Book contents
- Frontmatter
- Content
- Acknowledgments
- Foreword
- Introduction
- The World Is Charged: Poetic Engagements with Gerard Manley Hopkins
- The Kings of Missoula
- And the Great
- Inspiration
- Taboo against the Word Beauty, Ornithological Version on Aesthetic Theory
- Bearded Barley
- The Bowerbirds
- The Small Bang
- Dappled Things
- Fire
- Landscape
- Spare
- The Language of Pastoral
- At Buck Hall
- Pied Beauty
- A Dream of Hopkins
- A Simple Garden Ladder
- The Sleep
- Ghazal for My Selves, as Samson & Delilah
- Aubade for One Still Uncertain of Being Born
- Curtal Sonnet (with an Admonition)
- Confession to Hopkins
- Come to Me
- Hopkins in Kildare
- August Green: A Baptism
- Birds at Dawn
- The Acolyte
- To a Young Poet Resisting Hopkins
- Arrhythmia
- Goldengrove
- Date
- All Fall Long
- Strife
- The Bounds of Belief
- The Mind and Soul Growing Wide Withal
- The Horse on Zennor Hill
- The Tao of Alphabet
- Winter Mother
- My Second-Grade Teacher Reads Us Gerard Manley Hopkins
- A.M.: Her Lone Spark Dying
- Ascension
- That Necessary Evil
- The End of the Happy Hours
- One Wet Wednesday Afternoon
- By Eye-slit
- Come on the Cold
- No Fire
- Would Come Back
- River, Dissolution
- from Four Common Prayers
- Pater Noster
- Spring Again
- A Psalm of Ascents
- Poinsett's Bridge
- Reverdie
- The Telegraph Baby
- Red Kites at Tregaron
- Ark
- Saint's finger, Hill of Slane
- In the absence of a contract
- Ten Penny
- Red Bird, Black Sky
- The Tabernacle of Love
- Instructions to an Artisan
- Prayer
- The Christ-Frost
- Horse Apocalypse
- Migration Theory
- Never-Ending Birds
- Hopkins in Ireland
- Epitaph for the Journey
- Parable of the Red-Tailed Hawks
- Scoop
- What to Tell the Girl
- Finding Home by Taste, by Fire
- Winter Solstice
- Compline
- Elegy for D.S.
- Praise Song for Nikky Finney
- Coastland
- Breath and Bread
- I Waked and Fell
- Maple Gall
- Algae
- Aspen Song
- Left Behind
- Hawk in the Bronx
- The Canary
- Christ Imagined as Cavalry Commander
- October Trees
- Prayer to the Birds
- Dylan Thomas
- The Corpse Bird
- Speckled Trout
- Fall Creek
- Fossil Hunting at the Quarry
- Equinoctial
- A Question of Ear
- The Mercy Seat
- Savior
- Ornithology 101
- Oystermen
- Prayer with Fur
- Prayer with Game
- Collateral Damage
- These Fatals
- Elemental
- Via Negativa
- In Tennessee I Found a Firefly
- Knocking or Nothing
- Gerard Manley Hopkins (1844–1889)
- A Local Landfill's Invitation to Trash Left on the Moon
- Oil
- Ego
- Perspective
- Spouse
- Saw
- Breeze-Born
- Margaret's Reply
- Sea Journal
- The Baker Falls for Hopkins
- A Sestina for Mishima
- Ποιητική
- Meditation on the Hands of a Boy Miner
- The Acolyte
- Boy with Kite
- Jesuit Graves
- There Is a Balm in Gilead
- Michelle in Rain
- A Path through Walnut Trees after Rain
- Aubade for Yellow Jacket
- Afterword
- Contributors
The Language of Pastoral
from The World Is Charged: Poetic Engagements with Gerard Manley Hopkins
- Frontmatter
- Content
- Acknowledgments
- Foreword
- Introduction
- The World Is Charged: Poetic Engagements with Gerard Manley Hopkins
- The Kings of Missoula
- And the Great
- Inspiration
- Taboo against the Word Beauty, Ornithological Version on Aesthetic Theory
- Bearded Barley
- The Bowerbirds
- The Small Bang
- Dappled Things
- Fire
- Landscape
- Spare
- The Language of Pastoral
- At Buck Hall
- Pied Beauty
- A Dream of Hopkins
- A Simple Garden Ladder
- The Sleep
- Ghazal for My Selves, as Samson & Delilah
- Aubade for One Still Uncertain of Being Born
- Curtal Sonnet (with an Admonition)
- Confession to Hopkins
- Come to Me
- Hopkins in Kildare
- August Green: A Baptism
- Birds at Dawn
- The Acolyte
- To a Young Poet Resisting Hopkins
- Arrhythmia
- Goldengrove
- Date
- All Fall Long
- Strife
- The Bounds of Belief
- The Mind and Soul Growing Wide Withal
- The Horse on Zennor Hill
- The Tao of Alphabet
- Winter Mother
- My Second-Grade Teacher Reads Us Gerard Manley Hopkins
