Berlioz Studies

doi:10.1017/CBO9780511551420

This volume contains nine substantial essays by the world's leading Berlioz scholars. They cover various aspects of Berlioz's life and works and represent an important contribution to Berlioz research. The book includes essays based on documents, both biographical and musical, that give us, among other things, a portrait of the artist as a young man and a revealing view of an important but little-studied work of his maturity. There are readings of Romeo et Juliette and La Damnation de Faust that wrestle anew with the problems of the relationships between literature and music and - as Berlioz's music nearly always requires - with the problems of genre. Two views of Berlioz's Les Nuits d'été are presented which ask when and why the work was conceived, and how the work coheres. The practical question of Berlioz's metronome marks are here thoroughly studied for the first time. The volume closes with a novel piece, in dialogue form, by the elder statesman of Berlioz scholars, Jacques Barzun, who treats with exceptional grace the profound issues raised by Berlioz the man and musician.

"...may be the calmest, most thoughtful assessment of the composer that has yet appeared." The World & I

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Berlioz Studies

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Contents

Frontmatter
pp i-vi

Contents
pp vii-viii

Preface
pp ix-xvii

List of abbreviations
pp xviii-xx

1 - The Reboul-Berlioz Collection
pp 1-16

2 - Berlioz and the metronome
pp 17-36

3 - Romeo and Juliet and Roméo et Juliette
pp 37-79

4 - In the shadows of Les Nuits d'été
pp 80-111

5 - Les Nuits d'été: cycle or collection?
pp 112-135

6 - ‘Ritter Berlioz’ in Germany
pp 136-147

7 - The Damnation of Faust: the perils of heroism in music
pp 148-188

8 - Berlioz's version of Gluck's Orphée
pp 189-253

9 - Overheard at Glimmerglass (‘Famous last words’)
pp 254-272

Index
pp 273-280

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