Skip to main content
×
Home
Gottfried Semper and the Problem of Historicism
  • Get access
    Check if you have access via personal or institutional login
  • Cited by 9
  • Cited by
    This book has been cited by the following publications. This list is generated based on data provided by CrossRef.

    Hvattum, Mari 2017. Heteronomic Historicism. Architectural Histories, Vol. 5, Issue. 1,


    Hvattum, Mari 2017. Companion to the History of Architecture. p. 1.

    Sunguroğlu Hensel, D. and Vincent, J.F.V. 2016. Evolutionary inventive problem-solving in biology and architecture: ArchiTRIZ and Material-Ontology. Intelligent Buildings International, Vol. 8, Issue. 2, p. 118.


    Schwarzer, Mitchell 2016. Companion to the History of Architecture. p. 1.

    2014. Ornament. p. 157.

    2013. Crisis and Correspondence: Style in the Nineteenth Century. Architectural Histories, Vol. 1, Issue. 1, p. 21.


    Poerschke, Ute 2012. Architecture as a Mathematical Function: Reflections on Gottfried Semper. Nexus Network Journal, Vol. 14, Issue. 1, p. 119.


    MANIAS, CHRIS 2012. THE GROWTH OF RACE AND CULTURE IN NINETEENTH-CENTURY GERMANY: GUSTAV KLEMM AND THE UNIVERSAL HISTORY OF HUMANITY. Modern Intellectual History, Vol. 9, Issue. 01, p. 1.


    2004. Books Received. Journal of Aesthetics and Art Criticism, Vol. 62, Issue. 4, p. 411.


    ×
  • Export citation
  • Recommend to librarian
  • Recommend this book

    Email your librarian or administrator to recommend adding this book to your organisation's collection.

    Gottfried Semper and the Problem of Historicism
    • Online ISBN: 9780511497711
    • Book DOI: https://doi.org/10.1017/CBO9780511497711
    Please enter your name
    Please enter a valid email address
    Who would you like to send this to? *
    ×
  • Buy the print book

Book description

Using key texts by the German architect and theorist Gottfried Semper, Mari Hvattum offers a reinterpretation of historicism, which is here viewed both as a philosophical outlook and as an architectural problem. Hvattum focuses on Semper's two major concerns: an understanding of the ontological significance of art and architecture, and the rendering of art and architecture as the objects of scientific investigation and prediction. Hvattum investigates the background and implications of these conflicting concerns. By examining the historicist fusion of Romanticism and Positivism, the book seeks to understand the nature as well as the limits of the modern dream of a 'method of inventing'. More than an intellectual biography, Gottfried Semper and the Problem of Historicism explores historicism and its implications for modern architectural discourse and practice.

Reviews

'It is a compelling thesis, well argues, and … very well written.'

Source: Architects Journal

'It is sophisticated, succinct, and crisply written. A splendid achievement.'

Source: Journal of the Society of Architectural Historians

Refine List
Actions for selected content:
Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Send to Kindle
  • Send to Dropbox
  • Send to Google Drive
  • Send content to

    To send content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about sending content to .

    To send content to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about sending to your Kindle.

    Note you can select to send to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be sent to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

    Find out more about the Kindle Personal Document Service.

    Please be advised that item(s) you selected are not available.
    You are about to send:
    ×

