Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-22dnz Total loading time: 0 Render date: 2024-04-29T19:54:47.376Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

5 - Production, costs and supply of cultural goods

Ruth Towse
Affiliation:
Bournemouth University
Get access

Summary

This chapter deals with the supply of cultural goods and services and with the economic aspects of their production. The first stage of production in the creative industries is creativity, and that may be generated by individuals or by enterprises; in economic terms, though, we can also regard artists and others involved in ‘primary’ creative activity as producers. Supply to the market is made up of individual producers deciding how much to supply at different prices; what influences their decisions affects supply. The most important economic factor affecting supply is the cost of production and, in the chapter, various types of costs are analysed. Some producers are motivated only by profit, others are non-profit firms with other objectives; some have a monopoly position in the market while others operate in a competitive market. All these factors affect supply, the prices of cultural goods, which goods and services are produced, firms' revenues and, ultimately, how creators are rewarded.

Creativity

The starting point for all cultural supply is something we can call ‘creativity’. The people who create new work can be called ‘artists’ as a general term. Creativity may be defined in many ways and much has been written about it by social psychologists, philosophers, art historians, musicologists, critics, and so on, and lately by the authors of the UNCTAD (2008) Creative Economy Report 2008.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×