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The artistic design stance and the interpretation of Paleolithic art

  • Johan De Smedt (a1) and Helen De Cruz (a2)
  • DOI: http://dx.doi.org/10.1017/S0140525X12001847
  • Published online: 18 March 2013
Abstract
Abstract

The artistic design stance is an important part of art appreciation, but it remains unclear how it can be applied to artworks for which art historical context is no longer available, such as Ice Age art. We propose that some of the designer's intentions can be gathered noninferentially through direct experience with prehistoric artworks.

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This list contains references from the content that can be linked to their source. For a full set of references and notes please see the PDF or HTML where available.

S. Davies (1997) First art and art's definition. Southern Journal of Philosophy 35:1934.

J. De Smedt & H. De Cruz , (2011) A cognitive approach to the earliest art. Journal of Aesthetics and Art Criticism 69:379–89.

T. Farroni , G. Csibra , F. Simion & M. H. Johnson (2002) Eye contact detection in humans from birth. Proceedings of the National Academy of Sciences USA 99:9602–605.

C. Gamble (1982) Interaction and alliance in Paleolithic society. Man 17:92107.

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Behavioral and Brain Sciences
  • ISSN: 0140-525X
  • EISSN: 1469-1825
  • URL: /core/journals/behavioral-and-brain-sciences
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