliothek Winterthur 1985

Weidlé, Wladimir, Gestalt und Sprache des Kunstwerkes, Studien zur Grundlegung einer nichtästhetischen Kunsttheorie. Mittenwald: Mäander 1981

Wellek, René, A History of Modern Criticism: 1750–1950. London: Cape 1955

Wiedmann, August K., Romantic Roots in Modern Art: Romanticism and Expressionism: A Study in Comparative Aesthetics. Surrey: Gresham 1979

Wikman, K. R. V., Lachesis and Nemesis: Four Chapters on the Human Condition in the Writings of Carl Linnœus. Stockholm: Almquist & Wiksell 1970

Winckelmann, Johann Joachim, On the Imitation of the Painting and Sculpture of the Greeks (1755). In D. Irwin (ed. and trans.), Winckelmann: Writings on Art, London: Phaidon 1972

Wingler, Hans M., Wissenschaft, Industrie und Kunst, und andere Schriften über Architektur, Kunsthandwerk und Kunstunterricht. Mainz: Kupferberg 1966

Wright, T. R., The Religion of Humanity: The Impact of Comtean Positivism on Victorian Britain. Cambridge University Press 1986

Yim, Seockjae, Imitation and Ideal Type: A Study of Eighteenth-Century French Architecture. Unpublished dissertation, University of Pennsylvania 1992

Zanten, Ann Lorenz van, “Form and Society: César Daly and the Revue Générale de l'architecture”. Oppositions, no. 8, 1977

Zanten, David van, The Architectural Polychromy of the 1830s. New York: Garland 1977

Zeising, Adolf, Neue Lehre von den Proportionen des menschlichen Körpers. Leibzig: Weigel 1854

Zeising, Adolf, Aesthetische Forschungen. Frankfurt: Meidinger 1855