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×
Selected Semper Bibliography
Bibliography
Selected Semper Bibliography
“Öffentlicher Lehrkursus über die allgemeine Geschichte der Baukunst”, Dresden Lecture (1834), MS 19. Published as Semper's “Dresdner Antrittsvorlesung” in Heidrun Laudel, Gottfried Semper. Architektur und Stil. Dresden: Verlag der Kunst 1991, pp. 221–34
Vorläufige Bemerkungen über bemalte Architektur und Plastik bei den Alten, Altona: J. H. Hammerich 1834. English translation: Preliminary Remarks on Polychrome Architecture and Sculpture in Antiquity. In Harry Francis Mallgrave and Wolfgang Herrmann (eds. and trans.), The Four Elements of Architecture and Others Writings, Cambridge University Press 1989, pp. 45–73
“Vorwort”, Vergleichende Baulehre (1850), MS 55, fols. 1–13. In Wolfgang Herrmann, Gottfried Semper, Theoretischer Nachlass an der ETH Zürich, Katalog und Kommentare. Basel: Birkhäuser Verlag 1981, pp. 180–4. English translation: “Influence of Historical Research on Trends in Contemporary Architecture”. In Wolfgang Herrmann (trans. and ed.), Gottfried Semper, In Search of Architecture. Cambridge, Massachusetts: MIT Press 1984, pp. 189–95
“Einleitung”, Vergleichende Baulehre (1850), MS 58, fols. 15–30. In Wolfgang Herrmann, Gottfried Semper, Theoretischer Nachlass an der ETH Zürich, Katalog und Kommentare. Basel: Birkhäuser Verlag 1981, pp. 185–90. English translation: “The Basic Elements of Architecture”. In Wolfgang Herrmann (trans. and ed.), Gottfried Semper, In Search of Architecture. Cambridge, Massachusetts: MIT Press 1984, pp. 196–203
“Assyrisch-Chaldäische Baukunst” (Chapter 10, Vergleichende Baulehre, 1850), MS 58, fols. 94–120. In Wolfgang Herrmann, Gottfried Semper, Theoretischer Nachlass an der ETH Zürich, Katalog und Kommentare. Basel: Birkhäuser Verlag 1981, pp. 191–204. English translation: “Structural Elements in Assyrian-Chaldean Architecture”. In Wolfgang Herrmann (trans. and ed.), Gottfried Semper, In Search of Architecture. Cambridge, Massachusetts: MIT Press 1984, pp. 204–18
Die Vier Elemente der Baukunst: Ein Beitrag zur vergleichende Baulehre. Brunswick: Vieweg und Sohn 1851. English translation: The Four Elements of Architecture: A Contribution to the Comparative Study of Architecture (1851). In Harry Francis Mallgrave and Wolfgang Herrmann (eds. and trans.), The Four Elements of Architecture and Others Writings, Cambridge University Press 1989, pp. 74–129
“Prospectus” Vergleichende Baulehre (1852). MS not given. In Harry Francis Mallgrave and Wolfgang Herrmann (eds. and trans.), The Four Elements of Architecture and Others Writings, Cambridge University Press 1989, pp. 168–73
“Neue Einleitung”, Vergleichende Baulehre (1852). MS 97. In Wolfgang Herrmann, Gottfried Semper, Theoretischer Nachlass an der ETH Zürich, Katalog und Kommentare. Basel: Birkhäuser Verlag 1981, pp. 205–16
Wissenschaft, Industrie, und Kunst: Vorschläge zur Anregung nationalen Kunstgefühles. Brunswick: Vieweg und Sohn 1852. English translation: Science, Industry, and Art:Proposals for the Development of a National Taste in Art at the Closing of the London Industrial Exhibition. In Harry Francis Mallgrave and Wolfgang Herrmann (eds. and trans.), The Four Elements of Architecture and Others Writings, Cambridge University Press 1989, pp. 130–67
Practical Art in Metals and Hard Materials; its Technology, History and Styles (1852). Unpublished manuscript, National Art Library, Victoria and Albert Museum, London
“Outline for a System of Comparative Style-Theory” (London lecture, November 11, 1853). MS 122, fols. 1–37 and MS 124, fols. 5–28. In RES, Journal of Anthropology and Aesthetics 6, Autumn 1983, pp. 5–32. German translation: “Entwurf eines Systems der vergleichenden Stillehre”, in Hans and Mannfred Semper (ed. and trans.), Kleine Schriften (Berlin and Stuttgart 1884), Mittenwald: Mäander Kunstverlag 1979, pp. 259–91
“The Development of the Wall and Wall Construction in Antiquity” (London lecture, 18 November 1853). MS 129, fols. 1–24. In RES, Journal of Anthropology and Aesthetics 11, Spring 1986, pp. 33–41. German translation: “Entwicklung der Wand-und Wandkonstruktion bei den antiken Völkern”, in Hans and Mannfred Semper (ed. and trans.), Kleine Schriften (Berlin and Stuttgart 1884), Mittenwald: Mäander Kunstverlag 1979, pp. 383–93
“On the Origin of Some Architectural Styles” (London lecture, December 1853). MS 138, fols. 1–23. In RES, Journal of Anthropology and Aesthetics 9, Spring 1985, pp. 53–60. German translation: “Ueber den Ursprung einiger Architekturstile”, in Hans and Mannfred Semper (ed. and trans.), Kleine Schriften (Berlin and Stuttgart 1884), Mittenwald: Mä228;ander Kunstverlag 1979, pp. 369–81
“On Architectural Symbols” (London lecture, autumn 1854). MS 142, fols. 1–19; MS 141, unpaginated. In RES, Journal of Anthropology and Aesthetics 9, Spring 1985, pp. 61–7. German translation: “Ueber architektonische Symbole”, in Hans and Mannfred Semper (ed. and trans.), Kleine Schriften (Berlin and Stuttgart 1884), Mittenwald: Mä228;ander Kunstverlag 1979, pp. 292–303
“On the Relation of Architectural Systems with the General Cultural Conditions” (London lecture, 29 November 1854). MS 144, fols. 1–39. In RES, Journal of Anthropology and Aesthetics 11, Spring 1986, pp. 42–53. German translation: “Ueber den Zusammenhang der architektonischen Systeme mit allgemeinen Kulturgeschichte”, in Hans and Mannfred Semper (ed. and trans.), Kleine Schriften (Berlin and Stuttgart 1884), Mittenwald: Mäander Kunstverlag 1979, pp. 351–67
Inventory of Semper's Dresden library (incomplete, date unknown). MS 148. Unpublished manuscript, Archiv Geschichte und Theorie der Architektur, ETH Höngerberg, Zurich
“Ueber die formelle Gesetzmäßigkeit des Schmuckes und dessen Bedeutung als Kunstsymbol” (1856). MS 163–4. In Hans and Mannfred Semper (ed. and trans.), Kleine Schriften (Berlin and Stuttgart 1884), Mittenwald: Mäander Kunstverlag 1979, pp. 304–43
“Vorwort”, Theorie des Formell-Schönen (1856–9). MS 178, fols. 1–29. In Wolfgang Herrmann, Gottfried Semper, Theoretischer Nachlass an der ETH Zürich, Katalog und Kommentare. Basel: Birkhäuser Verlag 1981, pp. 238–49. English translation: “A Critical Analysis and Prognosis of Present-Day Artistic Production”. In Wolfgang Herrmann (trans. and ed.), Gottfried Semper, In Search of Architecture; Cambridge, Massachusetts: MIT Press 1984, pp. 245–60
“Einleitung”, Theorie des Formell-Schönen (1856–9). MS 179, fols. 1–46. In Wolfgang Herrmann, Gottfried Semper, Theoretischer Nachlass an der ETH Zürich, Katalog und Kommentare. Basel: Birkhäuser Verlag 1981, pp. 217–37. English translation: “The Attributes of Formal Beauty”, in Wolfgang Herrmann (trans. and ed.), Gottfried Semper, In Search of Architecture. Cambridge, Massachusetts: MIT Press 1984, pp. 219–44
