“Women's Work” as Political Art: Weaving and
Dialectical Politics in Homer, Aristophanes, and Plato. By Lisa Pace
Vetter. Lanham, MD: Rowman and Littlefield, 2005. 190p. $60.00.
Metaphors are a staple of the practice of political theory.
Socrates' “individual writ large,” Machiavelli's
“Fortuna is a woman,” Hobbes's “leviathan”:
These and scores of others speak to the power of metaphorical language in
the theorist's arsenal. Lisa Pace Vetter's “women's
work” focuses on the metaphor of weaving, a craft associated with
the female working at her loom by the hearth. Vetter explores this
metaphor in four texts: the Odyssey, Lysistrata, Statesman, and
Phaedo. She finds in the metaphor a “dialectical
foundationalism” that mediates between subjectivity and objectivity,
reason and emotion, action and deliberation (p. 7). Weaving incorporates
complexity, creating a new whole without destroying the particularities
that comprise it. This form of weaving she values, but it appears only in
the Socrates speech in the Phaedo and the construction of
Plato's dialogue.