13 results
Collateral effects of Coping Power on caregiver symptoms of depression and long-term changes in child behavior
- Lissette M. Saavedra, John E. Lochman, Antonio A. Morgan-López, Heather L. McDaniel, Catherine P. Bradshaw, Nicole P. Powell, Lixin Qu, Alexa Budavari, Anna C. Yaros
-
- Journal:
- Development and Psychopathology , First View
- Published online by Cambridge University Press:
- 05 January 2024, pp. 1-13
-
- Article
-
- You have access Access
- Open access
- HTML
- Export citation
-
A large body of research demonstrates positive impacts of the Coping Power Program as a preventive intervention for youth behavioral outcomes, but potential collateral effects for caregivers is less known. The current study examined whether the youth-focused Coping Power Program can have a secondary impact on caregiver self-reported symptoms of depression and in turn result in longer-term impacts on child disruptive behavior problems including aggression, conduct problems and hyperactivity. Data from 360 youth/caregiver pairs across 8 waves of data (grades 4 through 10) were analyzed. We used two methodological approaches to (a) assess indirect effects in the presence of potential bidirectionality using timepoint-to-timepoint dynamic effects under Autoregressive Latent Trajectory modeling and (b) estimate scale scores in the presence of measurement non-invariance. Results showed that individually delivered Coping Power (ICP) produced greater direct effects on conduct problems and indirect effects on general externalizing and hyperactivity (through reductions in caregiver self-reported symptoms of depression), compared to group Coping Power (GCP). In comparison to GCP, ICP produced similar direct effects on reductions in caregiver depression. Child-focused prevention interventions can have an indirect impact on caregiver depression, which later shows improvements in longer-term reductions for child disruptive problems.
51 Syphilis Incidence Following an STI Diagnosis Among Cisgender Women in Baltimore, MD, from 2009-2021
- Part of
- Alyssa M Kretz, Nicole Thornton, Christina Schumacher, Anna Powell, Carla Tilchin, Jacky Jennings
-
- Journal:
- Journal of Clinical and Translational Science / Volume 7 / Issue s1 / April 2023
- Published online by Cambridge University Press:
- 24 April 2023, p. 13
-
- Article
-
- You have access Access
- Open access
- Export citation
-
OBJECTIVES/GOALS: The primary objective of this study is to evaluate the risk of an early syphilis diagnosis following a chlamydia, gonorrhea, or HIV diagnosis, and to determine differences by race, repeat infection, diagnosing provider and STI/HIV risk behavior among cisgender women in Baltimore, MD. METHODS/STUDY POPULATION: Public health surveillance data from 2009-2021 was used to examine the overall incidence of syphilis infections among cisgender women ages 13-50 diagnosed with a reportable STI (chlamydia, gonorrhea, or HIV) and the percentage of total infections that were early infections (primary, secondary, or early latent syphilis) in Baltimore City. Data were collected on age, race, diagnosing location (i.e., STI clinic, private provider, etc.), preceding STI diagnoses, and sexual risk behaviors. STI-specific cumulative incidence and incidence rate ratios were used to compare syphilis diagnoses among Black vs. white women, women with repeat STI diagnoses vs. one STI diagnosis, women diagnosed at a public vs. private clinic, and commercial sex workers and substance users vs. those not reporting these risk behaviors. RESULTS/ANTICIPATED RESULTS: Based on recent surveillance data, we expect approximately 79,000 chlamydia, gonorrhea, and HIV diagnoses among cisgender women between 2009-2021. We hypothesize that 3% of chlamydia, gonorrhea, and HIV diagnoses among cisgender women will be followed by a syphilis diagnosis within the study period. Extrapolating from previous studies of early syphilis in men who have sex with men in Baltimore, we expect the rate of syphilis diagnosis following STI diagnosis will be higher in Black vs. white women, women with a prior gonorrhea or HIV diagnosis vs. chlamydia diagnosis, women with repeat STI diagnoses vs. one STI diagnosis, women diagnosed at public STI clinics vs. those diagnosed by private providers, and women reporting commercial sex work and/or substance use vs. those not reporting these risk behaviors. DISCUSSION/SIGNIFICANCE: Local healthcare providers should offer syphilis screening to any woman diagnosed with a chlamydia, gonorrhea, or HIV infection. The higher rates of early syphilis diagnosis among women with repeat STI diagnoses or a prior gonorrhea or HIV diagnosis suggests regular screening is critical in these populations.
