Book contents
- Frontmatter
- Contents
- List of Figures
- Acknowledgments
- 1 Legacies of Early European Art In Australian Collections
- 2 Heaven and Earth: the Worlds of the Rothschild Prayer Book
- 3 The Rothschild Prayer Book As Political, Social and Economic Agent Through the Ages
- 4 ‘Women Who Read Are Dangerous’: Illuminated Manuscripts and Female Book Collections In the Early Renaissance
- 5 Medieval Parchment: Two Glossed Bible Books In Context
- 6 Beginnings and Endings: the Shaping of the Book of Hours
- 7 An Associate of the Jouvenel Master and the Breviary of Prior François Robert
- 8 Chrysalis to Butterfly: An Aspect of the Evolution of the Book of Hours From Manuscript to Print
- 9 The Sorbonne Press and the Chancellor’s Manuscript
- 10 Thielman Kerver’s Book of Hours of 10 September 1522 In The Kerry Stokes Collection
- 11 An Accessory of Intellect: A Renaissance Writing Casket From The Kerry Stokes Collection
- 12 ‘A Very Rich Adornment’: A Discussion of the Stokes Cassone
- 13 The Dormition of the Virgin Altarpiece From the Kerry Stokes Collection
- 14 Through the Son: Pieter Brueghel the Younger’s Crucifixion
- 15 The Kerry Stokes Schembart Book: Festivity, Fashion and Family In The Late Medieval Nuremberg Carnival
- Index
15 - The Kerry Stokes Schembart Book: Festivity, Fashion and Family In The Late Medieval Nuremberg Carnival
Published online by Cambridge University Press: 05 February 2021
- Frontmatter
- Contents
- List of Figures
- Acknowledgments
- 1 Legacies of Early European Art In Australian Collections
- 2 Heaven and Earth: the Worlds of the Rothschild Prayer Book
- 3 The Rothschild Prayer Book As Political, Social and Economic Agent Through the Ages
- 4 ‘Women Who Read Are Dangerous’: Illuminated Manuscripts and Female Book Collections In the Early Renaissance
- 5 Medieval Parchment: Two Glossed Bible Books In Context
- 6 Beginnings and Endings: the Shaping of the Book of Hours
- 7 An Associate of the Jouvenel Master and the Breviary of Prior François Robert
- 8 Chrysalis to Butterfly: An Aspect of the Evolution of the Book of Hours From Manuscript to Print
- 9 The Sorbonne Press and the Chancellor’s Manuscript
- 10 Thielman Kerver’s Book of Hours of 10 September 1522 In The Kerry Stokes Collection
- 11 An Accessory of Intellect: A Renaissance Writing Casket From The Kerry Stokes Collection
- 12 ‘A Very Rich Adornment’: A Discussion of the Stokes Cassone
- 13 The Dormition of the Virgin Altarpiece From the Kerry Stokes Collection
- 14 Through the Son: Pieter Brueghel the Younger’s Crucifixion
- 15 The Kerry Stokes Schembart Book: Festivity, Fashion and Family In The Late Medieval Nuremberg Carnival
- Index
Summary
Abstract
The richly illustrated Kerry Stokes Schembart book represents a very fine example of a genre that recorded the pre-Lenten carnival parades in the city of Nuremberg between 1449 and 1539. It depicts the flamboyant costumes of the Runners who danced their way through the city and the floats ritually destroyed in the city square. It testifies to the significance of carnival in the city's festive life, the use of fashion to display the wealth and status of its leading families, and the emotional investment of those families in ensuring the survival of their pride and honour in such visible form.
Keywords: Nuremberg; Carnival; Fashion; Family; Festivity; Schembart
The Schembart book purchased by Kerry Stokes in 2006 represents a graphic and beautifully illustrated record of the annual pre-Lenten carnival parade, called the Schembart, that took place in the city of Nuremberg on Shrove Tuesday between 1449 and 1539. Shrovetide festivities were common throughout European cities in the late Middle Ages, as a time for physical pleasure, enjoyment, and excess before the rigours and fasting of Lent, which began on Ash Wednesday, the first of forty fasting days before Easter. The pre-Lenten Shrovee tide festivities in southwest Germany were called Fastnacht or Fasching and were strongly linked to the regional Swabian and Alemannic traditions of mumming, costumes and masks. The city of Nuremberg, located in the cultural region of Franconia, shared in these mumming traditions, and mounted one of most extravagant and well-known of such festivals, held sixty-three times between 1349 and 1524.
It was cancelled in some years because of plague and war, and was also suspended in the year the religious Reformation was introduced in the city in 1525; thereafter it was only held one more time in 1539 before being permanently banned. The extravagance and civic support of Nuremberg's Schembart had much to do with its strong link to the city's social and political history in this period, and its ongoing civic memory was a result of the numerous recordings of these events by different Nuremberg families in their Schembart books.
- Type
- Chapter
- Information
- Antipodean Early ModernEuropean Art in Australian Collections, c. 1200–1600, pp. 269 - 286Publisher: Amsterdam University PressPrint publication year: 2018