Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Hidalgo, José Manuel
2009.
La doctrina agustiniana de doce sonetos de lasRimas sacrasde Lope de Vega.
Calíope,
Vol. 15,
Issue. 1,
p.
39.
Kozlovic, Anton Karl
2009.
Samson, Cecil, and Lion Imagery within DeMille'sSamson and Delilah.
Journal of Media and Religion,
Vol. 8,
Issue. 3,
p.
158.
2014.
Creative Confluence.
Vol. 16,
Issue. ,
Lo Dico, Mauro
2015.
Seize the Day’s Eye: The Odes of Horace & Henry James’s ‘Daisy Miller’.
International Journal of the Classical Tradition,
Vol. 22,
Issue. 1,
p.
76.
Mavri, Aekaterini
Loizides, Fernando
and
Zantides, Evripides
2016.
Communicating content: development and evaluation of icons for academic document triage through visualisation and perception.
Behaviour & Information Technology,
Vol. 35,
Issue. 9,
p.
758.
Zirker, Angelika
2017.
Dimensions of Iconicity.
Vol. 15,
Issue. ,
p.
287.
Moloney, Gail
Hayman, Jane
Gamble, Marguerite
Smith, Geoff
and
Hall, Rob
2017.
Translation strategies, contradiction, and the theory of social representations: Why discussing needles may improve blood donor retention.
British Journal of Social Psychology,
Vol. 56,
Issue. 2,
p.
393.
Abbasi, Pyeaam
2018.
Coleridge’s Desire for Other Jouissance: A Lacanian Reading ofKubla Khan.
Journal of Literary Studies,
Vol. 34,
Issue. 1,
p.
150.
De Ornellas, Kevin
2018.
A Companion to Literary Biography.
p.
325.
Olsen, Andrew
and
Kruger, Daleen
2019.
Examining the musical ‘
Sprachvermögen
’ in Hendrik Hofmeyr’s operatic monodrama
Saartjie
.
Journal of the Musical Arts in Africa,
Vol. 16,
Issue. 1-2,
p.
45.
Koplowitz-Breier, Anat
2020.
Commemorating the Nameless Wives of the Bible: Midrashic Poems by Contemporary American-Jewish Women.
Religions,
Vol. 11,
Issue. 7,
p.
365.
Schlosser, Andrea
2020.
Specters of the Past: Transgenerational Memory in Miriam Katin’s Graphic Memoirs We Are On Our Own and Letting It Go.
Genealogy,
Vol. 4,
Issue. 2,
p.
53.
Beals, Kurt
2020.
The Palgrave Handbook of Twentieth and Twenty-First Century Literature and Science.
p.
29.
DeStephano, Mark
and
O’Neill, Lisa
2020.
4.1 Lorca’s Conception of Ultimate Reality and Meaning: Canciones (1924–1927).
Ultimate Reality and Meaning,
Vol. 37,
Issue. 1-2,
p.
40.
Middelhoff, Frederike
2021.
Thinking and Writing with Leaves: Poplar Sympoetics in Romanticism.
Green Letters,
Vol. 25,
Issue. 4,
p.
356.
Damljanović, Nataša
2021.
Lady Chatterley, her Lover and their Room with a View: Modernist discourses on love and reality.
Norma,
Vol. 26,
Issue. 2,
p.
269.
Frach, Sylwia
2022.
The Landscape as a Silent Witness of a Fragile Memory in Paweł Pawlikowski’s 2013 Film Ida.
Politeja,
Vol. 19,
Issue. 3(78),
p.
97.
Nayar, Pramod K.
2022.
The art of COVID-19.
Journal of Postcolonial Writing,
Vol. 58,
Issue. 2,
p.
253.
Abebe, Addisu Hailu
2022.
Absurdity and Meaninglessness of Life in the Poems of Eshetu Chole.
Eastern African Literary and Cultural Studies,
Vol. 8,
Issue. 3,
p.
117.
De Grandis, Mario
2023.
The Dialectics of Hope and Despair
Twisting the Biblical Message in Lu Xun’s “Medicine”
.
Annali di Ca’ Foscari. Serie orientale,