First Prospectus, Der Stil (1859). MS 195. Unpublished manuscript, Archiv Geschichte und Theorie der Architektur, ETH Höngerberg, Zurich
Second Prospectus, Der Stil (1859). MS 196. In Harry Francis Mallgrave and Wolfgang Herrmann (eds. and trans.), The Four Elements of Architecture and Others Writings, Cambridge University Press 1989, pp. 174–80
Der Stilin den technischen und tektonischen Künsten, oder praktische Aesthetik. Ein Handbuch für Techniker, Künstler und Kunstfreunde. Vol. I and II. Verlage für Kunst und Wissenschaft, Frankfurt am Main 1860–3, Mittenwald: Mäander Kunstverlag 1977. Prolegomenon and vol. 1, §46–60, translated in Harry Francis Mallgrave and Wolfgang Herrmann (eds. and trans.), The Four Elements of Architecture and Others Writings, Cambridge University Press 1989, pp. 181–263
“Vergleichende Baukunde” (Zurich lecture, 1863). MS 264, fols. 1–77. Unpublished manuscript, Archiv Geschichte und Theorie der Architektur, ETH Höngerberg, Zurich
“Ueber Baustile” (Zurich lecture, 4 March 1869). MS 280. In Hans and Mannfred Semper (ed. and trans.), Kleine Schriften (Berlin and Stuttgart, 1884), Mittenwald: Mäander Kunstverlag 1979, pp. 395–426. English translation: “On Architectural Styles”, in Harry Francis Mallgrave and Wolfgang Herrmann (eds. and trans.), The Four Elements of Architecture and Others Writings, Cambridge University Press 1989, pp. 264–84
“Der Heerd und dessen Schutz” (Introduction to the third volume of Der Stil, ca. 1870). MS 183, fols. 1–42. In Wolfgang Herrmann, Gottfried Semper, Theoretischer Nachlass an der ETH Zürich, Katalog und Kommentare, Basel: Birkhäuser Verlag 1981, pp. 250–60
Bibliography
Abrams, Meyer H., The Mirror and the Lamp: Romantic Theory and the Literary Tradition. Oxford University Press 1953
Acherknecht, Erwin H., “On the Comparative Method in Anthropology”. In R. Spencer (ed.), Method and Perspective in Anthropology. University of Minnesota Press 1954, pp. 117–25
Adorno, Theodor W., and Max Horkheimer, Dialectic of Enlightenment. Trans. John Cumming, London: Verso 1979
Allers Rudolf, “Microcosmus, from Anaximandros to Paracelsus”. Traditio, Studies in Ancient and Medieval History, Thought and Religion, vol. 11, New York 1944, pp. 319–407
Antoniades, Anthony, Poetics of Architecture: Theory of Design. New York: Van Nostrand Reinhold 1990
Arendt, Hannah, The Human Condition. University of Chicago Press 1989
Arendt, Hannah, Between Past and Future, Eight Exercises in Political Thought. New York: Penguin 1993
Aristotle, Poetics. Trans. J. Hutton, New York: Norton 1982
Auerbach, Eric, Mimesis, the Representation of Reality in Western Literature. Princeton University Press 1953
Bambach, Charles R., Heidegger, Dilthey, and the Crisis of Historicism. Cornell University Press 1995
Barnett, R. D., and A. Lorenzini, Assyrian Sculpture in the British Museum. Toronto: McClelland & Stewart 1975
Bauer, Hermann (ed.), Probleme der Kunstwissenschaft, vol. 1: Kunstgeschichte und Kunsttheorie im 19. Jahrhundert. Berlin: de Gruyter 1963
Baumgarten, Alexander Gottlieb, Meditiationes philosophicae de nonnullis ad poema pertinentibus (1735). Reflections on Poetry. Trans. K. Aschenbrenner and W. Holther, University of California Press 1954
Becherer, Richard, Science Plus Sentiment: César Daly's Formula for Modern Architecture. University of Michigan Research Press 1984
Beiser, Frederick C., The Fate of Reason: German Philosophy from Kant to Fichte. Harvard University Press 1987
Bell, Matthew, Goethe's Naturalistic Anthropology: Man and Other Plants. Oxford: Claredon 1994
Below Georg, “Die vergleichende Methode”. Historische Vierteljahrschrift, 21, Jahrgang, Dresden 1922–3, pp. 129–39
Bergdoll, Barry, Léon Vaudoyer, Historicism in the Age of Industry. Cambridge, Massachusetts: MIT Press 1994
Bergdoll, Barry, Karl Friedrich Schinkel, An Architecture for Preussia. New York: Rizzoli 1994
Berlage, Hendrik P., “Thoughts of Style in Architecture” (1905). In I. Boyd-Whyte (ed. and trans.), Hendrik Petrus Berlage, Thoughts on Style 1886–1909. Santa Monica: Getty 1996
Berlin, Isaiah, Four Essays on Liberty. Oxford University Press 1969
Berry, James D., The Legacy of Gottfried Semper. Studies in Späthistorismus. Unpublished Ph.D. dissertation, Providence: Brown University 1989
Bialostocki Jan, “The Renaissance Concept of Nature and Antiquity”. In Acts of the Twentieth International Congress of the History of Art, vol. 2, Princeton 1963, pp. 19–30
Bisanz R. M.The Romantic Synthesis of the Arts: Nineteenth-Century German Theories on a Universal ArtKonsthistorisk Tidsskrift XXXXIV, 1975
Blumenberg, Hans, Work on Myth. Trans. R. M. Wallace, Cambridge, Massachusetts: MIT Press 1985
Blunt, William, The Compleat Naturalist: A Life of Linnaeus. London: Collins 1971
Borsche, Tilman, Wilhelm von Humboldt. Munich: Beck 1990
Bötticher, Karl, Architektonische Formen-Schule in Ornamenterfindung. Potsdam 1847
Bötticher, Karl, Die Tektonik der Hellenen, vols. 1–2. Potsdam: Riegel 1844–52
Bötticher, Karl, Der Baumkultus der Hellenen nach den gottesdienstlichen Gebräuchen und den überleferten Bildwerken dargestellt. Berlin: Weidmann 1856
Bötticher, Karl, Die Tektonik der Hellenen, vols. 1–2 (second, revised edition). Berlin: Ernst & Korn 1874
Boullée, Etienne-Louis, Architecture, Essay on Art. H. Rosenau (ed. and trans.). London: Academy 1976
Braham, William W., “What's Hecuba to Him? On Kiesler and the Knot”. Assemblage, no. 36, August 1998, pp. 6–23
Breck, Allen D., “The Use of Biological Concepts in the Writing of History”. In A. D. Breck and W. Yourgrau (eds.), Biology, History and Natural Philosophy. London: Plenum 1972
Bryant (née Häusler), Gabriele, ‘Art as “Precursor of Redemption’: Peter Behrens and the Gesamtkunstwerk”. Mac Journal, no. 5, 1999
Bury, J. B., The Idea of Progress: An Inquiry into its Origin and Growth. New York: Dover 1960
Butler, Eliza M., The Saint-Simonian Religion in Germany. Oxford University Press 1926
Carl Peter, “Architecture and Time: A Prolegomena”. AA Files 22, Autumn 1991, pp. 48–65
Cassirer Ernst, “Structuralism in Modern Linguistics”. In Word: Journal of the Linguistic Circle of New York, vol. 1, no. 2, New York 1945, pp. 199–220
Cassirer, Ernst, The Problem of Knowledge, Philosophy, Science and History since Hegel. Trans. W. H. Woglom and C. W. Hendel, Yale University Press 1950
Cassirer, Ernst, The Philosophy of the Enlightenment. Trans. F. C. A. Koelln and J. P. Pettegrove, Boston: Beacon 1955
Cassirer, Ernst, The Philosophy of Symbolic Forms, vols. 1–3. Trans. R. Manheim, Yale University Press 1965
Cassirer, Ernst, Goethe und die geschichtliche Welt. Hamburg: Meiner 1995
Cicero, Markus Tullius, De Inventione. Trans C. D. Yonge, London: Bell 1888
Coleman, Francis X. J., The Aesthetic Thought of the French Enlightenment. University of Pittsburgh Press 1971
