In perhaps the most familiar moment in early Anglo-Latin literature, Bede describes a meeting in which the Northumbrian King Edwin's chief councillors weigh the merits of the new Christian faith. One councillor famously compares ‘the present life of man on earth’ to ‘the swift flight of a single sparrow through the banqueting hall’:

That Christianity offers a cosmology which illuminates the void outside the metaphorical hall, which offers light rather than darkness or winter storms after death, is of course one of the new faith's attractions, and Edwin and the Northumbrians eventually convert, largely because of this great promise. The equally familiar and elegiac account of Scyld Scefing's death in Beowulf offers, of course, a benighted obverse moment: the mourning Danes have no sense of Scyld's destination as they watch his funeral ship drift out to sea with the tide. Both texts, then, offer an epistemology of death through Christianity — explicitly in Bede and by implication in Beowulf — and the compelling possibility of a spiritual reality beyond this life.

This Christian cosmological paradigm likely owes its impressive centuries-long endurance to the comfort it provides in the cold reality of death — a reality which the crime novelist P.D. James has dwelled upon and anatomized (sometimes literally) in a literary career spanning nearly a half-century and some twenty books. While she has explored the relationship between religion and death in other novels, perhaps most memorably in A Taste for Death, in her 2001 novel Death in Holy Orders she offers a meditation on the English Christian institutional history of this relationship, going all the way back to the Anglo-Saxon Middle Ages — an historical connection she emphasizes through numerous references to Beowulf throughout the narrative.