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Preparing your materials

Policy on prior publication

When authors submit manuscripts to this journal, these manuscripts should not be under consideration, accepted for publication or in press within a different journal, book or similar entity, unless explicit permission or agreement has been sought from all entities involved. However, deposition of a preprint on the author’s personal website, in an institutional repository, or in a preprint archive shall not be viewed as prior or duplicate publication. Authors should follow the Cambridge University Press Preprint Policy regarding preprint archives and maintaining the version of record. 

English language editing services 

Authors, particularly those whose first language is not English, may wish to have their English-language manuscripts checked by a native speaker before submission. This step is optional, but may help to ensure that the academic content of the paper is fully understood by the Editor and any reviewers.  

In order to help prospective authors to prepare for submission and to reach their publication goals, Cambridge University Press offers a range of high-quality manuscript preparation services – including language editing – delivered in partnership with American Journal Experts. You can find out more on our Language Services page.

Please note that the use of any of these services is voluntary, and at the author's own expense. Use of these services does not guarantee that the manuscript will be accepted for publication, nor does it restrict the author to submitting to a Cambridge-published journal. 

Supply of author-generated artwork 

Monochrome line subject illustrations supplied in digital form

Macromedia Freehand, Adobe Illustrator and Adobe Photoshop are the preferred graphics packages. Before submitting your artwork, please do the following:

Where possible, please supply illustrations as TIFF or EPS files (300 dpi). When submitting EPS files you must convert your text within the file to artwork/outlines. If your EPS file contains a scanned image, you must ensure that you supply a full EPS, i.e. binary data. Do not supply PostScript files. PostScript files cannot be included within our integrated page make-up system, or worked on in any way. For best results please save your files as TIFF or EPS files. If files cannot be supplied in this way other formats can be handled (although we do not guarantee to use them).

Draw or scan line artwork to finished size with appropriate line weights and typefaces.

Indicate the file format (e.g. TIFF or EPS), the graphics software that you have used in originating the artwork files (e.g. Freehand 7.0, Illustrator 8.0, etc.) and the computer operating system used (e.g. Mac OS 8.6, Windows NT).

Supply a laser print of all figures. List the name and version of the artwork package used and the names and libraries of fonts used in the artwork or EPS files.

Pattern fills and tints

Artwork packages do not always generate pattern fills for output on image/platesetters. Imagesetters will interpret them differently from your Mac or PC and the result often looks pixelated or blocked. Where possible, use PostScript fills, custom fills and conventional tints. 9

PostScript fills frequently do not display well on screen but they do print out correctly. It is best to avoid the use of complex or very detailed tints, patterns and symbols. These seldom reproduce satisfactorily when reduced to fit the page and when used in a caption or legend may be completely illegible when represented on a screen (for example during page make-up, or on the Web) or when output on low-quality CUP artwork instructions.doc 2 laser printers. Supplying as TIFF or EPS files (see above) alleviates this problem.

Please therefore:

  • Use only the tints, patterns and symbols shown here.
  • Use conventional fills: solids, tints, lines or cross-hatching.
  • Use a PostScript fill if possible.
  • Do not use a screen value above 133 lpi. Generally, 100 lpi is better (even when scanned at high resolution finer tints do not reproduce satisfactorily when reduced).
  • If possible, use just one kind of screen (line angle or dot shape) and one screen value throughout the document.
  • Do not use pattern fills from a graphics program, as these are usually bitmap patterns, which do not output adequately to plate/image setters.
  • Do not use color tints, even if the figure is intended for monochrome printing; use black/white/greyscale.
  • Do not use .hairline. line widths in graphics packages.

Monochrome halftone subjects

Figures composed of (hard copy) photographs should be unscreened glossy prints presented at publication scale; each component part should be named with a lower-case letter. Photographic artwork is numbered as part of the sequence of figures, not as separate plates.

