The End of Theatre Groups?
TDR’s (delayed) Fall 2024 issue (67, 3) features a retrospective on SITI Company, which began in 1992 and disbanded in 2022.…

TDR’s (delayed) Fall 2024 issue (67, 3) features a retrospective on SITI Company, which began in 1992 and disbanded in 2022.…

As 2024 begins, AI feels simultaneously inescapable and invisible. Newspaper editorials, Davos panels, and countless advertisements tout the epochal event that is “AI.”…

We usually narrate the origin of performance studies by foregrounding idiosyncratic mid-20th-century thinkers—Erving Goffman, Kenneth Burke, and J.L. Austin, among others—who in different ways refurbished the old idea of the theatrum mundi.…

A colleague asked me this question last week. I wonder… What is a new way to state what’s at stake? That our future will be more and more challenging?…

“Your authors are a microcosm of the state of the world,” Mariellen Sandford wrote me, when I told her of the challenges we faced completing our issue.…

In our next issue, TDR is publishing two significant essays in the TDR Comments section of the journal: “A Letter from Moscow” by a scholar who lives there; and Richard Schechner’s “Postpone the Great Game.”…

Antiwar activists carve “no to war” in frozen rivers, spray-paint slogans of peace in the snow. They scrawl on banknotes, putting their opposition into circulation. Despite the looming threat of 15-year prison sentences, artists and activists in Russia continue to protest Putin’s ongoing invasion of Ukraine.

We live in an era of absence. Lockdowns, quarantines, hospitals, and face masks: fear of contamination disappears the body from public space and discourse.…

For years now, climate activists have been warning world leaders and everyone who cared to listen that the planet is approaching the tipping point of global warming.…

Emerging to sociality during a pandemic has felt like a process of improvisation—making gestures toward imagining oneself in relation to others, to past selves, and to future possibilities.…

Since the mid-19th century, Western drama has spread to most parts of the non-Western world. In some places it has gradually replaced the indigenous theatre; in others such as China, it has coexisted with the traditional theatre.…

When writing about the uncertain future of contact improvisation during the summer and fall of 2020, in the wake of Nancy Stark Smith’s passing, I noted that one of her most significant contributions to understandings of CI was her theory of “the gap.”…

On 28 April 2013, ninety-five years after Finland’s civil war (27 January–15 May 1918), artist Kaisa Salmi created a performance called Fellman Field: A Living Monument to 22,000 People.…

Cambridge University Press is delighted to announce the appointment of Alejandro L. Madrid as co-editor of Twentieth-Century Music, joining co-editor Pauline Fairclough from January 2019.…