163 results
Braided diagram groups and local similarity groups
- Edited by Peter H. Kropholler, University of Southampton, Ian J. Leary, University of Southampton, Conchita Martínez-Pérez, Universidad de Zaragoza, Brita E. A. Nucinkis, Royal Holloway, University of London
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- Book:
- Geometric and Cohomological Group Theory
- Published online:
- 11 October 2017
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- 19 October 2017, pp 15-33
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Summary
Abstract
Hughes defined a class of groups that act as local similarities on compact ultrametric spaces. Guba and Sapir had previously defined braided diagram groups over semigroup presentations. The two classes of groups share some common characteristics: both act properly by isometries on CAT(0) cubical complexes, and certain groups in both classes have type F∞, for instance.
Here we clarify the relationship between these families of groups: the braided diagram groups over tree-like semigroup presentations are precisely the groups that act on compact ultrametric spaces via small similarity structures. The proof can be considered a generalization of the proof that Thompson's group V is a braided diagram group over a tree-like semigroup presentation.
We also prove that certain additional groups, such as the Houghton groups Hn, and QAut(T2,c), lie in both classes.
Introduction
In [7], Hughes described a class of groups that act as homeomorphisms on compact ultrametric spaces. Fix a compact ultrametric space X. The essence of the idea was to associate to X a finite similarity structure, which is a function that associates to each ordered pair of balls B1,B2 ⊆ X a finite set SimX(B1,B2) of surjective similarities from B1 to B2. (A similarity is a map that stretches or contracts distances by a fixed constant.) The finite sets SimX(B1,B2) are assumed to have certain desirable closure properties (such as closure under composition). A homeomorphism h : X → X is said to be locally determined by SimX if each x ∈ X has a ball neighborhood B with the property that h(B) is a ball and the restriction of h to B agrees with one of the local similarities σ ∈ SimX(B, h(B)). The collection of all homeomorphisms that are locally determined by SimX forms a group under composition. We will call such a group an FSS group (finite similarity structure group) for short. Hughes [7] proved that each FSS group has the Haagerup property, and even acts properly on a CAT(0) cubical complex. In [5], the authors described a class of FSS groups that have type F∞. That class includes Thompson's group V, and the main theorem of [5] is best understood as a generalization of [2], where Brown originally showed that V has type F∞.
Remote-sensing science and technology for studying glacier processes in high Asia
- Michael P. Bishop, Jeffrey S. Kargel, Hugh H. Kieffer, David J. MacKinnon, Bruce H. Raup, John F. Shroder, Jr
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- Journal:
- Annals of Glaciology / Volume 31 / 2000
- Published online by Cambridge University Press:
- 14 September 2017, pp. 164-170
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A large number of multispectral and stereo-image data are expected to become available as part of the Global Land Ice Measurements from Space project. We investigate digital elevation model extraction, anisotropic reflectance correction and selected glacier analysis tasks that must be developed to achieve full utility of these new data. Results indicate that glaciers in the Karakoram and Nanga Parbat Himalaya, northern Pakistan, exhibit unique spectral, spatial and geomorphometric patterns that can be exploited by various models and algorithms to produce accurate information regarding glacier extent, supraglacial features and glacier geomorphology The integration of spectral, spatial and geomorphometric features, coupled with approaches for advanced pattern recognition, can help geoscientists study glacier mass balance, glacier erosion, sediment-transfer efficiency and landscape evolution.
Selectivity Among Cabbage (Brassica oleracea L.) Cultivars by Clomazone
- Herbert J. Hopen, Robert L. Hughes, Bruce A. Michaelis
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- Journal:
- Weed Technology / Volume 7 / Issue 2 / June 1993
- Published online by Cambridge University Press:
- 12 June 2017, pp. 471-477
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Excellent agreement between a two-year replicated study relative to chlorosis development by clomazone in thirty-six cabbage cultivars and development of chlorosis in a production field was obtained. The cultivars ‘Bravo’, ‘Cheers', and ‘Genesis' developed the most severe chlorosis symptoms and ‘Bently’, ‘Carlton’, ‘Cecile’, ‘Gourmet’, ‘King Cole’, ‘Ocala’, ‘Red Acre’, ‘Rio Verde’, ‘Roundup’, ‘Sombrero’, ‘Stonehead’, ‘Straton’, ‘Titanic’, and ‘Tristar’ the least chlorosis. During a dry soil period chlorosis symptoms were more pronounced. Yield reduction at an application rate exceeding the suggested use rate for weed control varied positively with level of chlorosis in 1992 for the cultivars Bravo, Cheers, Genesis, ‘Krautman’, and ‘Marvelon’.
Our View
- K. Neil Harker, John T. O'Donovan, Robert E. Blackshaw, Hugh J. Beckie, C. Mallory-Smith, Bruce D. Maxwell
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- Journal:
- Weed Science / Volume 60 / Issue 2 / June 2012
- Published online by Cambridge University Press:
- 20 January 2017, pp. 143-144
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Agricultural Weed Research: A Critique and Two Proposals
- Sarah M. Ward, Roger D. Cousens, Muthukumar V. Bagavathiannan, Jacob N. Barney, Hugh J. Beckie, Roberto Busi, Adam S. Davis, Jeffrey S. Dukes, Frank Forcella, Robert P. Freckleton, Eric R. Gallandt, Linda M. Hall, Marie Jasieniuk, Amy Lawton-Rauh, Erik A. Lehnhoff, Matt Liebman, Bruce D. Maxwell, Mohsen B. Mesgaran, Justine V. Murray, Paul Neve, Martin A. Nuñez, Anibal Pauchard, Simon A. Queenborough, Bruce L. Webber
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- Weed Science / Volume 62 / Issue 4 / December 2014
- Published online by Cambridge University Press:
- 20 January 2017, pp. 672-678
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Two broad aims drive weed science research: improved management and improved understanding of weed biology and ecology. In recent years, agricultural weed research addressing these two aims has effectively split into separate subdisciplines despite repeated calls for greater integration. Although some excellent work is being done, agricultural weed research has developed a very high level of repetitiveness, a preponderance of purely descriptive studies, and has failed to clearly articulate novel hypotheses linked to established bodies of ecological and evolutionary theory. In contrast, invasive plant research attracts a diverse cadre of nonweed scientists using invasions to explore broader and more integrated biological questions grounded in theory. We propose that although studies focused on weed management remain vitally important, agricultural weed research would benefit from deeper theoretical justification, a broader vision, and increased collaboration across diverse disciplines. To initiate change in this direction, we call for more emphasis on interdisciplinary training for weed scientists, and for focused workshops and working groups to develop specific areas of research and promote interactions among weed scientists and with the wider scientific community.
