BJPsych International

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Cover Artwork: Cathy Freeman

In the February 26 edition of Muses – the arts blog from BJPsych International – Dr Tim McInerny, Pictures Editor, BJPsych International, introduces Cathy Freeman, the artist whose work is on the cover of the February 2026 edition of BJPsych International.

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Reach Out to Venus

We kick off 2026 with an artist’s statement and original art by frequent contributor Dr Lakshmi Sravanti. Like her previous contributions, she presents conceptual art heavily influenced by psychiatry and inspiring hope and healing.

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Cover Artwork: Frances Richardson

In the November 25 edition of Muses – the arts blog from BJPsych International – Dr Tim McInerny, Pictures Editor, BJPsych International, introduces Frances Richardson, the artist whose work is on the cover of the latest edition of BJPsych International.

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Muses – the arts blog from BJPsych International

Author: Dr Tim McInerny, Pictures Editor, BJPsych International [tmcinerny@hotmail.com] In the August 25 edition of Muses – the arts blog from BJPsych International – Dr Tim McInerny, Pictures Editor, BJPsych International, introduces Colin, the artist whose work is on the cover of the latest edition of BJPsych International.

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How a digital, solution-focussed tool (DIALOG+) helped lay counsellors improve mental healthcare in Pakistan

The RCPsych Article of the Month for August is ‘Feasibility and acceptability of a solution-focused approach to strengthen lay counselling for common mental disorders (DIALOG+) in Pakistan: mixed methods study‘, written by authors Saniya Saleem, Anayat Baig, Onaiza Qureshi, Sana Sajun, Victoria Bird, Stefan Priebe and Aneeta Pasha.…

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Cover Artwork: Sally Osborn

Sally Osborn is a ceramic artist who lives and works in Berlin and Glasgow. Her art is compelling in its abstract structure and which requires great skill to create. The roughness of the unglazed ceramic adds beauty to its sensuous shape.

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Between Seen and Felt: The Paradox of Expression

It was a grey, overcast day, and the steady rain outside seemed to reflect my own sense of unease as I walked through the dimly lit corridor into the main hall of Glasgow's Kelvingrove Art Gallery and Museum. Having recently relocated to this new country, every step felt like a mix of excitement and discomfort as I tried to adjust to the unfamiliar. I stopped beneath Sophie Cave's Expression installation

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THE ILLUSION OF GREENER PASTURES by Ayeyemi Obabire

This month’s edition of Muses features a lucid review of Dr. Benji Waterhouse’s You Don't Have to Be Mad to Work Here, written by Nigerian psychiatrist, Ayeyemi Obabire. Waterhouse’s book is the portal for Obabire’s musings on becoming an International Medical Graduate (IMG) psychiatrist. Obabire’s passion for the mentally ill and disillusion with his natal country’s mental healthcare triggered his relocation to England’s NHS where he imagined better outcomes for the mentally ill.

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Introducing John Offenbach

John Offenbach is a London based, award-winning and published photographer, who after a career in advertising returned to academia to pursue scholarly research alongside an artistic practice. After graduating with an MA in Photography from the Royal College of Art, London, in 2024, he is currently continuing there with a second masters in research. His degree show entitled ‘Palimpsest' received the Genesis Imaging bursary award.

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This Toxic Love Affair by Ezinne Ogwumah

This edition of Muses features a moving and exceptionally vulnerable disclosure by Nigerian mental health advocate Ezinne Ogwumah, who reflects on her mental health journey and intermittent cannabis use. An addiction isn't exactly a thing one readily admits to. It is associated with shame, guilt and hard choices. I chose the shame of indulging in cannabis over the crushing stress of work, love, and life.

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From Personal Stories to Professional Practice: Lessons in Trauma Recovery from Christchurch

Our study explored the experiences of 21 individuals in the aftermath of the tragic March 15, 2019, terrorist attacks on two mosques in Christchurch, New Zealand. Participants included bereaved family members, survivors, and community members. A qualitative approach 18-30 months after the attacks allowed us to gain a nuanced understanding of the impact of mass trauma in an ethnically-diverse, minority faith community - and how practitioners can enhance clinical practice.