Coleman, William, Georges Cuvier, Zoologist: A Study in the History of Evolution Theory. Harvard University Press 1964
Coleman, William, Biology in the 19th Century: Problems of Form, Function, and Transformation. Cambridge University Press 1971
Collins, Peter, Changing Ideals in Modern Architecture. London: Faber & Faber 1965
Collon, Dominique, Ancient Near Eastern Art. London: British Museum 1995
Colomina, Beatriz (ed.), Sexuality and Space, Princeton Architectural Press 1992
Comte, August, The Essential Writings. Ed. and trans. Gertrud Lenzer, New York: Harper & Row 1975
Condillac, Étienne Bonot de, Essai sur l'origine des Connoissances humaines. Amsterdam 1746
Conger, George P., Theories of Macrocosms and Microcosms in the History of Philosophy. New York: Columbia University Press 1922
Crook, Joseph Mordaunt, The Dilemma of Style, Architectural Ideals from the Picturesque to the Post-Modern. London. Murray 1987
Cuvier, Georges, Lecons d'anatomie comparée, vols 1–5, Paris: Crochard, Fantin, Badouin 1805
Cuvier, Georges, The Animal Kingdom Arranged in Conformity with its Organisation, with Additional Description of all the Species Hitherto Named, and of Many Not Before Noticed, vols. 1–16. Ed. and trans. E. Griffith and G. B. Whittaker, London 1827
Dal Co, Francesco, Figures of Architecture and Thought: German Architectural Culture 1880–1920. New York: Rizzoli 1990
Certeau Michael, “Writing vs. Time: History and Anthropology in the Works of Lafitau”. Yale French Studies 59, Yale 1980, pp. 37–65
Descartes, René, Meditations on First Philosophy. Trans. J. Cottingham, Cambridge University Press 1986
Descartes, René, The Philosophical Writings of Descartes, vol. 1. Trans. R. Stoothoff, Cambridge University Press 1990
Diderot, Denis, Recherches philosophiques sur l'origine et la nature du beau. Paris 1751
Dilthey, Wilhelm, Gesammelte Schriften, vols. 1–19. Stuttgart: Teubner and Göttingen: Vanderhoeck & Ruprecht 1914–1982
Dilthey, Wilhelm, Descriptive Psychology and Historical Understanding. Trans. K. L. Heiges and R. M. Zaner, The Hague: Nijhoff 1977
Dilthey, Wilhelm, Poetry and Experience, Selected Works, vol. 5. Eds. R. A. Makkreel and F. Rodi, trans. L. Agosta, R. A. Makkreel, M. Neville, C. Rodie, and J. Ross, Princeton University Press 1985
Dilthey, Wilhelm, Introduction to the Human Sciences, Selected Works, vol. 1. Eds. R. A. Makkreel and F. Rodi, trans. J. Barnouw, R. A. Makkreel, M. Neville, and F. Schreiner, Princeton University Press 1989
Donaldson, Thomas Leverton, “On a New Style in Architecture”. AA Papers, London 1847
Donaldson, Thomas Leverton, “Obituary for Gottfried Semper”. Transactions of the RIBA, Session 1878–79. London 1879, pp. 233–5
Dresden Technische Universität, Gottfried Semper 1803–1879: Sein Wirken als Architekt, Theoretiker und Revolutionärer Demokrat und die schöpferische Aneignung seines progressiven Erbes. Dresden Technische Universität, no. 13, 1980
Drüeke, Eberhard, Der Maximilianstil. Zum Stilbegriff der Architektur im 19. Jahrhundert. Mittenwald: Mäander 1981
Durand, Jean-Nicolas-Louis, Recueil et Paralléle des édifices de tout genre, anciens et modernes. Paris 1801
Durand, Jean-Nicolas-Louis, Précis des leçons d'architecture données à l'École Polytechnique, 2 vols., Paris 1802–5
Eck, Caroline van, Organicism in Nineteenth-Century Architecture: An Inquiry into its Theoretical and Philosophical Background. Amsterdam: Architectura & Natura 1994
Eck, Caroline van, J. McAllister, and R. van de Vall (eds.), The Question of Style in Philosophy and the Arts. Cambridge University Press 1995
Eco, Umberto, Art and Beauty in the Middle Ages. Trans. H. Bredin, Yale University Press 1989
Eggan, Fred, “Some Reflections on Comparative Method in Anthropology”. In M. E. Spiro (ed.), Context and Meaning in Cultural Anthropology. New York: Free Press 1965, pp. 357–71
Eggert, Klaus, “Gottfried Semper, Carl von Hasenauer”. In Renate Wagner-Rieger (ed.), Die Wien Ringstrasse: Bild einer Epoche. Die Erweiterung der inneren Stadt Wien unter Kaiser Franz Joseph, vol. VIII, Wiesbaden: Steiner 1978, pp. 79–225
Einem, Herbert von, Beiträge zu Goethes Kunstauffassung. Hamburg: Schröder 1956
Ellul, Jaques, Technological Society. Trans. J. Wilkinson, London: Cape 1965
Else, G. F., “Imitation in the Fifth Century”. Classical Philology, no. 53, 1958, pp. 73–90
Elsner, John, and Roger Cardinal (eds.), The Cultures of Collecting. London: Reaktion 1994
Ermarth, Michael: Wilhelm Dilthey: The Critique of Historical Reason. Chicago University Press 1978
Esposito, Joseph I., Schelling's Idealism and Philosophy of Nature. Bucknell University Press 1977
Ettlinger, Leopold, Gottfried Semper und die Antike: Beiträge zur Kunstanschauung des deutschen Klassizismus. Halle: Nieft 1937
Ettlinger Leopold, “On Science, Industry, and Art: Some Theories of Gottfried Semper”. Architectural Review ⅭXXXVI, 1964, pp. 57–60
Evans-Pritchard, E. E., “The Comparative Method in Social Anthropology”. In E. E. Evans-Pritchard (ed.), The Position of Women in Primitive Societies and Other Essays in Social Anthropology. New York: Free Press 1965, pp. 13–36
Fischer von Erlach, Johann Bernhard, Entwurf einer historischen Architektur. In Abbildung unterschiedenes berühmten Gebäude, des Alterthums und fremdes Völcker. Vienna 1721
Fischer Albert, “Die ästhetischen Anschauungen Gottfried Sempers und die moderne Psychologische Ästhetik”. Archiv für die gesamte Psychologie, vol. 2. Leibzig 1904, pp. 362–422
Forty Adrian, “Of Cars, Clothes and Carpets: Design Metaphors in Architectural Thought”. Journal of Design History, vol. 2, no. 1, 1989
Foucault, Michel: The Order of Things: An Archaeology of the Human Sciences. London: Routledge 1970
Frampton, Kenneth, Studies in Tectonic Culture: The Poetics of Construction in Nineteenth-and Twentieth-Century Architecture. Ed. J. Cava, Cambridge, Massachusetts: MIT Press 1995
Fröhlich, Martin, Gottfried Semper. Zeichnerischer Nachlass an der ETH Zürich: Kritischer Katalog. Basel: Birkhäuser 1974
Gadamer, Hans-Georg, Kleine Schriften, vols. 1–4. Tübingen: Mohr 1967–1977
Gadamer, Hans-Georg, Reason in the Age of Science. Trans. F. G. Lawrence, Cambridge, Massachusetts: MIT Press 1981
Gadamer, Hans-Georg, Gesammelte Werke, vols. 1–10. Tübingen: Mohr 1985–1995
Gadamer, Hans-Georg, The Relevance of the Beautiful and Other Essays. Ed. R. Bernasconi, Cambridge University Press 1986
Gadamer, Hans-Georg, Truth and Method. Trans. J. Weinheimer and D. G. Marshall, London: Sheed & Ward 1989
Gandy Joseph, “On the Philosophy of Architecture”. Magazine of Fine Arts, vol. 1, 1821, pp. 289–93 and 370–9
Gantner, Joseph, Revision der Kunstgeschichte: Prolegoman zu einer Kunstgeschichte aus dem Geiste der Gegenwart. Mit einem Anhang: Semper und Le Corbusier. Vienna: Schroll 1932
