Skip to main content Accessibility help
The Cambridge Companion to Greek Comedy
  • Export citation
  • Recommend to librarian
  • Buy the print book

Book description

Greek comedy flourished in the fifth and fourth centuries BC, both in and beyond Athens. Aristophanes and Menander are the best-known writers whose work is in part extant, but many other dramatists are known from surviving fragments of their plays. This sophisticated but accessible introduction explores the genre as a whole, integrating literary questions (such as characterisation, dramatic technique or diction) with contextual ones (for example audience response, festival context, interface with ritual or political frames). In addition, it also discusses relevant historical issues (political, socio-economic and legal) as well as the artistic and archaeological evidence. The result provides a unique panorama of this challenging area of Greek literature which will be of help to students at all levels and from a variety of disciplines but will also provide stimulus for further research.


'As with all the volumes in this series, there are notes on further reading to each chapter, an extensive bibliography and a comprehensive index. The volume is intended for students at all levels and in various disciplines, by no means only classicists, and for specialists and researchers in various fields. It is the most up-to-date and comprehensive survey of a field of study significant in many ways beyond the purely literary and theatrical.'

Stuart James Source: Reference Reviews

'The Cambridge Companion to Greek Comedy achieves success by combining consistent excellence on the part of the contributors with a well-conceived and well-executed editorial plan.'

Source: Greece and Rome

'This Companion offers not just an introduction to comedy but a useful guide to the scholarship on comedy. … This volume is considerably more ambitious and authoritative than many so-called Companions. It immediately establishes itself as the standard work on Greek comedy, and it will be widely read and consulted by students and scholars alike. … It is one of the most interesting books on Greek drama to have appeared for many years, and it conveys a clearer sense of what komoidia was than any other introductory study of the genre.'

Matthew Wright Source: Classical Review

'All in all, this is a superb companion: a comprehensive and rich collection that will serve as an invaluable resource for students and specialists alike. It is a work full of clever and challenging essays …'

E. P. Moloney Source: Phoenix

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Send to Kindle
  • Send to Dropbox
  • Send to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.


Page 1 of 2

Page 1 of 2


Abadie-Reynard, C. and J. P. Darmon (2003) ‘La maison et la mosaïque des Synaristosai de Zeugma’, Journal of Roman Archaeology, Suppl. 51: 79–99
Adami, F. (1901) ‘De poetis scaenicis Graecis hymnorum sacrorum imitatoribus’, Jahrbücher für classische Philologie, Suppl. 26: 213–62
Agelidis, S. (2009) Choregische Weihgeschenke in Griechenland. Bonn
Aguilar, R. M. (1997) ‘Plutarco y la comedia ateniense’ in Schrader, Ramón and Vela (1997): 3–28
Akrigg, B. (2007) ‘The nature and implications of Athens’ changed social structure and economy’ in Osborne (2007): 27–43
Akrigg, B. and R. Tordoff, eds. (2013) Slaves and Slavery in Ancient Greek Comic Drama. Cambridge
Allen, D. (2000) The World of Prometheus: The Politics of Punishing in Democratic Athens. Princeton, NJ
Allen, D. (2003) ‘Angry bees, wasps, and jurors: the symbolic politics of orgê in Athens’ in Braund and Most (2003): 76–98
Allison, R. H. (1983) ‘Amphibian ambiguities: Aristophanes and his frogs’, Greece and Rome 30: 8–20
Alpers, K. (2009) Untersuchungen zu Johannes Sardianos und seinem Kommentar zu den Progymnasmata des Aphthonios (Abhandlungen der Braunschweigischen Wissenschaftlichen Gesellschaft LXII). Braunschweig
Alston, R., E. Hall and L. Proffitt, eds. (2010) Reading Ancient Slavery. Cambridge
Anderson, W. S. (1984) ‘Love plots in Menander and his Roman adapters’, Ramus 13: 124–34
Anderson, W. S. (1993) Barbarian Play: The Comedies of Plautus. Toronto
Angel, M. (2002) ‘A classical Greek influences an American feminist: Susan Glaspell's debt to Aristophanes’, Syracuse Law Review 52: 81–103
Arnott, W. G. (1968) ‘Studies in comedy I: Alexis and the parasite's name’. Greek, Roman and Byzantine Studies 9: 161–8
Arnott, W. G. (1972) ‘From Aristophanes to Menander’, Greece and Rome 19: 65–90
Arnott, W. G. (1981) ‘Moral values in Menander’, Philologus 125: 215–27
Arnott, W. G. (1987) ‘The time-scale of Menander's Epitrepontes’, Zeitschrift für Papyrologie und Epigraphik 70: 19–31
Arnott, W. G. (1995) ‘Menander's manipulation of language for the individualisation of character’ in De Martino and Sommerstein (1995) 2.147–64
Arnott, W. G. (1996a) Alexis: The Fragments. A Commentary. Cambridge
Arnott, W. G. (1997) ‘Humour in Menander’ in Jäkel and Timonen (1997) 65–79
Arnott, W. G. (1998) ‘Notes on Menander's Phasma’, Zeitschrift für Papyrologie und Epigraphik 123: 35–48
Arnott, W. G. (2000a) ‘Stage business in Menander's Samia’ in Gödde and Heinze (2000) 113–24
Arnott, W. G. (2000b) Menander: Volume III. Cambridge, MA
Arnott, W. G. (2000c) ‘Menander's use of dramatic space’, Pallas 54: 81–8
Arnott, W. G. (2010) ‘Middle Comedy’ in Dobrov (2010) 279–331
Arnott, W. G., ed. and trans. (1979) Menander. Vol. I. Cambridge, MA
Arnott, W. G., (1996b) Menander. Vol. II. Cambridge, MA
Austin, C. (1965) Review of Whitman (1964) in Gnomon 37: 618–20
Austin, C. and D. Olson (2004) Aristophanes Thesmophoriazusae. Oxford
Babcock, B., ed. (1978), The Reversible World: Symbolic Inversion in Art and Society. Ithaca, NY
Badian, E. (1993) From Plataea to Potidaea: Studies in the History and Historiography of the Pentecontaetia. Baltimore, MD
Bain, D. (1979) ‘PLAVTVS VORTIT BARBARE. Plautus, Bacchides 526–61 and Menander, Dis exapaton 102–12’ in D. West and A. J. Woodman, eds. (1979) Creative Imitation in Latin Literature. Cambridge, 17–34
Bain, D. (1984) ‘Female speech in Menander’, Antichthon 18: 24–42
Bakhtin, M. M. (1984) Rabelais and His World, trans. Hélène Iswolsky. Bloomington, IN
Bakker, E. J., ed. (2010) A Companion to the Ancient Greek Language. Oxford
Bakola, E. (2005) ‘Old Comedy disguised as satyr play: a new reading of Cratinus’ Dionysalexandros (P.Oxy. 663)’, Zeitschrift für Papyrologie und Epigraphik 154: 46–58
Bakola, E. (2008) ‘The drunk, the reformer and the teacher: agonistic poetics and the construction of persona in the comic poets of the fifth century’, Proceedings of the Cambridge Philological Society 54:1–29
Bakola, E. (2010) Cratinus and the Art of Comedy. Oxford
Bakola, E. (2013) ‘Crime and punishment: Cratinus, Aeschylus’ Oresteia, and the metaphysics and politics of wealth’ in Bakola, Prauscello and Telò (2013) 226–55
Bakola, E., L. Prauscello and M. Telò, eds. (2013) Greek Comedy and the Discourse of Genres. Cambridge
Bakonikola, C. (2007) ‘The theater of Soures and its roots’ (in Greek) in Vapheiade and Papandreou (2007) 209–16
Baldry, H. C. (1953) ‘The idler's paradise in Attic comedy’, Greece and Rome 23: 49–60
Balensiefen, L. (1990) Die Bedeutung des Spiegelbildes als ikonographisches Motif inder antiken Kunst. Tübingen
Banks, T. R. (1980) ‘The ephemeral, the perennial, and the structure of Aristophanes’ Wasps’, Classical Bulletin 56: 81–4
Barsby, J. (1991) Plautus: Bacchides, 3rd edn. Warminster
Barsby, J. (2002a) ‘Terence and his Greek models’ in Questa and Raffaelli (2002) 249–75
Barsby, J., ed. (2002b) Greek and Roman Drama: Translation and Performance. Stuttgart (= Drama 12)
Bassett, S. (2008) ‘The late antique image of Menander’, Greek, Roman and Byzantine Studies 48: 201–25
Bastin-Hammou, M. (2007) ‘Aristophanes’ Peace on the twentieth-century French stage: from political statement to artistic failure’ in Hall and Wrigley (2007) 247–54
Beazley, J. D. (1952) ‘The New York “Phlyax-Vase”’, American Journal of Archaeology 56: 193–5
Beare, W. (1964) The Roman Stage, 3rd edn. London
Bekker-Nielsen, T. and L. Hannestad, eds. (2001) War as a Cultural and Social Force: Essays on Warfare in Antiquity. Copenhagen
Belardinelli, A. M. (1994) Menandro: Sicioni. Bari
Bellocchi, M. (2008) ‘Epicarmo e la commedia attica antica’ in Cassio (2008) 260–91
Bergmann, B. and C. Kondoleon, eds. (1999) The Art of Ancient Spectacle. London
Bergson, H. (1980) Laughter, Eng. trans. C. Brereton and F. Rothwell in Sypher (1980) 61–190
Berk, L. (1964) Epicharmus. Groningen
Bernabé, A. (1995) ‘Una cosmogonía cómica: Aristófanes, Aves 685ss.’ in López Férez (1995) 195–211
Bernabò Brea, L. (1981) Menandro e il teatro greco nelle terracotta liparesi. Genoa
Bernabò Brea, L. and M. Cavalier, eds. (2001) Maschere e personaggi del teatro Greco nelle terracotta liparesi. Rome
Bers, V. (1985) ‘Dikastic thorubos’ in Cartledge and Harvey (1985) 1–15
Bertrand, J.-M. (2007) ‘À propos de l'identification des personnes dans la cité athénienne classique’ in Jean-Christophe Couvenhes and Silvia Milanezi, eds., Individus, Groupes et Politique à Athènes de Solon à Mithridate. Tours, 201–14
Beta, S. (2004) Il linguaggio nelle commedie di Aristofane: Parola positiva e parola negativa nella commedia antica. Rome
Beta, S. (2010) ‘The metamorphosis of a Greek comedy and its protagonist: some musical versions of Aristophanes’ Lysistrata’ in Brown and Ograjenšek (2010) 240–57
Betts, J., J. Hooker and J. R. Green, eds. (1988) Studies in Honour of T. B. L. Webster. 2 vols., Bristol
Bieber, M. (1961) The History of the Greek and Roman Theater, 2nd edn. Princeton, NJ
Bierl, A. (1999) Der Chor in der alten Komödie: Ritual und Performativität. Munich
Biles, Z. P. (2001) ‘Aristophanes’ victory dance: old poets in the parabasis of Knights’, Zeitschrift für Papyrologie und Epigraphik 136: 195–200
Biles, Z. P. (2002) ‘Intertextual biography in the rivalry of Cratinus and Aristophanes’, American Journal of Philology 123: 169–204
Biles, Z. P. (2009) ‘The date of Phrynichos’ Lenaian victory in IG II2 2325: a reply to Rusten (2006)
Biles, Z. P. (2011) Aristophanes and the Poetics of Competition. Cambridge
Billiani, F., ed. (2007) Modes of Censorship and Translation: National Contexts and Diverse Media. Manchester
Billows, R. A. (1995) Kings and Colonists: Aspects of Macedonian Imperialism. Leiden
Blanchard, A. (1983) Essai sur la Composition des Comédies de Ménandre. Paris
Blanchard, A. (2007) La comédie de Ménandre: politique, éthique, esthétique. Paris
Blok, J. (2005) ‘Becoming citizens: some notes on the semantics of “citizen” in Archaic Greece and Classical Athens’, Klio 87: 7–40
Blume, H.-D. (2010) ‘Menander: the text and its restoration’ in Petrides and Papaioannou (2010) 14–30
Blundell, J. (1980) Menander and the Monologue. Göttingen
Boeckh, A. (1817) Die Staatshaushaltung der Athener, Berlin = Cornwall Lewis, G., trans. (1828) The Public Economy of Athens, in Four Books; to Which is Added, A Dissertation on the Silver-Mines of Laurion, London
Boedeker, D. and K. Raaflaub, eds. (1998) Democracy, Empire, and the Arts in Fifth-Century Athens. Cambridge, MA
Boegehold, A. (1990) ‘Andocides and the decree of Patrokleides’, Historia 39: 149–62
Boldrini, al., eds. (1987) Filologia e forme letterarie: Studi offerti a Francesco della Corte. 5 vols., Urbino
Bonnamour, J. and H. Delavault, eds. (1979) Aristophane, les femmes et la cité. Fontenay-aux-Roses
Bonanno, M. G. (1987) ‘Metafore redivive e nomi parlanti (sui modi del Witz in Aristofane)’ in Boldrini et al. (1987) 1.213–28
Bonner, C. (1942) ‘A Tarsian peculiarity (Dio Prus. Or. 33) with an unnoticed fragment of Porphyry’, Harvard Theological Review 35: 1–11
Bordwell, D. (1989) Making Meaning: Inference and Rhetoric in the Interpretation of Cinema. Cambridge, MA
Borthwick, E. K. (1968) ‘The dances of Philocleon and the sons of Carcinus in Aristophanes’ Wasps’, Classical Quarterly 18: 44–51
Bosher, K. (2006) Theater on the Periphery: A Social and Political History of Theater in Early Greek Sicily. Ph.D. thesis, University of Michigan
Bosher, K., ed. (2012) Theater Outside Athens: Drama in Greek South Italy and Sicily. Cambridge
Bost Pouderon, C. (2006) Dion Chrysostome. Trois discours aux villes (Orr. 33–35). Salerno
Botley, P. (2010) Learning Greek in Western Europe, 1396–1529: Grammars, Lexica, and Classroom Texts. Philadelphia, PA: American Philosophical Society
Bowden, H. (2003) ‘Oracles for sale’ in P. Derow and R. Parker, eds. (2003) Herodotus and his World. Oxford, 256–74
Bowie, A. M. (1982) ‘The parabasis in Aristophanes: prolegomena, Acharnians’, Classical Quarterly 32: 27–40
Bowie, A.M. (1993) Aristophanes: Myth, Ritual and Comedy. Cambridge
Bowie, A.M. (2010) ‘Myth and ritual in comedy’ in Dobrov (2010) 143–76
Bowie, E. L. (1988) ‘Who is Dicaeopolis?’, Journal of Hellenic Studies 108: 183–5
Bowie, E. L. (1990) ‘Marginalia Obsceniora: some problems in Aristophanes’ Wasps’ in Craik (1990) 31–8
Bowie, E. L. (1998) ‘Le portrait de Socrate dans le Nuées d’Aristophane’ in Trédé and Hoffmann (1998) 53–66
Bowie, E. L. (2002) ‘Ionian iambos and Attic komoidia: father and daughter, or just cousins?’ in Willi (2002a) 33–50
Bowie, E. L. (2007) ‘The ups and downs of Aristophanic travel’ in Hall and Wrigley (2007) 32–51
Bowlby, R., ed. (1992) Virginia Woolf: A Woman's Essays. Harmondsworth
Braden, G. (2010) ‘Aristophanes’ in Grafton, Most and Settis (2010) 69–70
Bradley, K. and P. Cartledge, eds. (2011) The Cambridge World History of Slavery, vol. 1, The Ancient Mediterranean World. Cambridge
Branham, R. B. (2002) Bakhtin and the Classics. Evanston, IL
Brashear, W. (1985) ‘Gnomology’, Yale Classical Studies 28: 9–12
Braund, S. and G. W. Most, eds. (2003) Ancient Anger: Perspectives from Homer to Galen. Cambridge
Bremer, J. M. (1991) ‘Poets and their patrons’ in Harder and Hofman (1991) 39–60
Bremer, J. M. and E. W. Handley, eds. (1993) Aristophane: Sept exposés suivis de discussions (Entretiens Hardt, 38). Geneva
Bresson, A. (2000) La cité marchande. Bourdeaux
Bresson, A. (2007) L’économie de la Grèce des cités (fin VIe-Ier siècle a. C.). I. Les structures et la production. Paris
Bresson, A. (2008) L’économie de la Grèce des cités (fin VIe-Ier siècle a. C.). II. Les espaces de l’échange. Paris
Briggs, W. W. (1994) Biographical Dictionary of North American Classicists. Westport, CT
Brixhe, C. (1988) ‘La langue de l’étranger non grec chez Aristophane’ in Lonis (1988) 113–38
Brock, R. (1994) ‘The labour of women in Classical Athens’, Classical Quarterly 44: 336–46
Brockmann, C. (2003) Aristophanes und die Freiheit der Komödie: Untersuchungen zu den frühen Stücken unter besonderer Berücksichtigung der Acharner. Munich
Brown, M., ed. (2000) The Cambridge History of Literary Criticism. Vol. 5: Romanticism. Cambridge
Brown, P. G. (1987) ‘Masks, names and characters in New Comedy’, Hermes 115: 181–202
Brown, P.G. (1990) ‘Plots and prostitutes in Greek New Comedy’, Papers of the Leeds Latin Seminar 6: 241–66
Brown, P.G. (1992) ‘Menander, fragments 745 and 746 K-T, Menander's “Kolax”, and parasites and flatterers in Greek comedy’, Zeitschrift für Papyrologie und Epigraphik 92: 91–107
Brown, P.G. (1993) ‘Love and marriage in Greek New Comedy’, Classical Quarterly 43: 184–205
Brown, P.G. (2002) ‘Actors and actor-managers at Rome in the time of Plautus and Terence’ in Easterling and Hall (2002) 225–37
Brown, P.G. (2008) ‘Scenes at the door in Aristophanic comedy’ in Revermann and Wilson (2008) 349–72