- A.M.: Her Lone Spark Dying
- Ascension
- That Necessary Evil
- The End of the Happy Hours
- One Wet Wednesday Afternoon
- By Eye-slit
- Come on the Cold
- No Fire
- Would Come Back
- River, Dissolution
- from Four Common Prayers
- Pater Noster
- Spring Again
- A Psalm of Ascents
- Poinsett's Bridge
- Reverdie
- The Telegraph Baby
- Red Kites at Tregaron
- Ark
- Saint's finger, Hill of Slane
- In the absence of a contract
- Ten Penny
- Red Bird, Black Sky
- The Tabernacle of Love
- Instructions to an Artisan
- Prayer
- The Christ-Frost
- Horse Apocalypse
- Migration Theory
- Never-Ending Birds
- Hopkins in Ireland
- Epitaph for the Journey
- Parable of the Red-Tailed Hawks
- Scoop
- What to Tell the Girl
- Finding Home by Taste, by Fire
- Winter Solstice
- Compline
- Elegy for D.S.
- Praise Song for Nikky Finney
- Coastland
- Breath and Bread
- I Waked and Fell
- Maple Gall
- Algae
- Aspen Song
- Left Behind
- Hawk in the Bronx
- The Canary
- Christ Imagined as Cavalry Commander
- October Trees
- Prayer to the Birds
- Dylan Thomas
- The Corpse Bird
- Speckled Trout
- Fall Creek
- Fossil Hunting at the Quarry
- Equinoctial
- A Question of Ear
- The Mercy Seat
- Savior
- Ornithology 101
- Oystermen
- Prayer with Fur
- Prayer with Game
- Collateral Damage
- These Fatals
- Elemental
- Via Negativa
- In Tennessee I Found a Firefly
- Knocking or Nothing
- Gerard Manley Hopkins (1844–1889)
- A Local Landfill's Invitation to Trash Left on the Moon
- Oil
- Ego
- Perspective
- Spouse
- Saw
- Breeze-Born
- Margaret's Reply
- Sea Journal
- The Baker Falls for Hopkins
- A Sestina for Mishima
- Ποιητική
- Meditation on the Hands of a Boy Miner
- The Acolyte
- Boy with Kite
- Jesuit Graves
- There Is a Balm in Gilead
- Michelle in Rain
- A Path through Walnut Trees after Rain
- Aubade for Yellow Jacket
- Afterword
- Contributors
Summary
I am halfway between the canebrake and the pines.
The horizon stretches like a bow-string, sun
deep citron over the pasture. Language whines
and lisps toward meaning, trying to get one
blessèd thing right—O wonders turned to signs:
trees shine with mold out where the creekbeds run,
wet Fields brim with midges, and white curds
of foam wash up at the pond's edge in these words.
Like spells to conjure with, this verb, this noun—
three red-winged blackbirds at the pasture's edge
gleaning the grass seed have already flown
and disappeared somewhere beyond the hedge,
only to be recalled in this phrase, set down
as a part of speech. So language keeps its pledge.
I find the loss in what these words redeem,
like the sleeper who awakes to another dream.
I have come back in the middle of a sentence
in middle life: here my grandfather tended
corn and plowed the back Fields, stripped the dense
kudzu before it choked the soybeans. Winded,
he'd walk along the full length of the fence
to drink cold water where the creekbed ended.
I imagine seeing him climb the distant hill.
Language sings its one song, hold still, hold still.
What I have to say turns the pasture to fiction.
Parsing the back Fields, grammar and syntax fail.
Even the blackbirds are reduced to diction,
sculling through air as they do above the swale.
A world combusts to nothing in the friction
between a phrase and its referent: or the tale
persists as cadence, though the names of things
are frail as spent breath or the midges’ wings.
Whom or what are these words for? Not the dead
who cannot hear them anyway. Not the wet
soybean Fields or canebrake or the redwinged
blackbirds slurring the air. What slips the net
of language has no use for what is said
about it. Even I will soon forget.
Each word quarrels with silence at the close:
where speech comes from, and where everything goes.
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- The World is ChargedPoetic Engagements with Gerard Manley Hopkins, pp. 12 - 13Publisher: Liverpool University PressPrint publication year: 2016