Contributors
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- By Mitchell Aboulafia, Frederick Adams, Marilyn McCord Adams, Robert M. Adams, Laird Addis, James W. Allard, David Allison, William P. Alston, Karl Ameriks, C. Anthony Anderson, David Leech Anderson, Lanier Anderson, Roger Ariew, David Armstrong, Denis G. Arnold, E. J. Ashworth, Margaret Atherton, Robin Attfield, Bruce Aune, Edward Wilson Averill, Jody Azzouni, Kent Bach, Andrew Bailey, Lynne Rudder Baker, Thomas R. Baldwin, Jon Barwise, George Bealer, William Bechtel, Lawrence C. Becker, Mark A. Bedau, Ernst Behler, José A. Benardete, Ermanno Bencivenga, Jan Berg, Michael Bergmann, Robert L. Bernasconi, Sven Bernecker, Bernard Berofsky, Rod Bertolet, Charles J. Beyer, Christian Beyer, Joseph Bien, Joseph Bien, Peg Birmingham, Ivan Boh, James Bohman, Daniel Bonevac, Laurence BonJour, William J. Bouwsma, Raymond D. Bradley, Myles Brand, Richard B. Brandt, Michael E. Bratman, Stephen E. Braude, Daniel Breazeale, Angela Breitenbach, Jason Bridges, David O. Brink, Gordon G. Brittan, Justin Broackes, Dan W. Brock, Aaron Bronfman, Jeffrey E. Brower, Bartosz Brozek, Anthony Brueckner, Jeffrey Bub, Lara Buchak, Otavio Bueno, Ann E. Bumpus, Robert W. Burch, John Burgess, Arthur W. Burks, Panayot Butchvarov, Robert E. Butts, Marina Bykova, Patrick Byrne, David Carr, Noël Carroll, Edward S. Casey, Victor Caston, Victor Caston, Albert Casullo, Robert L. Causey, Alan K. L. Chan, Ruth Chang, Deen K. Chatterjee, Andrew Chignell, Roderick M. Chisholm, Kelly J. Clark, E. J. Coffman, Robin Collins, Brian P. Copenhaver, John Corcoran, John Cottingham, Roger Crisp, Frederick J. Crosson, Antonio S. Cua, Phillip D. Cummins, Martin Curd, Adam Cureton, Andrew Cutrofello, Stephen Darwall, Paul Sheldon Davies, Wayne A. Davis, Timothy Joseph Day, Claudio de Almeida, Mario De Caro, Mario De Caro, John Deigh, C. F. Delaney, Daniel C. Dennett, Michael R. DePaul, Michael Detlefsen, Daniel Trent Devereux, Philip E. Devine, John M. Dillon, Martin C. Dillon, Robert DiSalle, Mary Domski, Alan Donagan, Paul Draper, Fred Dretske, Mircea Dumitru, Wilhelm Dupré, Gerald Dworkin, John Earman, Ellery Eells, Catherine Z. Elgin, Berent Enç, Ronald P. Endicott, Edward Erwin, John Etchemendy, C. Stephen Evans, Susan L. Feagin, Solomon Feferman, Richard Feldman, Arthur Fine, Maurice A. Finocchiaro, William FitzPatrick, Richard E. Flathman, Gvozden Flego, Richard Foley, Graeme Forbes, Rainer Forst, Malcolm R. Forster, Daniel Fouke, Patrick Francken, Samuel Freeman, Elizabeth Fricker, Miranda Fricker, Michael Friedman, Michael Fuerstein, Richard A. Fumerton, Alan Gabbey, Pieranna Garavaso, Daniel Garber, Jorge L. A. Garcia, Robert K. Garcia, Don Garrett, Philip Gasper, Gerald Gaus, Berys Gaut, Bernard Gert, Roger F. Gibson, Cody Gilmore, Carl Ginet, Alan H. Goldman, Alvin I. Goldman, Alfonso Gömez-Lobo, Lenn E. Goodman, Robert M. Gordon, Stefan Gosepath, Jorge J. E. Gracia, Daniel W. Graham, George A. Graham, Peter J. Graham, Richard E. Grandy, I. Grattan-Guinness, John Greco, Philip T. Grier, Nicholas Griffin, Nicholas Griffin, David A. Griffiths, Paul J. Griffiths, Stephen R. Grimm, Charles L. Griswold, Charles B. Guignon, Pete A. Y. Gunter, Dimitri Gutas, Gary Gutting, Paul Guyer, Kwame Gyekye, Oscar A. Haac, Raul Hakli, Raul Hakli, Michael Hallett, Edward C. Halper, Jean Hampton, R. James Hankinson, K. R. Hanley, Russell Hardin, Robert M. Harnish, William Harper, David Harrah, Kevin Hart, Ali Hasan, William Hasker, John Haugeland, Roger Hausheer, William Heald, Peter Heath, Richard Heck, John F. Heil, Vincent F. Hendricks, Stephen Hetherington, Francis Heylighen, Kathleen Marie Higgins, Risto Hilpinen, Harold T. Hodes, Joshua Hoffman, Alan Holland, Robert L. Holmes, Richard Holton, Brad W. Hooker, Terence E. Horgan, Tamara Horowitz, Paul Horwich, Vittorio Hösle, Paul Hoβfeld, Daniel Howard-Snyder, Frances Howard-Snyder, Anne Hudson, Deal W. Hudson, Carl A. Huffman, David L. Hull, Patricia Huntington, Thomas Hurka, Paul Hurley, Rosalind Hursthouse, Guillermo Hurtado, Ronald E. Hustwit, Sarah Hutton, Jonathan Jenkins Ichikawa, Harry A. Ide, David Ingram, Philip J. Ivanhoe, Alfred L. Ivry, Frank Jackson, Dale Jacquette, Joseph Jedwab, Richard Jeffrey, David Alan Johnson, Edward Johnson, Mark D. Jordan, Richard Joyce, Hwa Yol Jung, Robert Hillary Kane, Tomis Kapitan, Jacquelyn Ann K. Kegley, James A. Keller, Ralph Kennedy, Sergei Khoruzhii, Jaegwon Kim, Yersu Kim, Nathan L. King, Patricia Kitcher, Peter D. Klein, E. D. Klemke, Virginia Klenk, George L. Kline, Christian Klotz, Simo Knuuttila, Joseph J. Kockelmans, Konstantin Kolenda, Sebastian Tomasz Kołodziejczyk, Isaac Kramnick, Richard Kraut, Fred Kroon, Manfred Kuehn, Steven T. Kuhn, Henry E. Kyburg, John Lachs, Jennifer Lackey, Stephen E. Lahey, Andrea Lavazza, Thomas H. Leahey, Joo Heung Lee, Keith Lehrer, Dorothy Leland, Noah M. Lemos, Ernest LePore, Sarah-Jane Leslie, Isaac Levi, Andrew Levine, Alan E. Lewis, Daniel E. Little, Shu-hsien Liu, Shu-hsien