Book contents
- Frontmatter
- Content
- Acknowledgments
- Foreword
- Introduction
- The World Is Charged: Poetic Engagements with Gerard Manley Hopkins
- The Kings of Missoula
- And the Great
- Inspiration
- Taboo against the Word Beauty, Ornithological Version on Aesthetic Theory
- Bearded Barley
- The Bowerbirds
- The Small Bang
- Dappled Things
- Fire
- Landscape
- Spare
- The Language of Pastoral
- At Buck Hall
- Pied Beauty
- A Dream of Hopkins
- A Simple Garden Ladder
- The Sleep
- Ghazal for My Selves, as Samson & Delilah
- Aubade for One Still Uncertain of Being Born
- Curtal Sonnet (with an Admonition)
- Confession to Hopkins
- Come to Me
- Hopkins in Kildare
- August Green: A Baptism
- Birds at Dawn
- The Acolyte
- To a Young Poet Resisting Hopkins
- Arrhythmia
- Goldengrove
- Date
- All Fall Long
- Strife
- The Bounds of Belief
- The Mind and Soul Growing Wide Withal
- The Horse on Zennor Hill
- The Tao of Alphabet
- Winter Mother
- My Second-Grade Teacher Reads Us Gerard Manley Hopkins
- A.M.: Her Lone Spark Dying
- Ascension
- That Necessary Evil
- The End of the Happy Hours
- One Wet Wednesday Afternoon
- By Eye-slit
- Come on the Cold
- No Fire
- Would Come Back
- River, Dissolution
- from Four Common Prayers
- Pater Noster
- Spring Again
- A Psalm of Ascents
- Poinsett's Bridge
- Reverdie
- The Telegraph Baby
- Red Kites at Tregaron
- Ark
- Saint's finger, Hill of Slane
- In the absence of a contract
- Ten Penny
- Red Bird, Black Sky
- The Tabernacle of Love
- Instructions to an Artisan
- Prayer
- The Christ-Frost
- Horse Apocalypse
- Migration Theory
- Never-Ending Birds
- Hopkins in Ireland
- Epitaph for the Journey
- Parable of the Red-Tailed Hawks
- Scoop
- What to Tell the Girl
- Finding Home by Taste, by Fire
- Winter Solstice
- Compline
- Elegy for D.S.
- Praise Song for Nikky Finney
- Coastland
- Breath and Bread
- I Waked and Fell
- Maple Gall
- Algae
- Aspen Song
- Left Behind
- Hawk in the Bronx
- The Canary
- Christ Imagined as Cavalry Commander
- October Trees
- Prayer to the Birds
- Dylan Thomas
- The Corpse Bird
- Speckled Trout
- Fall Creek
- Fossil Hunting at the Quarry
- Equinoctial
- A Question of Ear
- The Mercy Seat
- Savior
- Ornithology 101
- Oystermen
- Prayer with Fur
- Prayer with Game
- Collateral Damage
- These Fatals
- Elemental
- Via Negativa
- In Tennessee I Found a Firefly
- Knocking or Nothing
- Gerard Manley Hopkins (1844–1889)
- A Local Landfill's Invitation to Trash Left on the Moon
- Oil
- Ego
- Perspective
- Spouse
- Saw
- Breeze-Born
- Margaret's Reply
- Sea Journal
- The Baker Falls for Hopkins
- A Sestina for Mishima
- Ποιητική
- Meditation on the Hands of a Boy Miner
- The Acolyte
- Boy with Kite
- Jesuit Graves
- There Is a Balm in Gilead
- Michelle in Rain
- A Path through Walnut Trees after Rain
- Aubade for Yellow Jacket
- Afterword
- Contributors
Coastland
from The World Is Charged: Poetic Engagements with Gerard Manley Hopkins
- Frontmatter
- Content
- Acknowledgments
- Foreword
- Introduction
- The World Is Charged: Poetic Engagements with Gerard Manley Hopkins
- The Kings of Missoula
- And the Great
- Inspiration
- Taboo against the Word Beauty, Ornithological Version on Aesthetic Theory
- Bearded Barley
- The Bowerbirds
- The Small Bang
- Dappled Things
- Fire
- Landscape
- Spare
- The Language of Pastoral
- At Buck Hall
- Pied Beauty
- A Dream of Hopkins
- A Simple Garden Ladder
- The Sleep
- Ghazal for My Selves, as Samson & Delilah
- Aubade for One Still Uncertain of Being Born
- Curtal Sonnet (with an Admonition)
- Confession to Hopkins
- Come to Me
- Hopkins in Kildare
- August Green: A Baptism
