Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson

doi:10.1017/9789048505067

Camera Obscura, Camera Lucida

Essays in Honor of Annette Michelson

Please contact Amsterdam University Press for more information about availability and access to this product.
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Edited by Richard Allen, Malcolm Turvey

Publisher:: Amsterdam University Press
Online publication date:: January 2021
Print publication year:: 2003
Online ISBN:: 9789048505067
DOI:: https://doi.org/10.1017/9789048505067

Subjects:: Dance, Film, Music, Film, Media, Mass Communication

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Annette Michelson's contributions to art and film criticism over the last three decades have been unparalleled. This volume honors her unique legacy with original essays by some of the many scholars who have been influenced by her work. Some continue her efforts to develop theoretical frameworks for understanding modernist art, while others practice her form of interdisciplinary criticism in relation to avant-garde and modernist art works and artists. Still others investigate and evaluate Michelson's work itself. All in some way pay homage to her extraordinary contribution.

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Camera Obscura, Camera Lucida

Essays in Honor of Annette Michelson

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Frontmatter
pp 1-4

Contents
pp 5-6

Acknowledgements
pp 7-8

Preface
pp 9-12

Introduction
pp 13-34

The Logic of an Illusion: Notes on the Genealogy of Intellectual Cinema
pp 35-50

Narcissistic Machines and Erotic Prostheses
pp 51-74

Loïe Fuller and the Art of Motion: Body, Light, Electricity and the Origins of Cinema
pp 75-90

Visitings of Awful Promise: The Cinema Seen from Etna
pp 91-108

Transfiguring the Urban Gray: László Moholy-Nagy’s Film Scenario ‘Dynamic of the Metropolis’
pp 109-126

Eisenstein’s Philosophy of Film
pp 127-146

Knight’s Moves
pp 147-162

Hitchcock and Narrative Suspense: Theory and Practice
pp 163-182

From the Air: A Genealogy of Antonioni’s Modernism
pp 183-214

Dr. Strangelove: or: the Apparatus of Nuclear Warfare
pp 215-230

Collection and Recollection: On Film Itineraries and Museum Walks
pp 231-260

Afterward: A Matter of Time: Analog Versus Digital, the Perennial Question of Shifting Technology and Its Implications for an Experimental Filmmaker’s Odyssey
pp 261-274

Select Bibliography
pp 275-282

List of Contributors
pp 283-285

Index
pp 286-294

Film Culture in Transition General Editor: Thomas Elsaesser
pp 295-296

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Camera Obscura, Camera Lucida

Essays in Honor of Annette Michelson

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Contents

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Accessibility standard: Unknown