It would be difficult to argue that Laura Mulvey's work over the past four decades presents a coherent philosophy in the sense of a developed and argued Weltanschauung. Mulvey's published work consists almost entirely of reviews and articles, many of which have been collected in the three books for which she is well known: Visual and Other Pleasures (1989), Fetishism and Curiosity (1996) and Death 24x a Second (2006). The only single-topic book Mulvey has written is her short Citizen Kane for the BFI Film Classics series in 1992. Mulvey herself writes that she has “remained an ‘essayist’ and, … with no intended self-denigration, a dilettante” (1996: xii).