Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-22dnz Total loading time: 0 Render date: 2024-04-27T17:36:22.758Z Has data issue: false hasContentIssue false

13 - The Absent Anglo-Saxon Past in Ted Hughes's Elmet

Published online by Cambridge University Press:  20 April 2017

Catherine A. M. Clarke
Affiliation:
Professor of English, University of Southampton....FROM 1 FEB 2012
Sian Echard
Affiliation:
Sian Echard is Associate Professor, Department of English, University of British Columbia
Allen J. Frantzen
Affiliation:
Professor of English, Department of English, Loyola University Chicago
David Clark
Affiliation:
University Lecturer, School of English, University of Leicester
Nicholas Perkins
Affiliation:
Associate Professor and Tutor in English, St Hugh's College, University of Oxford
Get access

Summary

Landscape, from a naïve viewpoint, is a sector of reality ‘out there’. It is made up of fields and buildings. Yet it is not a bounded entity as a tree or a building is. Nor does landscape mean simply a functional or legal unit such as a farm or a township. Landscape, like culture, is elusive and difficult to describe in a phrase. What is culture and how does one delimit a culture area? The contents of culture can be itemised, although if one is meticulous the list threatens to grow to interminable length. Culture is not such a list. Landscape, likewise, is not to be defined by itemising its parts. The parts are subsidiary clues to an integrated image. Landscape is such an image, a construct of mind and of feeling.

Yi-Fu Tuan, ‘Thought and Landscape: The Eye and the Mind's Eye’

In July 1976 Ted Hughes wrote to the photographer Fay Godwin to explore the possibility of the two of them collaborating on a piece of work to be focused on the area of Yorkshire where he grew up. While outlining his hopes for the project, Hughes described the poems that he saw as the starting point for the volume:

There are a few old pieces I've written from time to time, about that region, and my first idea was to collect those and add more. It all came up when my Uncle came to stay with me — last of my mother's family except for a much younger Aunt, and a living archive of the Calder Valley, a really remarkable and eloquent fellow, mill-owner and the lot, and very close to me. His whole life at the end — in his eighties — was recounting the life of the whole region.

Hughes continued to suggest that what he had in mind was ‘an episodic autobiography’ of ‘poems anchored in particular events and things’ that, like his uncle's stories, would unite the region and the lives lived in it. The result of the collaboration between Hughes and Godwin was published in 1979 as Remains of Elmet and republished in a revised edition in 1994 as Elmet. Unlike the poems Hughes described in his letter, the majority of the poems included in the books were written to accompany the photographs of the Calder Valley taken by Godwin.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×