After the Break: Television Theory Today

doi:10.1017/9789048518678

After the Break

Television Theory Today

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Simsek, Eylem and Bozdag, Ayse Asli 2024. A visual social semiotic investigation into the popularity of Ronaldo and Messi’s chess photo on Instagram: Implications for new media and audience engagement. Online Journal of Communication and Media Technologies, Vol. 14, Issue. 3, p. e202432.

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Elena Rodríguez, Aránzazu 2024. Atresmedia: un caso de éxito en la adaptación de la comunicación corporativa en la era digital. European Public & Social Innovation Review, Vol. 9, Issue. , p. 1.

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Stirling, Fiona J. and Lewis, Stephen P. 2025. Broadcasting Self-Injury for Change: Exploring the Presentation of Advocacy Strategies on YouTube. Deviant Behavior, Vol. 46, Issue. 5, p. 568.

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Edited by Jan Teurlings, Marijke de Valck

Publisher:: Amsterdam University Press
Online publication date:: December 2020
Print publication year:: 2013
Online ISBN:: 9789048518678
DOI:: https://doi.org/10.1017/9789048518678

Subjects:: Film, Media, Mass Communication, Media, Mass Communication

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Television is evolving rapidly. How, then, might we respond to television today in light of its past? And do the old theoretical concepts still apply, or must we invent a new framework for this mutable medium? To answer these fundamental questions, the contributors to this provocative collection examine diverse case studies, including up-to-date scholarship on the current television zeitgeist, nostalgic programming on broadcast television, YouTube, and public television art programming of the 1980s. As a whole, these essays challenge the supposed crisis in television in the light of its burgeoning development.

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After the Break

Television Theory Today

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp 1-4

Contents
pp 5-6

After the Break: Television Theory Today
pp 7-18

Part I - Questioning the Crisis
pp 19-20

‘Unreading’ Contemporary Television
pp 21-34

Caught: Critical Versus Everyday Perspectives on Television
pp 35-50

The Persistence of National TV: Language and Cultural Proximity in Flemish Fiction
pp 51-64

Constructing Television: Thirty Years that Froze an Otherwise Dynamic Medium
pp 65-78

When old Media Never Stopped Being new: Television’s History as an Ongoing Experiment
pp 79-98

Part II - New Paradigms
pp 99-100

Unblackboxing Production: What Media Studies Can Learn from Actor-Network Theory
pp 101-116

Convergence Thinking, Information Theory and Labour in ‘end of Television’ Studies
pp 117-130

Television Memory After the end of Television History?
pp 131-144

Part III - New Concepts
pp 145-146

YouTube Beyond Technology and Cultural form
pp 147-160

Move Along Folks, Just Move Along, there’s nothing to see: Transience, Televisuality and the Paradox of anamorphosis
pp 161-178

Barry Chappell’s Fine Art Showcase: Apparitional TV, Aesthetic Value, and the art Market
pp 179-192

About the Authors
pp 193-196

Index
pp 197-202

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After the Break

Television Theory Today

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