Theatre

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The Loss of Fear as Civic Performance

Antiwar activists carve “no to war” in frozen rivers, spray-paint slogans of peace in the snow. They scrawl on banknotes, putting their opposition into circulation. Despite the looming threat of 15-year prison sentences, artists and activists in Russia continue to protest Putin’s ongoing invasion of Ukraine.

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Sounding Corporeality

The forthcoming special issue of Theatre Research International (46.2) is devoted to the subject of Sounding Corporeality. The first fully dedicated special issue of the journal since 2014 (39.3), it takes as its focus the relationship between sounds and bodies in theatre and performance.…

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Mining Shakespeare

Gretchen E. Minton's new blog discusses the context of her recent article ‘Ecological Adaptation in Montana: Timon of Athens to Timon of Anaconda’ - out now in Cambridge journal 'New Theatre Quarterly'.

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Microhistory: a new avenue for theatre history?

This blogpost is adapted from the Editorial of Theatre Survey 55.1 by Guest Editor Peter A. Davis. Much work has been done over the past several decades to delineate new theatre historiographies and reimagine theoretical approaches to telling the history of the theatre.…

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Performance and the Everyday

This blogpost is adapted from Charlotte Canning’s Editorial of the latest issue of Theatre Research International (TRI). Where do the limits of performance and everyday life intersect?…

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Bringing Ancient Greek Drama to Life

‘All human skills are from Prometheus’..or so Prometheus claims in the ancient Greek tragedy Prometheus Bound.  As the first of two features marking Cambridge University Press’ sponsorship of the Cambridge Greek Play 2013, Dr Oliver Thomas, incoming Editor of The Cambridge Classical Journal, explores the enduring fascination of the figure of Prometheus.

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