Art in Progress

Maarten Doorman

doi:10.1017/9789048505135

In this challenging essay, Maarten Doorman argues that in art, belief in progress is still relevant, if not essential. The radical freedoms of postmodernism, he claims, have had a crippling effect on art, leaving it in danger of becoming meaningless. Art can only acquire meaning through context; the concept of progress, then, is ideal as the primary criterion for establishing that context. The history of art, in fact, can be seen as a process of constant accumulation, works of art commenting on one another and enriching one another's meanings. It is these complex interrelationships and the progress they create in both art and its observers that Doorman, in a display of great philosophical erudition, defends.

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Art in Progress

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Contents

Frontmatter
pp 1-4

Contents
pp 5-6

Foreword
pp 7-8

Introduction
pp 9-14

1 - Perspectives on Progress: A History
pp 15-28

2 - From the Ancients and the Moderns: A Door to the Future
pp 29-44

3 - From Romanticism to the Avant-Garde
pp 45-60

4 - On Making Revolution
pp 61-80

5 - Innovation in Painting and Architecture: De Stijl
pp 81-114

6 - The End of Art
pp 115-130

7 - A New Approach to an Old Concept
pp 131-146

Notes
pp 147-164

Bibliography
pp 165-176

Index of Names
pp 177-181

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