Emerging from a shift in the relationship between archaeology and museums, the ‘Making the Museum’ project investigates the makers of the archaeological and ethnographic collections of the Pitt Rivers Museum in Oxford, positioning archaeological theory and method as essential tools for uncovering the ‘hidden histories’ of these makers.

Mutability—the ability to change form and substance—is a key feature of glass and metals. This quality, however, has proven frustrating for archaeological and archaeometric research. This article assesses the typological, chemical and theoretical elements of material reuse and recycling, reframing these practices as an opportunity to understand past behaviour, rather than as an obstacle to understanding. Using diverse archaeological data, the authors present case studies to illustrate the potential for documenting mutability in the past, and to demonstrate what this can reveal about the movement, social context and meaning of archaeological material culture. They hope that through such examples archaeologists will consider and integrate mutability as a formative part of chaînes opératoires.

The ‘Monumental Myopia’ project uses multiscalar remote-sensing techniques to identify potential prehistoric nomadic settlements in the Siberian landscape. Eschewing the monumental burial mounds, the project aims to explore the everyday life of pastoral societies in the first millennium BC.

For many years, archaeologists and archaeometallurgists have suggested that recycled copper might have constituted a significant component of the metal in circulation in Britain during the first millennium AD. They have generally failed, however, to suggest a way of observing and quantifying this phenomenon. Here the authors propose a new methodology to rectify this. A large new database of chemical analyses of British copper alloys dating from the late Iron Age to the early medieval period demonstrates the potential of their approach; it shows that significant and measureable changes occur in metal circulation at the beginning of the first century AD and in the early Saxon period.

Determination of the provenance of material culture by means of chemical analysis has a long and distinguished history in archaeology. The chemical analysis of archaeological objects started in the intellectual ferment of late-eighteenth-century Europe (Caley 1948, 1949, 1967; Pollard 2013), almost as soon as systematic (gravimetric) means of chemical analysis had been devised (Pollard in prep.). Many of the leading scientists of the day, such as Vauquelin, Klaproth, Davy, Faraday and Berzelius, carried out analyses of archaeological objects as part of their interests in the contents of the ‘cabinets of curiosities’ of the day (Pollard&Heron 2008). The subject moved frommere curiosity to systematic and problemorientated study with the work of G¨obel (1842),Wocel (1854), Damour (1865) and Helm (1886), who essentially formulated the idea of ‘provenance studies’—that some chemical characteristic of the geological rawmaterial(s) provides a ‘fingerprint’ which can bemeasured in the finished object, and that if an object from a remote source is identified at a particular place, then it is evidence of some sort of direct or indirect contact and ‘trade’ between the two places.

Provision for visiting Stonehenge was radically reorganised in 2013. Why was it so difficult to achieve? Will the new scheme work? Here we present a multi-part review of the new arrangements. Christopher Chippindale is a former editor of Antiquity and author of Stonehenge complete, which recounts the changing fortunes of the monument down the ages. Mike Pitts has excavated at Stonehenge and written about the site in Hengeworld. Chris Gosden, Professor of European Archaeology at Oxford, approaches the issues from a World Heritage Site perspective. The section is co-ordinated by N. James who reviews the effectiveness of a visitor centre several minutes by land train from the stones.

This paper presents the interim results of Oxford University's on-going excavations at the Roman religious complex at Marcham/Frilford, Oxfordshire. This site has been the focus of debates about continuity from the Iron Age into the Roman period since the original excavations at the temple by Bradford and Goodchild in the 1930s. New findings from the current excavations are brought to bear on this question, in particular how the Iron Age activity influenced the design and layout of the Roman complex. In addition, the paper uses preliminary analysis of the finds from the excavations to discuss the nature of religious practices and activities at the site.

This paper reviews the contribution of Professor Christopher Hawkes, FSA, to the development of Bronze and Iron Age studies in the decades before and – more especially – after World War ii. It also provides an overview and analysis of the Hawkes Papers, kept in the Bodleian Library, and particularly of the general correspondence section, with a view to assessing the potential of this documentation for the study of the development of British prehistoric archaeology within its European context. Examination of the first thirty-one boxes of the archive situates Hawkes at the interface between several networks of individuals and communities of interest, including amateurs, professional archaeologists and his own students.

In his book Time, Culture and Identity Thomas proposes the adoption of a Heideggerian archaeology. This is consonant with the adoption of Heidegger's thought in a number of neighbouring disciplines, including anthropology (Jackson 1989). For many Heidegger heralds the end of modernity and an attempt to overcome habits of thought that have become engrained over the last few hundred years. This is also Thomas' starting point. Thomas begins with a critique of habits of thought and particularly Cartesian dualisms such as mind::body and culture::nature. He then emphasises the nature of lived experience as a seamless whole, which breaks down these distinctions putting people within the flow of life, rather than seeing them as subjects confronted by a series of external objects. One result of the erosion of the object-subject dualism is that there are no such things as social relations: all relations between people involve relationships to things and all connections to things are structured through the networks of bonds to other people.

The British Museum marked the 250th anniversary of its foundation this year, with an exhibition, The Museum of the Mind: art and memory in world cultures. We asked four archaeologists to review the show: Barry Cunliffe, professor at Oxford University and a trustee of the Museum; Colin Renfrew, professor at Cambridge University and former trustee; Chris Godsen, curator at the Pitt-Rivers Museum, Oxford University and Helen Geake, formerly at Norwich Castle Museum and now working on the British government's portable Antiquities scheme for England and Wales. Here is what they say.

A central issue in the regional prehistory over the Transition — and therefore of this whole set of papers — is the different life-ways that came to be followed in Papua New Guinea and in Australia itself; the one became agricultural, the other hunter-gatherer. There is more to the story than that divide; this is a story of a human and created world, rather than a simple response to directing environment.

The growing story of early settlement in the northwest Pacific islands is moving from coastal sites into the rainforest. Evidence of Pleistocene cultural layers have been discovered in open-site excavations at Yombon, an area containing shifting hamlets, in West New Britain's interior tropical rainforest. These sites, the oldest in New Britain, may presently stand as the oldest open sites discovered in rainforest anywhere in the world.