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The Cambridge Companion to Eugene O'Neill
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    Krasner, David 2007. A Companion to Twentieth-Century American Drama. p. 142.

    Schöpp, Joseph C. Reinhart, Werner Tonn, Horst Mayer, Kurt A. Müller, Wolfgang G. Opfermann, Susanne Porsche, Michael Hollweg, Brenda Pianos, Tamara Reichardt, Ulfried Nünning, Ansgar Ensslen, Klaus Nestvold, Ruth Berkemeier, Christian Binder, Wolfgang Zapf, Harald Halfmann, Ulrich Herget, Winfried Hurm, Gerd Moss, Maria Person, Jutta Zimmermann, Jutta Bach, Gerhard von Finck, Diana Claviez, Thomas Kalb, Kristina Heide, Markus Leypoldt, Günter Scheiding, Oliver Hebel, Udo Klepper, Martin Grandel, Hartmut Mayer, Sylvia Leitner-Rudolph, Miryam Koenen, Anne Kelleter, Frank Requardt, Nadine Hölbling, Walter Fischer, Katrin Schäfer-Wünsche, Elisabeth Keitel, Evelyne Fluck, Winfried Breinig, Helmbrecht Werner, Florian Salheiser, Britta Grewe-Volpp, Christa Brenner, Wolfgang Reinicke, Gesine Bischoff, Volker Ernst, Jutta Georgi-Findlay, Brigitte Wegener, Cornelia Sielke, Sabine Müller, Kurt Schmidt, Klaus H. Lührmann, Silke Schulz, Dieter Lutz, Hartmut Smolinski, Reiner Roth, Yvonne Ickstadt, Heinz Lemke, Sieglinde Sichert, Margit Mitchell, Tanja Hinz, Kristina Engler, Bernd Taumann, Beatrix Steinert, Ilka Schwank, Klaus Groß, Konrad Colavincenzo, Marc Braun, Hartmut Scholz, Anne-Marie Paul, Heike Guillemin, Georg Gersdorf, Cathrin Freese, Peter Zacharasiewicz, Waldemar Fleischmann, Brigitte Ghosh-Schellhorn, Martina Hüppe, Barbara Hof, Renate Kanzler, Katja Pehnt, Annette Tranker, Brigitte Heuser, Sabine Wieselhuber, Franz Lönnecke, Annette Draxlbauer, Michael Surkamp, Carola and Thurner, Bettina 2000. Metzler Lexikon Amerikanischer Autoren. p. 1.

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    The Cambridge Companion to Eugene O'Neill
    • Online ISBN: 9780511999628
    • Book DOI: https://doi.org/10.1017/CCOL052155389X
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Book description

This is a volume of specially commissioned essays containing studies of Eugene O'Neill's life, his intellectual and creative forebears, and his relation to the theatrical world of his creative period, 1916–42. Also included are descriptions of the O'Neill canon and its production history on stage and screen, and a series of essays on 'special topics' related to the playwright, such as his treatment of women in the plays, his portrayals of Irish and African Americans, and his attempts to deal in dramatic terms with his parental family culminating in his greatest play, Long Day's Journey Into Night. One of the essays speaks for those who are critical of O'Neill's work, and the volume concludes with an essay on O'Neill criticism containing a select bibliography of full-length studies of the playwright's work.

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