If supplying these in digital form, your repro house should follow these instructions:

  • Scanning: Scan at a resolution that is around twice the intended screen value; for example scan at 300 dpi for 133 or 150 screen.
  • Dot range (halftones only): This is the term we use to describe the highlight/white area and shadow/black areas within a printed image. To prevent the heavy or dark areas of your halftones from filling in or the light areas being washed out we specify a dot range that allows for gains or losses during the process to lithographic printing. Pre-set the dot range at 1% highlight to 96% shadow where possible, we will check your files before outputting as a safeguard.
  • Data files: Supply data as TIFF files; if you wish to compress them, use lossless compression software such as the LZW compression package.
  • Laser proofs: Supply a good quality laser proof of all figures. List the name and version of the artwork package used and the names and libraries of fonts used in the artwork. If we are unable to use your electronic file, we can scan in the laser proof as an alternative until a revised file can be supplied.
  • Line & tone combination: Files scanned as line & tone combination should be scanned at a higher resolution than a standard halftone to ensure better type/line quality, for example, 600 dpi.

Color halftone or line subjects

Do not submit line subject drawings with colored tints unless the figure is required as a color plate; use only black/white/greyscale.

If supplying color subjects in digital form, submit as TIFF or EPS files and choose CMYK color mode when saving your scans. If you supply files as RGB we need to convert them to the CMYK printing process before we can print, this usually results in a slight change of the color values; therefore all color correction must be carried out in CMYK mode on your machine.

Seeking permission for copyrighted material

If your article contains any material in which you do not own copyright, including figures, charts, tables, photographs or excerpts of text, you must obtain permission from the copyright holder to reuse that material. As the author it is your responsibility to obtain this permission and pay any related fees, and you will need to send us a copy of each permission statement at acceptance.

When do I need to request permission?

You need to request permission to reuse any material for which you are not the copyright holder. This can include anything created, published, owned, held or produced by a third party, but also other published material that you authored, as the original publisher may hold the copyright.

If you make minor changes to the original material, you still need to seek permission to use it. Cosmetic changes such as tinting, relabelling, or redrawing as is are not enough; material needs to be substantially modified to avoid needing permission to reproduce, and even then the original source still needs to be acknowledged.

Who do I send a permission request to?

Usually the publisher of the original work holds the copyright, unless explicitly stated otherwise. We recommend that you approach the original publisher first, and they will inform you if you need to contact the author.

How do I request permission?

Most publishers have forms on their websites that can be completed electronically, or use automated electronic permissions services like Rightslink® to grant permissions automatically online.

If no electronic form or service is available, you must send an email or letter to the copyright holder. A template permissions request is included below; note for emails no signature is required.

Dear <rightsholder>

<Article title>

I am writing/editing/contributing to an academic work under the provisional title above, to be published by Cambridge University Press in <title of journal>, in <month (if known) and year of publication>.

I request your permission to include the following material in this work:

Author:
Title:
Date of publication: <volume and issue if applicable>:
ISBN <ISSN if journal>:
Page no.(s):
Illustration no.(s):
Table no.(s):

Unless otherwise informed, permission will be assumed to grant the nonexclusive right to use the material in print and electronic editions of the work throughout the world, in all revised editions of the work and as part of a sample of the work made available online for promotional purposes only.

I further request permission for the material to be included in any reprint published under licence from Cambridge University Press.

The source of the material will be fully acknowledged in the usual way. Please indicate below if you have any special requirements: ..............................................................

..............................................................

Please indicate your agreement to this request by <way of reply to this email/signing and returning one copy of this letter>:. The duplicate is for your own records. By your countersignature, you warrant that you control these rights and are authorised to grant this permission.

If this is not the case, I would be grateful if you could let me know to whom I should apply.

Yours sincerely

<Signature lines>:

I/we hereby grant the permission detailed above.

Signed:............................. Date: ..................

When do I not need to request permission?
  • Creative Commons – where third party content is published under a Creative Commons licence (CC-BY / CC-BY-NC / CC-BY-NC-ND etc.), you may not need to request permission to reuse the content as long as you fully acknowledge the original source. Please check carefully the terms of the license before reusing material. More information about Creative Commons licenses can be found at  http://creativecommons.org/licenses/.
  • Content in the public domain – material that is not under copyright is considered to be in the public domain, and you do not need to request permission to use such material. This includes works for which the copyright has expired and has not since been renewed.
My article includes third party materials and will be published Gold Open Access. What type of permissions do I need to request?

If your article is to be published Gold Open Access, you will have to make sure all of the permissions requested from third party copyright owners includes the non-exclusive right to use the third party materials in the open access version of your article and under an equivalent creative commons licence.