Extra virgin olive oil improves HDL lipid fraction but not HDL-mediated cholesterol efflux capacity: a double-blind, randomised, controlled, cross-over study (OLIVAUS)
- Katerina Sarapis, Elena S. George, Wolfgang Marx, Hannah L. Mayr, Jane Willcox, Katie L. Powell, Oladayo S. Folasire, Anna E. Lohning, Luke A. Prendergast, Catherine Itsiopoulos, Colleen J. Thomas, George Moschonis
-
- Journal:
- British Journal of Nutrition / Volume 130 / Issue 4 / 28 August 2023
- Published online by Cambridge University Press:
- 15 November 2022, pp. 641-650
- Print publication:
- 28 August 2023
-
- Article
-
- You have access Access
- Open access
- HTML
- Export citation
-
Olive oil (OO) polyphenols have been shown to improve HDL anti-atherogenic function, thus demonstrating beneficial effects against cardiovascular risk factors. The aim of the present study was to investigate the effect of extra virgin high polyphenol olive oil (HPOO) v. low polyphenol olive oil (LPOO) on the capacity of HDL to promote cholesterol efflux in healthy adults. In a double-blind, randomised cross-over trial, fifty participants (aged 38·5 (sd 13·9) years, 66 % females) were supplemented with a daily dose (60 ml) of HPOO (320 mg/kg polyphenols) or LPOO (86 mg/kg polyphenols) for 3 weeks. Following a 2-week washout period, participants crossed over to the alternate treatment. Serum HDL-cholesterol efflux capacity, circulating lipids (i.e. total cholesterol, TAG, HDL, LDL) and anthropometrics were measured at baseline and follow-up. No significant between-group differences were observed. Furthermore, no significant changes in HDL-cholesterol efflux were found within either the LPOO and HPOO treatment arms; mean changes were 0·54 % (95 % CI (0·29, 1·37)) and 0·10 % (95 % CI (0·74, 0·94)), respectively. Serum HDL increased significantly after LPOO and HPOO intake by 0·13 mmol/l (95 % CI (0·04, 0·22)) and 0·10 mmol/l (95 % CI (0·02, 0·19)), respectively. A small but significant increase in LDL of 0·14 mmol/l (95 % CI (0·001, 0·28)) was observed following the HPOO intervention. Our results suggest that additional research is warranted to further understand the effect of OO with different phenolic content on mechanisms of cholesterol efflux via different pathways in multi-ethnic populations with diverse diets.
9 - The Gothic Sensorium: Affect in Jan Švankmajer’s Poe Films
-
- By Anna Powell
- Edited by Richard J. Hand, University of East Anglia, McRoy Jay, University of Wisconsin, Parkside
-
- Book:
- Gothic Film
- Published by:
- Edinburgh University Press
- Published online:
- 22 September 2020
- Print publication:
- 31 March 2020, pp 123-135
-
- Chapter
- Export citation
-
Summary
Jan Švankmajer's The Fall of the House of Usher (1980) and The Pendulum, the Pit and Hope (1983) encapsulate Gothic affect. They do this sensationally via images of terror and horror based on touch. Drawing on experiments with Tactilism (touch-based art) in sculpture and animation, these dissident films, made by Czech Surrealists under a repressive, Soviet-led regime, express what Gilles Deleuze calls ‘a touching specific to the gaze’ and present basic tropes of Gothic cinema in small form (1986: 12). Švankmajer's films adapt Edgar Allan Poe's tales for their uncanny mise-en-scène. The Pendulum evokes the tactile terrors of the Spanish Inquisition and Usher shifts sentience to the ‘thing-world’ as the animated Gothic House comes to life.
Švankmajer's adaptations use intensive compression of time and space analogous to Poe's prose poetry. The tales’ perversely erotic plots and dream-like narratives understandably invite psychosexual reading. By linking Poe with Surrealism, Švankmajer's films might appear to be ‘about’ psychoanalysis. Yet, Gilles Deleuze's ideas about what a film does as an experiential event rather than what it means can open up a different kind of Gothic. He consistently refutes the symbolic ‘archaeology’ of psychoanalysis that digs out repressed familial desire. Art is, rather, the language of sensation, ‘composed of percepts, affects, and blocs of sensation’ (Deleuze and Guattari, 1994: 176). A schizoanalytic Deleuzian approach to horror film, viewing brain and viscera as a continuum, looks elsewhere than plot and theme. Its focus is the affective images of fear and terror as they impact upon screen/viewer. The Gothic cinema of sensation works via intense affects and shocks that break habitual response and re-imagine the generic formulae they revisit. As well as Deleuze's cinematic insights, I consider theoretical reflections on touch by Švankmajer and artist Eva Švankmajerova and contextualise them via broader studies of corporeal affect.
Švankmajer's films mix genres and stylistic techniques, including live-action footage, puppets, object animations and claymation. Much of his oeuvre has a Gothic inflection, seen most overtly in his literary adaptations, including the playful homage to Horace Walpole, The Castle of Otranto (1979). Švankmajer's Gothic-flavoured films include 1968's The Flat (entrapment and claustrophobia), 1970's The Ossuary (morbid religiosity), 1983's Down to the Cellar and 1988's Alice (the vulnerable child in a threatening environment), 1994's Faust (magic and the occult), 2000's Little Otik (the uncanny thing-world) and 2005's Lunacy (de Sade, madness, cruelty).
5 - Pathways through the Labyrinth: Deleuze’s Gothic Child in Stanley Kubrick’s The Shining (1980)
-
- By Anna Powell
- Edited by Markus P. J. Bohlmann, Seneca College, Toronto, Anna Hickey-Moody, RMIT University
-
- Book:
- Deleuze and Children
- Published by:
- Edinburgh University Press
- Published online:
- 29 April 2021
- Print publication:
- 03 December 2018, pp 89-109
-
- Chapter
- Export citation
-
Summary
Who does not haunt the perverse territorialities, beyond the kindergartens of Oedipus? (Deleuze and Guattari 1984: 67)
Tony had said that he would have to do it himself (King 2013: 468)
Darkness alternates with blinding light as the walls of a maze flicker by Danny Torrance, a small boy running for his life. His monstrous father, Jack, the maze's minotaur, lopes after him through the snow-covered alleyways, waving his axe and bellowing. Suddenly, Danny stops running and starts to move with slow deliberation. His extrasensory ability to ‘shine’, which enables him to perceive the traces of past and future events, makes him change the direction of his footprints in the snow. This short sequence near the end of Stanley Kubrick's The Shining (1980) serves as what Deleuze calls a ‘diagrammatic component’, a recurring image which acts as a map or diagram to condense the affects, percepts and concepts of the film (Deleuze and Parnet 2002: 122). I will contend that both Danny's entrapment by his domineering father and his psychic ability to ‘shine’ past and future link him to the Gothic tradition, both in his victimisation and in his ability to reimagine the world.