Liu, Alan K. L. Chan, Brian Loar, Lawrence B. Lombard, John Longeway, Dominic McIver Lopes, Michael J. Loux, E. J. Lowe, Steven Luper, Eugene C. Luschei, William G. Lycan, David Lyons, David Macarthur, Danielle Macbeth, Scott MacDonald, Jacob L. Mackey, Louis H. Mackey, Penelope Mackie, Edward H. Madden, Penelope Maddy, G. B. Madison, Bernd Magnus, Pekka Mäkelä, Rudolf A. Makkreel, David Manley, William E. Mann (W.E.M.), Vladimir Marchenkov, Peter Markie, Jean-Pierre Marquis, Ausonio Marras, Mike W. Martin, A. P. Martinich, William L. McBride, David McCabe, Storrs McCall, Hugh J. McCann, Robert N. McCauley, John J. McDermott, Sarah McGrath, Ralph McInerny, Daniel J. McKaughan, Thomas McKay, Michael McKinsey, Brian P. McLaughlin, Ernan McMullin, Anthonie Meijers, Jack W. Meiland, William Jason Melanson, Alfred R. Mele, Joseph R. Mendola, Christopher Menzel, Michael J. Meyer, Christian B. Miller, David W. Miller, Peter Millican, Robert N. Minor, Phillip Mitsis, James A. Montmarquet, Michael S. Moore, Tim Moore, Benjamin Morison, Donald R. Morrison, Stephen J. Morse, Paul K. Moser, Alexander P. D. Mourelatos, Ian Mueller, James Bernard Murphy, Mark C. Murphy, Steven Nadler, Jan Narveson, Alan Nelson, Jerome Neu, Samuel Newlands, Kai Nielsen, Ilkka Niiniluoto, Carlos G. Noreña, Calvin G. Normore, David Fate Norton, Nikolaj Nottelmann, Donald Nute, David S. Oderberg, Steve Odin, Michael O’Rourke, Willard G. Oxtoby, Heinz Paetzold, George S. Pappas, Anthony J. Parel, Lydia Patton, R. P. Peerenboom, Francis Jeffry Pelletier, Adriaan T. Peperzak, Derk Pereboom, Jaroslav Peregrin, Glen Pettigrove, Philip Pettit, Edmund L. Pincoffs, Andrew Pinsent, Robert B. Pippin, Alvin Plantinga, Louis P. Pojman, Richard H. Popkin, John F. Post, Carl J. Posy, William J. Prior, Richard Purtill, Michael Quante, Philip L. Quinn, Philip L. Quinn, Elizabeth S. Radcliffe, Diana Raffman, Gerard Raulet, Stephen L. Read, Andrews Reath, Andrew Reisner, Nicholas Rescher, Henry S. Richardson, Robert C. Richardson, Thomas Ricketts, Wayne D. Riggs, Mark Roberts, Robert C. Roberts, Luke Robinson, Alexander Rosenberg, Gary Rosenkranz, Bernice Glatzer Rosenthal, Adina L. Roskies, William L. Rowe, T. M. Rudavsky, Michael Ruse, Bruce Russell, Lilly-Marlene Russow, Dan Ryder, R. M. Sainsbury, Joseph Salerno, Nathan Salmon, Wesley C. Salmon, Constantine Sandis, David H. Sanford, Marco Santambrogio, David Sapire, Ruth A. Saunders, Geoffrey Sayre-McCord, Charles Sayward, James P. Scanlan, Richard Schacht, Tamar Schapiro, Frederick F. Schmitt, Jerome B. Schneewind, Calvin O. Schrag, Alan D. Schrift, George F. Schumm, Jean-Loup Seban, David N. Sedley, Kenneth Seeskin, Krister Segerberg, Charlene Haddock Seigfried, Dennis M. Senchuk, James F. Sennett, William Lad Sessions, Stewart Shapiro, Tommie Shelby, Donald W. Sherburne, Christopher Shields, Roger A. Shiner, Sydney Shoemaker, Robert K. Shope, Kwong-loi Shun, Wilfried Sieg, A. John Simmons, Robert L. Simon, Marcus G. Singer, Georgette Sinkler, Walter Sinnott-Armstrong, Matti T. Sintonen, Lawrence Sklar, Brian Skyrms, Robert C. Sleigh, Michael Anthony Slote, Hans Sluga, Barry Smith, Michael Smith, Robin Smith, Robert Sokolowski, Robert C. Solomon, Marta Soniewicka, Philip Soper, Ernest Sosa, Nicholas Southwood, Paul Vincent Spade, T. L. S. Sprigge, Eric O. Springsted, George J. Stack, Rebecca Stangl, Jason Stanley, Florian Steinberger, Sören Stenlund, Christopher Stephens, James P. Sterba, Josef Stern, Matthias Steup, M. A. Stewart, Leopold Stubenberg, Edith Dudley Sulla, Frederick Suppe, Jere Paul Surber, David George Sussman, Sigrún Svavarsdóttir, Zeno G. Swijtink, Richard Swinburne, Charles C. Taliaferro, Robert B. Talisse, John Tasioulas, Paul Teller, Larry S. Temkin, Mark Textor, H. S. Thayer, Peter Thielke, Alan Thomas, Amie L. Thomasson, Katherine Thomson-Jones, Joshua C. Thurow, Vzalerie Tiberius, Terrence N. Tice, Paul Tidman, Mark C. Timmons, William Tolhurst, James E. Tomberlin, Rosemarie Tong, Lawrence Torcello, Kelly Trogdon, J. D. Trout, Robert E. Tully, Raimo Tuomela, John Turri, Martin M. Tweedale, Thomas Uebel, Jennifer Uleman, James Van Cleve, Harry van der Linden, Peter van Inwagen, Bryan W. Van Norden, René van Woudenberg, Donald Phillip Verene, Samantha Vice, Thomas Vinci, Donald Wayne Viney, Barbara Von Eckardt, Peter B. M. Vranas, Steven J. Wagner, William J. Wainwright, Paul E. Walker, Robert E. Wall, Craig Walton, Douglas Walton, Eric Watkins, Richard A. Watson, Michael V. Wedin, Rudolph H. Weingartner, Paul Weirich, Paul J. Weithman, Carl Wellman, Howard Wettstein, Samuel C. Wheeler, Stephen A. White, Jennifer Whiting, Edward R. Wierenga, Michael Williams, Fred Wilson, W. Kent Wilson, Kenneth P. Winkler, John F. Wippel, Jan Woleński, Allan B. Wolter, Nicholas P. Wolterstorff, Rega Wood, W. Jay Wood, Paul Woodruff, Alison Wylie, Gideon Yaffe, Takashi Yagisawa, Yutaka Yamamoto, Keith E. Yandell, Xiaomei Yang, Dean Zimmerman, Günter Zoller, Catherine Zuckert, Michael Zuckert, Jack A. Zupko (J.A.Z.)
