art

(21) rss icon
Cover Artwork: Cathy Freeman

In the February 26 edition of Muses – the arts blog from BJPsych International – Dr Tim McInerny, Pictures Editor, BJPsych International, introduces Cathy Freeman, the artist whose work is on the cover of the February 2026 edition of BJPsych International.

Read more

Reach Out to Venus

We kick off 2026 with an artist’s statement and original art by frequent contributor Dr Lakshmi Sravanti. Like her previous contributions, she presents conceptual art heavily influenced by psychiatry and inspiring hope and healing.

Read more

Cover Artwork: Frances Richardson

In the November 25 edition of Muses – the arts blog from BJPsych International – Dr Tim McInerny, Pictures Editor, BJPsych International, introduces Frances Richardson, the artist whose work is on the cover of the latest edition of BJPsych International.

Read more

Muses – the arts blog from BJPsych International

Author: Dr Tim McInerny, Pictures Editor, BJPsych International [tmcinerny@hotmail.com] In the August 25 edition of Muses – the arts blog from BJPsych International – Dr Tim McInerny, Pictures Editor, BJPsych International, introduces Colin, the artist whose work is on the cover of the latest edition of BJPsych International.

Read more

Cover Artwork: Sally Osborn

Sally Osborn is a ceramic artist who lives and works in Berlin and Glasgow. Her art is compelling in its abstract structure and which requires great skill to create. The roughness of the unglazed ceramic adds beauty to its sensuous shape.

Read more

Between Seen and Felt: The Paradox of Expression

It was a grey, overcast day, and the steady rain outside seemed to reflect my own sense of unease as I walked through the dimly lit corridor into the main hall of Glasgow's Kelvingrove Art Gallery and Museum. Having recently relocated to this new country, every step felt like a mix of excitement and discomfort as I tried to adjust to the unfamiliar. I stopped beneath Sophie Cave's Expression installation

Read more

Cover Artwork: “An aspect of Ikebana” by Ikuyo Munakata-Morrison

Ikebana, a floral art tradition dating back to the 7th century in Japan, literally translates as "making flowers alive" in Japanese. With 25 years of teaching experience, Ikuyo has played a vital role in promoting Ikebana in the U.K. In 2007, she founded and became the Founding Director of the Sogetsu London Branch, currently serving as the Honorary Advisor. She holds the “Riji" highest teaching grade.

Read more

Cover Artwork: Henrietta Graham

In the May 24 edition of Muses – the arts blog from BJPsych International – Dr Tim McInerny, Pictures Editor, BJPsych International introduces Henrietta Graham, the artist whose work is on the cover of the May 2023 Issue latest edition of BJPsych International.

Read more

Muses at 2: Reflections by Dami Ajayi

When the editorial board of BJPsych International acceded to the launch of a web-based monthly arts blog, I volunteered as the commissioning editor. I did this partly because I already straddled the worlds of psychiatry and the creative arts. But also because it was an opportunity to be a part of something new.

Read more

Cover Artwork: Faces

As Pictures Editor, I selected Peter Eddie's art for the August cover because of his intriguing drawings of faces and his enthusiastic use of any surface, here water cups. The rows of faces appear like an audience, looking out on us the viewer and reader of this journal.

Read more

GOOD ART IS (NOT) PRETTY ART

The October edition of Muses – the arts blog from BJPsych International – features a short blog by Motswana visual artist, Sedireng Mothibatsela, who writes about a crucial moment in her artistic development which coincides with her parent’s separation. It is a moving piece about how visual arts intersects with trauma and healing. I can recall the afternoon that changed how I create. I was 12 years old and in my last year of primary school and the looming high school years ahead presented many questions about how I wanted to proceed with my art. I had painted a watercolour still life and I was bored with it. Although my art received praise from my family and peers, my handling of watercolour was juvenile at best. I needed more; technically and conceptually. It was then that I began to question the art making process. Like most young artists in primary school we were simply taught that “good art is pretty art.”

Read more