Book contents
- Frontmatter
- Contents
- List of Illustrations
- List of Tables
- Preface
- A Note on Terminology, Transliterations, and Editions
- 1 An Introduction to Olympic Victor Lists
- 2 Hippias of Elis and the First Olympic Victor List
- 3 Olympionikon Anagraphai and Standard Catalogs of Olympic Victors
- 4 Olympiad Chronographies
- 5 Olympiad Chronicles
- 6 Conclusion
- Appendices
- 1.1 Scopas
- 1.2 Tiberius Claudius Polybius
- 1.3 Aristodemus of Elis
- 2 Hippias of Elis
- 3.1 Aristotle's Olympionikon Anagraphe
- 3.2 Eratosthenes' Olympionikon Anagraphe
- 3.3 The Aristotelian Pythionikai
- 3.4 POxy II 222
- 3.5 IG II2 2326
- 4.1 The Eusebian Olympic Victor List
- 4.2 Timaeus of Tauromenium
- 4.3 Dionysius of Halicarnassus
- 5.1 Philochorus
- 5.2 Ctesicles
- 5.3 Diodorus Siculus
- 5.4 Castor of Rhodes
- 5.5 Dionysius of Halicarnassus
- 5.6 Thallus
- 5.7 Phlegon
- 5.8 POxy XVII 2082
- 5.9 POxy I 12
- 5.10 Cassius Longinus
- 5.11 Dexippus
- 6 A Catalog of Olympic Victors Before Hippias?
- 7 Aristotle on the Foundation of the Olympic Truce and of the Olympic Games
- 8 Olympiads and Pankration Victors in Thucydides
- 9 More on the Accuracy of Hippias' Olympic Victor Catalog
- 10 The Olympic Victor List and the First Messenian War
- 11 Memorization and the olympic victor list
- 12 Hippias' Calculation of the Date of 776
- 13 The Spartan King Lists
- 14 Variant Olympiad Dating Systems
- 15 Menaechmus of Sicyon's Pythikos
- 16 The Sicyonian Anagraphe
- 17 Relationships between Olympionikai
- Bibliography
- General Index
- Index Locorum
16 - The Sicyonian Anagraphe
Published online by Cambridge University Press: 23 November 2009
- Frontmatter
- Contents
- List of Illustrations
- List of Tables
- Preface
- A Note on Terminology, Transliterations, and Editions
- 1 An Introduction to Olympic Victor Lists
- 2 Hippias of Elis and the First Olympic Victor List
- 3 Olympionikon Anagraphai and Standard Catalogs of Olympic Victors
- 4 Olympiad Chronographies
- 5 Olympiad Chronicles
- 6 Conclusion
- Appendices
- 1.1 Scopas
- 1.2 Tiberius Claudius Polybius
- 1.3 Aristodemus of Elis
- 2 Hippias of Elis
- 3.1 Aristotle's Olympionikon Anagraphe
- 3.2 Eratosthenes' Olympionikon Anagraphe
- 3.3 The Aristotelian Pythionikai
- 3.4 POxy II 222
- 3.5 IG II2 2326
- 4.1 The Eusebian Olympic Victor List
- 4.2 Timaeus of Tauromenium
- 4.3 Dionysius of Halicarnassus
- 5.1 Philochorus
- 5.2 Ctesicles
- 5.3 Diodorus Siculus
- 5.4 Castor of Rhodes
- 5.5 Dionysius of Halicarnassus
- 5.6 Thallus
- 5.7 Phlegon
- 5.8 POxy XVII 2082
- 5.9 POxy I 12
- 5.10 Cassius Longinus
- 5.11 Dexippus
- 6 A Catalog of Olympic Victors Before Hippias?
- 7 Aristotle on the Foundation of the Olympic Truce and of the Olympic Games
- 8 Olympiads and Pankration Victors in Thucydides
- 9 More on the Accuracy of Hippias' Olympic Victor Catalog
- 10 The Olympic Victor List and the First Messenian War
- 11 Memorization and the olympic victor list
- 12 Hippias' Calculation of the Date of 776
- 13 The Spartan King Lists
- 14 Variant Olympiad Dating Systems
- 15 Menaechmus of Sicyon's Pythikos
- 16 The Sicyonian Anagraphe
- 17 Relationships between Olympionikai
- Bibliography
- General Index
- Index Locorum
Summary
There was an inscription at Sicyon that gave a history of music and that seems to have included a list of Sicyonian kings. This inscription is of some importance in the present context because it was probably used by both Menaechmus of Sicyon (see Appendix 15) and Castor of Rhodes (see Section 5.4).
The Sicyon inscription is known through two references in the Pseudo-Plutarch's De Musica:
Heraclides in his Synagoge says that the first invention among the famous things in music was singing with the kithara and kithara playing and that Amphion, the son of Zeus and of Antiope, invented this, obviously learning from his father. This is attested in the register preserved in Sicyon (ἐκ τῆς ἀναγραφῆς τῆς ἐν Σικυῶνι ἀποκειμένης), from which Heraclides took the names of the priestesses of Hera at Argos and of poets and musicians. (FGrH 550 F1 apud [Plutarch] De Musica 3 (Moralia 1131f–1132a))
It is recorded in the register at Sicyon (ἐν δὲ τῇ ἐν Σικυῶνι ἀναγραφῇ) that deals with the poets that Clonas invented the trimeres musical mode. (F2 apud [Plutarch] De Musica 8 (Moralia 1134a-b))
The date at which the inscription was cut can be fixed within relatively narrow limits. A terminus post quem is supplied by the use of the priestesses of Hera at Argos, which means that the inscription almost certainly postdates the publication of the list of priestesses by Hellanicus in the last third of the fifth century.
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- Olympic Victor Lists and Ancient Greek History , pp. 517 - 518Publisher: Cambridge University PressPrint publication year: 2007