- Edited by Robert Audi, University of Notre Dame, Indiana
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- The Cambridge Dictionary of Philosophy
- Published online:
- 05 August 2015
- Print publication:
- 27 April 2015, pp ix-xxx
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Finiteness Properties of Some Groups of Local Similarities
- Part of
- Daniel S. Farley, Bruce Hughes
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- Proceedings of the Edinburgh Mathematical Society / Volume 58 / Issue 2 / June 2015
- Published online by Cambridge University Press:
- 10 April 2015, pp. 379-402
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Hughes has defined a class of groups that we call finite similarity structure (FSS) groups. Each FSS group acts on a compact ultrametric space by local similarities. The best-known example is Thompson’s group V. Guided by previous work on Thompson’s group, we show that many FSS groups are of type F∞. This generalizes work of Ken Brown from the 1980s.
People interviewed
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- By Masood Ahmed, Mark Allen, Thomas Bernes, Gordon Betcherman, Jack Boorman, David Booth, Hugh Bredenkamp, Ariel Buira, Michel Camdessus, Rob Chase, Jeff Chelsky, Jean-Jacques Dethier, Ruth Driscoll, Ariel Fiszbein, David Goldsbrough, Eduardo Gonzalez, Jo Marie Griesgraber, Kjetil Hansen, Robert Holzmann, Emmanuel Jiminez, Homi Kharas, Willy Kiekens, Hetty Kovach, Johannes Linn, Meg Lundsager, Abbas Mirakhor, Alexandros Mourmouras, Tom Neylan, Marjolaine Nicod, Mark Plant, Jacques Polak, Jeff Powell, Bruce Rich, Rick Rowden, Tom Scholar, Sunil Sharma, Ted Truman, Lisa Williams, Felix Zimmerman
- Jacqueline Best, University of Ottawa
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- Book:
- Governing Failure
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- 05 January 2014
- Print publication:
- 09 January 2014, pp 263-265
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6 - Informed learning in online environments: supporting the higher education curriculum beyond Web 2.0
- from PART 1 - RECENT DEVELOPMENTS IN INFORMATION LITERACY AND LIBRARY 2.0
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- By Hilary Hughes, Queensland University of Technology (QUT), Christine Bruce, Queensland University of Technology (QUT)
- Edited by Peter Godwin, Jo Parker
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- Book:
- Information Literacy Beyond Library 2.0
- Published by:
- Facet
- Published online:
- 09 June 2018
- Print publication:
- 23 March 2012, pp 65-80
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Summary
Introduction
As boundaries between physical and online learning spaces become increasingly blurred in higher education (HE), how can students gain the full benefit of Web 2.0 social media and mobile technologies for learning? How can we, as information professionals and educators, best support the information literacy (IL) learning needs of students who are universally mobile and Google focused? This chapter presents informed learning as a pedagogical construct with potential to support learning across the HE curriculum, for Web 2.0 and beyond.
Informed learning (Bruce, 2008) responds flexibly to the dynamic information-learning environment of HE, embracing the opportunities of learning and teaching with new and emerging media. It supports a holistic learning approach whereby students consciously engage in a process of using information to learn specific content or practices. By promoting enquiry and problem solving, and the adoption of discipline- or context-specific knowledge and practices, it enables learners to develop the flexibility and confidence to use information in constantly evolving information environments. In this way, informed learning shifts the focus of IL education from mastering information skills to using information critically, ethically and creatively to learn within the wider context of students’ disciplinary learning.
After outlining the principles of informed learning and how they may enrich the HE curriculum, we explain the role of library and information professionals in promoting informed learning for Web 2.0 and beyond. Then, by way of illustration, we describe recent experience at an American university where librarians simultaneously learned about and applied informed learning principles in reshaping the IL programme.
Informed learning for the online-intensive HE information-learning environment
The contemporary HE information-learning environment is online intensive and dispersed. Learners and educators are culturally and socially diverse and often physically remote from their institution's home campus. They have access to an ever-widening range of Web 2.0 resources from myriad international and local sources, way beyond the controlled environs of their institution's learning management systems (LMS) such as Blackboard and Moodle. Since Web 2.0 media are in a constant flux of evolution and extinction, students need to develop the confidence and flexibility to take the changes in their stride. However, while contemporary learners (of all ages) are increasingly IT savvy, they tend to demonstrate quite limited critical and strategic approaches and tend to rely on familiar, popular tools such as Google (Head and Eisenberg, 2010; Hughes, 2009; Lorenzo and Dziuban, 2006).
Contributors
