Alan Clarke

Dave Rolinson

doi:10.7765/9781847794383

The British television director Alan Clarke is primarily associated with the visceral social realism of such works as his banned borstal play, Scum, and his study of football hooliganism, The Firm. This book uncovers the full range of his work from the mythic fantasy of Penda's Fen, to the radical short film on terrorism, Elephant. The author uses original research to examine the development of Clarke's career from the theatre and the ‘studio system’ of provocative television play strands of the 1960s and 1970s, to the increasingly personal work of the 1980s, which established him as one of Britain's greatest auteur directors. The book examines techniques of television direction and proposes new methodologies as it questions the critical neglect of directors in what is traditionally seen as a writer's medium. It raises issues in television studies, including aesthetics, authorship, censorship, the convergence of film and television, drama-documentary form, narrative and realism.

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Alan Clarke

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Contents

Front matter
pp i-iv

Dedication
pp v-vi

Contents
pp vii-vii

General editors’ preface
pp viii-viii

Acknowledgements
pp ix-x

Introduction
pp 1-9

1 - The director in television’s ‘studio system’
pp 10-56

2 - Realism and censorship in the 1970s
pp 57-97

3 - Form and narrative in the 1980s
pp 98-151

Conclusion
pp 152-157

Appendix: Television programmes directed by Alan Clarke
pp 158-176

Bibliography
pp 177-190

Index
pp 191-197

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Alan Clarke

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