The blue-tinged dazzle as spotlights glance off snow renders the maze too bright to see the paths clearly. Kubrick's expressive use of lighting makes the Overlook hotel itself shine in ways congenial to Jack's own ‘visions’ and the quality of light is crucial to our encounter with the film. The multivalent operations of light are also fundamental to Deleuze's wider philosophy of images moving in time. Encompassing physics and metaphysics, and including thought, memory and intuition, this image-based approach has special relevance to his film-philosophy. Deleuze aligns the metaphysics of Gothic cinema with the ‘infinite forces of light and darkness’ and demonstrates the ‘intensive movement’ of their combat in F. W. Murnau's Expressionist Gothic Nosferatu (1922), when ‘the movement-image and the light-image are two facets of the same appearing’ (1992: 49).
Forces in combat across Kubrick's film are rival ‘shines’, internal and external. The customary darkness of the Gothic mode is sidelined as the ubiquitous light of the Overlook absorbs all evil forces, including Jack's malevolence, into itself.
Leaching of Trifluralin, Benefin, and Nitralin in Soil Columns
- W. Powell Anderson, Anna Beth Richards, J. Wayne Whitworth
-
- Journal:
- Weed Science / Volume 16 / Issue 2 / April 1968
- Published online by Cambridge University Press:
- 12 June 2017, pp. 165-169
-
- Article
- Export citation
-
As determined by bioassay of segmented soil columns, a,a,a-trifluoro-2,6-dinitro-N,N-dipropyl-p-toluidine (trifluralin), N-butyl-N-ethyl-a,a,a-trifluoro-2,6-dinitro-p-toluidine (benefin), and 4-(methylsulfonyl)-2,6-dinitro-N,N-dipropylaniline (nitralin) varied in their leachability in a clay loam soil, even though their water solubility is the same. Nitralin was by far the more easily leached, benefin was least leached, and trifluralin slightly more so than benefin. Four A-in or more of water readily leached nitralin deep enough into the soil in amounts great enough to adversely affect the root growth of sensitive crop plants. Trifluralin and benefin were leached into the soil in relatively minute amounts, and these amounts were not great enough to affect root growth of sensitive crop plants when at least 0.5-in of untreated soil separated the seed from the layer of soil in which the herbicides had been mixed. The apparent breakdown product of nitralin present in moist soil was leached as readily as nitralin.
Quality of life before and after cosmetic surgery
- Jean-Charles Bensoussan, Michael A. Bolton, Sarah Pi, Allycin L. Powell-Hicks, Anna Postolova, Bahram Razani, Kevin Reyes, Waguih William IsHak
-
- Journal:
- CNS Spectrums / Volume 19 / Issue 4 / August 2014
- Published online by Cambridge University Press:
- 30 September 2013, pp. 282-292
-
- Article
- Export citation
-
This article reviews the literature regarding the impact of cosmetic surgery on health-related quality of life (QOL). Studies were identified through PubMed/Medline and PsycINFO searches from January 1960 to December 2011. Twenty-eight studies were included in this review, according to specific selection criteria.
The procedures and tools employed in cosmetic surgery research studies were remarkably diverse, thus yielding difficulties with data analysis. However, data indicate that individuals undergoing cosmetic surgery began with lower values on aspects of QOL than control subjects, and experienced significant QOL improvement post-procedurally, an effect that appeared to plateau with time.
Despite the complexity of measuring QOL in cosmetic surgery patients, most studies showed an improvement in QOL after cosmetic surgery procedures. However, this finding was clouded by measurement precision as well as heterogeneity of procedures and study populations. Future research needs to focus on refining measurement techniques, including developing cosmetic surgery–specific QOL measures.
2 - Heterotica: The 1000 Tiny Sexes of Anaïs Nin
-
- By Anna Powell, Metropolitan University
- Edited by Frida Beckman, Linköping University
-
- Book:
- Deleuze and Sex
- Published by:
- Edinburgh University Press
- Published online:
- 12 September 2012
- Print publication:
- 07 July 2011, pp 50-68
-
- Chapter
- Export citation
-
Summary
‘Life is a process of becoming’
(Nin 1964: 11)Ambivalently described as ‘feminist smut’ (Carter n.d.: 97), Anaïs Nin's erotic writings have been contentious ever since the publication of Delta of Venus (Nin 1981). These privately commissioned tales were written at a dollar a page for a male client in the 1940s and include some ideas from male authors. Yet, in a milieu where feminists were celebrating gynocentric literature, many women readers (myself included) found pleasures in their ‘ambulant and bohemian’ style and in an erotic expression different from masculinist material (Nin 1981: 117). A male literary assemblage can obviously be mapped between Nin and Deleuze and Guattari via her lovers Henry Miller and Antonin Artaud, as well as D. H. Lawrence, on whom she wrote a eulogistic book (Nin 1964). Though it is necessary to refer to Lawrence and Miller, here I want to explore Nin's significance for a Deleuzian project on sexuality in her own right.