Brown, P. and S. Ograjenšek, eds. (2010) Ancient Drama in Music for the Modern Stage. Oxford
Bruhn, C. (1910) Über den Wortschatz des Menander. Jena
Bultrighini, U., ed. (2005) Democrazia e antidemocrazia nel mondo Greco. Alessandria
Burckhardt, A. (1924) Spuren der athenischen Volksrede in der alten Komödie. Basel
Burckhardt, J. (1898–1902) Griechische Kulturgeschichte, Berlin = S. Stern, trans., O. Murray, ed. (1998) The Greeks and Greek Civilization. London
Burkert, W. (1979) ‘Kynaithos, Polycrates and the Homeric Hymn to Apollo’ in G. W. Bowersock and M. C. J. Putnam, eds., Arktouros: Hellenic Studies Presented to B. M. W. Knox. Berlin and New York, 52–62; and reprinted in C. Riedweg, ed., Kleine Schriften vol. 1: Homerica. Göttingen, 189–97
Burkert, W. (1987) ‘The making of Homer in the 6th century BC: rhapsodes versus Stesichorus’ in M. Trueet al., eds., Papers on the Amasis Painter and His World. Malibu. 51–62; reprinted in C. Riedweg, ed., Kleine Schriften vol. 1: Homerica. Göttingen. 189–97
Burkert, W. (2000) ‘“Stumm wie ein Menander-Chor”: ein zusätzliches Testimonium’, Zeitschrift für Papyrologie und Epigraphik 131: 23–4
Burstein, S. (1980) ‘Menander and politics: the fragments of the Halieis’ in S. M. Burstein and L. A. Okin, eds., Panhellenica: Essays in Ancient History and Historiography in Honor of Truesdell S. Brown, Lawrence, 69–76
Butler, J., E. Laclau and S. Žižek, eds., (2000) Contingency, Hegemony, Universality: Contemporary Dialogues on the Left. London
Butrica, J. (2001) ‘The lost Thesmophoriazusae of Aristophanes’, Phoenix 55: 44–76
Cairns, D. L., and R. A. Knox, eds. (2004) Law, Rhetoric, and Comedy in Classical Athens: Essays in Honour of Douglas M. MacDowell. Swansea
Carawan, E. M. (1990) ‘The five talents Cleon coughed up (Schol. Ar. Ach. 6)’, Classical Quarterly 40: 137–47
Carey, C. (1992) Apollodoros against Neaira: (Demosthenes) 59. Warminster
Carey, C. (1994) ‘Comic ridicule and democracy’ in Osborne and Hornblower (1994) 69–83
Carey, C. (1998) ‘Nomos in Attic Rhetoric and Oratory’, Journal of Hellenic Studies 116: 33–46
Carey, C. (2000) ‘Comic law’, Annali dell’Università di Ferrara 1: 65–86
Carpenter, T. H. (1986) Dionysian Imagery in Archaic Greek Art: its Development in Black-Figure Vase Painting. Oxford
Carpenter, T.H. (2005) ‘Images of satyr plays in South Italy’ in Harrison (2005) 219–36
Carpenter, T.H. (2007) ‘Introduction to komasts and predramatic ritual’ in Csapo and Miller (2007) 41–7
Carratelli, P. (1996) The Western Greeks. London
Carrière, J. C. (1979) Le carnaval et la politique: une introduction à la comédie grecque suivie d'un choix de fragments. Paris
Carter, D. M. (2007) The Politics of Greek Tragedy. Exeter
Carter, D. M. ed. (2011) Why Athens? A Reappraisal of Tragic Politics. Oxford
Cartledge, P. (1985) ‘Rebels and sambos in ancient Greece: a comparative view’ in Cartledge and Harvey (1985) 16–46
Cartledge, P. (1990) Aristophanes and his Theatre of the Absurd. Bristol
Cartledge, P., E. Cohen and L. Foxhall, eds. (2002) Money, Labour, and Land: Approaches to the Economy of Ancient Greece. Cambridge
Cartledge, P. and F. D. Harvey, eds. (1985) CRUX: Essays in Greek History Presented to G. E. M. de Ste. Croix on his 75th Birthday. London
Cartledge, P., P. Millett and S. Todd, eds. (1990) Nomos: Essays in Athenian Law, Politics, and Society. Cambridge
Cassio, A. C. (1985) ‘Old Persian marika-, Eupolis’ Marikas, and Aristophanes’ Knights’, Classical Quarterly 35: 38–42
Cassio, A. C. (2002) ‘The language of Doric Comedy’ in Willi (2002a) 51–83
Cassio, A. C., ed. (2008) Storia delle lingue letterarie greche. Milan
Casson, L. (1976) ‘The Athenian upper class and New Comedy’, Transactions of the American Philological Association 106: 26–59
Cavallero, P. A. (1994) ‘El humorismo en Menandro’, Dioniso 64: 83–103
Ceccarelli, P. (2000) ‘Life among the savages and escape from the city’ in Harvey and Wilkins (2000) 453–71
Çelik, Ö. (2009) ‘Yukari Harbiye Mozaik Kurtarma Kazısı (Perikeiromene, Philadelphoi, Syaristosai [sic], Theophorosmene [sic])’ in F. Bayram and A. Özme, eds., 17. Müze Çalişmaları ve Kurtarma Kazıları Sempozyumu. Ankara, 41–52
Cerchiai, al., eds. (2002, English version 2004) The Greek Cities of Magna Graecia and Sicily. Los Angeles, CA
Ceserani, G. (2012) Italy's Lost Greece: Magna Graecia and the Making of Modern Archaeology. Oxford
Chapman, G. A. H. (1983) ‘Some notes on dramatic illusion in Aristophanes’, American Journal of Philology 104: 1–23
Chiarini, G. (1983) ‘Metafora e metonimia: per l'elaborazione di un modello interpretativo del teatro classico’, Res Publica Litterarum (University of Kansas) 6: 113–22
Christ, M. (1998) The Litigious Athenian. Baltimore, MD
Cieply, M. (2007) ‘That film's real message? It could be “buy a ticket”’, New York Times, 5 March 2007, E7
Clay, D. (2004) Archilochos Heros: The Cult of Poets in the Greek Polis. Washington, DC
Clinton, K. (2003) ‘The sanctuary of Demeter and Kore at Eleusis’ in N. Marinatos and R. Hägg, eds. (2003) Greek Sanctuaries: New Approaches. London and New York, 110–24
Clover, C. (1998) ‘Law and the order of popular culture’ in Sarat and Kearns (1998) 97–119
Cohen, B., ed. (2000) Not the Classical Ideal: Athens and the Construction of the Other in Greek Art. Leiden, Boston and Cologne
Cohen, D. (2001) ‘Women in public: gender, citizenship, and social status in classical Athens’ in M. Gagarin and R. Wallace, eds., Symposion 2001. Vienna, 33–46
Cohen, E. (1992) Athenian Economy and Society: A Banking Perspective. Princeton, NJ
Cole, S. G. (1984) ‘Greek sanctions against sexual assault’, Classical Philology 79: 97–113
Colvin, S. (1995) ‘Aristophanes: dialect and textual criticism’, Mnemosyne 48: 34–47
Colvin, S. (1999) Dialect in Aristophanes and the Politics of Language in Ancient Greek Literature. Oxford
Colvin, S. (2000) ‘The language of non-Athenians in Old Comedy’ in Harvey and Wilkins (2000) 285–98
Compton-Engle, G. (2003) ‘Control of costume in three plays of Aristophanes’, American Journal of Philology 124: 507–35
Connolly, J. (2001a) ‘Reclaiming the theatrical in the Second Sophistic’, Helios 28: 75–96
Connolly, J. (2001b) ‘Problems of the past in imperial Greek education’ in Too (2001) 339–73
Connor, W. R. (1971) The New Politicians of Fifth-Century Athens. Princeton, NJ
Connor, W. R. (1994) ‘The problem of Athenian civic identity’ in A. Boegehold and A. Scafuro, eds., Athenian Identity and Civic Ideology. Baltimore and London, 34–44
Constantinides, E. (1969) ‘Timocles’ Ikarioi Satyroi: a reconsideration’, Transactions of the American Philological Association 100: 49–61
Cook, P., ed. (1985) The Cinema Book: A Complete Guide to Understanding the Movies. London
Cornford, F. (1914: 1934) The Origin of Attic Comedy. London (2nd edn Cambridge 1934)
Courtney, E., ed. (1993) The Fragmentary Latin Poets. Oxford
Cox, C. A. (1998) Household Interests: Property, Marriage Strategies, and Family Dynamics in Ancient Athens. Princeton, NJ
Craik, E., ed. (1990) ‘Owls to Athens’: Essays on Classical Subjects for Sir Kenneth Dover. Oxford
Cribiore, R. (1996) Writing, Teachers and Students in Graeco-Roman Egypt. Atlanta, GA
Cribiore, R. (2001) Gymnastics of the Mind. Princeton, NJ
Cribiore, R. (2008) The School of Libanius in Late Antique Antioch. Princeton, NJ
Cropp, M., K. Lee and D. Sansone, eds. (1999–2000) Euripides and Tragic Theatre in the Late Fifth Century (= Illinois Classical Studies)
Crosby, M. (1955) ‘Five comic scenes from Athens’, Hesperia 24: 76–84
Csapo, E. (1986) ‘A note on the Würzburg bell-crater H 5697 (Telephus Travestitus)’, Phoenix 40: 379–92
Csapo, E. (1993a) ‘Deep ambivalence: notes on a Greek cockfight’, Phoenix 47: 1–28 and 115–24
Csapo, E. (1993b) Review of Nesselrath (1990), Phoenix 47: 354–7
Csapo, E. (1997) ‘Mise-en-scène théâtrale, scène de théâtre artisanale: les mosaïques de Ménandre à Mytilène, leur contexte social et leur tradition iconographique’ in B. Le Guen, ed., De la scène aux gradins (Pallas 47, 1997) 165–82
Csapo, E. (1999) ‘Performance and iconographic tradition in the illustrations of Menander’, Syllecta Classica 10: 154–88
Csapo, E. (2000) ‘From Aristophanes to Menander? Genre transformations in Greek comedy’ in Depew and Obbink (2000) 115–34
Csapo, E. (2001) ‘The first artistic representations of theatre: dramatic illusion and dramatic performance in Attic and South Italian art’ in Katz, Golini and Pietropaolo (2001) 17–38
Csapo, E. (2002) ‘Kallippides on the floor-sweepings: the limits of realism in classical acting and performance styles’ in Easterling and Hall (2002) 127–47
Csapo, E. (2004) ‘The politics of the New Music’ in Murray and Wilson (2004) 207–48
Csapo, E. (2005) Theories of Mythology. Malden, MA and Oxford
Csapo, E. (2006/7) ‘The iconography of the Exarchos’, Mediterranean Archaeology 19/20: 55–65
Csapo, E. (2007) ‘The men who built the theatres: theatropolai, theatronai, and arkhitektones’ in Wilson (2007c) 87–115
Csapo, E. (2010a) ‘The context of choregic dedications’ in Taplin and Wyles (2010) 79–130
Csapo, E. (2010b) Actors and Icons of the Ancient Theater. Malden, MA and Oxford
Csapo, E. (2010c) ‘The production and performance of comedy in antiquity’ in Dobrov (2010) 103–42
Csapo, E. (2013) ‘Comedy and the Pompe: Dionysian genre-crossing’ in Bakola, Prauscello and Telò (2013) 40–80
Csapo, E. and W. J. Slater (1995) The Context of Ancient Drama. Ann Arbor, MI
CsapoE. and M. Miller, eds. (2007) The Origins of Theater in Ancient Greece and Beyond: From Ritual to Drama. Cambridge
Cucchiarelli, A. (2001) La satira e il poeta: Orazio tra Epodi e Sermones. Pisa
Cullyer, H. (2006) ‘Agroikia and pleasure in Aristotle’ in Rosen and Sluiter (2006) 181–217
Currie, B. (2005) Pindar and the Cult of Heroes. Oxford.
D’Arms, J. H. (1999) ‘Performing culture: Roman spectacle and the banquets of the powerful’ in Bergmann and Kondoleon (1999) 301–19
Da Costa Ramalho, A. (1952) Διπλᾶ ὀνοματα no estilo de Aristófanes. Coimbra
Dale, A. M. (1969) Collected Papers. Cambridge David, E. (1984) Aristophanes and Athenian Society of the Early Fourth Century BC. Leiden
Davidson, J. (1997) Courtesans and Fishcakes: the Consuming Passions of Classical Athens. London and New York
Davidson, J., F. Muecke and P. Wilson, eds. (2006) Greek Drama III: Essays in Honour of Kevin Lee. London (= Bulletin of the Institute of Classical Studies Supp. 87)
Davies, J. K. (1981) Wealth and the Power of Wealth in Classical Athens. New York
Davies, J. K. (2007) ‘Classical Greece: production’ in Scheidel et al. (2007) 333–61
Davis, N. Z. (1975) Society and Culture in Early Modern France. Stanford, CA
Dawe, R. D., J. Diggle and P. Easterling, eds. (1978) Dionysiaca: Nine Studies in Greek Poetry, Presented to D. L. Page. Cambridge, 105–39
Day, G. (2001) Class. London and New York
Day, S. C. (2001) ‘Aristophanes’ plays in the United States: a production history in the context of sociopolitical revelations’, Ph.D. thesis, Tufts University
De Angelis, F. (forthcoming) A Social and Economic History of Archaic and Classical Greek Sicily. Oxford
De Jong, I., H. Dik and A. Rijksbaron, eds. (2005) Sophocles and the Greek Language. Leiden
Dearden, C. W. (1976) The Stage of Aristophanes. London
Dearden, C. W. (1988) ‘Phlyax comedy in Magna Graecia: a reassessment’ in Betts, Hooker and Green (1988) 33–41
Dearden, C. W. (1990) ‘Epicharmus, Phlyax and Sicilian comedy’ in J. P. Descoeudres, ed., Eumousia, Sydney, 155–61
De Martino, F. and A. Sommerstein, eds. (1995) Lo spettacolo delle voci. Bari
Degani, E. (1993) ‘Aristofane e la tradizione dell'invettiva personale in Grecia’ in Bremer and Handley (1993) 1–36
Del Corno, D. (1975) ‘Alcuni aspetti del linguaggio di Menandro’, Studi Classici e Orientali 24: 13–48
Del Corno, D. (1997) ‘La caratterizzazione dei personaggi di Aristofane attraverso i fatti di lingua e di stile’ in Thiercy and Menu (1997) 243–52
Denard, H. (2007) ‘Lost theatre and performance traditions in Greece and Italy’ in McDonald and Walton (2007) 139–60
Depew, M. and D. Obbink, eds. (2000) Matrices of Genre: Authors, Canons, and Society. Cambridge
Desclos, M.-L., ed. (2000) Le rire des Grecs. Anthropologie du rire en Grèce ancienne. Grenobles
Desideri, P. (1978) Dione di Prusa, Messina and Florence
Deufert, M. (2002) Textgeschichte und Rezeption der plautinischen Komödien im Altertum. Berlin
Diamantakou-Agathou, K. (2007a) In the Hinterland of Ancient Comedy: Introduction to the Semiology of Space and Time in the Theater of Aristophanes (in Greek). Athens
Diamantakou-Agathou, K. (2007b) ‘Wealth as a vehicle to the survival and revival of Aristophanes’ (in Greek) in Vivilakes (2007) 423–32
Dickey, E. (1995) ‘Forms of address and conversational language in Aristophanes and Menander’, Mnemosyne 48: 257–71
Dickinson, T. H., ed. (1937) The Theater in a Changing Europe. New York
Diels, H. (1875), ‘Eine Quelle des Stobäus’, Rheinisches Museum 30: 172–81
Diller, A. (1937) Race Mixture among the Greeks before Alexander. Urbana, IL
Dillon, J. and S. E. Wilmer, eds. (2005) Rebel Women: Staging Ancient Greek Drama Today. London
Dittmar, W. (1933) Sprachliche Untersuchungen zu Aristophanes und Menander. Weida in Thüringen
Doblhofer, G. (1994) Vergewaltigung in der Antike. Stuttgart and Leipzig
Dobrov, G. (2001) Figures of Play: Greek Drama and Metafictional Poetics. Oxford
Dobrov, G. (2002) ‘Μάγειρος ποιητής: language and character in Antiphanes’ in Willi (2002a) 169–90
Dobrov, G., ed. (1995) Beyond Aristophanes: Transition and Diversity in Greek Comedy. Atlanta, GA
Dobrov, G. ed. (1997) The City as Comedy: Society and Representation in Athenian Drama. Chapel Hill, NC
Dobrov, G.,ed. (2010) Brill's Companion to the Study of Greek Comedy. Leiden
Dohm, H. (1964) Mageiros. Die Rolle des Kochs in der griechisch-römischen Komödie. Munich
Dominik, W. J., ed. (1997) Roman Eloquence: Rhetoric in Society and Literature. London
Donderer, M. (2005/6), ‘Antike Musterbücher und (k)ein Ende. Ein neuer Papyrus und die Aussage der Mosaiken’, Musiva et Sectilia 2/3: 81–113
Donlan, W. (1980) The Aristocratic Ideal in Ancient Greece. Lawrence
Dougherty, C. (1991) ‘Linguistic colonialism in Aeschylus’ Aetnaeae’, Greek, Roman and Byzantine Studies: 119–32
Dougherty, C. (1993) The Poetics of Colonization. Oxford
Dover, K. J. (1966a) ‘The skene in Aristophanes’, Proceedings of the Cambridge Philological Society 192: 2–17
Dover, K. J. (1966b) Review of Whitman (1964) in Classical Review n.s. 16.2: 159–61
Dover, K. J. (1970) ‘Lo stile di Aristofane’, Quaderni Urbinati di Cultura Classica 9: 7–23 (English trans. in Dover (1987) 224–36)
Dover, K. J. (1972) Aristophanic Comedy. Berkeley, CA
Dover, K. J. (1974) Greek Popular Morality in the Time of Plato and Aristotle. Berkeley and Los Angeles, CA
Dover, K. J. (1976) ‘Linguaggio e caratteri Aristofanei’, Rivista di Cultura Classical e Medioevale 18: 357–71 (English trans. in Dover (1987) 237–48)
Dover, K. J. (1987) Greek and the Greeks: Collected Papers I. Oxford and New York
Dover, K. J. (1993) Aristophanes: Frogs. Oxford
Dover, K. J. (1997) The Evolution of Greek Prose Style. Oxford
Dover, K. J. (2000) ‘Foreward: Frogments’ in Harvey and Wilkins (2000) xvii–ix
Dover, K. J. (2002) ‘Some evaluative terms in Aristophanes’ in Willi (2002a) 85–97
Dubois, L. (1989) Inscriptions grecques dialectales de Sicile. Paris and Rome
DuBois, P. (2003) Slaves and Other Objects. Chicago, IL
DuBois, P. (2006) ‘History of the impossible: ancient utopia’, Classical Philology 101: 1–14
