Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-vvkck Total loading time: 0 Render date: 2024-04-27T11:58:12.109Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

6 - Crime, scene, investigation: women, detection and the city

Get access

Summary

Following on from the arguments of the previous chapter, this chapter continues the consideration of the link between landscape, space and place and the law, but now focuses more squarely on the city and the presence of the female detective within texts on the city and crime. One of the key theories concerning moving through city space is that of the flâneur, a theory derived specifically from nineteenth-century Paris, theorised first by Charles Baudelaire and later by Walter Benjamin: the flâneur moves without specific purpose through the public and through public spaces but is not himself (and the gender here is specifically masculine as we shall see) of the public. Rather, he observes it. As Keith Tester says of Baudelaire's original theory, ‘The flâneur is the secret spectator of the spectacle of the spaces and places of the city’ (Tester 1994: 7). He is a man ‘driven out of the private and into the public by his own search for meaning’ (ibid.: 1) and ‘is the individual sovereign of the order of things who, as the poet or as the artist, is able to transform faces and things so that for him they have only that meaning which he attributes to them’ (ibid.: 6).

Therefore the flâneur is someone who seeks meaning from city spaces but also bestows on them individual meaning. This implies that the spaces can be read in more than one way, but what is important is this particular meaning that the flâneur produces. The ability to spectate and derive meaning from the act is, however, intrinsically masculine: in this original theorisation there can be no flâneuse. As Priscilla Parkhurst Ferguson argues, in the original theorisation of flânerie a woman cannot adopt the role of flâneur because she can never achieve the necessary detachment to observe, intricately connected as she is to consumerism (the nineteenth century seeing the rise of the department store), and subject as she is to her desires (Ferguson 1994: 27–8). A woman is in any case an object and not a subject of observation (ibid.: 28): there is a link here to prostitution, the notion that women did not belong in public spaces and therefore those who were to be found in public spaces were likely to be prostitutes. And prostitutes are objects of observation and pursuit on the street (ibid.).

Type
Chapter
Information
Spanish Spaces
Landscape, Space and Place in Contemporary Spanish Culture
, pp. 101 - 119
Publisher: Liverpool University Press
Print publication year: 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×