Some men writing on female-centred erotica are patronisingly dismissive. For Andrew Ross, women's material features ‘stylised romantic settings, more intricate narrative frames and build-ups, extended foreplay, and scenarios of mutual pleasure’ (Ross 1993: 239). Revisiting Nin's prose for a Deleuze-inflected study, I become very conscious of the dif- ficult nature of the research process. A decade ago, my work on obscene poetics was informed by Laura Mulvey's study of cinematic voyeurism as well as the transgression theory of Georges Bataille and his 1990s avatars (Powell 2002).
Contributors
-
- By Rose Teteki Abbey, K. C. Abraham, David Tuesday Adamo, LeRoy H. Aden, Efrain Agosto, Victor Aguilan, Gillian T. W. Ahlgren, Charanjit Kaur AjitSingh, Dorothy B E A Akoto, Giuseppe Alberigo, Daniel E. Albrecht, Ruth Albrecht, Daniel O. Aleshire, Urs Altermatt, Anand Amaladass, Michael Amaladoss, James N. Amanze, Lesley G. Anderson, Thomas C. Anderson, Victor Anderson, Hope S. Antone, María Pilar Aquino, Paula Arai, Victorio Araya Guillén, S. Wesley Ariarajah, Ellen T. Armour, Brett Gregory Armstrong, Atsuhiro Asano, Naim Stifan Ateek, Mahmoud Ayoub, John Alembillah Azumah, Mercedes L. García Bachmann, Irena Backus, J. Wayne Baker, Mieke Bal, Lewis V. Baldwin, William Barbieri, António Barbosa da Silva, David Basinger, Bolaji Olukemi Bateye, Oswald Bayer, Daniel H. Bays, Rosalie Beck, Nancy Elizabeth Bedford, Guy-Thomas Bedouelle, Chorbishop Seely Beggiani, Wolfgang Behringer, Christopher M. Bellitto, Byard Bennett, Harold V. Bennett, Teresa Berger, Miguel A. Bernad, Henley Bernard, Alan E. Bernstein, Jon L. Berquist, Johannes Beutler, Ana María Bidegain, Matthew P. Binkewicz, Jennifer Bird, Joseph Blenkinsopp, Dmytro Bondarenko, Paulo Bonfatti, Riet en Pim Bons-Storm, Jessica A. Boon, Marcus J. Borg, Mark Bosco, Peter C. Bouteneff, François Bovon, William D. Bowman, Paul S. Boyer, David Brakke, Richard E. Brantley, Marcus Braybrooke, Ian Breward, Ênio José da Costa Brito, Jewel Spears Brooker, Johannes Brosseder, Nicholas Canfield Read Brown, Robert F. Brown, Pamela K. Brubaker, Walter Brueggemann, Bishop Colin O. Buchanan, Stanley M. Burgess, Amy Nelson Burnett, J. Patout Burns, David B. Burrell, David Buttrick, James P. Byrd, Lavinia Byrne, Gerado Caetano, Marcos Caldas, Alkiviadis Calivas, William J. Callahan, Salvatore Calomino, Euan K. Cameron, William S. Campbell, Marcelo Ayres Camurça, Daniel F. Caner, Paul E. Capetz, Carlos F. Cardoza-Orlandi, Patrick W. Carey, Barbara Carvill, Hal Cauthron, Subhadra Mitra Channa, Mark D. Chapman, James H. Charlesworth, Kenneth R. Chase, Chen Zemin, Luciano Chianeque, Philip Chia Phin Yin, Francisca H. Chimhanda, Daniel Chiquete, John T. Chirban, Soobin Choi, Robert Choquette, Mita Choudhury, Gerald Christianson, John Chryssavgis, Sejong Chun, Esther Chung-Kim, Charles M. A. Clark, Elizabeth A. Clark, Sathianathan Clarke, Fred Cloud, John B. Cobb, W. Owen Cole, John A Coleman, John J. Collins, Sylvia Collins-Mayo, Paul K. Conkin, Beth A. Conklin, Sean Connolly, Demetrios J. Constantelos, Michael A. Conway, Paula M. Cooey, Austin Cooper, Michael L. Cooper-White, Pamela Cooper-White, L. William Countryman, Sérgio Coutinho, Pamela Couture, Shannon Craigo-Snell, James L. Crenshaw, David Crowner, Humberto Horacio Cucchetti, Lawrence S. Cunningham, Elizabeth Mason Currier, Emmanuel Cutrone, Mary L. Daniel, David D. Daniels, Robert Darden, Rolf Darge, Isaiah Dau, Jeffry C. Davis, Jane Dawson, Valentin Dedji, John W. de Gruchy, Paul DeHart, Wendy J. Deichmann Edwards, Miguel A. De La Torre, George E. Demacopoulos, Thomas de Mayo, Leah DeVun, Beatriz de Vasconcellos Dias, Dennis C. Dickerson, John M. Dillon, Luis Miguel Donatello, Igor Dorfmann-Lazarev, Susanna Drake, Jonathan A. Draper, N. Dreher Martin, Otto Dreydoppel, Angelyn Dries, A. J. Droge, Francis X. D'Sa, Marilyn Dunn, Nicole Wilkinson Duran, Rifaat Ebied, Mark