Duckworth, G. E. (1952: 1994) The Nature of Roman Comedy. Princeton, NJ
Ducrot, O. and T. Todorov (1972) Dictionnaire encyclopédique des sciences du langage. Paris
Duhoux, Y. (2004) ‘Langage de femmes et d'hommes en grec ancien: l'exemple de Lysistrata’ in Penney (2004) 131–45
Dunbabin, K. (1996) ‘Convivial spaces: dining and entertainment in the Roman villa’, Journal of Roman Archaeology 9: 66–80
Dunbabin, K. (2003) The Roman Banquet. Images of Conviviality. Cambridge
Dunbar, N. (1966) Review of Whitman (1964), Journal of Hellenic Studies 86: 182–83
Dunn, F. (1999) ‘The council's solar calendar’, American Journal of Philology 120: 369–80
Durham, D. B. (1913). The Vocabulary of Menander. Princeton, NJ
Eagleton, T. (2007) Ideology: An Introduction. New edition. London and New York
Easterling, P. (1973) ‘Presentation of character in Aeschylus’, Greece and Rome 20: 3–19
Easterling, P. (1977) ‘Character in Sophocles’, Greece and Rome 24: 121–9
Easterling, P. (1990) ‘Constructing character in Greek tragedy’ in Pelling (1990) 83–99
Easterling, P. (1999) ‘The early years of the Cambridge Greek Play: 1882–1912’ in Stray (1999) 27–47
Easterling, P. and E. Hall, eds. (2002) Greek and Roman Actors. Aspects of an Ancient Profession. Cambridge
Easterling, P. and B. Knox, eds. (1985) The Cambridge History of Classical Literature, Volume I: Greek Literature, Cambridge Eco, U. (1984), ‘The Frames of Comic Freedom’ in Sebeok (1984) 1–9
Edwards, A. T. (2002) ‘Historicizing the popular grotesque: Bakhtin's Rabelais and His World and Attic Old Comedy’ in Branham (2002) 27–55 (revised and updated version of an article first published in Scodel (1993) 89–117)
Ehrenberg, V. (1960) The Greek State. Oxford
Ehrenberg, V. (1962) The People of Aristophanes: A Sociology of Old Attic Comedy, 3rd edn. New York
Elderkin, G. W. (1934) ‘The Curculio of Plautus’, American Journal of Archaeology 39: 29–36
English, M. C. (2000) ‘The diminishing role of stage properties in Aristophanic Comedy’, Helios 27: 149–62
English, M. C. (2005) ‘The evolution of Aristophanic stagecraft’, Leeds International Classical Studies 4: 1–16
Ercolani, A., ed. (2002) Spoudaiogeloion: Form und Funktion der Verspottung in der aristophanischen Komödie. Stuttgart and Weimar
Etzioni, A. (2000) ‘Toward a theory of public ritual’, Sociological Theory 18: 44–59
Evans, N. (2002) ‘Sanctuaries, sacrifices, and the Eleusinian Mysteries’, Numen 49: 227–54
Falkner, T., N. Felson and D. Konstan, eds. (1999) Contextualizing Classics: Ideology, Performance, Dialogue: Essays in Honor of John I. Peradotto. Lanham, MD
Fantham, E. (1975) ‘Sex, status, and survival in Hellenistic Athens: a study of women in New Comedy’, Phoenix 29: 44–74
Fantham, E. (1984) ‘Roman experience of Menander in the late republic and early empire’, Transactions of the American Philological Association 114: 299–309
Fantham, E. (2002) ‘Orator and/et actor’ in Easterling and Hall (2002) 362–76
Fantham, E. (2008) ‘With malice aforethought: the ethics of malitia on stage and at law’ in Sluiter and Rosen (2008) 319–34
Fantuzzi, M., ed. (forthcoming) The Rhesus Ascribed to Euripides
Farioli, M. (2000) ‘Mito e satira politica nei ‘Chironi’ di Cratino’, Rivista di Filologia e di Istruzione Classica 128: 406–31
Ferguson, W. S. (1911) Hellenistic Athens. London
Finglass, P. J. (2007) Sophocles: Electra. Cambridge
Finley, M. I. (1973) The Ancient Economy. London
Finley, M. I. (1979) Ancient Sicily. London
Fisher, N. (1993) ‘Multiple personalities and Dionysiac festivals: Dikaiopolis in Aristophanes’ Acharnians’. Greece and Rome 40: 31–47
Fisher, N. (2000) ‘Symposiasts, fish-eaters, and flatterers: social mobility and moral concerns in Old Comedy’ in Harvey and Wilkins (2000) 355–96
Fittschen, K. (1991) ‘Zur Rekonstruktion griechischer Dichterstatuen. 1.Teil: Die Statue des Menander’, Athenische Mitteilungen 106: 243–79
Fittschen, K. (1995) ‘Eine Stadt für Schaulustige und Müβiggänger: Athen im 3. und 2. Jh. v. Chr.’ in Wörrle and Zanker (1995) 55–77
Flashar, H. (2009) Inszenierung der Antike: Das griechische Drama auf der Bühne, 2nd edn. Munich
Fletcher, K. (1979–1981) ‘Aristophanes on the Victorian stage: J. R. Planché's adaptation of The Birds’, Theatre Studies 26–27: 89–98
Foley, H., ed. (1981) Reflections of Women in Antiquity. New York and London
Foley, H., (1982) ‘The ‘female intruder’ reconsidered: women in Aristophanes’ Lysistrata and Ecclesiazusae’, Classical Philology 77: 1–21
Foley, H., (1988) ‘Tragedy and politics in Aristophanes’ Acharnians’, Journal of Hellenic Studies 108: 33–47
Foley, H., (2000) ‘The comic body in Greek art and drama’ in Cohen (2000) 275–311
Foley, H., (2008) ‘Generic boundaries in late fifth-century Athens’ in Revermann and Wilson (2008) 15–36
Fontaine, M. (2004) Review of Leigh (2004). BMCR 2004.11.30
Fontaine, M. (2010) Funny Words in Plautine Comedy. Oxford and New York
Fontaine, M. (2014) ‘Dynamics of appropriation in Roman Comedy: Menander's Kolax in three Roman receptions (Naevius, Plautus, and Terence's Eunuchus)’ in D. Olson, ed., Ancient Comedy and Reception, Berlin and Boston, 180–202
Fontaine, M. and A. Scaturo, eds. (2014) The Oxford Handbook of Greek and Roman Comedy, Oxford and New York
Forrest, W. G. (1963) ‘Aristophanes’ Acharnians’, Phoenix 17: 1–12
Fournet, J.-L. (1992) ‘Une éthopée de Caïn dans le Codex des Visions de la Fondation Bodmer’, Zeitschrift für Papyrologie und Epigraphik 92: 253–66
Foxhall, L. (1989) ‘Household, gender, property in classical Athens’, Classical Quarterly 39: 22–44
Foxhall, L. (1992) ‘The control of the Attic landscape’ in Wells (1992) 155–9
Foxhall, L. (2002) ‘Access to resources in Classical Greece: the egalitarianism of the polis in practice’ in Cartledge et al. (2002) 209–20
Foxhall, L. (2007) Olive Cultivation in Ancient Greece: Seeking the Ancient Economy. Oxford
Foxhall, L. and A. D. E. Lewis, eds. (1996) Greek Law in its Political Setting: Justifications Not Justice. Oxford
Foxhall, L. and J. Salmon, eds. (1998). Thinking Men: Masculinity and its Self-Representation in the Classical Tradition. London and New York
Fraenkel, E. (2007) Plautine Elements in Plautus, trans. T. Drevikovsky and F. Muecke. Oxford and New York
Frank, J. (2005). A Democracy of Distinction: Aristotle and the Work of Politic. Chicago, IL
Fredershausen, O. (1912) ‘Weitere Studien über das Recht bei Plautus und Terenz’, Hermes 47: 199–249
Freud, S. (1976) Jokes and their Relation to the Unconscious, Eng. trans. J. Strachey, rev. A. Richards. Harmondsworth
Friedrich, J. (1918) ‘Das Attische im Munde von Ausländern bei Aristophanes’, Philologus 75: 274–303
Frost, K. B. (1988) Exits and Entrances in Menander. Oxford
Frow, J. (2006) Genre. New York
Frye, N. (1957) Anatomy of Criticism: Four Essays. Princeton, NJ
Furley, W. D. (2009) Menander, Men at Arbitration. London
Gabrielsen, V. (1994) Financing the Athenian Fleet. Baltimore, MD
Gadamer, H.-G. (1986) The Relevance of the Beautiful. London
Gagarin, M. (2003) ‘Telling stories in Athenian law’, Transactions of the American Philological Association 133: 197–207
Gagarin, M. and D. Cohen, eds. (2005) The Cambridge Companion to Ancient Greek Law. Cambridge
Gallo, I., ed., (2004) La biblioteca di Plutarco. Naples
Gamel, M.-K. (2007) ‘Sondheim floats Frogs’ in Hall and Wrigley (2007) 209–30
GarnseyP. (1996) Ideas of Slavery from Aristotle to Augustine. Cambridge
García Novo, E. and I. Rodríguez Alfgeme, eds. (1998) Dramaturgia y puesta en escena en el teatro griego. Madrid
Garzya, A. (1959) ‘Menandro nel giudizo di tre retori del primo impero’, Rivista di Filologia Classica 37: 237–52
Garzya, A. (1969) ‘Il Sicionio di Menandro e La Realta’ Politica Del Tempo’, Dioniso 43: 481–4
Gehrke, H. J. (1976) Phokion. Studien zur Erfassung seiner historischen Gestalt. Munich
Geissler, P. (1969) Chronologie der altattischen Komödie, 2nd edn. Berlin
Gellrich, M. (1988) Tragedy and Theory: The Problem of Conflict since Aristotle. Princeton, NJ
Gelzer, T. (1960) Der epirrhematische Agon bei Aristophanes. Munich (= Zetemata 23)
Gelzer, T. (1971) Aristophanes der Komiker. Stuttgart (identical with the entry on Aristophanes in the supplement volume XII of Paulys Realencyclopädie)
Gentili, B. (1979) Theatrical Performances in the Ancient World. Amsterdam
Ghiron-Bistagne, P. (1976) Recherches sur les acteurs dans la Grèce antique. Paris
Giannopoulou, V. (2007) ‘Aristophanes in translation before 1920’ in Hall and Wrigley (2007) 309–42
Gigante, M. (1967) Rintone e il teatro in Magna Grecia. Naples
Gigante, M. (1969) ‘Il ritorno del medico straniero’, La Parola del Passato 24: 302–7
Gil, L. and I. Rodríguez Alfageme (1972) ‘La figura del médico en la Comedia ática’, Cuadernos de Filologia Clásica 3: 35–91
Gilula, D. (1977) ‘The mask of the pseudokore’, Greek, Roman and Byzantine Studies 18: 247–50
Gilula, D. (1987) ‘Menander's comedies best with dessert and wine (Plut. Mor. 712e)’, Athenaeum 55: 511–16
Glazebrook, A. (2005a) ‘Prostituting female kin (Plut. Sol. 23.1–2)’, Dike 8: 33–52
Glazebrook, A. (2005b) ‘The making of a prostitute: Apollodoros's portrait of Neaira’, Arethusa 38: 161–88
Glazebrook, A. (2006) ‘The bad girls of Athens: the image and function of hetairai in judicial oratory’ in C. A. Farone and L. McClure, eds., Prostitutes and Courtesans in the Ancient World, Madison, 113–48
Gledhill, C. (1985) ‘Genre’ in Cook (1985) 58–112
Gödde, S. and T. Heinze, eds. (2000) Skenika: Beiträge zum antiken Theater und seiner Rezeption. Festschrift zum 65. Geburtstag von Horst-Dieter Blume. Darmstadt
Goette, H. R. (1995) ‘Griechischer Theaterbau der Klassik – Forschungsstand und Fragestellungen’ in Pöhlmann (1995) 9–48
Goette, H. R. (2007) ‘An Archaeological Appendix’ in Wilson (2007c) 116–21
Goff, B. (2004) Citizen Bacchae: Women's Ritual Practice in Ancient Greece. Berkeley, CA
Goldberg, S. (1998) ‘Plautus on the Palatine’, Journal of Roman Studies 88: 1–20
Goldberg, S. (2007) ‘Comedy and society from Menander to Terence’ in McDonald and Walton (2007) 124–38
Golden, M. (1990) Children and Childhood in Classical Athens. Baltimore, MD and London
Goldhill, S. (1990) ‘Character and action, representation and reading: Greek tragedy and its critics’ in Pelling (1990) 100–27
Goldhill, S. (1991) The Poet's Voice: Essays on Poetics and Greek Literature. Cambridge
Goldhill, S. (1994) ‘Representing democracy: women at the Great Dionysia’ in Osborne and Hornblower (1994) 357–70
Goldhill, S. and R. Osborne, eds. (1999) Performance Culture and Athenian Democracy. Cambridge
Gomme, A. W. (1938) ‘Aristophanes and politics’, Classical Review 52: 97–109. Reprinted in Gomme (1962) 70–91
Gomme, A. W. (1962) More Essays in Greek History and Literature. Oxford
Gomme, A. W. and F. H. Sandbach (1973) Menander: A Commentary. Oxford
Gould, J. (1978) ‘Dramatic character and “human intelligibility”’, Proceedings of the Cambridge Philological Society 24: 43–67
Gow, A. and D. Page (1965) The Greek Anthology: Hellenistic Epigrams. 2 vols., Cambridge
Gow, A. and D. Page (1968) The Greek Anthology: The Garland of Philip and Some Contemporary Epigrams. 2 vols., Cambridge
Grafton, A., G. W. Most and S. Settis, eds. (2010) The Classical Tradition. Cambridge, MA and London
Grammatas, Th. (2009) ‘Ménandre sur scène. L’expérience neo-hellénique’, Cuadernos de Filologia Clasica 19: 141–9
Green, J. R. (1980) ‘Additions to Monuments Illustrating Old and Middle Comedy’, Bulletin of the Institute of Classical Studies 27: 123–31
Green, J. R. (1985a) ‘A representation of the Birds of Aristophanes’, Greek Vases in the J. Paul Getty Museum 2: 95–118
Green, J. R. (1985b) ‘Drunk again: a study in the iconography of the comic theater’, American Journal of Archaeology 89: 465–72
Green, J. R. (1989) ‘Theatre production: 1971–1986’, Lustrum 31: 7–95 and 273–8
Green, J. R. (1991a) ‘On seeing and depicting the theatre in Classical Athens’, Greek, Roman and Byzantine Studies 32: 15–52
Green, J. R. (1991b) ‘Notes on phylax vases’, Numismatice e Antichità Classiche 20: 40–56
Green, J. R. (1994) Theatre in Ancient Greek Society. London
Green, J. R. (1995 [1998]) ‘Theatre production: 1987–1995’, Lustrum 37: 7–202 and 309–18
Green, J. R. (2006) ‘The persistent phallos: regional variability in the performance style of comedy’ in Davidson et al. (2006) 141–62
Green, J. R. (2007) ‘Let's hear it for the fat man: padded dancers and the prehistory of drama’ in Csapo and Miller (2007: 96–107
Green, J. R. (2008) ‘Theatre production: 1996–2006’, Lustrum 50: 7–391
Green, J. R. (2010) ‘The material evidence’ in Dobrov (2010) 71–102
Green, J. R. and E. Handley (1995) Images of the Greek Theatre. London
Green, J. R. and A. Seeberg (1995) Monuments Illustrating New Comedy, 3rd edn. London
Gregory, J. (2005) A Companion to Greek Tragedy. Malden, MA and Oxford
Grell, C. (1995) Le Dix-huitième siècle et l'antiquité en France 1680–1789. 2 vols., Oxford
Griffin, D. (1994) Satire: A Critical Re-Introduction. Lexington, KY
Griffin, J. (1980) Homer on Life and Death. Oxford
Griffith, M. (1978) ‘Aeschylus, Sicily and Prometheus’ in Dawe, Diggle and Easterling (1978) 105–39
Griffith, M. (1995) ‘Brilliant dynasts: power and politics in the Oresteia’, Classical Antiquity 14: 62–129
Griffith, M. (2005a) ‘Satyrs, citizens, and self-presentation’ in Harrison (2005) 161–99
Griffith, M. (2005b) ‘Sophocles’ satyr plays and the language of romance’ in De Jong, Dik and Rijksbaron (2005) 51–72
Griffith, M. (2008) ‘Greek middlebrow drama (something to do with Aphrodite?)’ in Revermann and Wilson (2008) 59–87
Griffith, M. (2013) Aristophanes’ Frogs (Oxford Approaches to Classical Literature). Oxford
Griffiths, A., ed. (1995) Stage Directions: Essays in Ancient Drama in Honour of E.W. Handley. BICS Suppl. 66. London
Guida, A. (1974) ‘Note sul Sicionio di Menandro’, Studi Italiani di Filologia Classica 46: 211–34
Gutzwiller, K. (2000) ‘The tragic mask of Menander: metatheatricality in Menander’, Classical Antiquity 19: 102–37
Habash, M. (1995) ‘Two complementary festivals in Aristophanes’ Acharnians’,American Journal of Philology 116: 559–77
Habicht, C. (1997) Athens from Alexander to Antony. Cambridge, MA and London
Hadley, P. (2014) ‘Athens in Rome, Rome in Germany: Nicodemus Frischlin's 1586 Translations of Aristophanes’, Ph.D. thesis, University of Toronto
Hall, E. (1996) Aeschylus’ Persians: Edited with Translation, Introduction and Commentary. Warminster
Hall, E. (1995) ‘Lawcourt dramas: the power of performance in Greek forensic oratory’, Bulletin of the Institute of Classical Studies 40: 39–58, reprinted with updates in Hall (2006) 353–92
Hall, E. (2004) ‘Towards a theory of performance reception’, Arion 12: 51–89
Hall, E. (2006) The Theatrical Cast of Athens: Interactions between Ancient Greek Drama and Society. Oxford
Hall, E. (2007a) ‘Introduction: Aristophanic laughter across the centuries’ in Hall and Wrigley (2007) 1–29
Hall, E. (2007b) ‘Tragedy personified’ in Kraus, Goldhill, Foley and Elsner (2007) 221–56
Hall, E. and F. Macintosh, eds. (2005) Greek Tragedy and the British Theatre 1660–1914. Oxford
Hall, E. and A. Wrigley, eds. (2007) Aristophanes in Performance 421 BC–AD 2007: Peace, Birds, and Frogs. London
Hall, J. (2002) Hellenicity: Between Ethnicity and Culture. Chicago, IL
Halliwell, S. (1980) ‘Aristophanes’ apprenticeship’, Classical Quarterly 30: 33–45
Halliwell, S. (1984) ‘Aristophanic satire’, Yearbook of English Studies 14: 6–20
Halliwell, S. (1991) ‘Comic satire and freedom of speech in Classical Athens’, Journal of Hellenic Studies 111: 48–70