Georgiadis Sokratis, “Sempers schwierige Rückkehr aus dem zweiten Exil”. Werk, Bauen + Wohnen, no. 4, 1992, pp. 61–2
Gerbino, Anthony, “Imitation, Character, Typology: The Concept of Style in the Architectural Theory of Jaques-Guillaume Legrand”. Unpublished essay, University of Cambridge 1994
Germann Georg, “Gottfried Semper über Kontinuität und Innovation”. Zeitschrift für Schweitserische Archaeologie und Kunstgeschichte, vol. 33, 1976
Germann, Georg, Einführung in die Geschichte der Architekturtheorie. Darmstadt: Wissenschaftlige Buchgesellschaft 1980
Gillispie, C. Coulston (ed.), Dictionary of Scientific Biography. New York: Schribner's 1973
Goethe, Johann Wolfgang von, Italian Journey. Trans. W. H. Auden and E. Mayer, London: Penguin 1962
Goethe, Johann Wolfgang von, Goethe on Art. Ed. and trans. J. Gage, London: Scholars 1980
Goethe, Johann Wolfgang von, Scientific Studies. Ed. and trans. D. Miller, New York: Suhrkamp 1988
Golden, Leon, Aristotle on Tragic and Comic Mimesis. American Classical Studies 29, Atlanta, Georgia: Scholars 1992
Gollwitzer, Heinz (ed.), 100 Jahre Maximilianeum. Munich: Pflaum 1953
Grassi, Ernesto, Kunst und Mythos. Hamburg: Rowohlt 1957
Grassi, Ernesto, Die Theorie des Schönes in der Antike. Schauburg: DuMont 1962
Gregory, Frederick, Scientific Materialism in Nineteenth-Century Germany. Dordrecht: Reidel 1977
Gurlitt, Cornelius, Zur Befreiung der Baukunst, Ziele und Taten deutscher Architekten im 19. Jahrhundert. Gütersloh: Bertelsmann Fachverlag 1969
Haag Bletter, Rosmarie, “On Martin Frölich's Gottfried Semper”. Oppositions, no. 4, October 1974, pp. 146–53
Haag Bletter, Rosmarie, “Gottfried Semper”. Macmillan Encyclopaedia of Architects, vol. 4, London: Free Press 1982, pp. 25–33
Habermas, Jürgen, Knowledge and Human Interests. Trans. J. J. Shapiro, London: Heinemann 1972
Halliwell, Stephen, Aristotle's Poetics. London: Duckworth 1986
Hallowell Irving A., “The History of Anthropology as an Anthropological Problem”. Journal of the History of Behavioral Sciences, vol. 1, 1965, pp. 24–38
Hammerschmidt, Valentin, Anspruch und Ausdrucks in der Architektur des späten Historismus in Deutschland, 1860–1914. Frankfurt am Main: Lang 1985
Harries, Karsten, The Meaning of Modern Art, A Philosophical Interpretation. Northwestern University Press 1968
Harries, Karsten, The Bavarian Rococo Church: Between Faith and Aestheticism. Yale University Press 1983
Harries, Karsten, The Broken Frame: Three Lectures. Washington, DC: Catholic University of America Press 1989
Harries, Karsten, “Theatricality and Re-presentation”. Perspecta: The Yale Architecture Journal, no. 26, 1990
Harries, Karsten, The Ethical Function of Architecture. Cambridge, Massachusetts: MIT Press 1996
Harrington, Kevin, Changing Ideas on Architecture in the “Encyclopédie”, 1750–1776. Ann Arbor: University of Michigan Press 1985
Hartoonian, Gevork, Ontology of Construction, On Nihilism of Technology in Theories of Modern Architecture. Cambridge University Press 1994
Harvey Lawrence, “Semper's Theory of Evolution of Architectural Ornament”. Transactions of the RIBA, New Series vol. 1, 1885, pp. 29–54
Häusler, Gabriela, “In the Artwork We Become One.” In The Problem of the Gesamtkunstwerk in the Visual Arts of the Early Twentieth Century, unpublished dissertation, University of Cambridge 1989
Hayek, F. A., The Counter Revolution of Science – Studies in the Abuse of Reason. London: The Free Press of Glencoe, Collier-Macmillian 1955
Hegel, Georg Wilhelm Friedrich, Introduction to Aesthetics. Trans. T. M. Knox, Oxford: Claredon 1979
Heidegger, Martin, The Question Concerning Technology and Other Essays. New York: Harper & Row 1977
Heidegger, Martin, Nietzsche, vols. 1–4. Trans. F. A. Capuzzi, ed. D. Farrell-Krell, San Francisco: Harper & Row 1979
Heidegger, Martin, Kant and the Problem of Metaphysics. Trans. R. Taft, Indiana University Press 1990
Heidegger, Martin, Being and Time. Trans. J. Macquarrie and E. Robins, Oxford: Blackwell 1992
Heidegger, Martin, The Concept of Time. Trans. W. McNeill, Oxford: Blackwell 1992
Heidegger, Martin, The History of the Concept of Time. Trans. T. Kisiel, Indiana University Press 1992
Heidegger, Martin, Basic Writings. Ed. D. Farell Krell, London: Routledge 1993
Heizmann, Bertold, Ursprünglichkeit und Reflexion. Die poetische Ästhetik des jungen Herder im Zusammenhang der Geschichtsphilosophie und Anthropologie des 18. Jahrhundert. Frankfurt am Main: Lang 1981
Herder, Johann Gottfried, Essay on the Origin of Language (1772). Trans. A. Gode, in Two Essays on the Origin of Language, Jean-Jacques Rousseau and Johann Gottfried Herder, University of Chicago Press 1986
Herder, Johann Gottfried, Auch eine Philosophie der Geschichte zur Bildung der Menschheit (1774). Ed. H. S. Irmscher, Stuttgart: Reclam 1990
Herrmann, Wolfgang, Deutsche Baukunst des 19. und 20. Jahrhunderts. Basel: Birkhäuser 1977
Herrmann, Wolfgang, Gottfried Semper: Theoretischer Nachlass an der ETH Zürich. Katalog und Kommentare. Basel: Birkhäuser 1981
Herrmann, Wolfgang, Gottfried Semper: In Search of Architecture. Cambridge, Massachusetts: MIT Press 1984
Herrmann, Wolfgang, Laugier and Eighteenth-Century French Theory. London: Zwemmer 1985
Herrmann, Wolfgang (ed.), In What Style Should We Build? The German Debate on Architectural Style. Santa Monica: Getty 1992
Hirt, Aloys L., Die Baukunst nach den Grundsätzen der Alten. Berlin 1809
Hodgen, Margaret, Early Anthropology in the Sixteenth and Seventeenth Centuries. University of Pennsylvania Press 1964
Hoenigswald Henry M., “Etymology Against Grammar in the Early 19th Century”. HEL: Histoire, Épistemologie, Langage, vol. 6, no. 2, 1984, pp. 95–100
Hohner, Ulrich, Zur Problematik der Naturnachahmung in der Ästhetik der achtzehnte Jahrhundert. Erlangen: Palm & Enke 1976
Holy, Ladislav (ed.), Comparative Anthropology. Oxford: Blackwell 1987
Honigmann, John J., The Development of Anthropological Ideals. Homewood, Illinois: Dorsey 1976
Huizinga, Johan, Homo Ludens: A Study of the Play Element in Culture. London: Temple Smith 1970
Hull David L., “The Metaphysics of Evolution”. British Journal for the History of Science, vol. 3, 1967, pp. 309–37
Humboldt, Wilhelm von, Werke In fünf Bänden. Eds. A. Flitner and K. Giel, Stuttgart: Cotta 1960
Hume, David, The Natural History of Religion. London 1757
Husserl, Edmund, The Crisis of European Sciences and Transcendental Phenomenology. Trans. D. Carr, Evanston: Northwestern University Press 1970
Hutcheson, Francis, An Inquiry into the Original of our Ideas of Beauty and Virtue. London 1726
Iggers, Georg, The German Conception of History. Wesleyan University Press 1968
Iversen, Margaret, “Riegl versus Semper.” Daidalos, no. 29, 1988
Jaspers, Karl, Man in the Modern Age. Trans. E. and C. Paul, London: Routledge and Kegan 1951
