Cambridge Companions to Music - Series page

pp ii-vi

The Cambridge Companion to Music in Australia - Title page

pp vii-vii

Copyright page

pp viii-viii

Dedication

pp ix-x

Contents

pp xi-xiii

Figures

pp xiv-xiv

Maps

pp xv-xv

Tables

pp xvi-xvi

Music Examples

pp xvii-xvii

Contributors

pp xviii-xxviii

Acknowledgements

pp xxix-xxx

1 - Introduction and Historiography of Music in Australia

pp 1-20

Part I - Continuities

pp 21-90

2 - How Yolŋu Songs Recount Deep Histories of International Trade across the Arafura Sea

pp 23-39

3 - Torres Strait Islander Musics: Tradition, Travel and Change

pp 40-55

4 - Singing Country in the Land Now Known as Australia

pp 56-71

5 - The Spiritual in Australia: Practices, Discourse and Transformations, 1879–1950

pp 72-90

Part II - Encounters

pp 91-170

6 - Cultivating a European Concert Culture in Colonial Sydney and Hobart, 1826–1840

pp 93-110

7 - An Early Australian Musical Modernism

pp 111-129

8 - Country Music: Australianising an American Tradition?

pp 130-147

9 - The Development of the Australian Pop Charts and the Changing Meaning of the ‘Number One’ Single

pp 148-161

10 - Artist Perspective Didjeridu on the Art Music Stage

pp 162-170

Part III - Diversities

pp 171-308

11 - Exclusion and Inclusion in Australian Metal

pp 173-187

12 - New Directions in Australian Art Music: The Curatorial, Creative and Conceptual

pp 188-204

13 - Artists’ Perspectives Experimental and Electronic Music in Australia

pp 205-218

14 - Artist Perspective Australian EDM in the 1990s – Finding the Magic between the Art and Commerce of the Dance Floor

pp 219-232

15 - Artists’ PerspectivesJazz in Australia – The State of Play

pp 233-242