Halliwell, S. (1993) ‘Comedy and publicity in the society of the polis’ in Sommerstein et al. (1993) 321–40
Halliwell, S. (1997) Aristophanes: Birds, Lysistrata, Assembly-Women, Wealth. Oxford
Halliwell, S. (1998) Aristotle's Poetics, 2nd edn. Chicago, IL
Halliwell, S. (2002) The Aesthetics of Mimesis: Ancient Texts and Modern Problems. Princeton, NJ
Halliwell, S. (2008) Greek Laughter: A Study of Cultural Psychology from Homer to Early Christianity. Cambridge
Halliwell, S. (2012) Between Ecstasy and Truth: Interpretations of Greek Poetics from Homer to Longinus. Oxford
Hamel, D. (2003) Trying Neaira: The True Story of a Courtesan's Scandalous Life in Ancient Greece. New Haven, CT
Hamilton, R. (1991) ‘Comic acts’, Classical Quarterly 41: 346–55
Handley, E. W. (1953) ‘-sis nouns in Aristophanes’, Eranos 51: 129–42
Handley, E. W. (1965) The Dyskolos of Menander. Cambridge
Handley, E. W. (1968) Menander and Plautus: A Study in Comparison. An inaugural lecture delivered at University College, London 5 February 1968. London
Handley, E. W. (1985) ‘Comedy’ in Easterling and Knox (1985) 355–98
Handley, E. W. (1997) ‘Menander. Dis Exapaton’ in Handley and Wartenberg (1997) 17–42
Handley, E. W. (2011) ‘The Rediscovery of Menander’ in Obbink and Rutherford (2011) 138–59
Handley, E. W. and A. Hurst, eds. (1990) Relire Ménandre. Geneva
Handley, E. W. and U. Wartenberg, eds. (1997) The Oxyrhynchus Papyri, vol. 64. London
Hansen, M. (1975) Eisangelia: The Sovereignty of the People's Court in Athens in the Fourth Century BC and the Impeachment of Generals and Politicians. Odense
Hansen, M. (1980) ‘Eisangelia at Athens: a reply’, Journal of Hellenic Studies 100: 89–95
Hansen, M. (1988) ‘Athenian population losses, 431–403 BC, and the number of Athenian citizens in 431’ in M. Hansen, Three Studies in Athenian Demography, Copenhagen, 7–13
Hansen, M. (1999) The Athenian Democracy in the Age of Demosthenes, 2nd edn. Oxford
Hanson, V. (1995) The Other Greeks: The Family Farm and the Agrarian Roots of Western Civilization. Berkeley, CA and London
Harder, A. and H. Hofman, eds. (1991) Fragmenta Dramatica. Göttingen
Harding, P. (1994) ‘Comedy and rhetoric’ in Worthington (1994) 196–221
Hardwick, L. (2003) Reception Studies. Oxford
Hardwick, L. and C. Stray, eds. (2008) A Companion to Classical Receptions. Oxford
Harris, E. (1994) ‘Law and oratory’ in Worthington (1994) 130–50
Harris, E. (2002a) ‘Workshop, marketplace, and household: the nature of technical specialization in Classical Athens and its influence on economy and society’ in Cartledge et al. (2002) 67–99
Harris, E. (2002b) ‘Did Solon abolish debt-bondage?’, Classical Quarterly 52: 415–30
Harris, E. (2006) Democracy and the Rule of Law in Classical Athens. Cambridge
Harrison, G. W. M., ed. (2005) Satyr Drama: Tragedy at Play. Swansea
Harrison, G. W. M. and V. Liapis, eds. (2013) Performance in Greek and Roman Theatre. Leiden
Harvey, D. (2000) ‘Phrynichos and his Muses’ in Harvey and Wilkins (2000) 91–134
Harvey, D. (2004) Paris, Capital of Modernity. New York and London
Harvey, D. (2005) A Brief History of Neoliberalism. Oxford
Harvey, D. (2010) The Enigma of Capital and the Crises of Capitalism. London
Harvey, D. and J. Wilkins, eds. (2000) The Rivals of Aristophanes: Studies in Athenian Old Comedy. London
Hasebroek, J. (1928) Staat und Handel im alten Griechland, Tübingen (trans. (1933) Trade and Politics in Ancient Greece, London)
Hasegawa, K. (2005) The Familia Urbana during the Early Empire: A Study of Columbaria Inscriptions. Oxford
Heap, A. (1998) ‘Understanding the men in Menander’ in Foxhall and Salmon (1998) 115–29
Heath, M. (1987) Political Comedy in Aristophanes. Göttingen (= Hypomnemata 87)
Heath, M. (1990) ‘Aristophanes and some of his rivals’, Greece and Rome 37: 143–58
Heath, M. (1997) ‘Aristophanes and the discourse of politics’ in Dobrov (1997) 230–49
Heberlein, F. (1981) ‘Zur Ironie in ‘Plutos’ des Aristophanes’, Würzburger Jahrbücher für die Altertumswissenschaft 7: 27–49
Hedreen, G. (2004) ‘The return of Hephaistos, Dionysiac processional ritual, and the creation of a visual narrative’, Journal of Hellenic Studies 124: 38–64
Hedreen, G. (2007) ‘Myths of ritual in Athenian vase-paintings of Silens’ in Csapo and Miller (2007) 150–95
Heiden, B. (1991) ‘Tragedy and comedy in the Frogs of Aristophanes’, Ramus 20: 95–111
Henderson, J. (1980b) ‘Lysistrata: the play and its themes’ in Henderson (1980a) 153–218
Henderson, J. (1987a) ‘Older women in Attic Comedy’ in Transactions of the American Philological Association 117: 105–29
Henderson, J. (1987b) Aristophanes’ Lysistrata. Oxford
Henderson, J. (1990) ‘The demos and the comic competition’ in Winkler and Zeitlin (1990) 271–313
Henderson, J. (1991a) The Maculate Muse: Obscene Language in Attic Comedy, 2nd edn. New York and Oxford
Henderson, J. (1991b) ‘Women and the Athenian dramatic festivals’, Transactions of the American Philological Association 121: 133–48
Henderson, J. (1993) ‘Comic hero versus political elite’ in Sommerstein et al. (1993) 307–19
Henderson, J. (1996) Three Plays by Aristophanes: Staging Women. London
Henderson, J. (1998) ‘Attic Old Comedy, frank speech, and democracy’ in Boedeker and Raaflaub (1998) 255–73
Henderson, J. (2000) ‘Pherekrates and the women of Old Comedy’ in Harvey and Wilkins (2000) 135–50
Henderson, J. (2007) Aristophanes: Fragments. Cambridge, MA
Henderson, J., ed. (1980a) Aristophanes: Essays in Interpretation. New York (= Yale Classical Studies 26)
Henrichs, A. (1993) ‘Response’ in A. W. Bulloch, E. S. Gruen, A. A. Long and A. Stewart, eds., Images and Ideologies: Self-Definition in the Hellenistic World, Berkeley, CA, 171–95
Henry, M. M. (1985) Menander's Courtesans and the Greek Comic Tradition. Frankfurt am Main, Bern and New York
Herington, C. J. (1965) Review of C. H. Whitman, Aristophanes and the Comic Hero, Phoenix 19: 314–23
Herington, C. J. (1967) ‘Aeschylus in Sicily’, Journal of Hellenic Studies 87: 74–85
Herrick, M. T. (1964) Comic Theory in the Sixteenth Century. Urbana, IL
Hiersche, R. (1970) Grundzüge der griechischen Sprachgeschichte bis zur klassischen Zeit. Wiesbaden
Hill, C. (1972) The World Turned Upside Down: Radical Ideas during the English Revolution. London
Himmelmann, N. (1994) Realistische Themen in der griechischen Kunst der archaischen und klassischen Zeit. Berlin and New York
Hoare, Q. and G. N. Smith, eds. (1971) Selections from the Prison Notebooks of Antonio Gramsci. New York
Hoffmann, G. (1998) ‘La richesse et les riches dans les comédies de Ménandre’, Pallas 48: 135–44
Hoffmann, O., A. Debrunner and A. Scherer (1969) Geschichte der griechischen Sprache I: Bis zum Ausgang der klassischen Zeit, 4th edn. Berlin
Hofmeister, T. P. (1997) ‘Hai pasai poleis: polis and oikoumene in Menander’ in Dobrov (1997) 289–342
Holford-Strevens, L. (2003) Aulus Gellius: An Antonine Scholar and His Achievements. Oxford
Holtermann, M. (2004) Der deutsche Aristophanes: die Rezeption eines politischen Dichters im 19. Jahrhundert. Göttingen
Hooks, B. (2000) Where We Stand: Class Matters. New York
Hopper, C. (2002) ‘Spiced-up girls’, Guardian, 14 September 2002, 37
Hordern, J. H. (2004) Sophron's Mimes: Text, Translation, Commentary. Oxford
Horn, W. (1970) Gebet und Gebetsparodie in den Komödien des Aristophanes. Nuremberg
Hornblower, S. (2002) The Greek World, 479–323 BC, 3rd edn. London
Horrocks, G. (2010) Greek: A History of the Language and its Speakers, 2nd edn. Malden, MA and Oxford
Hubbard, T. K. (1991) The Mask of Comedy: Aristophanes and the Intertextual Parabasis. Ithaca, NY
Hughes, A. (1996) ‘Comic stages in Magna Graecia: the evidence of the vases’, Theatre Research International 21: 95–107
Hughes, A. (2003) ‘Comedy in Paestan vase painting’, Oxford Journal of Archaeology 22: 281–301
Hughes, A. (2006a) ‘The costumes of Old and Middle comedy’, Bulletin of the Institute of Classical Studies 49: 39–68
Hughes, A. (2006b) ‘The “Perseus Dance” vase revisited’, Oxford Journal of Archaeology 25: 413–33
Hughes, A. (2011) Performing Greek Comedy. Cambridge
Hugill, W. M. (1936) Panhellenism in Aristophanes. Chicago, IL
Hugoniot, C., F. Hurlet and S. Milanezi, eds. (2004) Le statut de l'acteur dans l'antiquité grecque et romaine. Tours
Humphreys, S. C. (1978) Anthropology and the Greeks. London
Humphreys, S. C. (1993) The Family, Women, and Death. Ann Arbor, MI
Hunt, S. (2011) ‘Slaves in Greek literary culture’, in Bradley and Cartledge (2011) 22–47
Hunter, R. L. (1979) ‘The comic chorus in the fourth century’, Zeitschrift für Papyrologie und Epigraphk 36: 23–38
Hunter, R.L. (1983) Eubulus: The Fragments. Cambridge
Hunter, R.L. (1985) The New Comedy of Greece and Rome. Cambridge
Hunter, R.L. (1993) ‘The presentation of Herodas’ Mimiamboi’, Antichthon 27: 31–44
Hunter, R.L. (2000) ‘The politics of Plutarch's Comparison of Aristophanes and Menander’ in Goedde and Heinze (2000) 267–76
Hunter, R.L. (2002) ‘“Acting Down”: the ideology of Hellenistic performance’ in Easterling and Hall (2002) 189–206
Hunter, R.L. (2009) Critical Moments in Classical Literature: Studies in the Ancient View of Literature and its Uses. Cambridge
Hunter, V. (1994) Policing Athens: Social Control in the Attic Lawsuits, 420–320 BC. Princeton, NJ
Hurst, A. (1990) ‘Ménandre et la tragédie’ in Handley and Hurst (1990) 93–122
Hutcheon, L. (1985) A Theory of Parody: The Teachings of Twentieth-Century Art Forms. New York
Hutcheon, L. (2006) A Theory of Adaptation. London and New York
Imperio, O. (2004a) Parabasi di Aristofane: Acarnesi, Cavalieri, Vespe, Uccelli. Bari
Imperio, O. (2004b) ‘I comici a simposio. Le Quaestiones convivales e la Aristophanis et Menandri Comparatio di Plutarco’ in Gallo (2004) 185–96
Ingalls, W. (2001) ‘Paida nean malista: when did Athenian girls really marry?Mouseion 1: 17–29
Ingalls, W. (2002) ‘Demography and dowries: perspectives on female infanticide in classical Greece’, Phoenix 56: 246–54
Isager, S. (1980/1) ‘The marriage pattern in classical Athens: men and women in Isaios’, Classica et Mediaevalia 33: 81–96
Isler-Kerényi, C. (2007) ‘Komasts, mythic imaginary, and ritual’ in Csapo and Miller (2007) 77–95
Jackman, T. (2006) ‘Ducetius and 5th-century Sicilian tyranny’ in S. Lewis, ed. (2006) Ancient Tyranny. Edinburgh, 33–48
Jäkel, S. (1964) Menandri Sententiae. Lipsia
Jäkel, S. and A. Timonen, eds. (1995) Laughter Down the Centuries, vol. 2. Turku
Jäkel, S. and A. Timonen, (1997) Laughter Down the Centuries, vol. 3. Turku
Jameson, F. (1971) Marxism and Form. Princeton, NJ
Jameson, F. (1981) The Political Unconscious. Ithaca, NY
Janko, R. (1984) Aristotle on Comedy: Towards a Reconstruction of Poetics II. London
Jennings, V. and A. Katsaros (2007a) ‘Introduction’ in Jennings and Katsaros (2007) 1–16
Jennings, V. and A. Katsaros, eds. (2007) The World of Ion of Chios. Leiden (Mnemosyne Suppl. no. 288)
Johnstone, S. (1999) Disputes and Democracy: The Consequences of Litigation in Ancient Athens. Austin, TX
Jones, C. P. (1978) The Roman World of Dio Chrysostom. Cambridge, MA
Jones, C. P. (1991) ‘Dinner theatre’ in Slater (1991) 185–98
Jones, C. P. (1993) ‘Greek drama in the Roman Empire’ in Scodel (1993) 39–52
Jones, J. (1962) On Aristotle and Greek Tragedy. London
Jordan, D. (2007) ‘An opisthographic lead tablet from Sicily with a financial document and a curse concerning choregoi’ in Wilson (2007c) 335–50
Just, R. (1989) Women in Athenian Law and Life. London
KA = Kassel and Austin (1983–)
Kallendorf, C. W., ed. (2007) A Companion to the Classical Tradition. Malden, MA and Oxford
Kallet, L. (2009) ‘Democracy, empire and epigraphy in the twentieth century’ in Ma, Papazarkadas, Parker (2009) 43–66
Kalospyros, N. A. E. (2007) ‘Adamance Coray (Koraës): the literary image of Socrates in the Greek Enlightenment and New Hellenism’ in Trapp (2007) 277–98
Kapparis. K. (1999) Apollodorus, ‘Against Neaira’ [D. 59]. Berlin and New York
Kassel, R., and C. Austin (1983–) Poetae Comici Graeci, vols. i, ii, iii 2, iv, v, vi 2, vii, viii. Berlin and New York
Kassel, R., and C. AustinHe Kathemerine, 13 June 2004: special issue Aristophanes: Diachronic and Current (in Greek)
Katsouris, A. G. (1975) Linguistic and Stylistic Charcterization: Tragedy and Menander. Ioannina
Katz, B. (1976) ‘The Birds of Aristophanes and politics’, Athenaeum 54: 353–81
Katz, G., V. Golini and D. Pietropaolo, eds. (2001) Theatre and the Visual Arts. New York, Ottawa and Toronto
Katz, M. A. (1998) ‘Did women of ancient Athens attend the theater in the eighteenth century?’, Classical Philology 93: 105–24
Kayser, W. (1960) Das Groteske in Malerei und Dichtung. Munich
Kerkhof, R. (2001) Dorische Posse, Epicharm und attische Komödie. Leipzig
Keuls, E. C. (1985) The Reign of the Phallus: Sexual Politics in Ancient Athens. New York
Kindt, J. (2012) Rethinking Greek Religion. Cambridge
Kitto, H. D. F. (1966) Greek Tragedy: A Literary Study. London
Klaus, K. (1936) Die Adjektiva bei Menander. Leipzig
Klees, H. (1998) Sklavenleben im Klassisghen Griechenland. Stuttgart
Kleinknecht, H. (1937) Die Gebetsparodie in der Antike. Stuttgart and Berlin
Kloss, G. (2001) Erscheinungsformen komischen Sprechens bei Aristophanes. Berlin and New York
Knox, B. M. W. (1957) Oedipus at Thebes. New Haven, CT
Knox, B. M. W. (1964) The Heroic Temper: Studies in Sophoclean Tragedy. Berkeley, CA
Knox, B. M. W. (1979) Word and Action. Essays on the Ancient Theater. Baltimore, MD and London
Komornicka, A. M. (1964) Métaphores, personnifications et comparaisons dans l'oeuvre d’Aristophane. Wrocław
Konstan, D. (1994) ‘The classics and class conflict’, Arethusa 27: 47–70
Konstan, D. (1995) Greek Comedy and Ideology. New York
Körte, A. (1912) ‘Fragmente einer Handschrift der Demen des Eupolis’, Hermes 47: 276–313
Körte, A. (1931) ‘Menandros’ Kunst: Sprache’, RE XV/1: 751–3
Kosmopoulou, A. (2002) ‘“Working women”: female professionals on classical Attic gravestones’, Annual of the British School at Athens 96: 281–319
Koster, W. J. W. (1975) Scholia in Aristophanem Pars I, Fasc. 1A: Prolegomena de Comoedia. Groningen
Kotzamani, M. A. (1997) ‘Lysistrata, playgirl of the Western world: Aristophanes on the Early Modern Stage’, Ph.D. thesis, City University of New York
Kotzamani, M. A. (2005) ‘Lysistrata joins the Soviet Revolution: Aristophanes as engaged theatre’ in Dillon and Wilmer (2005) 78–111
Kotzamani, M. A. (2006a) ‘Artist citizens in the age of the Web: the Lysistrata Project (2003–present)’, Theater 36: 103–10
Kotzamani, M. A. (2006b) ‘Lysistrata on the Arabic stage’, PAJ: A Journal of Performance and Art 28: 13–41
Kotzamani, M. A. (2007) ‘Karolos Koun, Karaghiozis and The Birds: Aristophanes as Popular Theatre’ in Robb (2007) 179–94
Kowalzig, B. (2008) ‘Nothing to do with Demeter? Something to do with Sicily! Theatre and society in the early fifth-century West’ in Revermann and Wilson (2008) 128–57
Kozak, L. and J. Rich, eds. (2006) Playing Around Aristophanes: Essays in Celebration of the Completion of the Edition of the Comedies of Aristophanes by Alan Sommerstein. Oxford
Kraus, C., S. Goldhill, H. P. Foley and J. Elsner, eds. (2007) Visualizing the Tragic: Drama, Myth, and Ritual in Greek Art and Literature. Essays in Honour of Froma Zeitlin. Oxford
Krien, G. (1955) ‘Der Ausdruck der antiken Theatermasken nach Angabe im Polluxkatalog und in der pseudo-aristotelischen Physiognomik’, Jahreshefte des Österreichischen Archäologischen Instituts 42: 84–117