J. Edwards, William H. Edwards, Leonard H. Ehrlich, Nancy L. Eiesland, Martin Elbel, J. Harold Ellens, Stephen Ellingson, Marvin M. Ellison, Robert Ellsberg, Jean Bethke Elshtain, Eldon Jay Epp, Peter C. Erb, Tassilo Erhardt, Maria Erling, Noel Leo Erskine, Gillian R. Evans, Virginia Fabella, Michael A. Fahey, Edward Farley, Margaret A. Farley, Wendy Farley, Robert Fastiggi, Seena Fazel, Duncan S. Ferguson, Helwar Figueroa, Paul Corby Finney, Kyriaki Karidoyanes FitzGerald, Thomas E. FitzGerald, John R. Fitzmier, Marie Therese Flanagan, Sabina Flanagan, Claude Flipo, Ronald B. Flowers, Carole Fontaine, David Ford, Mary Ford, Stephanie A. Ford, Jim Forest, William Franke, Robert M. Franklin, Ruth Franzén, Edward H. Friedman, Samuel Frouisou, Lorelei F. Fuchs, Jojo M. Fung, Inger Furseth, Richard R. Gaillardetz, Brandon Gallaher, China Galland, Mark Galli, Ismael García, Tharscisse Gatwa, Jean-Marie Gaudeul, Luis María Gavilanes del Castillo, Pavel L. Gavrilyuk, Volney P. Gay, Metropolitan Athanasios Geevargis, Kondothra M. George, Mary Gerhart, Simon Gikandi, Maurice Gilbert, Michael J. Gillgannon, Verónica Giménez Beliveau, Terryl Givens, Beth Glazier-McDonald, Philip Gleason, Menghun Goh, Brian Golding, Bishop Hilario M. Gomez, Michelle A. Gonzalez, Donald K. Gorrell, Roy Gottfried, Tamara Grdzelidze, Joel B. Green, Niels Henrik Gregersen, Cristina Grenholm, Herbert Griffiths, Eric W. Gritsch, Erich S. Gruen, Christoffer H. Grundmann, Paul H. Gundani, Jon P. Gunnemann, Petre Guran, Vidar L. Haanes, Jeremiah M. Hackett, Getatchew Haile, Douglas John Hall, Nicholas Hammond, Daphne Hampson, Jehu J. Hanciles, Barry Hankins, Jennifer Haraguchi, Stanley S. Harakas, Anthony John Harding, Conrad L. Harkins, J. William Harmless, Marjory Harper, Amir Harrak, Joel F. Harrington, Mark W. Harris, Susan Ashbrook Harvey, Van A. Harvey, R. Chris Hassel, Jione Havea, Daniel Hawk, Diana L. Hayes, Leslie Hayes, Priscilla Hayner, S. Mark Heim, Simo Heininen, Richard P. Heitzenrater, Eila Helander, David Hempton, Scott H. Hendrix, Jan-Olav Henriksen, Gina Hens-Piazza, Carter Heyward, Nicholas J. Higham, David Hilliard, Norman A. Hjelm, Peter C. Hodgson, Arthur Holder, M. Jan Holton, Dwight N. Hopkins, Ronnie Po-chia Hsia, Po-Ho Huang, James Hudnut-Beumler, Jennifer S. Hughes, Leonard M. Hummel, Mary E. Hunt, Laennec Hurbon, Mark Hutchinson, Susan E. Hylen, Mary Beth Ingham, H. Larry Ingle, Dale T. Irvin, Jon Isaak, Paul John Isaak, Ada María Isasi-Díaz, Hans Raun Iversen, Margaret C. Jacob, Arthur James, Maria Jansdotter-Samuelsson, David Jasper, Werner G. Jeanrond, Renée Jeffery, David Lyle Jeffrey, Theodore W. Jennings, David H. Jensen, Robin Margaret Jensen, David Jobling, Dale A. Johnson, Elizabeth A. Johnson, Maxwell E. Johnson, Sarah Johnson, Mark D. Johnston, F. Stanley Jones, James William Jones, John R. Jones, Alissa Jones Nelson, Inge Jonsson, Jan Joosten, Elizabeth Judd, Mulambya Peggy Kabonde, Robert Kaggwa, Sylvester Kahakwa, Isaac Kalimi, Ogbu U. Kalu, Eunice Kamaara, Wayne C. Kannaday, Musimbi Kanyoro, Veli-Matti Kärkkäinen, Frank Kaufmann, Léon Nguapitshi Kayongo, Richard Kearney, Alice A. Keefe, Ralph Keen, Catherine Keller, Anthony J. Kelly, Karen Kennelly, Kathi Lynn Kern, Fergus Kerr, Edward Kessler, George Kilcourse, Heup Young Kim, Kim Sung-Hae, Kim Yong-Bock, Kim Yung Suk, Richard King, Thomas M. King, Robert M. Kingdon, Ross Kinsler, Hans G. Kippenberg, Cheryl A. Kirk-Duggan, Clifton Kirkpatrick, Leonid Kishkovsky, Nadieszda Kizenko, Jeffrey Klaiber, Hans-Josef Klauck, Sidney Knight, Samuel Kobia, Robert Kolb, Karla Ann Koll, Heikki Kotila, Donald Kraybill, Philip D. W. Krey, Yves Krumenacker, Jeffrey Kah-Jin Kuan, Simanga R. Kumalo, Peter Kuzmic, Simon Shui-Man Kwan, Kwok Pui-lan, André LaCocque, Stephen E. Lahey, John Tsz Pang Lai, Emiel Lamberts, Armando Lampe, Craig Lampe, Beverly J. Lanzetta, Eve LaPlante, Lizette Larson-Miller, Ariel