Deleuze and Performance

Deleuze and Performance is an interdisciplinary collection of thirteen new essays that focus on the relationship between the philosophy of Gilles Deleuze and the performing arts.

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Contents

Frontmatter
pp i-iv
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Contents
pp v-vi
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Introduction
pp 1-21
- By Laura Cull, Northumbria University
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1 - Performing in the Chaosmos: Farts, Follicles, Mathematics and Delirium in Deleuze
pp 22-34
- By Herbert Blau, University of Washington
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Act I Deleuze on Theatre: Artaud, Beckett and Carmelo Bene
pp 35-36
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2 - I Artaud BwO: The Uses of Artaud's To have done with the judgement of god
pp 37-53
- By Edward Scheer, University of Warwick
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3 - Expression and Affect in Kleist, Beckett and Deleuze
pp 54-70
- By Anthony Uhlmann, University of Western Sydney
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4 - A Theatre of Subtractive Extinction: Bene Without Deleuze
pp 71-88
- By Lorenzo Chiesa, University of Kent
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Interval
pp 89-90
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5 - Performing, Strolling, Thinking: From Minor Literature to Theatre of the Future and Off the Beaten Path or, Notes Towards a Heideggerian Deterritorialisation: A Response to Daniel Watt
pp 91-106
- By Daniel Watt, Loughborough University, Julian Wolfreys, Loughborough University
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Act II Confronting Deleuze and Live Performance
pp 107-108
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6 - Becoming a Citizen of the World: Deleuze Between Allan Kaprow and Adrian Piper
pp 109-125
- By Stephen Zepke
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7 - sub specie durationis
pp 126-146
- By Matthew Goulish, Art Institute, Laura Cull, Northumbria University
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8 - Thinking Through Theatre
pp 147-160
- By Maaike Bleeker, Utrecht University
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9 - Becoming–Dinosaur: Collective Process and Movement Aesthetics
pp 161-180
- By Anna Hickey-Moody, Monash University
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Interval
pp 181-182
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10 - … of butterflies, bodies and biograms … Affective Spaces in Performativities in the Performance of Madama Butterfly
pp 183-200
- By Barbara Kennedy, University of Staffordshire
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Act III A Digital Deleuze: Performance and New Media
pp 201-202
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11 - Like a Prosthesis: Critical Performance à Digital Deleuze
pp 203-220
- By Timothy Murray, Cornell University
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12 - Performance as the Distribution of Life: From Aeschylus to Chekhov to VJing via Deleuze and Guattari
pp 221-239
- By Andrew Murphie, University of New South Wales
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13 - The ‘Minor’ Arithmetic of Rhythm: Imagining Digital Technologies for Dance
pp 240-260
- By Stamatia Portanova, University of East London
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Notes on Contributors
pp 261-265
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Index
pp 266-282
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Deleuze and Performance

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Contents

Frontmatter
pp i-iv

Contents
pp v-vi

Introduction
pp 1-21

1 - Performing in the Chaosmos: Farts, Follicles, Mathematics and Delirium in Deleuze
pp 22-34

Act I Deleuze on Theatre: Artaud, Beckett and Carmelo Bene
pp 35-36

2 - I Artaud BwO: The Uses of Artaud's To have done with the judgement of god
pp 37-53

3 - Expression and Affect in Kleist, Beckett and Deleuze
pp 54-70

4 - A Theatre of Subtractive Extinction: Bene Without Deleuze
pp 71-88

Interval
pp 89-90

5 - Performing, Strolling, Thinking: From Minor Literature to Theatre of the Future and Off the Beaten Path or, Notes Towards a Heideggerian Deterritorialisation: A Response to Daniel Watt
pp 91-106

Act II Confronting Deleuze and Live Performance
pp 107-108

6 - Becoming a Citizen of the World: Deleuze Between Allan Kaprow and Adrian Piper
pp 109-125

7 - sub specie durationis
pp 126-146

8 - Thinking Through Theatre
pp 147-160

9 - Becoming–Dinosaur: Collective Process and Movement Aesthetics
pp 161-180

Interval
pp 181-182

10 - … of butterflies, bodies and biograms … Affective Spaces in Performativities in the Performance of Madama Butterfly
pp 183-200

Act III A Digital Deleuze: Performance and New Media
pp 201-202

11 - Like a Prosthesis: Critical Performance à Digital Deleuze
pp 203-220

12 - Performance as the Distribution of Life: From Aeschylus to Chekhov to VJing via Deleuze and Guattari
pp 221-239

13 - The ‘Minor’ Arithmetic of Rhythm: Imagining Digital Technologies for Dance
pp 240-260

Notes on Contributors
pp 261-265

Index
pp 266-282

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Deleuze and Performance

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