Krieter-Spiro, M. (1997) Sklaven, Köche und Hetären: Das Dienstpersonal bei Menander. Stellung, Rolle, Komik und Sprache. Stuttgart
Kroll, J. H. (2009) ‘What about coinage?’ in Ma, Papazarkadas and Parker (2009) 195–209
Kronauer, U. (1954) Der formale Witz in den Komödien des Aristophanes. Oberwinterthur
Kurke, L. (1999) Coins, Bodies, Games, and Gold. Princeton, NJ
Kyriakidi, N. (2007) Aristophanes und Eupolis: zur Geschichte einer dichterischen Rivalität. Berlin
Lada-Richards, I. (1999) Initiating Dionysus: Ritual and Theatre in Aristophanes’ Frogs. Oxford
Lamagna, M. (1998) ‘Dialogo riportato in Menandro’ in García Novo and Rodríguez Alfageme (1998) 289–302
Lamagna, M. (2004) ‘Il lessico di Menandro nella disputa sull'atticismo’ in López Férez (2004) 195–208
Lamberton, R. (2001) Plutarch. New Haven, CT and London
Lambropoulos, V. (2006) The Tragic Idea. London
Lanni, A. (1997) ‘Spectator sport or serious politics? Hoi perihestêkotes and the Athenian lawcourts’, Journal of Hellenic Studies 117: 183–9
Lanni, A. (2006) Law and Justice in the Courts of Classical Athens. Cambridge
Lanza, M. (2000) ‘Entrelacement des espaces chez Aristophane (l'exemple des Acharniens)’, Pallas 54: 133–9
Lape, S. (2004) Reproducing Athens: Menander's Comedy, Democratic Culture, and the Hellenistic City. Princeton, NJ
Lape, S. (2006) ‘The poetics of the kômos-chorus in Menander's comedy’, American Journal of Philology 127: 89–109
Lape, S. (2010a) Race and Citizen Identity in the Classical Athenian Democracy. Cambridge
Lape, S. (2010b) ‘Gender in Menander's Comedy’ in Petrides and Papioannou (2010) 51–78
Lauter, P., ed. (1964) Theories of Comedy. New York
Leach, E. (1961) Rethinking Anthropology. London
Le Guen, B. (1995) ‘Théâtre et cités à l’époque Hellénistique’, Revue des Études Grecques 108: 59–90
Le Guen, B. (2001) Les associations de technites dionysiaques à l’ époque hellénistique. 2 vols., Nancy
Le Guen, B. (2007) ‘Le palmarès de l'acteur-athlète: retour sur Syll.3 1080 (Tégée)’, Zeitschrift für Papyrologie und Epigraphik 160: 97–107
Legrand, P.-E. (1910) Daos: Tableau de la comédie grecque pendant la période dite nouvelle (Κωμῳδία Νέα). Lyons and Paris
Leigh, M. (2004) Comedy and the Rise of Rome. Oxford
Leo, F. (1912) Plautinische Forschungen zur Kritik und Geschichte der Komödie, 2nd edn. Berlin
Leo, F. (1913) Geschichte der römischen Literatur I. Berlin
Leppin, H. (1992) Histrionen. Bonn
Lewis, D. M. (1997) ‘Aristophanes and politics’ in Selected Papers (P. J. Rhodes ed.), Cambridge, 173–86
Lewis, D. M., J. Boardman, J. K. Davies and M. Ostwald, eds. (1992) The Cambridge Ancient History, 2nd edn, vol. V. Cambridge
Lewis, D. M., J. Boardman, S. Hornblower and M. Ostwald, eds. (1994) The Cambridge Ancient History, 2nd edn, vol. VI. Cambridge
Liapis, V. (2002) Menandrou Gnomai monostichoi. Eisagôgê, metaphrasê, scholia. Athens
Liapis, V. (2006) ‘How to make a monostichos: strategies of variation in the Sententiae Menandri’, Harvard Studies in Classical Philology 103: 261–98
Liapis, V. (2012) A Commentary on the Rhesus Attributed to Euripides. Oxford
Lightfoot, J. L. (2002) ‘Nothing to do with the technītai of Dionysus?’ in Easterling and Hall (2002) 209–24
Lind, H. (1990) Der Gerber Kleon in den Rittern des Aristophanes. Studien zur Demagogenkomödie. Frankfurt am Main
Linderski, J. (2007) ‘The Menander inscription from Pompeii and the expression primus scripsit’, Zeitschrift für Papyrologie und Epigraphik 159: 45–55
Long, T. (1986) Barbarians in Greek Comedy. Carbondale and Edwardsville, IL
Lonis, R., ed. (1988) L’étranger dans le monde grec. Nancy
López Eire, A. (1986) ‘La lengua de la comedia aristofánica’, Emerita 54: 237–74
López Eire, A. (1991) Ático, koiné y aticismo: Estudios sobre Aristófanes y Libanio. Murcia
López Eire, A. (1996) La lengua coloquial de la Comedia aristofánica. Murcia
López Eire, A. (2002a) ‘La lengua de Hiperides y Menandro’, Habis 33: 73–94
López Eire, A. (2002b) ‘Recursos lingüísticos de la burla en la comedia aristofánica’, in Ercolani (2002) 45–70
López Eire, A. (2003) ‘Tragedy and satyr-drama: linguistic criteria’ in Sommerstein (2003) 387–412
López Férez, J. A., ed. (1995) De Homero a Libanio (Estudios actuales sobre textos griegos II). Madrid
López Férez, J. A., ed. (2004) La lengua científica griega: orígenes, desarrollo e influencia en las lenguas modernas europeas. Madrid
Loraux, N. (1993) ‘The comic acropolis: Aristophanes, Lysistrata’ in N. Loraux (1993) Children of Athens: Athenian Ideas about Citizenship and the Division Between the Sexes. Princeton, NJ, 143–83
Lord, C. (1977) ‘Aristotle, Menander, and the Adelphoe of Terence’, Transactions of the American Philological Association 107: 183–202
Lottich, O. (1881) De sermone vulgari Atticorum maxime ex Aristophanis fabulis cognoscendo. Diss. Halle
Lowe, N. (1987) ‘Tragic space and comic timing in Menander's Dyskolos’, Bulletin of the Institute for Classical Studies 34: 126–38
Lowe, N. (1988) ‘Greek stagecraft and Aristophanes’ in Redmond (1988) 33–52
Lowe, N. (1993) ‘Aristophanes’ Books’, Annals of Scholarship 10: 63–83
Lowe, N. (2000) The Classical Plot and the Invention of Western Narrative. Cambridge
Lowe, N. (2006) ‘Aristophanic spacecraft’ in Kozak and Rich (2006) 48–64
Lowe, N. (2008) Comedy. Cambridge
Luppe, W. (1972) ‘Die Zahl der Konkurrenten an den komischen Agonen zur Zeit despeloponnesischen Kriegs’, Philologus 116: 53–75
Ma, J. (1999) Antiochus III and the Cities of Western Asia Minor. Oxford
Ma, J., N. Papazarkadas and R. Parker, eds. (2009) Interpreting the Athenian Empire. London
MacCary, W. T. (1969) ‘Menander's slaves: their names, roles and masks’, Transactions of the American Philological Association 100: 277–94
MacCary, W.T. (1970) ‘Menander's characters: their names, roles and masks’, Transactions of the American Philological Association 101: 277–90
MacCary, W.T. (1971) ‘Menander's old men’, Transactions of the American Philological Association 102: 303–25
MacCary, W.T. (1972) ‘Menander's soldiers: their names, roles and masks’, American Journal of Philology 93: 279–98
MacCary, W.T. (1979) ‘Philokleon ithyphallos: dance, costume and character in the Wasps’, Transactions of the American Philological Association 109: 137–47
MacDowell, D. M. (1971) Aristophanes: Wasps. Oxford
MacDowell, D. M. (1978) The Law in Classical Athens. Ithaca, NY
MacDowell, D. M. (1982) ‘Aristophanes and Kallistratos’, Classical Quarterly 32: 21–6
MacDowell, D. M. (1988) ‘Clowning and slapstick in Aristophanes’ in Redmond (1988) 1–14
MacDowell, D. M. (1994) ‘The number of speaking actors in Old Comedy’, Classical Quarterly 44: 325–35
MacDowell, D. M. (1995) Aristophanes and Athens: An Introduction to the Plays. Oxford
Macgregor Morris, I. (2007) ‘The refutation of democracy? Socrates in the Enlightenment’ in Trapp (2007) 209–27
Major, W. (1997) ‘Menander in a Macedonian world’, Greek, Roman and Byzantine Studies 38: 41–74
Malkin, I. (1994) Myth and Territory in the Spartan Mediterranean. Cambridge
Mansfeld, J. (1979) ‘The chronology of Anaxagoras’ Athenian period and the date of his trial, I’, Mnemosyne 32: 39–69
Mansfeld, J. (1980) ‘The chronology of Anaxagoras’ Athenian period and the date of his trial, II’, Mnemosyne 33: 17–95
Manville, P. B. (1990) The Origins of Citizenship in Ancient Athens. Princeton, NJ
Marconi, C. (2007) Temple Decoration and Cultural Identity in the Archaic Greek World. Cambridge
Marconi, C. (2012) ‘Between performance and identity: the social context of stone theaters in late Classical and Hellenistic Sicily’ in Bosher (2012) 175–207
Marianetti, M. (1993) ‘Socratic mystery-parody and the issue of asebeia in Aristophanes’ Clouds’, Symbolae Osloenses 68: 5–31
Markle, M. M. (1985) ‘Jury pay and assembly pay at Athens’ in Cartledge and Harvey (1985) 265–97
Markoulaki, S., I. Christoudoulakos and C. Frangonikolaki (2004) ‘Hê archaia Kisamos kai hê poleodomikê organôsê’ in A. Ausilio, ed. (2004) Creta romana e protobizantina: atti del congresso internazionale, Iraklion 23–30 settembre 2000. Athens. vol. 2, 355–80
Marrou, H. L. (1956) A History of Education in Antiquity. Trans. G. Lamb. London
Marshall, C. W. (1996) ‘Amphibian ambiguities answered’, Echos du Monde Classique/Classical Views 15: 251–65
Marshall, C. W. (1997) ‘Comic technique and the fourth actor’, Classical Quarterly 47: 77–84
Marshall, C. W. (1999) ‘Some fifth-century masking conventions’, Greece and Rome 46: 188–202
Marshall, C. W. (2001) ‘A gander at the Goose Play’, Theatre Journal 55: 51–71
Marshall, C. W. (2002) ‘Chorus, metatheatre, and Dyskolos 427–441’, Scholia 11: 3–17
Marshall, C. W. (2006) ‘Three actors in Old Comedy, again’ in Harrison and Liapis (2013) 257–78
Marshall, C. W. (2013) The Stagecraft and Performance of Roman Comedy. Cambridge
Marshall, C. W. and G. Kovacs, eds. (2012) No Laughing Matter. Studies in Athenian Comedy. London
Marshall, C. W. and S. van Willigenburg (2004) ‘Judging Athenian dramatic competitions’, Journal of Hellenic Studies 124: 90–107
Martin, R. P. (2008) ‘Words alone are certain good(s): philology and Greek material culture’, Transactions of the American Philological Assocation 138: 313–49
Martín de Lucas, I. (1996) ‘Los demonstrativos con -ι epidíctica en Aristófanes’, Emerita 64: 157–71
Martindale, C. and R. F. Thomas, eds. (2006) Classics and the Uses of Reception. Malden, MA and Oxford
Masaracchia, A. (1981) ‘La tematica amorosa in Menandro’ in Letterature Comparate: Problemi e Metodo. Studi in Onore di Ettore Paratore. Bologna, 213–38
Mastromarco, G. (1979) ‘L’esordio ‘segreto’ di Aristofane’, Quaderni di Storia 5: 153–92
Mastromarco, G. (1987) ‘La parabasi aristofanea tra realtà e poesia’, Dioniso 57: 75–93
Mastronarde, D. (1994) Euripides: Phoenissae. Cambridge
Mastronarde, D. (1999–2000) ‘Euripidean tragedy and genre: the terminology and its problems’ in Cropp, Lee and Sansone (1999–2000) 23–39
Mastronarde, D. (1999–2000a) ‘Introduction’ in Cropp, Lee and Sansone (1999–2000) 17–22
Mattingly, D. J. and J. Salmon, eds. (2001) Economies beyond Agriculture in the Ancient World. London and New York
Maurogene, M. (2007) Aristophanes on the Modern Greek Stage (in Greek), Ph.D. thesis, University of Crete
May, R. (2006) Apuleius and Drama. The Ass on Stage. Oxford
Mayor, A., J. Colarusso and D. Saunders (2012) Making Sense of ‘Nonsense’ Inscriptions: Non-Greek Words Associated with Amazons and Scythians on Ancient Greek Vases: Version 1.0, Princeton/Stanford Working Papers in Classics1–42
Mazon, P. (1904) Essai sur la composition des comédies d’Aristophane. Paris
McCarthy, K. (2000) Slaves, Masters, and the Art of Authority in Plautine Comedy. Princeton, NJ
McClintock, H. (1972) Haywire Mac. New York: Folkways Records. Recorded and with notes and interviews by Sam Eskin
McClure, L. (2003) Courtesans at Table: Gender and Greek Literary Culture in Athenaeus. New York
McDonald, M. and J. M. Walton, eds. (2007) The Cambridge Companion to Greek and Roman Theatre. Cambridge
McGlew, J. (1997) ‘After irony: Aristophanes’ Wealth and its modern interpreters’, American Journal of Philology 118: 135–53
McGlew, J. (2002) Citizens on Stage: Comedy and Political Culture in the Athenian Democracy. Ann Arbor, MI
McGlew, J. (2004) ‘“Speak on my behalf”: persuasion and purification in Aristophanes’ Wasps’, Arethusa 37: 11–36
McKeown, N. (2011) ‘Resistance among chattel slaves in the Classical Greek World’ in Bradley and Cartledge (2011) 153–76
McLeish, K. (1980) The Theatre of Aristophanes. New York
Meiggs, R. (1972) The Athenian Empire. Oxford
Meiggs, R. and D. M. Lewis, eds. (1988) A Selection of Greek Historical Inscriptions to the End of the Fifth Century BC, revised edn. Oxford
Meillet, A. (1965) Aperçu d'une histoire de la langue grecque, 8th edn. Paris
Mertens, D. (1982) ‘Das Theater-Ekklesiasterion auf der Agora von Metapont’, Architectura 12: 93–124
Mertens, D. and A. de Siena (1982) ‘Metaponto: Il teatro-ekklesiasterion’, Bolletino d’Arte del Ministero della Pubblica Istruzione, VI: 16: 1–60
Mette, H-J. (1977) Urkunden dramatischer Aufführungen in Griechenland. Berlin
Michaèl, C. A. (1981) Ὁ κωμικὸς λόγος τοῦ Ἀριστοφάνους. Athens
Michelakis, P. (2002) Achilles in Greek Tragedy. Cambridge
Millett, P. (1991) Lending and Borrowing in Ancient Athens. Cambridge
Millino, G. (2000) ‘Epicarmo e i Pigmei’, Anemos 1: 113–50
Millis, B. and D. Olson (2012) Inscriptional Records for the Dramatic Festivals in Athens: IGII22318–2325 and Related Texts. Leiden and Boston
Mirhady, D. (2007) ‘The dicasts’ oath and the question of fact’ in A. Sommerstein and J. Fletcher, eds., Horkos: The Oath in Greek Society. Bristol, 48–59
Mitchell-Boyask, R. (2008) Review of Wilson (2007c), Bryn Mawr Classical Review 2008.05.24
MMC = Webster (1978)
MNC = Webster (1995)
Möller, A. (2007) ‘Classical Greece: distribution’ in Scheidel et al. (2007) 362–84
Moore, T. J. (1998) ‘Music and structure in Roman comedy,American Journal of Philology 119: 245–73
Moore, T. J. (2008) ‘When did the tibicen play? Meter and musical accompaniment in Roman Comedy’, Transactions of the American Philological Association 138: 3–46
Moore, T. J. (2012) Music in Roman Comedy. Cambridge
Moraw, S. and E. Nölle, eds. (2002) Die Geburt des Theaters in der griechischen Antike. Mainz
Moreno, A. (2007) Feeding the Democracy: The Athenian Grain Supply in the Fifth and Fourth Centuries BC. Oxford
Moreno, A. (2009) ‘“The Attic neighbour”: the cleruchy in the Athenian Empire’ in Ma, Papazarkadas and Parker (2009) 211–21
Moretti, J.-C. (1993) ‘Les débuts de l'architecture théâtrale en Sicile et en Italie méridionale (5th–3rd s.)’, Topoi 3: 72–100
Moretti, J.-C. (1999–2000) ‘The theater of the sanctuary of Dionysus Eleutheros in late fifth-century Athens’, Illinois Classical Studies 24–25: 377–98
Morgan, T. (1998) Literate Education in the Hellenistic and Roman Worlds. Cambridge
Morley, N. (2007) Trade in Classical Antiquity. Cambridge
Morris, I. (1994) ‘The Athenian economy twenty years after The Ancient Economy’, Classical Philology 89: 351–66
Morris, I. (1998) ‘Remaining invisible: the archaeology of the excluded in classical Athens’ in S. R. Joshel and S. Murnaghan, eds., Women and Slaves in Greco-Roman Culture: Differential Equations. London, 193–220
Morris, I. (2000) Archaeology as Cultural History: Words and Things in Iron Age Greece. Oxford
Mossé, C. (1973) Athens in Decline 404–86 BC (English trans. J. Stewart). London
Mossé, C. (1989) ‘Quelques remarques sur la famille à Athènes à la fin du IVème Siècle: Le témoignage du théâtre de Ménandre’ in F. J. Fernández Nieto, ed., Symposion 1982: Vorträge zur griechischen und hellenistischen Rechtsgeschichte, Cologne, 129–34
Most, G.W. (2000) ‘Generating genres: the idea of the tragic’ in Depew and Obbink (2000) 15–36
Moulton, C. (1981) Aristophanic Poetry. Göttingen
Muecke, F. (1977) ‘Playing with the play: theatrical self-consciousness in AristophanesAntichthon 11: 52–67
Muecke, F. (1982a) ‘I know you – by your rags: costume and disguise in fifth-century drama’, Antichthon 16: 17–34
Muecke, F. (1982b) ‘Portrait of the artist as a young woman’, Classical Quarterly 32: 41–55
Müller, A. (1913) ‘Die Schimpfwörter in der griechischen Komödie’, Philologus 72: 321–37
Müller, C. W., K. Sier and J. Werner, eds. (1992) Zum Umgang mit fremden Sprachen in der griechisch-römischen Antike. Stuttgart
Müller-Strübing, H. (1873) Aristophanes und die Historische Kritik. Polemische Studien zur Geschichte von Athen in fünften Jahrhundert vor Ch. G. Leipzig