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Amma’s Dance

When Fontane suggested an artistic collaboration portraying the struggles of identity in modern motherhood to Priya, Priya entered the words 'Bharatanatyam' and 'harp music' into an online search engine. The search result was unsatisfactory, hence the realisation of creating everything from scratch. A herculean task, it seemed. But isn't motherhood as well? From when a crying baby is placed in our hands, we fumble along the way, often uncertain of what we are doing.

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Cover Artwork: “An aspect of Ikebana” by Ikuyo Munakata-Morrison

Ikebana, a floral art tradition dating back to the 7th century in Japan, literally translates as "making flowers alive" in Japanese. With 25 years of teaching experience, Ikuyo has played a vital role in promoting Ikebana in the U.K. In 2007, she founded and became the Founding Director of the Sogetsu London Branch, currently serving as the Honorary Advisor. She holds the “Riji" highest teaching grade.

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To Be Bipolar

In the September edition of Muses – the arts blog from BJPsych International  – Dr Dami Ajayi reviews Nigerian writer Tukura John Daniel’s memoir about his lived experience with Bipolar Affective Disorder, How to Spell Bipolar.

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What We Stay Alive For

Writing was refreshing to me because I was communicating again. However, I didn’t fully understand the extent until I watched Dead Poets Society, where the late Robin Williams delivered this moving monologue. He said, “We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.”

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Supporting autistic children and their families in South Asia

It is widely known that autistic children are frequently anxious. However, while a number of interventions exist in high-income countries, they remain scarce in South Asia. The inspiration for this work began at an international meeting of the North East England South Asia Mental Health Alliance (NEESAMA.org) in Dhaka, Bangladesh, in 2019. During the meeting participants identified an unmet need for an intervention to support autistic children experiencing anxiety in South Asia.

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Cover Artwork: Henrietta Graham

In the May 24 edition of Muses – the arts blog from BJPsych International – Dr Tim McInerny, Pictures Editor, BJPsych International introduces Henrietta Graham, the artist whose work is on the cover of the May 2023 Issue latest edition of BJPsych International.

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Muses at 2: Reflections by Dami Ajayi

When the editorial board of BJPsych International acceded to the launch of a web-based monthly arts blog, I volunteered as the commissioning editor. I did this partly because I already straddled the worlds of psychiatry and the creative arts. But also because it was an opportunity to be a part of something new.

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Remarks on amelioration

The March edition of Muses – the arts blog from BJPsych International – features Nigerian poet Pamilerin Jacob who writes about being diagnosed with mental illness, his recourse to poetry, poetics and poetic language for therapy, meaning and vocation. He also pays a moving tribute to a friend who was instrumental to his survival.

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From a small seed to a giant Iroko tree: A postgraduate training programme in Child and Adolescent Mental Health in Africa

Sub-Saharan Africa (SSA) has the youngest population of any region in the world with 70% under the age of 30 years. This youthful demographic profile can be both a blessing and a challenge. While the youth have the potential to drive economic development, meeting their educational, social, and health needs can over-stretch already limited human and material resources.

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We Were In The Pits, But At Least There Was Company

In March 2017, a medical doctor ordered his driver to stop on the Third Mainland Bridge, came down from his car and jumped into the Lagos Lagoon. Traditional media platforms and social media buzzed with this tragic news. It was not the usual fare: that cocktail of pernicious poverty, drug use, and wanton criminality; this was a gentleman. It unveiled a severe concern about that taboo subject, mental health. 

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Cover Artwork: Faces

As Pictures Editor, I selected Peter Eddie's art for the August cover because of his intriguing drawings of faces and his enthusiastic use of any surface, here water cups. The rows of faces appear like an audience, looking out on us the viewer and reader of this journal.

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LONDON IS THE PLACE FOR ME 

My life as I knew it changed in the autumn of 2019. I started a new job in a new city in a new country. To further tip the scale, my aisle-destined engagement began to fail that summer, with unresolved conflicts sporadically rearing their heads in five cities on three continents. That summer, my laptop (and all my precious writing and dissertation) was stolen on a flight from London to Lagos.

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Wairua and Psychiatry: healing partners  

From my Māori world view, wairua or spirituality is our essence. Everything else flows out from there. If we don’t get spiritual wellbeing right, other approaches will have only limited benefit. It seems to me that psychiatry offers treatments that are focused on the brain, addressing physical and psychological wellbeing. I notice that western talking therapies often don’t address spiritual values that are of critical importance to Māori and other Indigenous peoples.