Bybee Laughton, Leonard Lawlor, Bentley Layton, Robin A. Leaver, Karen Lebacqz, Archie Chi Chung Lee, Marilyn J. Legge, Hervé LeGrand, D. L. LeMahieu, Raymond Lemieux, Bill J. Leonard, Ellen M. Leonard, Outi Leppä, Jean Lesaulnier, Nantawan Boonprasat Lewis, Henrietta Leyser, Alexei Lidov, Bernard Lightman, Paul Chang-Ha Lim, Carter Lindberg, Mark R. Lindsay, James R. Linville, James C. Livingston, Ann Loades, David Loades, Jean-Claude Loba-Mkole, Lo Lung Kwong, Wati Longchar, Eleazar López, David W. Lotz, Andrew Louth, Robin W. Lovin, William Luis, Frank D. Macchia, Diarmaid N. J. MacCulloch, Kirk R. MacGregor, Marjory A. MacLean, Donald MacLeod, Tomas S. Maddela, Inge Mager, Laurenti Magesa, David G. Maillu, Fortunato Mallimaci, Philip Mamalakis, Kä Mana, Ukachukwu Chris Manus, Herbert Robinson Marbury, Reuel Norman Marigza, Jacqueline Mariña, Antti Marjanen, Luiz C. L. Marques, Madipoane Masenya (ngwan'a Mphahlele), Caleb J. D. Maskell, Steve Mason, Thomas Massaro, Fernando Matamoros Ponce, András Máté-Tóth, Odair Pedroso Mateus, Dinis Matsolo, Fumitaka Matsuoka, John D'Arcy May, Yelena Mazour-Matusevich, Theodore Mbazumutima, John S. McClure, Christian McConnell, Lee Martin McDonald, Gary B. McGee, Thomas McGowan, Alister E. McGrath, Richard J. McGregor, John A. McGuckin, Maud Burnett McInerney, Elsie Anne McKee, Mary B. McKinley, James F. McMillan, Ernan McMullin, Kathleen E. McVey, M. Douglas Meeks, Monica Jyotsna Melanchthon, Ilie Melniciuc-Puica, Everett Mendoza, Raymond A. Mentzer, William W. Menzies, Ina Merdjanova, Franziska Metzger, Constant J. Mews, Marvin Meyer, Carol Meyers, Vasile Mihoc, Gunner Bjerg Mikkelsen, Maria Inêz de Castro Millen, Clyde Lee Miller, Bonnie J. Miller-McLemore, Alexander Mirkovic, Paul Misner, Nozomu Miyahira, R. W. L. Moberly, Gerald Moede, Aloo Osotsi Mojola, Sunanda Mongia, Rebeca Montemayor, James Moore, Roger E. Moore, Craig E. Morrison O.Carm, Jeffry H. Morrison, Keith Morrison, Wilson J. Moses, Tefetso Henry Mothibe, Mokgethi Motlhabi, Fulata Moyo, Henry Mugabe, Jesse Ndwiga Kanyua Mugambi, Peggy Mulambya-Kabonde, Robert Bruce Mullin, Pamela Mullins Reaves, Saskia Murk Jansen, Heleen L. Murre-Van den Berg, Augustine Musopole, Isaac M. T. Mwase, Philomena Mwaura, Cecilia Nahnfeldt, Anne Nasimiyu Wasike, Carmiña Navia Velasco, Thulani Ndlazi, Alexander Negrov, James B. Nelson, David G. Newcombe, Carol Newsom, Helen J. Nicholson, George W. E. Nickelsburg, Tatyana Nikolskaya, Damayanthi M. A. Niles, Bertil Nilsson, Nyambura Njoroge, Fidelis Nkomazana, Mary Beth Norton, Christian Nottmeier, Sonene Nyawo, Anthère Nzabatsinda, Edward T. Oakes, Gerald O'Collins, Daniel O'Connell, David W. Odell-Scott, Mercy Amba Oduyoye, Kathleen O'Grady, Oyeronke Olajubu, Thomas O'Loughlin, Dennis T. Olson, J. Steven O'Malley, Cephas N. Omenyo, Muriel Orevillo-Montenegro, César Augusto Ornellas Ramos, Agbonkhianmeghe E. Orobator, Kenan B. Osborne, Carolyn Osiek, Javier Otaola Montagne, Douglas F. Ottati, Anna May Say Pa, Irina Paert, Jerry G. Pankhurst, Aristotle Papanikolaou, Samuele F. Pardini, Stefano Parenti, Peter Paris, Sung Bae Park, Cristián G. Parker, Raquel Pastor, Joseph Pathrapankal, Daniel Patte, W. Brown Patterson, Clive Pearson, Keith F. Pecklers, Nancy Cardoso Pereira, David Horace Perkins, Pheme Perkins, Edward N. Peters, Rebecca Todd Peters, Bishop Yeznik Petrossian, Raymond Pfister, Peter C. Phan, Isabel Apawo Phiri, William S. F. Pickering, Derrick G. Pitard, William Elvis Plata, Zlatko Plese, John Plummer, James Newton Poling, Ronald Popivchak, Andrew Porter, Ute Possekel, James M. Powell, Enos Das Pradhan, Devadasan Premnath, Jaime Adrían Prieto Valladares, Anne Primavesi, Randall Prior, María Alicia Puente Lutteroth, Eduardo Guzmão Quadros, Albert Rabil, Laurent William Ramambason, Apolonio M. Ranche, Vololona Randriamanantena Andriamitandrina, Lawrence R. Rast, Paul L. Redditt, Adele Reinhartz, Rolf