Murray, G. (1912: 1927), ‘Excursus on the ritual forms preserved in Greek Tragedy’ in: J. Harrison (1927) Themis: A Study of the Social Origins of Greek Religion, 2nd edn. Cambridge (1st edition published in 1912), 341–63
Murray, G. (1933) Aristophanes: A Study. Oxford
Murray, G. (1943) ‘Ritual elements in the New Comedy’, Classical Quarterly 37: 46–54
Murray, P. and P. Wilson, eds. (2004) The Culture of ‘Mousikē’ in the Classical Athenian City. Oxford
Mureddu, P. and G. F. Nieddu, eds. (2006) Comicità e riso tra Aristofane e Menandro. Amsterdam
Nachtergael, L. (1977) Les Galates en Grèce et les Sôtéria de Delphes. Mémoires de la classe des lettres de l’Academie Royale Belgique 73. Brussels
Nervegna, S. (2007) ‘Staging scenes or plays? Theatrical revivals of ‘old’ Greek drama in antiquity’, Zeitschrift für Papyrologie und Epigraphik 162: 14–42
Nervegna, S. (2010) ‘Menander's Theophorumene between Greece and Rome’, American Journal of Philology 131: 23–68
Nervegna, S. (2013) Menander in Antiquity: The Contexts of Reception. Cambridge
Nesselrath, H.-G. (1990) Die attische mittlere Komödie: Ihre Stellung in der antiken Literaturkritik und Literaturgeschichte. Berlin
Nesselrath, H.-G. (1993) ‘Parody and later Greek comedy’, Harvard Studies in Classical Philology 95: 181–95
Nesselrath, H.-G. (1995) ‘Myth, parody, and comic plots’ in Dobrov (1995) 1–27 (1997) ‘The polis of Athens in Middle Comedy’ in Dobrov (1997) 271–88
Nesselrath, H.-G. (2010) ‘Comic fragments: transmission and textual criticism’ in Dobrov (2010) 423–53
Nesselrath, H.-G. (2011) ‘Menander and his rivals: new light from the comic adespota?’ in Obbink and Rutherford (2011) 119–37
Newiger, H.-J. (1957) Metapher und Allegorie: Studien zu Aristophanes. Munich
Newiger, H.-J. (1989) ‘Ekkyklema e mechane nella messa in scena del dramma greco’, Dioniso 59: 173–185
Newiger, H.-J., ed. (1975) Aristophanes und die alte Komödie. Darmstadt
Nielsen, I. (2002) Cultic Theatres and Ritual Drama: A Study in Regional Development and Religious Interchange between East and West in Antiquity. Aarhus
Nightingale, A. W. (1995) Genres in Dialogue: Plato and the Construction of Philosophy. Cambridge
Norwood, G. (1931) Greek Comedy. Boston, NJ
Nünlist, R. (2002) ‘Speech within speech in Menander’ in Willi (2002a) 219–59
Obbink, D. and R. Rutherford, eds. (2011) Culture in Pieces: Essays on Ancient Texts in Honour of Peter Parsons. Oxford
Ober, J. (1989) Mass and Elite in Democratic Athens: Rhetoric, Ideology, and the Power of the People. Princeton, NJ
Ober, J. and C. Hedrick, eds. (1996) Demokratia: A Conversation on Democracies. Princeton, NJ
Ober, J. and B. Strauss (1990) ‘Drama, political rhetoric, and the discourse of Athenian democracy’ in Winkler and Zeitlin (1990) 237–70
Ogden, D. (1996) Greek Bastardy in the Classical and Hellenistic Periods. Oxford
Oliva, C. (1968) ‘La parodia e la critica letteraria nella commedia post-aristofanea’, Dioniso 42: 25–92
Oliver, G. (2007) War, Food and Politics in Early Hellenistic Athens. Oxford
Olson, D. (1989) ‘Cario and the new world of Aristophanes’ Plutus’, Transactions of the American Philological Association 119: 193–9
Olson, D. (1990) ‘Economics and ideology in Aristophanes’ Wealth’, Harvard Studies in Classical Philology 93: 223–42
Olson, D. (1991) ‘Dicaeopolis’ political motivations in Aristophanes’ Acharnians’, Journal of Hellenic Studies 111: 200–3
Olson, D. (1992) ‘Names and naming in Old Comedy’, Classical Quarterly 42: 304–19
Olson, D. (1996) ‘Politics and poetry in Aristophanes’ Wasps’, Transactions of the American Philological Association 126: 129–50
Olson, D. (1998) Aristophanes: Peace. Oxford
Olson, D. (2002) Aristophanes: Acharnians. Oxford
Olson, D. (2007) Broken Laughter: Selected Fragments of Greek Comedy. Oxford
Olson, D. (2010) ‘Comedy, politics, and society’ in Dobrov (2010) 35–69
Omitowoju, R. (2002) Rape and the Politics of Consent in Classical Athens. Cambridge
O’Regan, D. (1992) Rhetoric, Comedy and the Violence of Language in Aristophanes’ Clouds. Oxford
Orfanos, Ch. (2007) ‘Revolutionary Aristophanes?’ in Hall and Wrigley (2007) 106–16
Orth, C. (2009) Strattis: die Fragmente. Berlin
Osborne, R. (1985) Demos: The Discovery of Classical Attica. Cambridge
Osborne, R. (1987) Classical Landscape with Figures: the Ancient Greek City and its Countryside. London
Osborne, R. (1992) ‘“Is it a farm?” The definition of agricultural sites and settlements in ancient Greece’ in Wells (1992) 21–7
Osborne, R. (2000) ‘An other view: an essay in political history’ in Cohen (2000) 21–42
Osborne, R. ed. (2007) Debating the Athenian Cultural Revolution: Art, Literature, Philosophy, and Politics 430–380 BC. Cambridge
Osborne, R. and S. Hornblower, eds. (1994) Ritual, Finance, Politics: Athenian Democratic Accounts Presented to David Lewis. Oxford
O’Sullivan, L. (2009) ‘History from comic hypotheses: Stratocles, Lachares, and P.Oxy. 1235’, Greek, Roman and Byzantine Studies 49: 53–79
O’Sullivan, N. (1992) Alcidamas, Aristophanes and the Beginnings of Greek Stylistic Theory. Stuttgart
Ostwald, M. (1986) From Popular Sovereignty to the Sovereignty of Law: Law, Society, and Politics in Fifth-Century Athens. Berkeley, CA
O’Toole, L. M. and A. Shukman, eds. (1977) Formalist Theory (= vol. 5 of Russian Poetics in Translation). Oxford
Otto, A. (1890) Die Sprichwörter und sprichwörtlichen Redensarten der Römer. Leipzig
Palmer, J. (1987) The Logic of the Absurd. London
Palmer, J. (1994) Taking Humour Seriously. London and New York
Palmer, L. R. (1980) The Greek Language. London
Paoli, U. E. (1962) Comici Latini e Diritto Attico. Milan
Paoli, U. E. (1976) Altri Studi di Diritto Greco e Romano. Milan
Papazarkadas, N. (2009) ‘Epigraphy and the Athenian Empire: re-shuffling the chronological cards’ in Ma, Papazarkadas and Parker (2009) 67–88
Parker, L. P. E. (1988) ‘Eupolis the unruly’, Proceedings of the Cambridge Philological Society 34: 115–22
Parker, L. P. E. (1991) ‘Eupolis or Dicaeopolis?’, Journal of Hellenic Studies 111: 203–8
Parker, L. P. E. (1997) The Songs of Aristophanes. Oxford
Parker, R. (2005) Polytheism and Society at Athens. Oxford
Parker, R. (2007) ‘Gilbert Murray and Greek religion’ in Stray (2007) 81–102
Parker, R. (2011) On Greek Religion. Ithaca, NY
Parsons, P. (2007) City of the Sharp-Nosed Fish: The Lives of the Greeks in Roman Egypt. London
Patterson, C. (1998) The Family in Greek History. Cambridge
Patterson, C. (1991) ‘Marriage and married women in Athenian law’ in S. Pomeroy, ed., Women's History and Ancient History, Chapel Hill, NC, 48–72
Patterson, C. (1994) ‘The case against Neaira and the public ideology of the Athenian family’ in A. Scafuro and A. L. Boegehold, eds., Athenian Identity and Civic Ideology, Baltimore, MD and London, 199–216
Pauw, F. (1996) ‘Aristophanes’ Nachleben and other Post-Renaissance disasters’, Akroterion 41: 161–86
PCG = Kassel and Austin (1983–)
Pearcy, L. T. (2003) ‘Aristophanes in Philadelphia: the Acharnians of 1886’, Classical World 96: 299–313
Pelling, C. B. R. (2000) Literary Texts and the Greek Historian. London
Pelling, C. B. R., ed. (1990) Characterization and Individuality in Greek Literature. Oxford
Pelling, C. B. R., (1997) Greek Tragedy and the Historian. Oxford
Penney, J. H. W., ed. (2004) Indo-European Perspectives: Studies in Honour of Anna Morpurgo Davies. Oxford
Peppler, C. W. (1910) ‘The termination -ικός, as used by Aristophanes for comic effect’, American Journal of Philology 31: 428–44
Peppler, C. W. (1916) ‘The suffix -μα in Aristophanes’, American Journal of Philology 37: 459–65
Peppler, C. W. (1918), (1921) ‘Comic terminations in Aristophanes’, American Journal of Philology 39: 173–83; 42: 152–61
Perlman, S. (1976) ‘Panhellenism, the polis and imperialism’, Historia 25: 1–30
Pernigotti, C. (2008) Menandri Sententiae. Florence
Perusino, F. (1989) Platonio: la commedia greca. Urbino
Petrides, A. and S. Papioannou, eds. (2010) New Perspectives on Postclassical Comedy. Newcastle
Petzl, G. and E. Schwertheim (2006) Hadrian und die dionysischen Künstler: drei in Alexandria Troas neugefundene Briefe des Kaisers an die Künstler-Vereinigung. Bonn
Pfeiffer, R. (1968) History of Classical Scholarship from the Beginnings to the End of the Hellenistic Age. Oxford
PhV = Trendall (1967)
Piana, R. (2005) ‘La Réception d’Aristophane en France de Palissot à Vitez 1760–1962’, Ph.D. thesis, Paris, Vincennes and Saint-Denis
Pickard-Cambridge, A. W. (1988) The Dramatic Festivals of Athens, 2nd edn, revised by J. Gould and D. M. Lewis, reissued with supplement and corrections. Oxford
Pickard-Cambridge, A. W. and T. B. L. Webster (1962) Dithyramb, Tragedy and Comedy. Oxford
Pierce, K. F. (1997) ‘The portrayal of rape in New Comedy’ in S. Deacy and K. Pierce, eds., Rape in Antiquity, London, 163–84
Pierce, K. F. (1998) ‘Ideals of masculinity in New Comedy’ in Foxhall and Salmon (1998) 137–47
Piqueux, A. (2006) ‘Le corps comique sur les vases ≪phlyaques≫ et dans la comédie attique’, Pallas 71: 27–55
Pirrotta, S. (2009) Plato comicus: die fragmentarischen Komödien. Berlin
Platter, C. (2007) Aristophanes and the Carnival of Genres. Baltimore, MD
Podlecki, A. J. (1975) The Life of Themistocles: A Critical Survey of the Literary and Archaeological Evidence. Montreal
Podlecki, A. J. (1990) ‘Could women attend the theater in ancient Athens?’, Ancient World 21: 45–63
Poe, J. P. (1996) ‘The supposed conventional meanings of dramatic masks: a re-examination of Pollux 4. 133–54’, Philologus 140: 306–28
Poe, J. P. (1999) ‘Entrances, exits, and the structure of Aristophanic comedy’, Hermes 127: 189–207
Poe, J. P. (2000) ‘Multiplicity, discontinuity, and visual meaning in Aristophanic comedy’, Rheinisches Museum 143: 256–95
Pohlenz, M. (1927: 1965), ‘Das Satyrspiel und Pratinas von Phleius’ in H. Dörrie, ed. (1965) Max Pohlenz: Kleine Schriften. Vol. 2, Hildesheim, 473–96
Pöhlmann, E., ed. (1995) Studien zur Bühnendichtung und zum Theaterbau der Antike. Frankfurt
Polacco, L. (1987) ‘L’evoluzione del teatro Greco comico nel IV a.C.’ Dioniso 57: 267–79
Polacco, L. and C. Anti (1981; 1990) Il teatro antico di Siracusa, part I and part II. Rimini
Polacco, L. and C. AntiTo Pontiki, 19 August 1999: special issue on Aristophanes’ Birds (in Greek)
Porter, J. (1997) ‘Adultery by the book: Lysias I (On the murder of Eratosthenes) and comic diegesis’, Echos du Monde Classique 40: 421–53
Porter, J. (1999–2000) ‘Euripides and Menander: Epitrepontes, Act IV’,Illinois Classical Studies 24–25: 157–73
Poultney, J. W. (1963) ‘Studies in the syntax of Attic comedy’, American Journal of Philology 84: 359–76
Pozzi, D. (1985–1986) ‘The pastoral ideal in “The Birds” of Aristophanes’, Classical Journal 81: 119–29
Préaux, C. (1957) ‘Ménandre et la société athénienne’, Chronique d’Égypte 32: 84–100
Préaux, C. (1960) ‘Les fonctions du droit dans la comedie nouvelle’, Chronique d’Égypte 25: 222–39
Proffitt, L. (2010) ‘Family, slavery and subversion in Menander's Epitrepontes’ in Alston, Hall and Proffitt (2010) 152–74
Propp, V. I. (1968) Morphology of the Folktale. Austin, TX
Purves, A. (1995) ‘Empowerment for the Athenian citizen: Philocleon as actor and spectator in Aristophanes’ Wasps’ in Zimmermann (1995) 5–22
Quadlbauer, F. (1960) ‘Die Dichter der griechischen Komödie im literarischen Urteil der Antike’, Wiener Studien 73: 40–82
Quaglia, R. (1998) ‘Elementi strutturali nelle commedie di Cratino’, Acme: Annali della Facoltà di lettere e filosofia dell’ Università degli statale di Milano 51: 23–71
Questa, C. and R. Raffaelli, eds. (2002) Due seminari plautini: La tradizione del testo, i modelli. Urbino
Questa, C., ed. (2008) Titus Maccius Plautus: Bacchides. Sarsina and Urbino
Quincey, J. (1966) ‘The end of Menander's “Sicyonian”’, Phoenix 20: 116–19
Raaflaub, K. (1996) ‘Equalities and inequalities in Athenian Democracy’ in Ober and Hedrick (1996) 139–74
Rajan, T. (2000) ‘Theories of genre’ in Brown (2000) 226–49
Rau, P. (1967) Paratragodia: Untersuchung einer komischen Form des Aristophanes. Munich
Reckford, K. J. (1987) Aristophanes’ Old-and-New Comedy. Volume I: Six Essays in Perspective. Chapel Hill, NC
Redmond, J., ed. (1988) Farce. Cambridge (= Themes in Drama 10)
Rehm, R. (2002) The Play of Space: Spatial Transformations in Greek Tragedy. Princeton, NJ
Reitzammer, L. (2008) ‘Aristophanes’ Adōniazousai’, Classical Antiquity 27: 282–333
Revermann, M. (1997) ‘Cratinus’ Dionysalexandros and the head of Pericles’, Journal of Hellenic Studies 117: 197–200
Revermann, M. (2006a) Comic Business: Theatricality, Dramatic Technique, and Performance Contexts of Aristophanic Comedy. Oxford
Revermann, M. (2006b) ‘The competence of theatre audiences in fifth- and fourth-century Athens’, Journal of Hellenic Studies 126: 99–124
Revermann, M. (2008) ‘Reception studies of Greek drama’, Journal of Hellenic Studies 128: 175–8
Revermann, M. (2013) ‘Paraepic comedy: point(s) and practices’ in Bakola, Prauscello and Telò (2013) 101–28
Revermann, M. and P. Wilson, eds. (2008) Performance, Iconography, Reception: Studies in Honour of Oliver Taplin. Oxford
Reynolds, L. and N. Wilson (2013) Scribes and Scholars: A Guide to the Transmission of Greek and Latin Literature, 4th edn. Oxford
Rhodes, P. J. (1978) ‘Bastards as Athenian citizens’, Classical Quarterly 28: 89–92
Rhodes, P. J. (1979) ‘Eisangelia in Athens’, Journal of Hellenic Studies 99: 103–14
Rhodes, P. J. (1982) ‘Problems in Athenian eisphora and liturgies’, American Journal of Ancient History 7: 1–15
Rhodes, P. J. (1993) A Commentary on the Aristotelian Athenaion Politeia, 2nd edn. Oxford
Rhodes, P. J. (2004) ‘Aristophanes and the Athenian assembly’ in Cairns and Knox (2004) 223–37
Ribbeck, O. (1876) ‘Über den Begriff des eirôn’, Rheinisches Museum 31: 381–400
Ribbeck, O. (1883) Kolax: eine ethologische Studie. Leipzig
Ribbeck, O. (1897–1898) Scaenicae Romanorum Poesis Fragmenta, 3rd edn, 2 vols. Leipzig
Richlin, A., ed. (1992) Pornography and Representation in Greece and Rome. Oxford
Richlin, A., (1997) ‘Gender and rhetoric: producing manhood in the schools’ in Dominik (1997) 90–110
Richter, G. M. (1984) The Portraits of the Greeks. Abridged and revised by R. R. R. Smith. Oxford
Ritschl, F. (1845) Parerga zu Plautus und Terenz. Leipzig
Riyad, H. and A. Selim (eds.) (1978), The Cairo Codex of Menander (P. Cair. J. 43227), London 1978
Robb, D., ed. (2007) Clowns, Fools and Picaros: Popular Forms in Theatre, Fiction and Film. Amsterdam and New York
Robert, C. (1911) Die Masken der Neuren Attischen Komodie. Halle
Robertson, B. (2008) ‘The Slave-names of IG i3 1032 and the ideology of slavery at Athens’ in C. Cooper, ed. (2008), Epigraphy and the Greek Historian, 79–118
Robinson, E. G. D. (2004) ‘Reception of comic theatre amongst the indigenous South Italians’, Mediterranean Archaeology 17: 193–212
Robson, J. (2006) Humour, Obscenity and Aristophanes. Tübingen
Robson, J. (2008) ‘Lost in translation? The problem of (Aristophanic) humour’ in Hardwick and Stray (2008) 168–82
Robson, J. (2009) Aristophanes: An Introduction. London
RocheM. W. (1998). Tragedy and Comedy: A Systematic Study and a Critique of Hegel. Albany, NY: State University of New York Press
Rodríguez-Noriega Guillén, L. (1996) Epicarmo de Siracusa. Testimonios y Fragmentos Edicióncrítica bilingüe. Oviedo
Rose, P. W. (1992) Sons of the Gods, Children of the Earth: Ideology and Literary Form in Ancient Greece. Ithaca, NY
Rose, P. W. (1999) ‘Theorizing Athenian imperialism and the Athenian State’ in Falkner et al. (1999) 19–40
Rose, P. W. (2006) ‘Divorcing ideology from Marxism and Marxism from ideology: some problems’,Arethusa 39: 101–36