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Cover Artwork: Head in 4 Parts

As pictures editor, I selected Peter Grundy's art for the February cover because of his striking designs that simply portray complicated issues. Peter Grundy is one of the world's leading information designers. Peter Grundy states his designs and illustrations aim to turn complex information into simple visual stories in a world of modern messiness.

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Mindfully with Tunmise: Interview with Nigerian broadcaster and mental health advocate

The April edition of Muses – the arts blog from BJPsych International – features an interview with Tunmise Kuku, a Nigerian radio broadcaster and mental health advocate who has been open about her diagnosis of Type II Bipolar Affective Disorder. Three years ago, she took a deliberate career break to write Living Mindfully: A Journey of Being, a memoir that draws from her experiences and stories. It has been lightly edited for length and clarity.

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Ode to the Powerless: Bessie Head’s ‘A Question of Power’ through a Personal Lens

No writer’s life and work has had a more profound impact on me than that of Bessie Head, a woman who was born in a psychiatric hospital in South Africa, raised in foster care and later exiled to Botswana, a country she simultaneously loved and hated. By the time she died in 1986, Head had published several novels, including A Question of Power, which she described as “almost autobiographical” in its account of the life of Elizabeth, a woman in the midst of a psychological crisis against the backdrop of her country’s political struggles. I am afraid of readingthis novel againbecause of how vividly it evokes a memory from my medical school days, of a psychiatric evaluation with a patient exhibiting dissociation symptoms and who was later diagnosed with comorbid schizophrenia and dissociative identity disorder.

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Cover Artwork: Albert

In this edition of Muses – the arts blog from BJPsych International – Dr Tim McInerny, Pictures Editor, BJPsych International introduces Albert, the artist whose portrait is on the cover of the February 2023 issue of BJPsych International.

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Cover Artwork: ‘Medusa’ by Sarah Kogan

In the November edition of Muses – the arts blog from BJPsych International – Dr Tim McInerny, Pictures Editor, BJPsych International introduces Sarah Kogan, the artist whose portrait is on the cover of the November edition of BJPsych International. 

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GOOD ART IS (NOT) PRETTY ART

The October edition of Muses – the arts blog from BJPsych International – features a short blog by Motswana visual artist, Sedireng Mothibatsela, who writes about a crucial moment in her artistic development which coincides with her parent’s separation. It is a moving piece about how visual arts intersects with trauma and healing. I can recall the afternoon that changed how I create. I was 12 years old and in my last year of primary school and the looming high school years ahead presented many questions about how I wanted to proceed with my art. I had painted a watercolour still life and I was bored with it. Although my art received praise from my family and peers, my handling of watercolour was juvenile at best. I needed more; technically and conceptually. It was then that I began to question the art making process. Like most young artists in primary school we were simply taught that “good art is pretty art.”

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Cover Artwork: ‘Ella’ by Gemma Anderson

In the August edition of Muses – the arts blog from BJPsych International – Dr Tim McInerny, Pictures Editor, BJPsych International introduces Gemma Anderson, the artist whose portrait is on the cover of the August edition of BJPsych International.

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On the cover of the February 2022 issue of BJPsych International

As pictures editor I selected Courtney’s art as it is a powerful, beautiful, enigmatic image of identity and mental health. It is difficult to make an artwork that sensitively visualises the experience of illness and recovery. Courtney’s work does both, in a strong portrait that immediately gains attention. It is a fitting cover and I am proud that a patient artist has created this work that speaks so clearly to the international audience of the journal.

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A mental health crisis in Lesbos

The RCPsych Article of the Month for December is from BJPsych International and is entitled ‘Headaches in Moria: a reflection on mental healthcare in the refugee camp population of Lesbos' by Tom Nutting.

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Round up of #RCPsychIC

We were delighted to welcome delegates to our Cambridge University Press/RCPsych Publishing stand during Congress where they were able to explore our impressive portfolio of books and journals and meet the Journal Editors-in-Chief and Managing Editors during “Meet the Editor” sessions.

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Is Psychoanalysis evidence based?

I wrote this short article to correct a widespread prejudice among mental health practitioners and the general public alike to the effect that psychoanalytic theory and therapy are not ‘evidence based’ -- in the sense that, say, CBT and psychopharmacology are considered to be.

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