Rendtorff, Pål Repstad, James N. Rhodes, John K. Riches, Joerg Rieger, Sharon H. Ringe, Sandra Rios, Tyler Roberts, David M. Robinson, James M. Robinson, Joanne Maguire Robinson, Richard A. H. Robinson, Roy R. Robson, Jack B. Rogers, Maria Roginska, Sidney Rooy, Rev. Garnett Roper, Maria José Fontelas Rosado-Nunes, Andrew C. Ross, Stefan Rossbach, François Rossier, John D. Roth, John K. Roth, Phillip Rothwell, Richard E. Rubenstein, Rosemary Radford Ruether, Markku Ruotsila, John E. Rybolt, Risto Saarinen, John Saillant, Juan Sanchez, Wagner Lopes Sanchez, Hugo N. Santos, Gerhard Sauter, Gloria L. Schaab, Sandra M. Schneiders, Quentin J. Schultze, Fernando F. Segovia, Turid Karlsen Seim, Carsten Selch Jensen, Alan P. F. Sell, Frank C. Senn, Kent Davis Sensenig, Damían Setton, Bal Krishna Sharma, Carolyn J. Sharp, Thomas Sheehan, N. Gerald Shenk, Christian Sheppard, Charles Sherlock, Tabona Shoko, Walter B. Shurden, Marguerite Shuster, B. Mark Sietsema, Batara Sihombing, Neil Silberman, Clodomiro Siller, Samuel Silva-Gotay, Heikki Silvet, John K. Simmons, Hagith Sivan, James C. Skedros, Abraham Smith, Ashley A. Smith, Ted A. Smith, Daud Soesilo, Pia Søltoft, Choan-Seng (C. S.) Song, Kathryn Spink, Bryan Spinks, Eric O. Springsted, Nicolas Standaert, Brian Stanley, Glen H. Stassen, Karel Steenbrink, Stephen J. Stein, Andrea Sterk, Gregory E. Sterling, Columba Stewart, Jacques Stewart, Robert B. Stewart, Cynthia Stokes Brown, Ken Stone, Anne Stott, Elizabeth Stuart, Monya Stubbs, Marjorie Hewitt Suchocki, David Kwang-sun Suh, Scott W. Sunquist, Keith Suter, Douglas Sweeney, Charles H. Talbert, Shawqi N. Talia, Elsa Tamez, Joseph B. Tamney, Jonathan Y. Tan, Yak-Hwee Tan, Kathryn Tanner, Feiya Tao, Elizabeth S. Tapia, Aquiline Tarimo, Claire Taylor, Mark Lewis Taylor, Bishop Abba Samuel Wolde Tekestebirhan, Eugene TeSelle, M. Thomas Thangaraj, David R. Thomas, Andrew Thornley, Scott Thumma, Marcelo Timotheo da Costa, George E. “Tink” Tinker, Ola Tjørhom, Karen Jo Torjesen, Iain R. Torrance, Fernando Torres-Londoño, Archbishop Demetrios [Trakatellis], Marit Trelstad, Christine Trevett, Phyllis Trible, Johannes Tromp, Paul Turner, Robert G. Tuttle, Archbishop Desmond Tutu, Peter Tyler, Anders Tyrberg, Justin Ukpong, Javier Ulloa, Camillus Umoh, Kristi Upson-Saia, Martina Urban, Monica Uribe, Elochukwu Eugene Uzukwu, Richard Vaggione, Gabriel Vahanian, Paul Valliere, T. J. Van Bavel, Steven Vanderputten, Peter Van der Veer, Huub Van de Sandt, Louis Van Tongeren, Luke A. Veronis, Noel Villalba, Ramón Vinke, Tim Vivian, David Voas, Elena Volkova, Katharina von Kellenbach, Elina Vuola, Timothy Wadkins, Elaine M. Wainwright, Randi Jones Walker, Dewey D. Wallace, Jerry Walls, Michael J. Walsh, Philip Walters, Janet Walton, Jonathan L. Walton, Wang Xiaochao, Patricia A. Ward, David Harrington Watt, Herold D. Weiss, Laurence L. Welborn, Sharon D. Welch, Timothy Wengert, Traci C. West, Merold Westphal, David Wetherell, Barbara Wheeler, Carolinne White, Jean-Paul Wiest, Frans Wijsen, Terry L. Wilder, Felix Wilfred, Rebecca Wilkin, Daniel H. Williams, D. Newell Williams, Michael A. Williams, Vincent L. Wimbush, Gabriele Winkler, Anders Winroth, Lauri Emílio Wirth, James A. Wiseman, Ebba Witt-Brattström, Teofil Wojciechowski, John Wolffe, Kenman L. Wong, Wong Wai Ching, Linda Woodhead, Wendy M. Wright, Rose Wu, Keith E. Yandell, Gale A. Yee, Viktor Yelensky, Yeo Khiok-Khng, Gustav K. K. Yeung, Angela Yiu, Amos Yong, Yong Ting Jin, You Bin, Youhanna Nessim Youssef, Eliana Yunes, Robert Michael Zaller, Valarie H. Ziegler, Barbara Brown Zikmund, Joyce Ann Zimmerman, Aurora Zlotnik, Zhuo Xinping
- Edited by Daniel Patte, Vanderbilt University, Tennessee
-
- Book:
- The Cambridge Dictionary of Christianity
- Published online:
- 05 August 2012
- Print publication:
- 20 September 2010, pp xi-xliv
-
- Chapter
- Export citation
5 - Antonin Artaud
- from I - WHAT IS CINEMA?