Roselli, D. K. (2007) ‘Gender, class, and ideology: the social function of human sacrifice in Euripides’ Children of Heracles’, Classical Antiquity 26: 81–169
Roselli, D. K. (2009) ‘Theorika in fifth-century Athens’, Greek, Roman and Byzantine Studies 49: 5–30
Roselli, D. K. (2011) Theater of the People: Spectators and Society in Ancient Athens. Austin, TX
Rosen, R. (1988) Old Comedy and the Iambographic Tradition. Atlanta, GA
Rosen, R. (1995) ‘Plato comicus and the evolution of Greek comedy’ in Dobrov (1995) 119–37
Rosen, R. (2000) ‘Cratinus’ Pytine and the construction of the comic self’ in Harvey and Wilkins (2000) 23–39
Rosen, R. (2004) ‘Aristophanes’ Frogs and the Contest of Homer and Hesiod’, Transactions of the American Philological Association 134: 295–322
Rosen, R. (2006) ‘Comic aischrology and the urbanization of agroikia’ in Rosen and Sluiter (2006) 218–38
Rosen, R. (2007) Making Mockery: The Poetics of Ancient Satire. Oxford
Rosen, R. (2010) ‘Aristophanes’ in Dobrov (2010) 227–78
Rosen, R. and I. Sluiter, eds., (2006) City Countryside and the Spatial Organization of Value in Classical Antiquity. Leiden
Rosenbloom, D. (2002) ‘From poneros to pharmakos: theater, social drama, and revolution in Athens, 428–404 B.C.E.’, Classical Antiquity 21: 283–346
Rosenbloom, D. (2004) ‘Poneroi vs. chrestoi: the ostracism of Hyperbolus and the struggle for hegemony in Athens after the death of Perikles, Part II’, Transactions of the American Philological Association 134: 323–58
Rosenstrauch, H. (1967) Studia nad językiem Menandra. Wrocław
Rosivach, V. J. (1991) ‘Some Athenian presuppositions about the poor’, Greece and Rome 38: 189–98
Rosivach, V. J. (1998) When a Young Man Falls in Love: The Sexual Exploitation of Women in New Comedy. New York and London
Rosivach, V. J. (1999) ‘Enslaving barbaroi and the Athenian ideology of slavery’, Historia 48: 129–57
Rosivach, V. J. (2000) ‘The audiences of New Comedy’, Greece and Rome 47: 169–71
Rosivach, V. J. (2001) ‘Class matters in the Dyskolos of Menander’, Classical Quarterly 51: 127–34
Rossetto, P. and G. Sartorio, eds. (1994) Teatri Greci e Romani: alle origini del linguaggio rappresentato. 2 vols., Rome
Rossi, L. E. (1977) ‘Un nuovo papiro epicarmeo e il tipo del medico in commedia’, Atene e Roma n.s. 22: 81–4
Rostovtzeff, M. (1941) Social and Economic History of the Hellenistic World. 3 vols., Oxford
Rothwell, K. (1990) Politics and Persuasion in Aristophanes’ Ecclesiazusae. Mnemosyne Supplement 111. Leiden
Rothwell, K. (1995) ‘The continuity of the chorus in fourth-century Attic comedy’ in Dobrov (1995) 99–118
Roueché, C. (1993) Performers and Partisans at Aphrodisias. London
Rudd, N. (1981) ‘Romantic love in classical times?’, Ramus 10: 140–58
Ruffell, I. (2000) ‘The world turned upside down: utopia and utopianism in the fragments of Old Comedy’ in Harvey and Wilkins (2000) 473–506
Ruffell, I. (2002) ‘A total write-off: Aristophanes, Cratinus, and the rhetoric of comic competition’, Classical Quarterly 52: 138–63
Ruffell, I. (2006) ‘A little ironic don't you think? Utopian criticism and the problem of Aristophanes’ last plays’ in Kozak and Rich (2006) 65–104
Ruffell, I. (2008) ‘Audience and emotion in the reception of Greek drama’ in Revermann and Wilson (2008) 37–58
Ruffell, I. (2010) ‘Translating Greece to Rome: humour and the re-invention of popular culture’ in D. Chiaro, ed. (2010) Translation, Humour and Literature. London and New York, 91–118
Ruffell, I. (2011) Politics and Anti-Realism in Athenian Old Comedy. Oxford
Ruschenbusch, E. (1979) ‘Die Einführung des Theorikon’, Zeitschrift für Papyrologie und Epigraphik 36: 303–8
Russell, D. A. (1964) ‘Longinus’: On the Sublime. Oxford
Russo, C. F. (1994) Aristophanes: An Author for the Stage. London
Rusten, J. S. (2006) ‘The four “new Lenaean victors” of 428–5 B.C. (and the date of the first Lenaean comedy) reconsidered’, Zeitschrift für Papyrologie und Epigraphik 157: 22–6
Rusten, J., J. Henderson, D. Konstan, R. Rosen and N. Slater, eds. and trans. (2011) The Birth of Comedy: Athenian Comedy in Texts, Documents, and Images, 486–282. Baltimore, MD
Saetta Cottone, R. (2005) Aristofane e la poetica dell'ingiuria. Rome
Saïd, S. (1979) ‘L’Assemblé des Femmes: les femmes, l’économie et la politique’ in Bonnamour and Delavault (1979) 33–69
Saïd, S. (1987) ‘Travestis et travestissements dans les comédies d’Aristophane’, Cahiers du Groupe Interdisciplinaire du Théâtre Antique (GITA) 3: 217–48
Salomone, S. (1981) ‘L’altra faccia di Epicarmo’, Sandalion 4: 59–69
Sandbach, F. H. (1970) ‘Menander's manipulation of language for dramatic purposes’ in Turner (1970) 111–43
Sandbach, F. H. (1990) Menandri reliquiae selectee, revised edn. Oxford
Sarat, A. and T. R. Kearns, eds. (1998) Law in the Domains of Culture. Ann Arbor, MI
Sargent, R. L. (1925) The Size of the Slave Population at Athens During the Fifth and Fourth Centuries Before Christ. Urbana, IL
Sayer, A. (2005) The Moral Significance of Class. Cambridge
Scafuro, A. (1994) ‘Witnessing and false witnessing: proving citizenship and kin identity in fourth century Athens’ in A. Scafuro and A. L. Boegehold, eds., Athenian Identity and Civic Ideology, Baltimore, MD and London, 156–98
Scafuro, A. (1997) The Forensic Stage: Settling Disputes in Graeco-Roman New Comedy. Cambridge
Schaps, D. M. (1979) Economic Rights of Women in Ancient Greece. Edinburgh
Schareika, H. (1978) Der Realismus der aristophanischen Komödie. Frankfurt
Scheidel, W., I. Morris and R. Saller, eds. (2007) The Cambridge Economic History of the Greco-Roman World. Cambridge
Schindler, W. (1985) ‘Die Archäologie im Rahmen von Wilamowitz’ Konzeption der Altertumswissenschaft’ in W. M. Calder, H. Flashar and T. Lindken, eds. (1985) Wilamowitz nach 50 Jahren, Darmstadt, 241–62
Schmid, F. (1945) Die Deminutiva auf -ιον im Vokativ bei Aristophanes. Zurich
Schmidt, M. (1998) ‘Komische Teufel und andere Gesellen auf der griechischen Komödienbühne’, Antike Kunst 41: 17–32
Schnurr-Redford, C. (1995) Frauen im klassischen Athen: Sozialer Raum und reale Bewegungsfreiheit. Munich
Schrader, C., V. Ramón and J. Vela, eds., (1997) Plutarco y la historia. Zaragoza
Schwarze, J. (1971) Die Beurteilung des Perikles durch die attische Komödie und ihre historische und historiographische Bedeutung. Munich
Scodel, R., ed. (1993) Theater and Society in the Classical World. Ann Arbor, MI
Scullion, S. (1994) Three Studies in Athenian Dramaturgy. Stuttgart
Sear, F. (2006) Roman Theatres: An Architectural Study. Oxford
Sebeok, A., ed. (1984) Carnival!Berlin and New York
Segal, E. (1973) ‘The physis of comedy’, Harvard Studies in Classical Philology 77: 129–36
Segal, E. ed. (1996) Oxford Readings in Aristophanes. Oxford
Seidensticker, B. (2007) ‘“Aristophanes is back!” Peter Hacks's Adaptation of Peace’ in Hall and Wrigley (2007) 194–208
Sells, D. (2012) ‘Eleusis and the public status of comedy in Aristophanes’ Frogs’ in Marshall and Kovacs (2012) 83–99
Shapiro, H. A. (1995a) Art and Cult under the Tyrants in Athens, 2nd edn. Mainz
Shapiro, H.A. (1995b) ‘Attic comedy and the “Comic Angels” krater in New York’, Journal of Hellenic Studies 115: 173–5
Sharrock, A. and H. Morales, eds. (2000) Intratextuality. Oxford
Sherk, R. K. (1970) ‘Daos and Spinther in Menander's Aspis’, American Journal of Philology 91: 341–3
Sicherl, M. (1997) Griechische Erstausgaben des Aldus Manutius. Paderborn
Sick, D. H. (1999) ‘Ummidia Quadratilla: cagey businesswoman or lazy pantomime watcher?’, Classical Antiquity 18: 330–48
Sideres, G. (1976) The Ancient Theater on the Modern Greek Stage, 1817–1932 (in Greek). Athens
Sidwell, K. (1990) ‘Was Philocleon cured? The nosos theme in Aristophanes’ Wasps’, Classica et Mediaevalia 41: 9–31
Sidwell, K. (1993) ‘Authorial collaboration? Aristophanes’ Knights and Eupolis’, Greek, Roman and Byzantine Studies 34: 365–89
Sidwell, K. (1994) ‘Aristophanes’ Acharnians and Eupolis’, Classica et Mediaevalia 45: 71–115
Sidwell, K. (1995) ‘Poetic rivalry and the caricature of comic poets: Cratinus’ Pytine and Aristophanes’ Wasps’ in Griffiths (1995) 56–80
Sidwell, K. (2000) ‘From Old to Middle to New? Aristotle's Poetics and the history of Athenian comedy’ in Harvey and Wilkins (2000) 247–58
Sidwell, K. (2009) Aristophanes the Democrat: The Politics of Satirical Comedy during the Peloponnesian War. Cambridge
Sier, K. (1992) ‘Die Rolle des Skythen in den Thesmophoriazusen des Aristophanes’ in Müller, Sier and Werner (1992) 63–83
Sifakis, G. M. (1971a) Parabasis and Animal Choruses. London
Sifakis, G. M. (1971b) ‘Aristotle, E.N., IV, 2, 1123 a 19–24, and the comic chorus in the fourth century’, American Journal of Philology 92: 410–32
Sifakis, G. M. (1992) ‘The structure of Aristophanic comedy’, Journal of Hellenic Studies 112: 123–42
Sifakis, G. M. (2006) ‘From mythological parody to political satire: some stages in the evolution of Old Comedy’, Classica et Mediaevalia 57: 19–48
Silk, M. (1980) ‘Aristophanes as a lyric poet’ in Henderson (1980a) 99–151
Silk, M. (1987) ‘Pathos in Aristophanes’, Bulletin of the Institute of Classical Studies 34: 78–111
Silk, M. (1990) ‘The people of Aristophanes’ in Pelling (1990) 150–73
Silk, M. (2000a) Aristophanes and the Definition of Comedy. Oxford
Silk, M. (2000b) ‘Aristophanes versus the rest: comic poetry in Old Comedy’ in Harvey and Wilkins (2000) 299–315
Simon, A. K. H. (1938) Comicae Tabellae. Emsdetten
Slater, N.W. (1985) ‘Play and playwright references in Middle and New Comedy’, Liverpool Classical Monthly 10: 103–5
Slater, N.W. (1986) ‘The Lenaean theatre’, Zeitschrift für Papyrologie und Epigraphik 66: 255–64
Slater, N.W. (1995) ‘The fabrication of comic illusion’ in Dobrov (1995) 29–45
Slater, N.W. (1996) ‘Literacy and Old Comedy’ in Worthington (1996) 99–112
Slater, N.W. (2002) Spectator Politics: Metatheatre and Performance in Aristophanes. Philadelphia, PA
Slater, W. J. (1976) ‘Symposium at sea’, Harvard Studies in Classical Philology 80: 161–70
Slater, W. J. (2008) ‘Hadrian's letters to the athletes and Dionysiac Artists concerning arrangements for the “circuit” of games’ (Review of Petzl and Schwertheim (2006)), Journal of Roman Archaeology 21: 610–20
Slater, W. J. ed. (1991) Dining in a Classical Context. Ann Arbor, MI
Sluiter, I. and R. Rosen, eds. (2004) Free Speech in Classical Antiquity. Leiden
Sluiter, I. and R. Rosen, (2008) KAKOS: Badness and Anti-Value in Classical Antiquity. Leiden
Small, J. P. (2003) The Parallel Worlds of Classical Art and Text. Cambridge
Small, J. P. (2005) ‘Pictures of tragedy?’ in Gregory (2005) 103–18
Smith, T. J. (2007) ‘The corpus of komast vases: from identity to exegesis’ in Csapo and Miller (2007) 48–76
Snell, B. (1971) Tragicorum Graecorum fragmenta. Vol. I, Göttingen
Solomos, A. (1961: 1974) The Living Aristophanes. Originally published as Ho zontanos Aristophanes (in Greek). Athens. Trans. A. Solomos and M. Felheim. Ann Arbor, 1974
Sommerstein, A. H. (1981) Aristophanes: Acharnians. Warminster
Sommerstein, A. H. (1982) Aristophanes: Clouds. Warminster
Sommerstein, A. H. (1983, corr. 1996) Wasps. Warminster (= The Comedies of Aristophanes 4)
Sommerstein, A. H. (1984) ‘Aristophanes and the demon Poverty’, Classical Quarterly 34: 314–33. Reprinted with minor revisions in Segal (1996) 252–81
Sommerstein, A. H. (1990) Aristophanes: Peace, 2nd edn. Warminster
Sommerstein, A. H. (1992) ‘Old comedians on Old Comedy’, Drama 1: 14–33
Sommerstein, A. H. (1993) ‘Kleophon and the restaging of Frogs’ in Sommerstein et al. (1993) 461–76
Sommerstein, A. H. (1995/2009) ‘The language of Athenian women’ in De Martino and Sommerstein (1995) 2.61–85. Reprinted, with addenda, in Sommerstein (2009) 15–42
Sommerstein, A. H. (1996) ‘How to avoid being a komodoumenos’, Classical Quarterly 46: 327–56
Sommerstein, A. H. (1997) ‘The theater audience, the demos, and the Suppliants of Aeschylus’ in Pelling (1997) 63–79. Reprinted with updates in Sommerstein (2010a) 118–42
Sommerstein, A. H. (1998) Ecclesiazusae. Warminster (= The Comedies of Aristophanes 10)
Sommerstein, A. H. (1998) ‘Rape and young manhood in Athenian comedy’ in Foxhall and Salmon (1998) 100–14
Sommerstein, A. H. (2000) ‘Platon, Eupolis and the “demagogue-comedy”’ in Harvey and Wilkins (2000) 437–51
Sommerstein, A. H. (2001) Wealth. Warminster (= The Comedies of Aristophanes 11)
Sommerstein, A. H. (2004a) ‘Harassing the satirist: the alleged attempts to prosecute Aristophanes’ in Sluiter and Rosen (2004) 145–74
Sommerstein, A. H. (2004b) ‘Comedy and the unspeakable’ in Cairns and Knox (2004) 205–22
Sommerstein, A. H. (2005) ‘An alternative democracy and an alternative to democracy in Aristophanic comedy’ in Bultrighini (2005) 195–207 (discussion, 229–33). Reprinted with updates in Sommerstein (2009) 204–22
Sommerstein, A. H. (2009) Talking about Laughter and Other Studies in Greek Comedy. Oxford
Sommerstein, A. H. (2010a) The Tangled Ways of Zeus and Other Studies in and around Greek Tragedy. Oxford
Sommerstein, A. H. (2010b) ‘The history of the text of Aristophanes’ in Dobrov (2010) 399–422
Sommerstein, A. H. ed. (2003) Shards from Kolonos: Studies in Sophoclean Fragments. Bari
Sommerstein, A. H., S. Halliwell, J. Henderson and B. Zimmermann (eds.) (1993) Tragedy, Comedy and the Polis: Papers from the Greek Drama Conference, Nottingham,18–20 July 1990. Bari
Sourvinou-Inwood, C. (2003) Tragedy and Athenian Religion. Lanham, MD
Sparkes, B. A. (1975) ‘Illustrating Aristophanes’, Journal of Hellenic Studies 95: 122–35
Spielvogel, J. (2001) Wirtschaft und Geld bei Aristophanes. Untersuchungen zu den ökonomischen Bedingungen in Athen im Übergang vom 5. zum 4. Jh. v. Chr. Frankfurt am Main
Spineto, N. (2005) Dionysos a teatro. Il contesto festivo del dramma Greco. Rome
Spyropoulos, E. S. (1974) L’accumulation verbale chez Aristophane: Recherches sur le style d’Aristophane. Thessaloniki
Ste Croix, G. E. M. de (1972) The Origins of the Peloponnesian War. Ithaca, NY
Ste Croix, G.E.M. de (1981) The Class Struggle in the Ancient Greek World. Ithaca, NY
Steggle, M. (2007) ‘Aristophanes in Early Modern England’ in Hall and Wrigley (2007) 52–65
Steinhausen, J. (1910) Kômôidoumenoi, Dissertation Bonn
Stephani, G. (2000) ‘Mosaici Sconosciuti dall’Area Vesuviana’ in F. Guidobaldi and A. Paribeni, eds., Atti del VI Colloquio dell’Associazione Italiana per lo Studio e la Conservazione del Mosaico. Ravenna, 279–90
Stone, L. M. (1981) Costume in Aristophanic Comedy. New York
Storey, I. C. (1995) ‘Wasps 1284–91 and the portrait of Kleon in Wasps’, Scholia 4: 3–23
Storey, I. C. (2002) ‘Cutting comedies’ in Barsby (2002b) 146–67
Storey, I. C. (2003) Eupolis: Poet of Old Comedy. Oxford
Storey, I. C. (2005) ‘But comedy has satyrs too’ in Harrison (2005) 201–18
Storey, I. C. (2006), ‘On first looking into Kratinus’ Dionysalexandros’ in Kozak and Rich (2006) 105–25
Storey, I. C. (2008) ‘“Bad” language in Aristophanes’ in Sluiter and Rosen (2008) 119–41
Storey, I. C. (2010) ‘Origins and fifth-century comedy’ in Dobrov (2010) 179–225
Storey, I. C. (2011) Fragments of Old Comedy. 3 vols., Cambridge, MA
Strauss, B. S. (1986) Athens after the Peloponnesian War: Class, Faction and Policy 404–386 BC. London
Stray, C. (1998) Classics Transformed: Schools, Universities, and Society in England, 1830–1960. Oxford
Stray, C., ed. (1999) Classics in 19th and 20th Century Cambridge: Curriculum, Culture and Community. Cambridge
Stray, C., ed. (2007) Gilbert Murray Reassessed: Hellenism, Theatre, and International Politics. Oxford