Jauss, H. R. (ed.), Nachahmung und Illusion. Munich: Eidos 1964
Jenkins, Ian, Archaeologists & Aesthetes in the Sculpture Galleries of the British Museum 1800–1939. London: British Museum Press 1992
Kant, Immanuel, Idea for a Universal History from a Cosmopolitan Point of View. In L. White Beck (ed. and trans.), Immanuel Kant on History, Indianapolis: Bobbs-Merrill 1963
Kant, Immanuel, Critique of Judgement. Trans. W. S. Pluhar, Indianapolis: Hackett 1987
Kant, Immanuel, Critique of Pure Reason. Trans. P. Guyer and A. W. Wood, Cambridge University Press 1998
Kearney, Richard, The Wake of Imagination: Ideas of Creativity in Western Culture. London: Hutschinson 1988
Klemm, Gustav Friedrich, Allgemeine Kulturgeschichte der Menschheit, vols. 1–9. Leibzig: Teubner 1843–51
Kolakowski, Leszek, Positivist Philosophy from Hume to the Vienna Circle. Trans. N. Guterman, Harmondsworth: Penguin 1972
Koller, Herrmann, Die Mimesis in der Antike, Nachahmung, Darstellung, Ausdruck. Bern: Francke 1954
Koselleck, Reinhart, Futures Past: On the Semantics of Historical Time. Trans K. Tribe, Cambridge, Massachusetts: MIT Press 1985
Kristeller, Paul O., “The Modern System of the Arts.” In Kivy, P. (ed.), Essays on the History of Aesthetics, Rochester University Press, 1992
Krogseth, Otto, Den tyske historismen. En idéhistorisk undersøkelse av den tyske historismens utviklingshistorie. Oslo: Universitetsforlaget 1984
Kruft, Hanno-Walter, Geschichte der Architekturtheorie, von der Antike bis zur Gegenwart. Munich: Beck 1991
Laudel, Heidrun, Gottfried Semper: Architektur und Stil. Dresden: Verlag der Kunst 1991
Laugier, Marc-Antoine, An Essay on Architecture. Trans. W. and A. Herrmann, Los Angeles: Hennessey & Ingalls 1977
Lavin, Sylvia, Quatremère de Quincy and the Invention of a Modern Language of Architecture. Cambridge, Massachusetts: MIT Press 1992
Leatherbarrow, David, The Roots of Architectural Invention: Site, Enclosure, Materials. Cambridge University Press 1993
Legrand, J. G., Essai sur l'historie générale de l'architecture, pour servir de texte explicatif. Au Recueil et parallele des edifices de tout genre, anciens et modernes. 2nd edition, Paris 1809
Leibniz, Gottfried Wilhelm: New Essays on Human Understanding. Trans. and ed. P. Remnant and J. Bennett, Cambridge University Press 1996
Leopold, Joan, Culture in Comparative and Evolutionary Perspective: E. B. Tylor and the Making of Primitive Culture. Berlin: Reimer 1980
Leroy, Julien-David, Les ruines des plus beaux monuments de la Grèce: ouvrage divisé en deux parties, ou l'on considere dans la premiere, ces monuments du côte de l'histoire; et dans la seconde, du côte de l'architecture. Paris 1758
Lindberg, David C., and Robert S. Westman (eds.), Reappraisals of the Scientific Revolution. Cambridge University Press 1990
Linnaeus, Carl, Reflections on the Study of Nature. London: Nicol 1785
Lipp, Wilfried, Natur, Geschichte, Denkmal: Zur Entstehung des Denkmalbewusstsein der bürgerlichen Gesellschaft. Frankfurt am Main: Campus 1987
Loos, Adolf, Spoken into the Void: Complete Essays 1897–1900. Trans. J. O. Newmann and J. H. Smith, Cambridge, Massachusetts: MIT Press 1982
Lovejoy, Arthur O., Essays in the History of Ideas. Baltimore: Johns Hopkins Press 1948
Lovejoy, Arthur O., The Great Chain of Being, A Study in the History of an Idea. Harvard University Press 1964
Löwith, Karl, Meaning in History: The Theological Implications of the Philosophy of History. University of Chicago Press 1949
Löwith, Karl, From Hegel to Nietzsche, the Revolution in Nineteenth-Century Thought. Trans. D. E. Green, London: Constable 1964
Lützow Carl, “Review of Semper's Der Stil Recensionen und Mittheilungen über bildende Kunst,” vol. 2, no. 5, pp. 85–6
Madrazo Leandro, “Durand and the Science of Architecture”. Journal of Architectural Education, vol. 48, no. 1, September 1994, pp. 12–24
Madrazo, Leandro, The Concept of Type in Architecture: An Inquiry into the Nature of Architectural Form. Unpublished dissertation, Zurich: Eidgenössische Technische Hochschule 1995
Makkreel, Rudolf A., Dilthey, Philosopher of the Human Studies. Princeton University Press 1975
Mallgrave Harry Francis, “Commentary on Semper's November Lecture”. RES: Journal of Anthropology and Aesthetics, 6 Fall 1983, pp. 23–31
Mallgrave Harry Francis, “Gustav Klemm and Gottfried Semper: The Meeting of Ethnological and Architectural Theory”. RES: Journal of Anthropology and Aesthetics, 9 Spring 1985, pp. 68–79
Mallgrave, Harry Francis, and Wolfgang Herrmann (eds.), Gottfried Semper: The Four Elements of Architecture and Others Writings. Cambridge University Press 1989
Mallgrave, Harry Francis (ed.), Otto Wagner, Reflection on the Raiment of Modernity. Santa Monica: Getty 1993
Mallgrave, Harry Francis, and Eleftherios Ikonomou (eds.), Empathy, Form, and Space: Problems in German Aesthetics 1873–1893. Santa Monica: Getty 1994
Mallgrave, Harry Francis, Gottfried Semper: Architect of the Nineteenth Century. Yale University Press 1996
Manchester, Martin L., The Philosophical Foundation of Humboldt's Linguistic Doctrines. Amsterdam: Benjamin 1985
Manuel, Frank E., Freedom from History and Other Untimely Essays. University of London Press 1972
Marx, Karl, and Friedrich Engels, Selected Works in Three Volumes. Moscow: Progress 1983
Mauro, Tullio de, and Lia Formigari (eds.), Leibniz, Humboldt, and the Origins of Comparativism. Amsterdam: Benjamin 1990
McFarland, J. D., Kant's Concept of Teleology. University of Edinburgh Press 1970
McMullin, Ernan, “The Conception of Science in Galileo's Work”. In R. Butts and J. Pitts (eds.), New Perspectives on Galileo, Dordrecht: D. Reidel 1978
Meillet, Antoine, The Comparative Method in Historical Linguistics. Trans. G. B. Ford Jr., Paris: Champion 1966
Meinecke, Friedrich, Historism: The Rise of a New Historical Outlook. Trans. J. E. Anderson, London: Routledge & Kegan 1972
Merz, Johann Theodore, A History of European Scientific Thought in the Nineteenth Century. Edinburgh: Blackwood 1896
Middleton, Robin (ed.), The Beaux-Arts and Nineteenth-Century French Architecture. London: Thames and Hudson 1984
Middleton Robin, “Symmetry: A French Obsession”. Daidalos 15, 1985
Middleton Robin, “The Rationalist Interpretation of Classicism of Léonce Reynaud and Viollet-le-Duc”. AA Files 2, 1986
Miller, Edward, That Noble Cabinet, A History of the British Museum. Athens, Ohio: Ohio University Press 1974
Montesquieu, Charles de Secondat, Baron de, The Spirit of the Laws. Trans. T. Nugent, Chicago: Encyclopaedia Britannica 1952
Morawánsky, Ákos, Die Architektur der Donaumonarchie 1867–1918. Berlin: Ernst 1988
Mueller-Vollmer, Kurt (ed.), The Hermeneutics Reader: Texts of the German Tradition from the Enlightenment to the Present. Oxford: Blackwell 1984
