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4 - The Goethe tradition: the phenomenological approach

Published online by Cambridge University Press:  22 January 2010

Bjørn Stabell
Affiliation:
Universitetet i Oslo
Ulf Stabell
Affiliation:
Universitetet i Oslo
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Summary

PHENOMENOLOGICAL ANALYSIS MAY REVEAL UNDERLYING MATERIAL PROCESSES

The almost complete lack of knowledge about colour processing in the visual pathway is quite understandable. How could it be possible to obtain such information without microelectrodes or other advanced instruments at hand to monitor the processing?

An ingenious way out of this apparently insurmountable difficulty was offered by Hering (1878). He held that there were actually two quite different routes to understanding the processes underlying colour vision: a direct physiological approach and an indirect psychological approach. The psychological approach was based on the presumption that information about material processes underlying colour vision may be obtained by analyzing the phenomenological characteristics of colour sensations. Actually, Hering accepted the psychophysical maxim of Mach (1865, p. 320) that made three basic assumptions:

  1. Every mental process is unalterably correlated with an underlying material process.

  2. Similar and different mental processes are, respectively, correlated with similar and different material processes.

  3. Every detail in the mental process corresponds to a detail in the material process.

As may be seen, the maxim of Mach is a specification of Spinoza's principle of psychophysical parallelism. It may also be noted that the maxim is akin to Leibniz's presumption that there is a pre-established conformity between mind and body (e.g. Boring, 1957, pp. 165–168).

Presupposing Mach's maxim to be valid, it would be a straightforward undertaking to obtain information about material processes underlying colour sensation, once an unbiased and comprehensive phenomenological analysis of colour vision was worked out.

Type
Chapter
Information
Duplicity Theory of Vision
From Newton to the Present
, pp. 41 - 51
Publisher: Cambridge University Press
Print publication year: 2009

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