Byzantium and Landscapes of Loss

This richly illustrated book presents the art, architecture, and material culture of a little-known Byzantine dynasty, the Laskarids of Nicaea (1204–1261), uncovering their multiple contributions to the so-called Palaiologan renaissance which occurred in Constantinople after the city was regained in 1261. It adds many new examples of artistic and archaeological material to the existing historical work on the period. These include new and renovated fortifications, churches, palaces, and defensive towers, as well as artistic media such as mosaics, frescoes, coins, seals, inscriptions, and ceramics. Naomi Pitamber argues that features from Constantinople and its associated imperial history were recalled, edited, and selected for quotation in Nicaean exile and informed the Palaiologan renaissance in Constantinople. Laskarid cultural production in Asia Minor physically linked the urban imperial past of Constantinople to the present exilic moment, building a bridge to a yet unknown but much hoped-for future reuniting capital, court, empire, and people.

• Sheds light on the way in which the center-periphery paradigm that dominates Byzantine art history is inverted, upset and disoriented when Constantinople is no longer capital
• Provides access to and analysis of previously unknown works of Laskarid art and architecture and its impact on Palaiologan art in Constantinople
• Richly illustrated with dozens of photographs of archaeological and architectural Laskarid material at risk that has enever been published or is no longer visible