John McWilliams's 1990 book was the first thorough account of the many attempts to fashion an epic literature (the anxiously anticipated 'American Epic') from a wide range of potentially heroic New World subjects. At the outset, McWilliams considers the many problems - cultural, political and literary' - of adapting Enlightenment views of republican progress to a genre that had traditionally celebrated the greatness of warriors. After a survey of the many epic poems written during and after the American Revolution, McWilliams shows how and why the epic had to be transformed from imitative narrative poetry into the new, open genres of prose history (Irving, Prescott and Parkman), fictional romance (Cooper and Melville) and free verse (Whitman). Believing that reviews are an important and slighted agent of literary change, McWilliams has written his book in the form of chronological literary history. His book, however, is no march of dates within tired categories. The American Epic suggests that imaginative writers of the Romantic era were in fact far less proscriptive about the boundaries of literary genre than many a twentieth-century writer and scholar.
"...an important book that fills a gap in our knowledge and strengthens our understanding of 19th-century literary culture." Choice
"McWilliams surveys the work of Barlow, Dwight, and Trumbull with a sharp eye toward the rhetorical work each must perform introducing his epic to the public, revealing the discomforts each feels in suiting vehicle to message." David S. Shields, The Eighteenth Century
Loading metrics...
* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.
Usage data cannot currently be displayed.
This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.
Accessibility compliance for the PDF of this book is currently unknown and may be updated in the future.