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  3. The Cantar de mio Cid
  • Cited by 31
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    • Publisher:
      Cambridge University Press
      Publication date:
      05 August 2014
      28 July 1989
      ISBN:
      9780511720109
      9780521062978
      DOI:
      https://doi.org/10.1017/CBO9780511720109
      Dimensions:
      Weight & Pages:
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.29kg, 192 Pages
      • Subjects:
      Literature, Area Studies, Latin American Literature, Latin American Studies, European History 1000-1450, History, Anglo Saxon and Medieval Literature, European Studies
      Series:
      Cambridge Studies in Medieval Literature (5)
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    Subjects:
    Literature, Area Studies, Latin American Literature, Latin American Studies, European History 1000-1450, History, Anglo Saxon and Medieval Literature, European Studies
    Series:
    Cambridge Studies in Medieval Literature (5)
    Information

    Book description

    In this study, Joseph Duggan interprets the Cantar de mio Cid as a work that transmutes moral values first into the economic values of a gift economy, then into genealogical values. Considering the poem's distortions of history more significant than its retention of historical features, Duggan ascribes its depiction of the penurious hero who acquires wealth, power, and kinship alliances to the Castilian monarchy's preoccupations with furthering the victory of Las Navas de Tolosa. He maintains that the Cantar de mio Cid was composed around the year 1200 in substantially the form in which we have it now, in the course of a singer's performance. Arguing against a number of tendencies in Cid scholarship, Professor Duggan denies the necessity of assuming that the poet was a man of learning, that he was directly influenced by French literature, or that he was familiar with written law.

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