-
- By Anna Powell, Manchester Metropolitan University
- Edited by Felicity Colman, Manchester Metropolitan University
-
- Book:
- Film, Theory and Philosophy
- Published by:
- Acumen Publishing
- Published online:
- 05 June 2014
- Print publication:
- 30 November 2009, pp 61-70
-
- Chapter
- Export citation
-
Summary
Antonin Artaud (1896–1948) was a French poet, playwright, director and film actor. He was an early member of the French surrealist movement, credited as writing one of the first surrealist films, La Coquille et le clergyman (The seashell and the clergyman; dir. Germaine Dulac, 1928). He hoped that the new art form of cinema would induce the shock needed to produce radical thought. From 1926 to 1928, Artaud ran the Alfred Jarry Theatre, along with Roger Vitrac. Disappointed that cinema failed to realize his hopes, he returned to live performance, founding the Theatre of Cruelty in 1935. Spending the war years in asylums, he suffered prolonged electroshock treatment. After his release, he recorded To be Done with the Judgment of God, a (banned) radio play/noise performance, and died in 1948. Artaud's books include The Theatre and Its Double (1938; English trans. 1958) and Les Tarahumaras (1955; published in English as The Peyote Dance, 1976), which records his experiences in Mexico. Many of his essays on cinema are collected in an anthology of his works, Antonin Artaud: Selected Writings (ed. Susan Sontag, 1976).
Cinema exalts matter and reveals it to us in its profound spirituality, in its relations with the spirit from which it has emerged.
(Artaud 1976e: 152)
An algorithm to assess intestinal iron availability for use in dietary surveys
- Anna P. Rickard, Mark D. Chatfield, Rana E. Conway, Alison M. Stephen, Jonathan J. Powell
-
- Journal:
- British Journal of Nutrition / Volume 102 / Issue 11 / 14 December 2009
- Published online by Cambridge University Press:
- 27 August 2009, pp. 1678-1685
- Print publication:
- 14 December 2009
-
- Article
-
- You have access Access
- HTML
- Export citation
-
In nutritional epidemiology, it is often assumed that nutrient absorption is proportional to nutrient intake. For several nutrients, including non-haem Fe, this assumption may not hold. Depending on the nutrients ingested with non-haem Fe, its availability for absorption varies greatly. Therefore, using Fe intake to examine associations between Fe and health can impact upon the validity of findings. Previous algorithms that adjust Fe intakes for dietary factors known to affect absorption have been found to underestimate Fe absorption and, in the present study, perform poorly on independent dietary data. We have designed a new algorithm to adjust Fe intakes for the effects of ascorbic acid, meat, fish and poultry, phytate, polyphenols and Ca, incorporating not only absorption data from test meals but also current understanding of Fe absorption. In so doing, we have created a robust and universal Fe algorithm with potential for use in large cohorts. The algorithm described aims not to predict Fe absorption but available Fe in the gut, a measure we believe to be of greater use in epidemiological research. Available Fe is Fe available for absorption from the gastrointestinal tract, taking into account enhancing or inhibiting effects of dietary modifiers. Our algorithm successfully estimated average Fe availability in test meal data used to construct the algorithm and, unlike other algorithms tested, also provided plausible predictions when applied to independent dietary data. Future research is needed to evaluate the extent to which this algorithm is useful in epidemiological research to relate Fe to health outcomes.
One Hundred Thousand Tractors: The MTS and the Development of Controls in Soviet Agriculture. By Robert F. Miller. (Cambridge, Mass.: Harvard University Press, 1970. Pp. 423. $12.50.)
- Anna Elizabeth Powell
-
- Journal:
- American Political Science Review / Volume 65 / Issue 1 / March 1971
- Published online by Cambridge University Press:
- 01 August 2014, pp. 196-198
- Print publication:
- March 1971
-
- Article
- Export citation
Trifluralin Effects On Cotton Seedlings
- W. Powell Anderson, Anna Beth Richards, J. Wayne Whitworth
-
- Article
- Export citation
-
The effect of a,a,a-trifluoro-2,6-dinitro-N,N-dipropyl-p-toluidine (trifluralin) on the growth of cotton seedlings was studied under greenhouse conditions as influenced by dosage, 0.25, 0.5, 0.75, and 1.0 lb/A, and depth of soil-incorporation, 0 to 6 in in 0.5-in increments; the cotton seed were planted 1.5 in deep and watering was by subirrigation.
Trifluralin caused stunting in height of cotton seedlings and prevention of lateral root growth. The dosage of the chemical influenced the degree and persistence of stunting more than did depth of incorporation. Marked stunting occurred at 1 lb/A at all depths of incorporation and persisted for the duration of the experiments, about 1 month; slight to moderate stunting occurred at 0.75 lb/A or less but was of short duration, 1 to 2 weeks. Lateral root growth was affected more by depth of incorporation than by dosage; though the growth of the taproot was essentially unaffected, the growth of lateral roots was completely prevented by even the lowest dosage applied, 0.25 lb/A, incorporated to the greatest depth, 6 in. Root growth was prevented only along that portion of the taproot growing in treated soil; when trifluralin was incorporated above the seed, root development was unaffected. Stunting occurred independently of the effect on root growth.