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- By Rose Teteki Abbey, K. C. Abraham, David Tuesday Adamo, LeRoy H. Aden, Efrain Agosto, Victor Aguilan, Gillian T. W. Ahlgren, Charanjit Kaur AjitSingh, Dorothy B E A Akoto, Giuseppe Alberigo, Daniel E. Albrecht, Ruth Albrecht, Daniel O. Aleshire, Urs Altermatt, Anand Amaladass, Michael Amaladoss, James N. Amanze, Lesley G. Anderson, Thomas C. Anderson, Victor Anderson, Hope S. Antone, María Pilar Aquino, Paula Arai, Victorio Araya Guillén, S. Wesley Ariarajah, Ellen T. Armour, Brett Gregory Armstrong, Atsuhiro Asano, Naim Stifan Ateek, Mahmoud Ayoub, John Alembillah Azumah, Mercedes L. García Bachmann, Irena Backus, J. Wayne Baker, Mieke Bal, Lewis V. Baldwin, William Barbieri, António Barbosa da Silva, David Basinger, Bolaji Olukemi Bateye, Oswald Bayer, Daniel H. Bays, Rosalie Beck, Nancy Elizabeth Bedford, Guy-Thomas Bedouelle, Chorbishop Seely Beggiani, Wolfgang Behringer, Christopher M. Bellitto, Byard Bennett, Harold V. Bennett, Teresa Berger, Miguel A. Bernad, Henley Bernard, Alan E. Bernstein, Jon L. Berquist, Johannes Beutler, Ana María Bidegain, Matthew P. Binkewicz, Jennifer Bird, Joseph Blenkinsopp, Dmytro Bondarenko, Paulo Bonfatti, Riet en Pim Bons-Storm, Jessica A. Boon, Marcus J. Borg, Mark Bosco, Peter C. Bouteneff, François Bovon, William D. Bowman, Paul S. Boyer, David Brakke, Richard E. Brantley, Marcus Braybrooke, Ian Breward, Ênio José da Costa Brito, Jewel Spears Brooker, Johannes Brosseder, Nicholas Canfield Read Brown, Robert F. Brown, Pamela K. Brubaker, Walter Brueggemann, Bishop Colin O. Buchanan, Stanley M. Burgess, Amy Nelson Burnett, J. Patout Burns, David B. Burrell, David Buttrick, James P. Byrd, Lavinia Byrne, Gerado Caetano, Marcos Caldas, Alkiviadis Calivas, William J. Callahan, Salvatore Calomino, Euan K. Cameron, William S. Campbell, Marcelo Ayres Camurça, Daniel F. Caner, Paul E. Capetz, Carlos F. Cardoza-Orlandi, Patrick W. Carey, Barbara Carvill, Hal Cauthron, Subhadra Mitra Channa, Mark D. Chapman, James H. Charlesworth, Kenneth R. Chase, Chen Zemin, Luciano Chianeque, Philip Chia Phin Yin, Francisca H. Chimhanda, Daniel Chiquete, John T. Chirban, Soobin Choi, Robert Choquette, Mita Choudhury, Gerald Christianson, John Chryssavgis, Sejong Chun, Esther Chung-Kim, Charles M. A. Clark, Elizabeth A. Clark, Sathianathan Clarke, Fred Cloud, John B. Cobb, W. Owen Cole, John A Coleman, John J. Collins, Sylvia Collins-Mayo, Paul K. Conkin, Beth A. Conklin, Sean Connolly, Demetrios J. Constantelos, Michael A. Conway, Paula M. Cooey, Austin Cooper, Michael L. Cooper-White, Pamela Cooper-White, L. William Countryman, Sérgio Coutinho, Pamela Couture, Shannon Craigo-Snell, James L. Crenshaw, David Crowner, Humberto Horacio Cucchetti, Lawrence S. Cunningham, Elizabeth Mason Currier, Emmanuel Cutrone, Mary L. Daniel, David D. Daniels, Robert Darden, Rolf Darge, Isaiah Dau, Jeffry C. Davis, Jane Dawson, Valentin Dedji, John W. de Gruchy, Paul DeHart, Wendy J. Deichmann Edwards, Miguel A. De La Torre, George E. Demacopoulos, Thomas de Mayo, Leah DeVun, Beatriz de Vasconcellos Dias, Dennis C. Dickerson, John M. Dillon, Luis Miguel Donatello, Igor Dorfmann-Lazarev, Susanna Drake, Jonathan A. Draper, N. Dreher Martin, Otto Dreydoppel, Angelyn Dries, A. J. Droge, Francis X. D'Sa, Marilyn Dunn, Nicole Wilkinson Duran, Rifaat Ebied, Mark J. Edwards, William H. Edwards, Leonard H. Ehrlich, Nancy L. Eiesland, Martin Elbel, J. Harold Ellens, Stephen Ellingson, Marvin M. Ellison, Robert Ellsberg, Jean Bethke Elshtain, Eldon Jay Epp, Peter C. Erb, Tassilo Erhardt, Maria Erling, Noel Leo Erskine, Gillian R. Evans, Virginia Fabella, Michael A. Fahey, Edward Farley, Margaret A. Farley, Wendy Farley, Robert Fastiggi, Seena Fazel, Duncan S. Ferguson, Helwar Figueroa, Paul Corby Finney, Kyriaki Karidoyanes FitzGerald, Thomas E. FitzGerald, John R. Fitzmier, Marie Therese Flanagan, Sabina Flanagan, Claude Flipo, Ronald B. Flowers, Carole Fontaine, David Ford, Mary Ford, Stephanie A. Ford, Jim Forest, William Franke, Robert M. Franklin, Ruth Franzén, Edward H. Friedman, Samuel Frouisou, Lorelei F. Fuchs, Jojo M. Fung, Inger Furseth, Richard R. Gaillardetz, Brandon Gallaher, China Galland, Mark Galli, Ismael García, Tharscisse Gatwa, Jean-Marie Gaudeul, Luis María Gavilanes del Castillo, Pavel L. Gavrilyuk, Volney P. Gay, Metropolitan Athanasios Geevargis, Kondothra M. George, Mary Gerhart, Simon Gikandi, Maurice Gilbert, Michael J. Gillgannon, Verónica Giménez Beliveau, Terryl Givens, Beth Glazier-McDonald, Philip Gleason, Menghun Goh, Brian Golding, Bishop Hilario M. Gomez, Michelle A. Gonzalez, Donald K. Gorrell, Roy Gottfried, Tamara Grdzelidze, Joel B. Green, Niels Henrik Gregersen, Cristina Grenholm, Herbert Griffiths, Eric W. Gritsch, Erich S. Gruen, Christoffer H. Grundmann, Paul H. Gundani, Jon P. Gunnemann, Petre Guran, Vidar L. Haanes, Jeremiah M. Hackett, Getatchew Haile, Douglas John Hall, Nicholas Hammond, Daphne Hampson, Jehu J. Hanciles, Barry Hankins, Jennifer Haraguchi, Stanley S. Harakas, Anthony John Harding, Conrad L. Harkins, J. William Harmless, Marjory Harper, Amir Harrak, Joel F. Harrington, Mark W. Harris, Susan Ashbrook Harvey, Van A. Harvey, R. Chris Hassel, Jione Havea, Daniel Hawk, Diana L. Hayes, Leslie Hayes, Priscilla Hayner, S. Mark Heim, Simo Heininen, Richard P. Heitzenrater, Eila Helander, David Hempton, Scott H. Hendrix, Jan-Olav Henriksen, Gina Hens-Piazza, Carter Heyward, Nicholas J. Higham, David Hilliard, Norman A. Hjelm, Peter C. Hodgson, Arthur Holder, M. Jan Holton, Dwight N. Hopkins, Ronnie Po-chia Hsia, Po-Ho Huang, James Hudnut-Beumler, Jennifer S. Hughes, Leonard M. Hummel, Mary E. Hunt, Laennec Hurbon, Mark Hutchinson, Susan E. Hylen, Mary Beth Ingham, H. Larry Ingle, Dale T. Irvin, Jon Isaak, Paul John Isaak, Ada María Isasi-Díaz, Hans Raun Iversen, Margaret C. Jacob, Arthur James, Maria Jansdotter-Samuelsson, David Jasper, Werner G. Jeanrond, Renée Jeffery, David Lyle Jeffrey, Theodore W. Jennings, David H. Jensen, Robin Margaret Jensen, David Jobling, Dale A. Johnson, Elizabeth A. Johnson, Maxwell E. Johnson, Sarah Johnson, Mark D. Johnston, F. Stanley Jones, James William Jones, John R. Jones, Alissa Jones Nelson, Inge Jonsson, Jan Joosten, Elizabeth Judd, Mulambya Peggy Kabonde, Robert Kaggwa, Sylvester Kahakwa, Isaac Kalimi, Ogbu U. Kalu, Eunice Kamaara, Wayne C. Kannaday, Musimbi Kanyoro, Veli-Matti Kärkkäinen, Frank Kaufmann, Léon Nguapitshi Kayongo, Richard Kearney, Alice A. Keefe, Ralph Keen, Catherine Keller, Anthony J. Kelly, Karen Kennelly, Kathi Lynn Kern, Fergus Kerr, Edward Kessler, George Kilcourse, Heup Young Kim, Kim Sung-Hae, Kim Yong-Bock, Kim Yung Suk, Richard King, Thomas M. King, Robert M. Kingdon, Ross Kinsler, Hans G. Kippenberg, Cheryl A. 