Secondary Sources
Adler, Gillian. (2022). Chaucer and the Ethics of Time. Cardiff: University of Wales Press.
Agamben, Giorgio. (2007). Infancy and History: On the Destruction of Experience, trans. Heron, Liz. New York: Verso Books.
Ahmed, Sara. (2006). Queer Phenomenology: Orientations, Objects, Others. Durham, NC: Duke University Press.
Althoff, Gerd. (2020). Rules and Rituals in Medieval Power Games. Turnhout: Brill.
Ankersmit, Frank. (2005). Sublime Historical Experience. Stanford, CA: Stanford University Press.
Asad, Talal. (1987). On Ritual and Discipline in Medieval Christian Monasticism. Economy and Society, 16 (2), pp. 159–203.
Asad, Talal. (1993). Genealogies of Religion: Discipline and Reasons of Power in Christianity and Islam. Baltimore, MD: Johns Hopkins University Press.
Asad, Talal. (1997). Remarks on the Anthropology of the Body. In Religion and the Body, Sarah Coakley, ed. New York: Cambridge University Press, pp. 42–53.
Auslander, Mark. (2013). Touching the Past: Materializing Time in Traumatic “Living History” Reenactments. Sign and Society, 1 (1), pp. 161–183.
Austin, J. L. (1975). How to Do Things with Words. New York: Oxford University Press.
Bahktin, Mikhail. (2021). Rabelais and His World. In The Applied Theater Reader. Second Ed., Prentki, Tim and Abraham, Nicola, eds. New York: Routledge, pp. 22–28.
Basso, Keith H. (1996). Wisdom Sits in Places: Landscape and Language among the Western Apache. Santa Fe, NM: University of New Mexico Press.
Baxandall, Michael. (1988). Painting and Experience in Fifteenth-Century Italy. New York: Oxford University Press.
Beckwith, Sarah. (2001). Signifying God: Social Relation and Symbolic Act in the York Corpus Christi Plays. Chicago, IL: University of Chicago Press.
Bentacourt, Roland. (2016). Imagined Encounters: Historiographies for a New World. Postmedieval, 7 (1), pp. 3–9.
Berlant, Lauren. (2008). The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Durham, NC: Duke University Press.
Biddick, Kathleen. (1998). The Shock of Medievalism. Durham, NC: Duke University Press.
Bissell, Bill and Haviland, Linda Caruso, eds. (2018). Introduction. In The Sentient Archive: Bodies, Performance, Memory. Middletown, CT: Wesleyan University, pp. 1–17.
Blanc, Aurélie. (2024). Female Performance and Spectatorship in a Medieval Nunnery: The Elevatio and Visitatio Sepulchri of Barking Abbey in Practice. Leeds: ARC Humanities Press.
Bloch, Maurice. (1989). Ritual, History, Power: Selected Papers in Anthropology. New York: Routledge.
Boddice, Rob and Smith, Mark. (2020). Emotion, Sense, Experience. Cambridge Elements: Histories of Emotions and the Senses. New York: Cambridge University Press.
Bordo, Susan R. (1987). The Flight to Objectivity: Essays on Cartesianism and Culture. Albany: State University of New York Press.
Boynton, Susan. (2007). Prayer as Liturgical Performance in Eleventh- and Twelfth-Century Monastic Psalters. Speculum, 82 (4), pp. 895–931.
Brook, Peter. (1995). The Empty Space: A Book about the Theater: Deadly, Holy, Rough, Immediate. New York: Scribner.
Bruce, Scott. (2007). Silence and Sign Langauge in Medieval Monasticism: The Cluniac Tradition, c. 900–1200. New York: Cambridge University Press.
Bryan-Wilson, Julia. (2018). Sharon Hayes (Phaidon Contemporary Artists Series). New York: Phaidon.
Buchak, Laura. (2014). Belief, Credence, and Norms. Philosophical Studies, 169 (2), pp. 285–311.
