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The Cambridge Companion to Adorno
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  • Cited by 7
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    This book has been cited by the following publications. This list is generated based on data provided by CrossRef.

    Baumgarten, Stefan 2017. Translation and hegemonic knowledge under advanced capitalism. Target, Vol. 29, Issue. , p. 244.

    Ellis, William 2014. Simulacral, genealogical, auratic and representational failure: Bushman authenticity as methodological collapse. Critical Arts, Vol. 28, Issue. , p. 493.

    Nünning, Ansgar 2013. Metzler Lexikon Literatur- und Kulturtheorie. p. 1.

    O'Neill, Fiona K. 2013. Making a Right Tit of Myself: Subverting the Trajectory of Mastectomy: Soma, Psyche, Techné. Somatechnics, Vol. 3, Issue. , p. 9.

    Varga, Somogy and Gallagher, Shaun 2012. Critical social philosophy, Honneth and the role of primary intersubjectivity. European Journal of Social Theory, Vol. 15, Issue. , p. 243.

    Varga, Somogy 2010. Critical Theory and the Two-Level Account of Recognition - Towards a New Foundation?. Critical Horizons, Vol. 11, Issue. , p. 19.

    Walker, Iain 2005. Mimetic Structuration: Or, Easy Steps to Building an Acceptable Identity1. History and Anthropology, Vol. 16, Issue. , p. 187.

  • Edited by Tom Huhn, Wesleyan University, Connecticut

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    The Cambridge Companion to Adorno
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Book description

The great German philosopher and aesthetic theorist Theodor Wiesengrund Adorno (1903–69) was one of the main philosophers of the first generation of the Frankfurt School of critical theory. An accomplished musician, Adorno first focused on the theory of culture and art. Later he turned to the problem of the self-defeating dialectic of modern reason and freedom. In this collection of essays, imbued with the most up-to-date research, a distinguished roster of Adorno specialists explore the full range of his contributions to philosophy, history, music theory, aesthetics and sociology. New readers will find this the most convenient and accessible guide to Adorno currently available. Advanced students and specialists will find a conspectus of recent developments in the interpretation of Adorno.


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