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Nicholson, George W. E. Nickelsburg, Tatyana Nikolskaya, Damayanthi M. A. Niles, Bertil Nilsson, Nyambura Njoroge, Fidelis Nkomazana, Mary Beth Norton, Christian Nottmeier, Sonene Nyawo, Anthère Nzabatsinda, Edward T. Oakes, Gerald O'Collins, Daniel O'Connell, David W. Odell-Scott, Mercy Amba Oduyoye, Kathleen O'Grady, Oyeronke Olajubu, Thomas O'Loughlin, Dennis T. Olson, J. Steven O'Malley, Cephas N. Omenyo, Muriel Orevillo-Montenegro, César Augusto Ornellas Ramos, Agbonkhianmeghe E. Orobator, Kenan B. Osborne, Carolyn Osiek, Javier Otaola Montagne, Douglas F. Ottati, Anna May Say Pa, Irina Paert, Jerry G. Pankhurst, Aristotle Papanikolaou, Samuele F. Pardini, Stefano Parenti, Peter Paris, Sung Bae Park, Cristián G. Parker, Raquel Pastor, Joseph Pathrapankal, Daniel Patte, W. Brown Patterson, Clive Pearson, Keith F. Pecklers, Nancy Cardoso Pereira, David Horace Perkins, Pheme Perkins, Edward N. Peters, Rebecca Todd Peters, Bishop Yeznik Petrossian, Raymond Pfister, Peter C. Phan, Isabel Apawo Phiri, William S. F. Pickering, Derrick G. Pitard, William Elvis Plata, Zlatko Plese, John Plummer, James Newton Poling, Ronald Popivchak, Andrew Porter, Ute Possekel, James M. Powell, Enos Das Pradhan, Devadasan Premnath, Jaime Adrían Prieto Valladares, Anne Primavesi, Randall Prior, María Alicia Puente Lutteroth, Eduardo Guzmão Quadros, Albert Rabil, Laurent William Ramambason, Apolonio M. Ranche, Vololona Randriamanantena Andriamitandrina, Lawrence R. Rast, Paul L. Redditt, Adele Reinhartz, Rolf Rendtorff, Pål Repstad, James N. Rhodes, John K. Riches, Joerg Rieger, Sharon H. Ringe, Sandra Rios, Tyler Roberts, David M. Robinson, James M. Robinson, Joanne Maguire Robinson, Richard A. H. Robinson, Roy R. Robson, Jack B. Rogers, Maria Roginska, Sidney Rooy, Rev. Garnett Roper, Maria José Fontelas Rosado-Nunes, Andrew C. Ross, Stefan Rossbach, François Rossier, John D. Roth, John K. Roth, Phillip Rothwell, Richard E. Rubenstein, Rosemary Radford Ruether, Markku Ruotsila, John E. Rybolt, Risto Saarinen, John Saillant, Juan Sanchez, Wagner Lopes Sanchez, Hugo N. Santos, Gerhard Sauter, Gloria L. Schaab, Sandra M. Schneiders, Quentin J. Schultze, Fernando F. Segovia, Turid Karlsen Seim, Carsten Selch Jensen, Alan P. F. Sell, Frank C. Senn, Kent Davis Sensenig, Damían Setton, Bal Krishna Sharma, Carolyn J. Sharp, Thomas Sheehan, N. Gerald Shenk, Christian Sheppard, Charles Sherlock, Tabona Shoko, Walter B. Shurden, Marguerite Shuster, B. Mark Sietsema, Batara Sihombing, Neil Silberman, Clodomiro Siller, Samuel Silva-Gotay, Heikki Silvet, John K. Simmons, Hagith Sivan, James C. Skedros, Abraham Smith, Ashley A. Smith, Ted A. Smith, Daud Soesilo, Pia Søltoft, Choan-Seng (C. S.) Song, Kathryn Spink, Bryan Spinks, Eric O. Springsted, Nicolas Standaert, Brian Stanley, Glen H. Stassen, Karel Steenbrink, Stephen J. Stein, Andrea Sterk, Gregory E. Sterling, Columba Stewart, Jacques Stewart, Robert B. Stewart, Cynthia Stokes Brown, Ken Stone, Anne Stott, Elizabeth Stuart, Monya Stubbs, Marjorie Hewitt Suchocki, David Kwang-sun Suh, Scott W. Sunquist, Keith Suter, Douglas Sweeney, Charles H. Talbert, Shawqi N. Talia, Elsa Tamez, Joseph B. Tamney, Jonathan Y. Tan, Yak-Hwee Tan, Kathryn Tanner, Feiya Tao, Elizabeth S. Tapia, Aquiline Tarimo, Claire Taylor, Mark Lewis Taylor, Bishop Abba Samuel Wolde Tekestebirhan, Eugene TeSelle, M. Thomas Thangaraj, David R. Thomas, Andrew Thornley, Scott Thumma, Marcelo Timotheo da Costa, George E. “Tink” Tinker, Ola Tjørhom, Karen Jo Torjesen, Iain R. Torrance, Fernando Torres-Londoño, Archbishop Demetrios [Trakatellis], Marit Trelstad, Christine Trevett, Phyllis Trible, Johannes Tromp, Paul Turner, Robert G. Tuttle, Archbishop Desmond Tutu, Peter Tyler, Anders Tyrberg, Justin Ukpong, Javier Ulloa, Camillus Umoh, Kristi Upson-Saia, Martina Urban, Monica Uribe, Elochukwu Eugene Uzukwu, Richard Vaggione, Gabriel Vahanian, Paul Valliere, T. J. 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Yee, Viktor Yelensky, Yeo Khiok-Khng, Gustav K. K. Yeung, Angela Yiu, Amos Yong, Yong Ting Jin, You Bin, Youhanna Nessim Youssef, Eliana Yunes, Robert Michael Zaller, Valarie H. Ziegler, Barbara Brown Zikmund, Joyce Ann Zimmerman, Aurora Zlotnik, Zhuo Xinping
- Edited by Daniel Patte, Vanderbilt University, Tennessee
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- The Cambridge Dictionary of Christianity
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- 05 August 2012
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- 20 September 2010, pp xi-xliv
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Proletarians by Fiat: The Compulsory Ural Metallurgical Work Force, 1630–1861
- Hugh D. Hudson, Jr, Bruce J. DeHart, David M. Griffiths
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- Journal:
- International Labor and Working-Class History / Volume 48 / Fall 1995
- Published online by Cambridge University Press:
- 16 December 2008, pp. 94-111
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Buried within the bowels of Russia's Ural Mountains, some sixteen hundred kilometers east of Moscow, lay huge deposits of the invaluable raw material iron. If exploitedon a large scale, they would provide the Russian state with one of the chief ingredients of an early industrial economy. A prospering iron industry, in its turn, would expand immeasurably Russia's hitherto-limited war-making capacity—no small consideration in the early eighteenth century, an age in which war-making was still deemed the major function of the ambitious ruler. Appropriately, no Russian was more alert to the potential of Ural iron than Peter I, whose reign of some thirty-five years (1689–1725) would be distinguished by only one year completely free of war.
