Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-zzh7m Total loading time: 0 Render date: 2024-04-29T09:13:56.682Z Has data issue: false hasContentIssue false

8 - Beyond the pleasure principle: Beyond the Pleasure Principle (1920)

Published online by Cambridge University Press:  05 April 2016

Susan Sugarman
Affiliation:
Princeton University, New Jersey
Get access

Summary

Enough is left unexplained to justify the hypothesis of a compulsion to repeat – something that seems more primitive, more elementary, more instinctual, than the pleasure principle which it overrides.

– S. Freud, Beyond the Pleasure Principle, 1920, p. 23.

Freud's 1920 monograph Beyond the Pleasure Principle marks a turning point in his idea of the most basic forces governing mental life. In it he asserts the existence of a genuine exception to the pleasure principle that he regards as sufficiently far-reaching to require a restructuring of the theory.

The exception consists of people's compulsive repetition of previous experiences in the absence of any evident payoff: when people return repeatedly to horrific moments of their lives, as soldiers with post-traumatic stress disorder might do in recurrently dreaming a catastrophic shelling in the trenches, they bring on an experience with no redeeming value, according to Freud. Called the repetition compulsion, the tendency toward these repetitions can override the pleasure principle.

Freud extrapolates from the repetition compulsion to the existence of a death instinct, a trend toward quiescence and dissolution present in all living things: life first arose from inorganic material, and individual living entities return to that state at death. Death and inorganicity also represent the complete absence of stimulation; individuals verge on returning to that state on a smaller scale insofar as they strive toward the reduction of stimulation, the aim expressed by the pleasure principle and what Freud will present as its refinements.

Finally, introducing a new dualism as the overarching dynamic of mental life, Freud conceives the death instinct as operating in opposition to the life instincts, which by the end of the monograph subsume both the sexual and ego instincts of his former schematic. The sexual and ego instincts, although thus grouped together, retain the potential for conflict Freud previously observed them to have (see Chapter 5).

This work is, by Freud's own admission, one of his most speculative and far-fetched, especially the portion in which he derives and then justifies the death instinct and posits some of its consequences; the narrative is one of his most obscure. But psychological insight and intriguing turns of argument abound in its pages, which repay patient attention.

Type
Chapter
Information
What Freud Really Meant
A Chronological Reconstruction of his Theory of the Mind
, pp. 87 - 104
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×