Contents

pp v-vi

List of Figures

pp vii-viii

Notes on Contributors

pp ix-xiii

Acknowledgements

pp xiv-xiv

Introduction: The Kaleidoscope of Cinéma-monde

pp 1-22

Part I - From Local to Global: The Cinéma(s)-monde(s) of Auteurs and Actors

pp 23-24

1 - Site 2: Style and Encounter in Rithy Panh’s Cinéma-monde

pp 25-44

2 - Globalisation, Cinema and Terrorism in Rachid Bouchareb’s Films: London River, Baton Rouge and Little Senegal

pp 45-64

3 - Guerrilla Filmmaking with Rachid Djaïdani

pp 65-84

4 - Globalisation, Cinéma-monde and the Work of Abderrahmane Sissako

pp 85-109

5 - The Career of Actress Hafsia Herzi: Crossing Borders, Challenging Barriers

pp 110-128

Part II - Voyages, Limits and Borders

pp 129-130

6 - Lost at Sea or Charting a New Course? Mapping the Murky Contours of Cinéma-monde in Floating Francophone Films

pp 131-154

7 - The Beautiful Fantasy: Imaginary Representations of Football in West African Cinema

pp 155-174

8 - Merry Christmas in No Man’s Land: European Borders, Language Barriers and Front Lines in Christian Carion’s Joyeux Noël

pp 175-191

9 - An Ostrich, a Backhoe and a few Ski-Doos: Tracking the Road Movie in Quebec and Beyond

pp 192-215

10 - Accented Mappings of France in a Globalised World: Le Havre (2011) and Samba (2014) through the Lens of Cinémamonde

pp 216-236

Part III - Hubs and Spheres of Production

pp 237-238

11 - Activist Cinéma-monde in Paris: Filming Foreigners in the French Capital

pp 239-256

12 - Cinema Made in Liège: A ‘Hub’ of Francophone Belgian Filmmaking

pp 257-281

13 - ‘Images of Diversity’: Film Policy and the State Struggle for the Representation of Difference in French Cinema

pp 282-303

14 - Youth and Média-engagé: Is This West Africa’s Heterolinguistic Cinéma-monde?

pp 304-320

Epilogues

pp 321-322

Worlds Within; In the World

pp 323-335

Cinéma-monde as a Call to Arms

pp 336-340

Cinéma-monde and the Transnational

pp 341-356

Index

pp 357-378