If your article is transformed to a Gold OA publication post-submission, you will need to review the current permissions already in place and determine whether or not the rights originally granted cover the open access version of your article. If not, then you will need to request further permissions from the copyright holder.

How do I acknowledge permission in my paper?

Even if written permission is not required, you must fully acknowledge the original source of any material where you do not hold copyright in your article. The copyright holder will inform you if there is any specific wording required for this acknowledgement. For figures or tables from other sources, you should place this acknowledgement at the end of the caption.

What permissions information do I need to provide to my journal?

You will be asked to supply copies of any emails or letters granting permission to reuse material with your transfer of copyright or license to publish form.

Patient photographs

Please note that hospitals usually hold copyright for any photographs taken during the course of work done on their premises. Permission to use the photograph in your article also needs to be obtained from the patient in the photograph if the subject of the photograph can be recognised.

Material from the internet

Please be aware that even if a copyright notice is not displayed, content on websites is still protected by copyright and so permission to reuse material will need to be obtained from the copyright holder.

Competing Interests

All authors must include a competing interest declaration in their main manuscript file. This declaration will be subject to editorial review and may be published in the article. 

Competing interests are situations that could be perceived to exert an undue influence on the content or publication of an author’s work. They may include, but are not limited to, financial, professional, contractual or personal relationships or situations. 

If the manuscript has multiple authors, the author submitting must include competing interest declarations relevant to all contributing authors. 

Example wording for a declaration is as follows: “Competing interests: Author 1 is employed at organisation A, Author 2 is on the Board of company B and is a member of organisation C. Author 3 has received grants from company D.” If no competing interests exist, the declaration should state “Competing interests: The author(s) declare none”. 

Publishing ethics

This journal publishes in accordance with Cambridge University Press’s publishing ethics guidelines, which apply to authors, peer reviewers, the editorial office and the journal as a whole. Anyone who believes that these guidelines have not been followed should raise their concern with the editor or email publishingethics@cambridge.org

Authors should see the Instructions for authors for additional instructions regarding publishing ethics.

Authorship and contributorship

All authors listed on any papers submitted to this journal must be in agreement that the authors listed would all be considered authors according to disciplinary norms, and that no authors who would reasonably be considered an author have been excluded. For further details on this journal’s authorship policy, please see this journal's publishing ethics policies.

Author affiliations

Author affiliations should represent the institution(s) at which the research presented was conducted and/or supported and/or approved. For non-research content, any affiliations should represent the institution(s) with which each author is currently affiliated. 

For more information, please see our author affiliation policy and author affiliation FAQs.

ORCID

We require all corresponding authors to identify themselves using ORCID when submitting a manuscript to this journal. ORCID provides a unique identifier for researchers and, through integration with key research workflows such as manuscript submission and grant applications, provides the following benefits:

  • Discoverability: ORCID increases the discoverability of your publications, by enabling smarter publisher systems and by helping readers to reliably find work that you have authored.
  • Convenience: As more organisations use ORCID, providing your iD or using it to register for services will automatically link activities to your ORCID record, and will enable you to share this information with other systems and platforms you use, saving you re-keying information multiple times.
  • Keeping track: Your ORCID record is a neat place to store and (if you choose) share validated information about your research activities and affiliations.

See our ORCID FAQs for more information.

If you don’t already have an iD, you will need to create one if you decide to submit a manuscript to this journal. You can register for one directly from your user account on ScholarOne, or alternatively via https://ORCID.org/register.

If you already have an iD, please use this when submitting your manuscript, either by linking it to your ScholarOne account, or by supplying it during submission using the "Associate your existing ORCID iD" button.

ORCIDs can also be used if authors wish to communicate to readers up-to-date information about how they wish to be addressed or referred to (for example, they wish to include pronouns, additional titles, honorifics, name variations, etc.) alongside their published articles. We encourage authors to make use of the ORCID profile’s “Published Name” field for this purpose. This is entirely optional for authors who wish to communicate such information in connection with their article. Please note that this method is not currently recommended for author name changes: see Cambridge’s author name change policy if you want to change your name on an already published article. See our ORCID FAQs for more information.