Effects of n-3 fatty acids on cartilage metabolism
- Clare L. Curtis, Sarah G. Rees, Joanna Cramp, Carl R. Flannery, Clare E. Hughes, Chris B. Little, Rhys Williams, Chris Wilson, Colin M. Dent, John L. Harwood, Bruce Caterson
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- Journal:
- Proceedings of the Nutrition Society / Volume 61 / Issue 3 / August 2002
- Published online by Cambridge University Press:
- 28 July 2008, pp. 381-389
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Although the clinical benefits of dietary supplementation with n-3 polyunsaturated fatty acids (PUFA) has been recognised for a number of years, the molecular mechanisms by which particular PUFA affect metabolism of cells within the synovial joint tissues are not understood. This study set out to investigate how n-3 PUFA and other classes of fatty acids affect both degradative and inflammatory aspects of metabolism of articular cartilage chondrocytes using an in vitro model of cartilage degradation. Using well-established culture models, cartilage explants from normal bovine and human osteoarthritic cartilage were supplemented with either n-3 or n-6 PUFA, and cultures were subsequently treated with interleukin 1 to initiate catabolic processes that mimic cartilage degradation in arthritis. Results show that supplementation specifically with n-3 PUFA, but not n-6 PUFA, causes a decrease in both degradative and inflammatory aspects of chondrocyte metabolism, whilst having no effect on the normal tissue homeostasis. Collectively, our data provide evidence supporting dietary supplementation of n-3 PUFA, which in turn may have a beneficial effect of slowing and reducing inflammation in the pathogenesis of degenerative joint diseases in man.
Effects of n-3 fatty acids on cartilage metabolism
- Clare L. Curtis, Sarah G. Rees, Joanna Cramp, Carl R. Flannery, Clare E. Hughes, Chris B. Little, Rhys Williams, Chris Wilson, Colin M. Dent, John L. Harwood, Bruce Caterson
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- Journal:
- Proceedings of the Nutrition Society / Volume 65 / Issue 4 / November 2006
- Published online by Cambridge University Press:
- 21 March 2007, p. 434
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Invited Paper D Industry perspective regarding outcomes research in oncology
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- By Kati Copley-Merriman, M.S., M.B.A., Senior Director/Site Leader Pfizer Inc., Joseph Jackson, Ph.D., Group Director Bristol-Myers Squibb, J. Gregory Boyer, Ph.D., Assistant Executive Director Pharmacia Corp, Joseph C. Cappelleri, Ph.D., Director, Biostatistics Pfizer Inc., Robert DeMarinis, Ph.D., Assistant Vice President Wyeth-Ayerst Research, Joseph DiCesare, M.P.H., R.Ph., Executive Director Novartis Pharmaceuticals Corp., M. Haim Erder, Ph.D., Director Amgen Inc., Jean Paul Gagnon, Ph.D., Director Aventis Pharmaceuticals Inc., Lou Garrison, Ph.D., Vice President and Head F. Hoffman-La Roche AG, Kathleen Gondek, Ph.D., Director Bayer Corp., Kim A. Heithoff, Ph.D., Director Schering-Plough Pharmaceuticals, Tom Hughes, Ph.D., Director Eli Lilly and Company, David Miller, Ph.D., Vice President GlaxoSmithKline, Margaret Rothman, Ph.D., Executive Director Johnson & Johnson Pharmaceutical Services, LLC, Nancy Santanello, M.D., M.S., Executive Director Merck Research Laboratories, Richard Willke, Ph.D., Senior Director/Group Leader Pharmacia Corp, Bruce Wong, M.D., Vice President Bristol-Myers Squibb
- Edited by Joseph Lipscomb, National Cancer Institute, Bethesda, Maryland, Carolyn C. Gotay, Claire Snyder, National Cancer Institute, Bethesda, Maryland
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- Outcomes Assessment in Cancer
- Published online:
- 18 December 2009
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- 23 December 2004, pp 623-638
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Summary
Introduction
The goal of treatment for many persons with cancer is not cure but improvement or maintenance of functioning and well-being during their remaining period of life. This is particularly true for patients with advanced or metastatic cancers. Trials to produce evidence of effectiveness or for regulatory approval may include patient assessments of benefit as well as classical clinical endpoints used in oncology settings. These patient assessments of treatment benefit may or may not be related to the traditional measures of treatment success such as survival, tumor shrinkage, or time to tumor progression. For this reason, additional outcome measures to estimate benefit or risk/benefit trade-offs have been developed. Outcomes measures in this category of health assessment are referred to as patient-reported outcomes (PROs) because they are used to collect data directly from the patient.
It is increasingly recognized that the patient's perspective is unique and represents a valuable contribution to drug evaluation and treatment processes. This is particularly important when studying the effects of treatments on cancer symptoms such as pain and fatigue, outcomes not accurately measured by observers. Recent changes in the health care system have greatly empowered patients who are now considered partners rather than passive consumers. To maximize their contribution, they need to be informed about the outcomes associated with treatment. Patients are not always concerned with the same questions as treating physicians or clinical researchers.
NEIGHBORHOODS OF STRATA IN MANIFOLD STRATIFIED SPACES
- BRUCE HUGHES
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- Journal:
- Glasgow Mathematical Journal / Volume 46 / Issue 1 / January 2004
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- 15 January 2004, pp. 1-28
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- January 2004
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Strata in manifold stratified spaces are shown to have neighborhoods that are teardrops of manifold stratified approximate fibrations (under dimension and compactness assumptions). This is the best possible version of the tubular neighborhood theorem for strata in the topological setting. Applications are given to replacement of singularities, to the structure of neighborhoods of points in manifold stratified spaces, and to spaces of manifold stratified approximate fibrations.
Grotesque prejudices
- Hector Berlioz
- Edited by Alastair Bruce
- Introduction by Hugh Macdonald
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- Book:
- The Musical Madhouse
- Published by:
- Boydell & Brewer
- Published online:
- 21 March 2023
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- 01 June 2003, pp 135-140
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Summary
The utterances of prejudice are far grosser and stupider here in Paris than anywhere else—it would hold sway over every aspect of the art of music if it had its insolent way. Quite apart from what it has to say about harmony, melody and rhythm, one of its more outrageous assertions would have you believe there is only one possible form for texts intended for singing—that it is quite impossible to sing prose, and alexandrine verses are worst of all to set to music. Indeed some people maintain that all verse meant for singing should be, without exception, what is called “metrical” verse, that is to say verses with a uniform scansion all the way through, each one with the same number of long and short syllables in the same place.
As for setting prose to music, nothing could be easier; it’s just a matter of knowing what prose to set. The great masses and oratorios, the masterpieces of religious music, were written by Handel, Haydn, Bach and Mozart to prose texts in English, German and Latin. “Yes,” comes the answer, “it can be done in Latin or German or English, but not in French.” These days, if something isn’t done, people always say it can’t be done. It’s not even true that it isn’t done; there is music written to prose texts in French, and there’d be a whole lot more if you cared to look. Every day, in the bestknown operas, you can hear passages where the librettist’s verses have been changed around by the composer, chopped up, mangled and jumbled by repeating some words and even inserting others, so that the verse has in fact become prose, prose which matches and fits the composer’s intentions better than the recalcitrant verse.