Müller, Karl Otfried, Ancient Art and Its Remains, or a Handbook of the Archaeology of Art. Trans. J. Leitch, London 1850
Murray, Michael, Modern Philosophy of History; Its Origin and Destination. The Hague: Nijhoff 1970
Muthesius, Hermann, Style Architecture and Building-Art, Transformations of Architecture in the Nineteenth Century and its Present Conditions. Trans. S. Anderson, Santa Monica: Getty 1994
Nabrings, Arie, “Historismus als Paralyse der Geschichte”. Archiv für Kulturgeschichte, vol. 65, Vienna: Böhlan 1983, pp. 157–212
Nietzsche, Friedrich, Untimely Meditations. Trans. R. J. Hollingdale, Cambridge University Press 1983
Oechslin, Werner, “Premises for the Resumption of the Discussion of Typology”. Assemblage no. 1, October 1986
Oechslin, Werner, Stilhülse und Kern: Otto Wagner, Adolf Loos und der evolutionäre Weg zur modernen Architektur. Zurich: gta 1994
Olender, Maurice, The Language of Paradise. Trans. A. Goldhammer, Harvard University Press 1992
Panofsky, Erwin, Renaissance and Renaissances in Western Art. Stockholm: Almquist & Wikell 1960
Panofsky, Erwin, Idea: A Concept in Art Theory. University of South Carolina Press 1968
Parrot, André, Nineveh and Babylon. Trans. S. Gilbert and J. Emmons, London: Thames and Hudson 1961
Peréz-Goméz, Alberto, Architecture and the Crisis of Modern Science. Cambridge, Massachusetts: MIT Press 1992
Peréz-Goméz, Alberto, and Louise Pelletier, Architectural Representation and the Perspective Hinge. Cambridge, Massachusetts: MIT Press 1997
Pevsner, Nikolaus, Some Architectural Writers of the Nineteenth Century. Oxford: Claredon 1972
Plato, The Collected Dialogues. Ed. E. Hamilton and H. Cairns, Princeton University Press 1989
Podro, Michael, The Critical Historians of Art. Yale University Press 1992
Prinzhorn, Hans, Gottfried Sempers aesthetische Grundanschauungen. Stuttgart: Union 1909
Pruscha, Carl (ed.), Das Semper Depot. Munich: Prestel 1997
Pugin, Augustus Welby Northmore, Contrasts, or A Parallel Between the Noble Edifices of Fourteenth and Fifteenth Centuries and Similar Buildings of the Present Day, Showing the Present Decay of Taste (1836). Leicester: Leicester University Press 1969
Pugin, Augustus Welby Northmore, The True Principles of Pointed or Christian Architecture (1841). London: Academy 1973
Quatremère de Quincy, Antoine-Chrysostome, Dictionnaire d'architecture, 3 vols. Part of Encyclopédie méthodique, ou par ordre de matières, ed. C.-J. Panckoucke, Paris 1788–1825
Quatremère de Quincy, Antoine-Chrysostome, The Destination of Works of Art and the Use to Which They Are Applied. Trans. H. Thomson, London 1821
Quatremère de Quincy, Antoine-Chrysostome, “Essays from Encyclopedie Methodique: Architecture (1788–1825)”. In J. C. Loudon (ed.), Architectural Magazine, 1836–7
Quatremère de Quincy, Antoine-Chrysostome, Essay on the Nature, the End, and the Means of Imitation in the Fine Arts. Trans. J. C. Kent, London 1837
Quitzsch, Heinz, “Sempers Kunsttheorie.” In Gottfried Semper 1803–1879. Baumeister Zwischen Revolution und Historismus, Staatliche Kunstsammlung, Dresden und Institut für Denkmalspflege, Munich: Callwey 1980
Quitzsch, Heinz, Die ästhetischen Anschaungen Gottfried Sempers. Studien zur Architectur-und Kunstwissenschaft, vol. 1. Berlin: Akademie-Verlag 1962
Rand, Colin, “Two Meanings of Historicism in the Writings of Dilthey, Troeltsch, and Meinecke”. Journal of the History of Ideas, no. 25, 1964, pp. 503–18
Ricoeur, Paul, A Ricoeur Reader: Reflection and Imagination. Ed. Mario J. Valdés, University of Toronto Press 1991
Ricoeur, Paul, Hermeneutics and the Human Sciences. Trans. J. B. Thompson, Cambridge University Press 1982
Ricoeur, Paul, Time and Narrative, vol. 1–3. Trans. K. McLaughlin and D. Pellauer, University of Chicago Press 1983
Riegl, Alois, Late Roman Art Industry. Trans. R. Winkes, Rome: Bretschneider 1985
Riegl, Alois, Problems of Style: Foundations for a History of Ornament. Trans. E. Kain, Princeton University Press 1992
Rothacker, Erich, Logik und Systematik der Geisteswissenschaften. Munich: Oldenbourg 1965
Rousseau, Jean-Jacques, Discours sur l'origine et les fondements de l'inègalité parmi les hommes. Amsterdam 1755
Rousseau, Jean-Jacques, Essay on the Origin of Languages Which Treats of Melody and Musical Imitation. Trans. J. H. Moran, in Two Essays on the Origin of Language, Jean-Jacques Rousseau and Johann Gottfried Herder. University of Chicago Press 1986
Rykwert, Joseph, On Adam's House in Paradise. The Idea of the Primitive Hut in Architectural History. Cambridge, Massachusetts: MIT Press 1981
Rykwert Joseph, “Preface to London Lecture of November 11, 1853”. In RES: Journal of Anthropology and Aesthetics, 6 Fall 1983, pp. 5–7
Rykwert, Joseph, The Idea of a Town, the Anthropology of Urban Form in Rome, Italy and the Ancient World. Cambridge, Massachusetts: MIT Press 1995
Rykwert, Joseph, The Dancing Column: On Order in Architecture. Cambridge, Massachusetts: MIT Press 1996
Saint-Simon, Claude Henri de, The Political Thought of Saint-Simon. Ed. and trans. G. Ionescu, Oxford University Press 1976
Saisselin, Rémy G., The Rule of Reason and the Ruses of the Heart, A Philosophical Dictionary of Classical French Criticism, Critics, and Aesthetic Issues. Cleveland: The Press of Case Western Reserve University 1970
Schelling, Friedrich Wilhelm Joseph, Ideas for a Philosophy of Nature, as Introduction to the Study of This Science (1798; 2nd ed., 1803). Trans. E. E. Harris and P. Heath, Cambridge University Press 1988
Schelling, Friedrich Wilhelm Joseph, The Philosophy of Art. Trans. D. W. Stott, University of Minnesota Press 1989
Schenker, Manfred K., Batteux und seine Nachahmungstheorie in Deutschland. Hildesheim: Gerstenberg 1977
Schiller, Friedrich, On the Aesthetic Education of Man in a Series of Letters. Trans. R. Snell, Bristol: Thoemmes 1994
Schlegel, August Wilhelm, Vorlesungen über Ästhetik, vol. 1 (1798–1803). Ed. E. Behler, Munich: Schöning 1989
Schlegel, Friedrich, Ueber die Sprache und Weisheit der Indier: Ein Beitrag zur Begründung der Alterthumskunde. Heidelberg: Mohr & Zimmer 1808. Reprinted Amsterdam: Benjamin 1977
Schlegel, Friedrich, Kritische Friedrich Schlegel Ausgabe, vol. 2, Charakteristiken und Kritiken (1796–1801). Ed. E. Bettler, Munich: Schöning 1967
Schmarsow, August, Grundbegriffe der Kunstwissenschaft am Übergang vom Altertum zum Mittelalter kritisch erörtert und in systematischem Zusammenhang dargestellt. Leibzig: Teubner 1903
Schneider, Donald D., The Work and Doctrines of Jaques Ignace Hittorf, 1792–1867. New York: Garland 1977
Schopenhauer, Arthur, Die Welt als Wille und Vorstellung (1819). In Sämtliche Werke, vol. 1, Wiesbaden: Brockhaus 1972
Schorske, Carl, Fin-de-siècle Vienna: Politics and Culture. Cambridge University Press 1979
