This chapter discusses Rushdie’s work in the context of processes of migration, the crossing of borders, and the question of identity formation. These themes are central to Rushdie’s work, which reflects his own journeys. His novels have featured prominently national and transnational migrants. Indeed, Saleem Sinai’s journeys in Midnight’s Children traverse the entire subcontinent. Focusing specifically on Shalimar the Clown and The Ground Beneath Her Feet, and with reference to The Satanic Verses, Shame, and a selection of short stories and essays from Imaginary Homelands, this chapter explores how Rushdie has approached the question of migration, identity formation, and the position of being in diaspora. The representations of community, home, and belonging and of the diaspora condition emerge in his works through border crossings, liminal spaces, and the sensory and somatic disorientation of the migrant.