Suerbaum, W., ed. (2002) Handbuch der lateinischen Literatur der Antike. Erster Band: Die archaische Literatur. Munich
Süss, W. (1905) De Personarum Antiquae Comoediae Usu et Origine. Bonn
Süss, W. (1908) ‘Zur Komposition der altattischen Komödie’, Rheinisches Museum 63: 12–38
Süss, W. (1911) Aristophanes und die Nachwelt. Leipzig
Svarlien, D. A. (1990–1991) ‘Epicharmus and Pindar at Hieron's court’, Kokalos 36–37: 103–110
Swain, S. (1996) Hellenism and Empire. Oxford
Sypher, W., ed. (1980) Comedy. Baltimore, MD
Taaffe, L. K. (1993) Aristophanes and Women. London and New York
Taillardat, J. (1965) Les images d’Aristophane: Études de langue et de style, 2nd edn. Paris
Taplin, O. (1977) The Stagecraft of Aeschylus: The Dramatic Use of Exits and Entrances in Greek Tragedy. Oxford
Taplin, O. (1986) ‘Fifth-century tragedy and comedy: a synkrisis’, Journal of Hellenic Studies 106: 63–74
Taplin, O. (1987) ‘Phallology, phlyakes, iconography and Aristophanes’, Proceedings of the Cambridge Philological Society 33: 92–104
Taplin, O. (1993) Comic Angels and Other Approaches to Greek Drama through Vase-Paintings. Oxford
Taplin, O. (1999) ‘Spreading the word through performance’ in Goldhill and Osborne (1999) 33–57
Taplin, O. (2006) ‘Aeschylus’ Persai: the entry of tragedy into the celebration culture of the 470s?’ in A. F. Garvie, D. Cairns and V. Liapis, eds. (2006), Dionysalexandros: Essays on Eschylus and his Fellow Tragedians in Honour of Alexander F. Garvie. Swansea, 1–10
Taplin, O. (2007) Pots and Plays: Interactions between Tragedy and Greek Vase-Painting of the Fourth Century BC. Los Angeles, CA
Taplin, O. and R. Wyles, eds. (2010) The Pronomos Vase and its Context. Oxford
Telò, M. (2007) Eupolidis Demi. Florence
Telò, M. (2010) ‘Menander’ in Grafton, Most and Settis (2010) 582
Thiercy, P. (2000) ‘L’unité de lieu chez Aristophane’, Pallas 54: 15–23
Thiercy, P. and M. Menu, eds. (1997) Aristophane: La langue, la scène, la cité. Bari
Thomas, R. (1994) ‘Literacy and the city-state in archaic and classical Greece’ in A. Bowman nd G. Woolf, eds., Literacy and Power in the Ancient World, Cambridge, 33–66
Tierney, M. (1936) ‘Aristotle and Menander’, Proceedings of the Royal Irish Academy 43: 241–4
Tocqueville, A. de (1862: 2003) Democracy in America, B. Frohnen ed., H. Reeve trans., Washington, DC
Tod, M. N., ed. (1946) A Selection of Greek Historical Inscriptions to the End of the Fifth Century BC, 2nd edn. Oxford
Todd, S. (1993) The Shape of Athenian Law. Oxford
Todd, S. (1994) ‘Status and contract in fourth-century Athens’ in G. Thür, ed., Symposion 1993, Cologne, 125–40
Todd, S. (1996) ‘Lysias against Nikomachos: the fate of the expert in Athenian law’ in Foxhall and Lewis (1996) 101–31
Todisco, L. (2002) Teatro e Spettacolo in Magna Grecia e Sicilia. Milan
Todorov, T. (1972) ‘Genre’ in Ducrot and Todorov (1972) 193–201
Todorov, T. (1973) The Fantastic: A Structural Approach to a Literary Genre. Trans. R. Howard. Ithaca, NY
Todorov, T. (1990) Genres in Discourse. Trans. C. Porter. Cambridge
Tomashevsky, B.V. (1928: 1977) ‘Literary genres’ in O’Toole and Shukman (1977) 52–93
Too, Y. L., ed. (2001) Education in Greek and Roman Antiquity. Leiden
Tordoff, R. (2007) ‘Aristophanes’ Assembly Women and Plato, Republic book 5’ in Osborne (2007) 242–63
Torrance, R. M. (1978) The Comic Hero. Cambridge, MA
Totaro, P. (2000) Le seconde parabasi di Aristofane, 2nd (corrected) edn. Stuttgart
Tracy, S. V. (1995) Athenian Democracy in Transition: Attic Letter Cutters of 340–290 B.C. Berkeley, CA
Traill, A. (2008) Women and the Comic Plot in Menander. Cambridge
Trapp, M., ed. (2007) Socrates from Antiquity to the Enlightenment. Aldershot
Trédé, M. and P. Hoffmann, eds. (1998) Le rire des anciens. Paris
Trendall, A. D. (1967) Phlyax Vases, 2nd edn. London (= Bulletin of the Institute of Classical Studies Suppl. 19)
Trendall, A.D. (1988) ‘Masks on Apulian red-figured vases’ in Betts, Hooker and Green (1988) 137–54
Treu, M. (1999) Undici cori comici: Aggressività, derisione e tecniche drammatiche in Aristofane. Genoa
Turner, E. G., ed. (1970) Ménandre: Sept exposés suivis de discussions (Entretiens Hardt 16). Geneva
Uckermann, W. (1879) De Aristophanis Comici vocabulorum formatione. Marburg
Ussher, R. G. (1977) ‘Old Comedy and “character”: some comments’, Greece and Rome 24: 71–9
Vaio, J. (1971) ‘Aristophanes’ Wasps: the relevance of the final scenes’, Greek, Roman and Byzantine Studies 12: 335–51
Vaio, J. (1973) ‘The manipulation of theme and action in Aristophanes’ Lysistrata’, Greek, Roman and Byzantine Studies 14: 369–80
Van Steen, G. A. H. (2000) Venom in Verse: Aristophanes in Modern Greece. Princeton, NJ
Van Steen, G. A. H. (2002) ‘Trying (on) gender: modern Greek productions of Aristophanes’ Thesmophoriazusae’, American Journal of Philology 123: 407–27
Van Steen, G. A. H. (2007) ‘From scandal to success story: Aristophanes’ Birds as staged by Karolos Koun’ in Hall and Wrigley (2007) 155–78
Van Wees, H. (2001) ‘The myth of the middle-class army: military and social status in ancient Athens’ in Bekker-Nielsen and Hannestad (2001) 45–71
Van Wees, H. (2004) Greek Warfare: Myths and Realities. London
Van Zyl Smit, B. (2007) ‘Freeing Aristophanes in South Africa: from high culture to contemporary satire’ in Hall and Wrigley (2007) 232–46
Vanaria, M. G. (2001) ‘Il gruppo fittile dello scavo XXXIId’ in L. Bernabò Brea, M. Cavalier and F. Villard, Meligunìs-Lipára XI.2. Gli scavi nella necropoli greca e romana di Lipari nell'area del terreno vescovile. Palermo: 759–61
Vapheiade, E. and N. Papandreou, eds. (2007) Questions on the History of Modern Greek Theater: Studies Dedicated to Demetres Spathes (in Greek). Herakleio, Crete
Vernant, J.-P. (1980) ‘The class struggle’ in Myth and Society in Ancient Greece. Trans. J. Lloyd. New York, 11–27
Vidale, M. (2002) L’Idea di un Lavoro Lieve: Il Lavoro Artigianale nelle Immagini della eramica Greca tra VI e IV Secolo A.C. Padua
Vivilakes, I., ed. (2007) Stephanos: Volume Offered in Honor of Walter Puchner (in Greek). Athens
Vogt-Spira, G. (1992) Dramaturgie des Zufalls: Tyche und Handeln in der Komödie Menanders. Munich
Von Möllendorff, P. (1995) Grundlagen einer Ästhetik der Alten Komödie. Untersuchungen zu Aristophanes und Michail Bachtin. Tübingen
Von Möllendorff, P. (1996–1997) ‘Aischylon hairêsomai – der ‘neue Aischylos’ in den Fröschen des Aristophanes’, Würzburger Jahrbücher für die Altertumswissenschaft 21: 129–51
Von Möllendorff, P. (2002) Aristophanes. Hildesheim, Zurich and New York
Walcot, P. (1987) ‘Romantic love and true love: Greek attitudes to marriage’, Ancient Society 18: 5–33
Wallace, R. (1994) ‘The Athenian laws against slander’ in G. Thür, ed., Symposion 1993, Cologne, 109–24
Wallace, R. (2005) ‘Law, Attic comedy, and the regulation of comic speech’ in Gagarin and Cohen (2005) 357–73
Walsh, D. (2009) Distorted Ideals in Greek Vase-Paintings: the World of Mythological Burlesque. Cambridge
Walsh, P. A. (2008) ‘Comedy and conflict: the modern reception of Aristophanes’, Ph.D. thesis, Brown University
Walsh, P. A. (2009), ‘A study in reception: the British debates over Aristophanes’ Politics and Influence’, Classical Receptions Journal 1: 55–72
Walton, J. M. (1987) ‘Revival: England’ in Walton (1987) 329–54
Walton, J. M. (2006) Found in Translation: Greek Drama in English. Cambridge and New York
Walton, J. M. (2007) ‘Good manners, decorum and the public peace: Greek drama and the censor’ in Billiani (2007) 143–66
Walton, J. M. ed. (1987) Living Greek Theatre: A Handbook of Classical Performance and Modern Production. Westport, CT
Warmington, E. H., ed. (1935–1940) Remains of Old Latin. 4 vols., Cambridge, MA
Webster, T. B. L. (1948) ‘South Italian vases and Attic drama’, Classical Quarterly 42: 15–27
Webster, T.B.L. (1949) ‘The masks of Greek comedy’, Bulletin of the John Rylands Library 32: 97–133
Webster, T.B.L. (1970a) Studies in Later Greek Comedy, 2nd edn. Manchester and New York
Webster, T.B.L. (1970b) Greek Theatre Production, 2nd edn. London
Webster, T.B.L. (1973) ‘Three notes on Menander’, Journal of Hellenic Studies 93: 196–200
Webster, T.B.L. (1974) An Introduction to Menander. Manchester
Webster, T.B.L. (1978) Monuments Illustrating Old and Middle Comedy, 3rd edn revised and enlarged by J. R. Green. London (= Bulletin of the Institute of Classical Studies Suppl. 39)
Webster, T.B.L. (1995) Monuments Illustrating New Comedy, 3rd edn revised and enlarged by J. R. Green and A. Seeberg, 2 vols. London (= Bulletin of the Institute of Classical Studies Suppl. 50)
Wells, B., ed. (1992) Agriculture in Ancient Greece. Stockholm
Welsh, D. (1983) ‘The chorus of Aristophanes’ Babylonians’, Greek, Roman and Byzantine Studies 24: 137–50
Werner, J. (1975) ‘Aristophanes-Übersetzung und Aristophanes-Bearbeitung in Deutschland’ in Newiger (1975) 459–85
West, M. L. (1979) ‘The Prometheus trilogy’, Journal of Hellenic Studies 99: 130–48
West, M. L. (1987) Introduction to Greek Metre. Oxford
Wetmore, K. J., Jr. (2002) The Athenian Sun in an African Sky: Modern African Adaptations of Classical Greek Tragedy. Jefferson, NC and London
Whitehead, D. (1977) The Ideology of the Athenian Metic. Cambridge
Whitman, C. H. (1964) Aristophanes and the Comic Hero. Cambridge, MA
Whittaker, M. (1935) ‘The comic fragments in their relation to the structure of Old Attic Comedy’, Classical Quarterly 29: 181–91
Wiles, D. (1984) ‘Menander's Dyskolos and Demetrius of Phaleron's Dilemma’, Greece and Rome 31: 170–80
Wiles, D. (1989) ‘Marriage and prostitution in classical New Comedy’, Themes in Drama 11, Cambridge, 31–48
Wiles, D. (1991) The Masks of Menander: Sign and Meaning in Greek and Roman Performance. Cambridge
Wiles, D. (1997) Tragedy in Athens: Performance Space and Theatrical Meaning. Cambridge
Wilkins, J. (2000) The Boastful Chef: The Discourse of Food in Greek Comedy. Oxford
Willi, A., ed. (2002a) The Language of Greek Comedy. Oxford
Willi, A., (2002b) ‘The language of Greek comedy: introduction and bibliographical sketch’ in Willi (2002a) 1–32
Willi, A., (2002c) ‘Languages on stage: Aristophanic language, cultural history, and Athenian identity’ in Willi (2002a) 111–49
Willi, A., (2003a) The Languages of Aristophanes: Aspects of Linguistic Variation in Classical Attic Greek. Oxford
Willi, A., (2003b) ‘New language for a new comedy: a linguistic approach to Aristophanes’ Plutus’, Proceedings of the Cambridge Philological Society 49: 40–73
Willi, A., (2008) Sikelismos: Sprache, Literatur und Gesellschaft im griechischen Sizilien (8.-5. Jh. v. Chr.). Basel
Willi, A., (2010a) ‘The language of Old Comedy’ in Dobrov (2010) 471–510
Willi, A., (2010b) ‘Register variation’ in Bakker (2010) 297–310
Willi, A., (2012) ‘Challenging authority: Epicharmus between epic and rhetoric’ in Bosher (2012) 56–75
Williams, R. (1977) Marxism and Literature. Oxford
Wilson, N. G. (1982) ‘Two observations on Aristophanes’ Lysistrata’, Greek, Roman and Byzantine Studies 23: 157–63
Wilson, N. G. (1996) Scholars of Byzantium, 2nd edn. London
Wilson, N. G. (2007) Aristophanea: Studies on the Text of Aristophanes. Oxford
Wilson, P. (2000) The Athenian Institution of the Khoregia: The Chorus, the City, and the Stage. Cambridge
Wilson, P. (2007a) ‘Nikê's cosmetics: dramatic victory, the end of comedy, and beyond’ in Kraus, Goldhill, Foley and Elsner (2007) 257–87
Wilson, P. (2007b) ‘Sicilian choruses’ in Wilson (2007c) 351–77
Wilson, P. (2008) ‘Costing the Dionysia’ in Revermann and Wilson (2008) 88–127
Wilson, P. (2011) ‘The glue of democracy? Tragedy, structure, and finance’ in Carter (2011)18–43
Wilson, P. ed. (2007c) The Greek Theatre and Festivals: Documentary Studies. Oxford
Wilson, P. and P. Murray, eds. (2004) Music and the Muses: the Culture of Mousikê in the Classical Athenian City. Oxford
Winkler, J. J. (1990) ‘Phallos politikos: representing the body politic in Athens’, Differences 2: 29–45
Winkler, J. J. and F. Zeitlin, eds. (1990) Nothing to Do with Dionysus? Athenian Drama in its Social Context. Princeton, NJ
de Wit-Tak, T. (1968) ‘The function of obscenity in Aristophanes’ “Thesmophoriazusae” and “Ecclesiazusae”’, Mnemosyne 21: 357–65
Wohl, V. (2002) Love Among the Ruins: The Erotics of Democracy in Classical Athens. Princeton, NJ
Wohl, V. (2010) Law's Cosmos: Juridical Discourse in Athenian Forensic Oratory. Cambridge
Woolf, V. (1992) ‘On not knowing Greek’ in Bowlby (1992) 93–106
Worman, N. (2008) Abusive Mouths in Classical Athens. Cambridge
Wörrle, M. and P. Zanker, eds. (1995) Stadtbild und Bürgerbild im Hellenismus. Munich
Worthington, I., ed. (1994) Persuasion: Greek Rhetoric in Action. New York
Worthington, I., (1996) Voice into Text. Leiden
Wright, E. O. (2005) Approaches to Class Analysis. Cambridge
Wright, J. (1974) Dancing in Chains: The Stylistic Unity of the Comoedia Palliata. Rome
Wright, M. (2007) ‘Comedy and the Trojan War’, Classical Quarterly 57: 412–31
Wright, W. (1931) Cicero and the Theater. Northampton, MA
Wrigley, A. (2007) ‘Aristophanes revitalized! Music and spectacle on the academic stage’ in Hall and Wrigley (2007) 136–54
Wycherley, R. E. (1957) The Athenian Agora. Vol. 3, Princeton, NJ
Wyse, W. (1904) The Speeches of Isaeus. Cambridge
Yaari, N. (2008) ‘Aristophanes between Israelis and Palestinians’ in Hardwick and Stray (2008) 287–300
Yunis, H. (1988) ‘Law, politics, and the graphe paranomon in fourth-century Athens’, Greek, Roman and Byzantine Studies 29: 361–82
Zacharia, K (1995), ‘The marriage of tragedy and comedy in Euripides’ Ion’ in Jäkel and Timonen (1995) 45–65
Zagagi, N. (1979) ‘Sostratos as a comic, over-active and impatient lover’, Zeitschrift für Papyrologie und Epigraphik 36: 39–48
Zagagi, N. (1994) The Comedy of Menander: Convention, Variation and Originality. London
Zawistowski, W. (1937) ‘The Polish theater after the war’ in Dickinson (1937) 364–90
Zeitlin, F. I. (1981) ‘Travesties of gender and genre in Aristophanes’ Thesmophoriazusae’ in Foley (1981) 169–217. Revised in Zeitlin (1996) 375–416
Zeitlin, F. I. (1996) Playing the Other: Gender and Society in Classical Greek Literature. Chicago, IL
Zeitlin, F. I. (2003), ‘The Argive festival of Hera and Euripides’ Electra’ in J. Mossman (ed.), Oxford Readings in Euripides. Oxford, 261–84 (revised version of article originally published in Transactions of the American Philological Association 101 (1970) 645–69)
Zelnick-Abramovitz, R. (2002) ‘Ploutos, the god of the oligarchs’, Scripta Classica Israelica 21: 27–44
Zelnick-Abramovitz, R. (2005) Not Wholly Free: The Concept of Manumission and the Status of Manumitted Slaves in the Ancient Greek World. Leiden
Zieliński, T. (1885) Die Gliederung der altattischen Komödie. Leipzig
Zimmermann, B. (1983) ‘Utopisches und Utopie in den Komödien des Aristophanes’, Würzburger Jahrbücher für die Altertumswissenschaft 9: 57–77
Zimmermann, B. (1984) ‘The parodoi of the Aristophanic comedies’, Studi Italiani di Filologia Classica. 3rd series, 2: 13–24
Zimmermann, B. (1997) ‘Parodie dithyrambischer Dichtung in den Komödien des Aristophanes’ in Thiercy and Menu (1997) 87–93
Zimmermann, B. (1998) Die griechische Komödie. Darmstadt
Zimmermann, B. ed. (1995) Griechisch-römische Komödie und Tragödie II. Stuttgart (=Drama 5)
Zini, S. (1938) Il linguaggio dei personaggi nelle commedie di Menandro. Florence
Žižek, S. (2000) ‘Class struggle or postmodernism? Yes please!’ in Butler et al. (2000) 90–135
Zweig, B. (1992) ‘The mute nude female characters in Aristophanes’ plays’ in Richlin (1992) 73–89