Schwarzer, Mitchell, German Architectural Theory and the Search for Modern Identity. Cambridge University Press 1995
Sedlmayr, Hans, Johann Bernhard Fischer von Erlach. Munich: Wien 1956
Semper, Hans, Gottfried Semper, ein Bild seines Lebens und Wirkens. Berlin: Calvary 1880
Semper, Hans, and Manfred Semper (eds.), Gottfried Semper: Kleine Schriften. Berlin and Stuttgart 1884; Mittenwald: Mäander 1979
Semper Manfred, “Zur kunstgeschichtlichen Würdigung Gottfried Sempers”. Deutsche Bauzeitung 19, 1885, no. 67, pp. 401–4, and no. 68, pp. 409–11
Simon, W. M., European Positivism in the Nineteenth Century, An Essay in Intellectual History. Cornell University Press 1963
Singer, Charles, A History of Biology to About the Year 1900. London: Abelard-Schuman 1959
Sola-Morales, Ignacio, “The Origins of 19th-Century Eclecticism: The Theories of Architecture in Early 19th-Century France”. Quaderns, April-June 1984, pp. 66–79
Sørensen, Bengt Algott, Symbol und Symbolismus in den ästhetischen Theorien des 18. Jahrhunderts und der deutschen Romantik. Copenhagen: Munksgaard 1963
Stafford, Barbara Maria, Voyage into Substance: Art, Science, Nature, and the Illustrated Travel Accounts, 1760–1840. Cambridge, Massachusetts: MIT Press 1984
Steadman, Philip, The Evolution of Designs: Biological Analogy in Architecture and the Applied Arts. Cambridge University Press 1979
Stockmeyer, Ernst: Gottfried Sempers Kunsttheorie. Zurich: Rascher 1939
Szambien, Werner: Jean-Nicolas-Louis Durand, 1760–1834. De L'imitation à la norme. Paris: Picard 1984
Tatarkiwicz, W., The History of Aesthetics, vol. 1–3. The Hague: Mouton 1970
Taylor, Charles, Sources of the Self. Cambridge University Press 1989
Thomas, Downing A., Music and the Origins of Language: Theories from the French Enlightenment. Cambridge University Press 1995
Toulmin, Stephen, Cosmopolis, the Hidden Agenda of Modernity. Chicago University Press 1990
Troeltsch, Ernst, Gesammelte Schriften, vol. 3, Der Historismus und seine Probleme. Tübingen: Mohr 1922
Vallier, Ivan (ed.), Comparative Methods in Sociology: Essays on Trends and Applications. University of California Press 1971
Ven Cornelis, “Ideas of Space in German Architectural Theory 1850–1930”. Architectural Association Quarterly, vol. 9, no. 2–3, 1977, pp. 30–9
Venturi, Lionel, History of Art Criticism. Trans. C. Morriatt, New York: Dutton 1936
Verdenius, Willem J., Mimesis: Plato's Doctrine of Artistic Imitation and Its Meaning to Us. Leiden: Brill 1949
Vesely Dalibor, “Surrealism, Myth and Modernity”. Architectural Design, vol. 48, no. 2–3, 1978
Vesely Dalibor, “Architecture and the Conflict of Representation”. AA Files 8 1987
Vesely, Dalibor, “Architecture and the Poetics of Representation”. Daidalos, September 1987
Vesely, Dalibor, “The Nature of Creativity in the Age of Production”. Scroope, Cambridge Architecture Journal, no. 4, 1992
Vico, Giambattista, The New Science (3rd edition, 1744). Trans. T. G. Bergin and M. H. Fisch, Cornell University Press 1994
Vidler, Anthony, “The Third Typology”. Oppositions, no. 7, 1976, pp. 1–4
Vidler, Anthony, “The Idea of Type: The Transformation of the Academic Ideal, 1750–1830”. Oppositions, no. 8, 1977, pp. 95–115
Vidler Anthony, “The Hut and the Body: The ‘Nature’ of Architecture from Laugier to Quatremère de Quincy”. Lotus International, vol. 33, 1981, pp. 102–12
Vidler, Anthony, “The ‘Art’ of History: Monumental Aesthetics from Winckelmann to Quatremère de Quincy”. Oppositions, no. 25, 1982, pp. 53–67
Vidler, Anthony, The Writing of the Walls: Architectural Theory in the Late Enlightenment. Princeton Architectural Press 1987
Villari, Sergio, “J. N. L. Durand (1760–1843).” Art and Science of Architecture. New York: Rizzoli 1990
Viollet-le-Duc, Eugéne-Emmanuel, Discourses on Architecture (1859–72), vols. 1–2. Trans. B. Bucknall, London: Allen & Unwin 1959
Vitruvius, The Ten Books on Architecture. Trans. M. Hicky Morgan, New York: Dover 1960
Voegelin, Eric, Science, Politics and Gnosticism, Two Essays by Eric Voegelin. Washington, DC: Regnery Gateway 1968
Voegelin, Eric, From Enlightenment to Revolution. Ed. J. Hallowell, Duke University Press 1975
Voget Fred W., “Progress, Science, History and Evolution in Eighteenth-and Nineteenth-century Anthropology”. Journal of the History of Behavioral Sciences, vol. 3, 1967, pp. 132–255
Vogt, Adolf, Max, Christina Reble, and Martin Frölich (eds.), Gottfried Semper und die Mitte des 19. Jahrhunderts. Basel: Birkhaüser 1976
Waetzold, Wilhelm, Deutsche Kunsthistoriker, vols. 1–2. Berlin: Hessling 1965
Wagner, Otto, Modern Architecture (1896). Trans H. F. Mallgrave, Santa Monica: Getty 1988
Wagner, Richard, Richard Wagner's Prose Works, vols. 1–3. Trans. W. A. Ellis, London: Reeves 1895
Wagner, Richard, My Life. London: Constable 1994
Watkin, David, and Tilman Mellinghoff, German Architecture and the Classical Ideal 1740–1840. London: Thames and Hudson 1987
Wegmann, Peter, Gottfried Semper und das Winterthurer Stadthaus: Sempers Architektur im Spiegel seiner Kunsttheorie. Bibliothek Winterthur 1985
Weidlé, Wladimir, Gestalt und Sprache des Kunstwerkes, Studien zur Grundlegung einer nichtästhetischen Kunsttheorie. Mittenwald: Mäander 1981
Wellek, René, A History of Modern Criticism: 1750–1950. London: Cape 1955
Wiedmann, August K., Romantic Roots in Modern Art: Romanticism and Expressionism: A Study in Comparative Aesthetics. Surrey: Gresham 1979
Wikman, K. R. V., Lachesis and Nemesis: Four Chapters on the Human Condition in the Writings of Carl Linnœus. Stockholm: Almquist & Wiksell 1970
Winckelmann, Johann Joachim, On the Imitation of the Painting and Sculpture of the Greeks (1755). In D. Irwin (ed. and trans.), Winckelmann: Writings on Art, London: Phaidon 1972
Wingler, Hans M., Wissenschaft, Industrie und Kunst, und andere Schriften über Architektur, Kunsthandwerk und Kunstunterricht. Mainz: Kupferberg 1966
Wright, T. R., The Religion of Humanity: The Impact of Comtean Positivism on Victorian Britain. Cambridge University Press 1986
Yim, Seockjae, Imitation and Ideal Type: A Study of Eighteenth-Century French Architecture. Unpublished dissertation, University of Pennsylvania 1992
Zanten, Ann Lorenz van, “Form and Society: César Daly and the Revue Générale de l'architecture”. Oppositions, no. 8, 1977
Zanten, David van, The Architectural Polychromy of the 1830s. New York: Garland 1977
Zeising, Adolf, Neue Lehre von den Proportionen des menschlichen Körpers. Leibzig: Weigel 1854
Zeising, Adolf, Aesthetische Forschungen. Frankfurt: Meidinger 1855

Metrics

Full text views

Total number of HTML views: 0
Total number of PDF views: 518 *
Loading metrics...

Book summary page views

Total views: 716 *
Loading metrics...

* Views captured on Cambridge Core between September 2016 - 22nd November 2017. This data will be updated every 24 hours.