Yet it can be sung without difficulty, and the piece is no less beautiful in musical terms; for melody makes a mockery of your pretensions to steer and sustain it through literary forms prescribed by anyone other than the composer.
A librettist once roundly criticised the verse text used for a new opera to me:
“What rhythms!” he said. “What a muddle! It might as well be prose. Here a long line, there a short line, no regularity in the placing of accents, long and short syllables scattered at random.
The right to play a symphony in the wrong key
- Hector Berlioz
- Edited by Alastair Bruce
- Introduction by Hugh Macdonald
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- Book:
- The Musical Madhouse
- Published by:
- Boydell & Brewer
- Published online:
- 21 March 2023
- Print publication:
- 01 June 2003, pp 11-11
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Summary
At the time when I was just beginning to glimpse the power of our great but ill-treated art, after eight or ten years of study, a student I knew was asked by the members of an amateur Philharmonic Society, recently established in the Prado building, to invite me to conduct them. I had by then conducted only one musical performance, that of my first Mass in the church of St.-Eustache. I was extremely wary of these amateurs: their orchestra was bound to be frightful, and so it proved. All the same, the idea of getting some practice directing instrumental forces by trying it out like this with very little to lose made up my mind, and I accepted.
Rehearsal day arrived, and I presented myself at the Prado, where I found about sixty players tuning up with that grating noise peculiar to amateur orchestras. What were we to play? A symphony in D by Gyrowetz. I don’t suppose any boilermaker or rabbit-skin dealer or Roman grocer or Neapolitan barber ever dreamed of such platitudes. But I resigned myself, and we began. I heard an appalling discord from the clarinets. I stopped the orchestra and addressed the clarinettists:
“You’ve obviously got your pieces mixed up, gentlemen; we’re playing in D and you were in F!”
“No, Monsieur, we definitely have the correct symphony!”
“All right, let’s begin again.”
Again the discord, again we stop.
“That can’t be right; pass me your part.”
The clarinet part was handed to me.
“Ah! That explains the racket. Your part is written in F all right, but for clarinets in A, so your written F actually sounds D. You have the wrong instruments.”
“But, Monsieur, we only have clarinets in C.”
“Very well then, transpose down a third.”
“We don’t know how to transpose.”
“In that case, for heaven’s sake, keep quiet!”
“Not on your life! We’re members of the Society, and we’ve as much right to play as all the others.”
At these incredible words I dropped my baton and fled as if possessed by the devil, and never heard another word from those “philharmonists”.
The season—The bugbears’ club
- Hector Berlioz
- Edited by Alastair Bruce
- Introduction by Hugh Macdonald
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- Book:
- The Musical Madhouse
- Published by:
- Boydell & Brewer
- Published online:
- 21 March 2023
- Print publication:
- 01 June 2003, pp 69-75
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Summary
There’s a certain time of year when music of all kinds is rife in the great cities, especially Paris and London, when walls are covered with concert notices and foreign virtuosi flock in from every corner of Europe to compete with each other and with local performers. These new-style advocates fall upon the unfortunate public and violently demand its verdict in their favour—they would willingly pay, not just to gain its backing for themselves, but to deny it to their rivals. But audiences, like witnesses, do not come cheap, and are not just to be had for the asking.
This terrible time is known in the jargon of the music profession as “the season”.
The season! It explains and justifies all sorts of things that I’d like to call mythical, but which are only too true.
Critics find themselves assailed by people in a hurry who have come from far away to make their reputations in the big city, and who, wishing to succeed quickly, try to bribe them with Dutch cheeses.
It’s the season!
Five or six concerts are given every day, all at the same time, and their organisers are outraged to find the poor critics absent from some of them! So they write inquisitorial letters, full of spite and indignation, to the absentees.
It’s the season!
An unbelievable number of people, considered in their own part of the world to possess some talent, come to prove that outside it they have none, or only that of making a cheerful audience solemn and a solemn one cheerful.
It’s the season!
Among this great mass of musicians, men and women, treading on each other’s toes, elbowing and jostling and sometimes even treacherously tripping up their rivals, one can still be lucky enough to discern some fully grown talents which tower above the host of mediocrities like palm-trees over tropical forests. Thanks to these exceptional artists, some truly fine music-making can be heard from time to time, a consolation for all the other horrors one has to put up with.
It’s the season!
But once this time of year is over, you may fall prey to burning thirst after long abstinence and yearn desperately for a cup of pure harmony: impossible.
Contents
- Hector Berlioz
- Edited by Alastair Bruce
- Introduction by Hugh Macdonald
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- Book:
- The Musical Madhouse
- Published by:
- Boydell & Brewer
- Published online:
- 21 March 2023
- Print publication:
- 01 June 2003, pp vii-x
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The Musical Madhouse
- Hector Berlioz
- Edited by Alastair Bruce
- Introduction by Hugh Macdonald
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- Book:
- The Musical Madhouse
- Published by:
- Boydell & Brewer
- Published online:
- 21 March 2023
- Print publication:
- 01 June 2003, pp 9-10
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Summary
Of all the arts, music undeniably gives rise to the strangest passions and the most absurd ambitions, not to speak of the most singular lunacies. Among the unfortunates locked up in mental hospitals, those who think they’re Neptune or Jupiter are easily recognised as lunatics; but there are many others enjoying complete freedom, whose parents have never dreamed of resorting to psychiatric treatment for them, yet who are obviously mad. Music has thrown their minds out of gear.
I’ll restrain myself from speaking of those men of letters who write, in verse or prose, about matters of musical theory of which they lack the most elementary knowledge, using words whose meaning they don’t understand; who deliberately work themselves up about ancient masters of whose music they’ve never heard a note; who generously attribute to them melodic and expressive ideas they never had, since melody and expression didn’t even exist when they were alive; who admire indiscriminately, and with the same effusiveness, two pieces signed with the same name, of which one is indeed fine, while the other is absurd; in short, who speak and write all the extraordinary nonsense which no musician can hear without laughing. It’s generally accepted that music is a universal art, which anyone may speak and write about: it’s “accessible to all”.
And yet, between ourselves, that phrase may beg the question. For music is both an art and a science; to comprehend it fully requires long, hard study; to feel the emotions it can produce, you need a cultivated mind and a practised sense of hearing; and to judge the merit of musical works, you must also possess a well-stocked memory so as to be able to make comparisons—indeed you must know all sorts of things which inevitably you can get to know only by learning them. So it’s plain that people who permit themselves to pontificate about music without understanding it, although they would shrink from giving their opinions on architecture or sculpture or any other art that’s foreign to them, are in a state of madness. They think they’re musicians, just as the lunatics I mentioned earlier think they’re Neptune or Jupiter. There’s not the slightest difference.
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