- Birds at Dawn
- The Acolyte
- To a Young Poet Resisting Hopkins
- Arrhythmia
- Goldengrove
- Date
- All Fall Long
- Strife
- The Bounds of Belief
- The Mind and Soul Growing Wide Withal
- The Horse on Zennor Hill
- The Tao of Alphabet
- Winter Mother
- My Second-Grade Teacher Reads Us Gerard Manley Hopkins
- A.M.: Her Lone Spark Dying
- Ascension
- That Necessary Evil
- The End of the Happy Hours
- One Wet Wednesday Afternoon
- By Eye-slit
- Come on the Cold
- No Fire
- Would Come Back
- River, Dissolution
- from Four Common Prayers
- Pater Noster
- Spring Again
- A Psalm of Ascents
- Poinsett's Bridge
- Reverdie
- The Telegraph Baby
- Red Kites at Tregaron
- Ark
- Saint's finger, Hill of Slane
- In the absence of a contract
- Ten Penny
- Red Bird, Black Sky
- The Tabernacle of Love
- Instructions to an Artisan
- Prayer
- The Christ-Frost
- Horse Apocalypse
- Migration Theory
- Never-Ending Birds
- Hopkins in Ireland
- Epitaph for the Journey
- Parable of the Red-Tailed Hawks
- Scoop
- What to Tell the Girl
- Finding Home by Taste, by Fire
- Winter Solstice
- Compline
- Elegy for D.S.
- Praise Song for Nikky Finney
- Coastland
- Breath and Bread
- I Waked and Fell
- Maple Gall
- Algae
- Aspen Song
- Left Behind
- Hawk in the Bronx
- The Canary
- Christ Imagined as Cavalry Commander
- October Trees
- Prayer to the Birds
- Dylan Thomas
- The Corpse Bird
- Speckled Trout
- Fall Creek
- Fossil Hunting at the Quarry
- Equinoctial
- A Question of Ear
- The Mercy Seat
- Savior
- Ornithology 101
- Oystermen
- Prayer with Fur
- Prayer with Game
- Collateral Damage
- These Fatals
- Elemental
- Via Negativa
- In Tennessee I Found a Firefly
- Knocking or Nothing
- Gerard Manley Hopkins (1844–1889)
- A Local Landfill's Invitation to Trash Left on the Moon
- Oil
- Ego
- Perspective
- Spouse
- Saw
- Breeze-Born
- Margaret's Reply
- Sea Journal
- The Baker Falls for Hopkins
- A Sestina for Mishima
- Ποιητική
- Meditation on the Hands of a Boy Miner
- The Acolyte
- Boy with Kite
- Jesuit Graves
- There Is a Balm in Gilead
- Michelle in Rain
- A Path through Walnut Trees after Rain
- Aubade for Yellow Jacket
- Afterword
- Contributors
Summary
When the wind gets up and the water rises,
those who live on higher ground, at a distance
from the pinched smell of pluff mud,
from spartina marshes and swamps of cypress knees,
upland from the tannin-black tributaries
where through the bottoms, among the wet-footed
spider lilies, one barred owl
calls another, one to the other till there's little left to say,
upland from the cottonmouth and the brown water snake
coiled and rooted by the tupelo
and the alligators logging across the slough,
upland from the deer hound pens full of yelps—
full of naps and pacing, full of cedar-thicket dreaming—
and the dirt yard's milling of gray cats
and striped kittens yawning by the palmettos,
upland from the sea sky sea—the horizon
a fine line polished away—
from the shrimp boats shrinking smaller and smaller
on their way to their serious work of gathering,
from the smooth, quick balancing act
of the sun—heavy and orange—riding the waves,
upland from salt myrtle and the season's second growth
of trumpet honeysuckle, those who live at a distance
from the band of quick, dark clouds blooming at sea,
upland from the bang and whirl, clatter
and shake of the wind when it's up,
those who live on higher ground ask
of those who live by the flats and shoals,
the shallows and bogs, Why, and again, Why, O why.
- Type
- Chapter
- Information
- The World is ChargedPoetic Engagements with Gerard Manley Hopkins, pp. 92Publisher: Liverpool University PressPrint publication year: 2016