Buck-Morss, Susan. (2021). Year One: A Philosophical Recounting. Cambridge, MA: Massachusetts Institute for Technology Press.
Burke, Peter. (2005). Performing History: The Importance of Occasions. Rethinking History, 9 (1), pp. 35–52.
Burrus, Virginia. (2018). Ancient Christian Ecopoetics: Cosmologies, Saints, Things. Philadelphia: University of Pennsylvania Press.
Bynum, Caroline Walker. (1980). Did the Twelfth Century Discover the Individual? The Journal of Ecclesiastical History, 31 (1), pp. 1–17.
Bynum, Caroline Walker. (2017). The Resurrection of the Body in Western Christianity, 200–1336. New York: Columbia University Press.
Caldwell, Mary Channen. (2022). Devotional Refrains in Medieval Latin Song. Cambridge: Cambridge University Press.
Callaghan, David. (2013). Ritual Performance and Spirituality in the Work of the Living Theatre, Past and Present. Theatre Symposium, 21, pp. 36–53.
Carlson, Marvin. (2016). Shattering Hamlet’s Mirror: Theatre and Reality. Ann Arbor, MI: University of Michigan Press.
Carruthers, Mary. (1998). The Book of Memory. New York: Cambridge University Press.
Carruthers, Mary. (2010). The Concept of “Ductus,” or, Journeying through a Work of Art. In Rhetoric beyond Words: Delight and Persuasion in the Arts, Carruthers, Mary, ed. New York: Cambridge University Press, pp. 190–214.
Carruthers, Mary J. (1990). The Book of Memory: A Study of Memory in Medieval Culture. New York: Cambridge University Press.
Chaganti, Seeta. (2023). Dance, Institution, Abolition. Postmedieval, 14 (2), pp. 267–289.
Chakrabarty, Dipesh. (2002). Habitations of Modernity: Essays in the Wake of Subaltern Studies. Chicago, IL: University of Chicago Press.
Chambers, Claire Maria, du Toit, Simon, and Edelman, Joshua, eds. (2013). Introduction. In Performing Religion in Public. New York: Palgrave, pp. 1–21.
Chazelle, Celia. (2007). The Crucified God in the Carolingian Ear: Theology and Art of Christ’s Passion. New York: Cambridge University Press.
Chin, Catherine Michael. (2023). Idiot Late Antiquity: History, Scale, and Play. In Scale and the Study of Late Antiquity, Uhalde, Kevin and Sessa, Kristina, eds. Bari: Edipuglia, pp. 1–15.
Chin, Catherine Michael. (2024). Life: The Natural History of an Early Christian Universe. Berkeley: University of California Press.
Collingwood, R. G. (1972). The Idea of History. New York: Oxford University Press.
Constable, Giles. (1990). A Living Past: The Historical Environment of the Middle Ages. Harvard Library Bulletin, 1 (3), pp. 49–70.
Conquergood, Dwight. (2013). Cultural Struggles: Performance, Ethnography, Praxis. Ann Arbor, MI: University of Michigan.
Davis, Kathleen. (2017). Periodization and Sovreignty: How Ideas of Feudalism and Secularization Govern the Politcs of Time. Philadelphia: University of Pennsylvania Press.
Davis, Natalie Zemon. (1990). Fiction in the Archives: Pardon Tales and Their Tellers in Sixteenth-Century France. Palo Alto, CA: Stanford University Press.
de Certeau, Michel. (1981). Une practique sociale de la différance: croire. In Faire Croire: Modalités de la diffusion et la reception des messages religieux du XIIe au XVe siècle: Actes de table ronde de Rome (22–23 juin 1979), Vauchez, André, ed. Paris: École française de Rome, pp. 363–383.
Deleuze, Gilles. (1995). Difference and Repetition, ed. Patton., Paul New York: Columbia University Press.
Derrida, Jacques. (1998). Archive Fever: A Freudian Impression. Chicago, IL: University of Chicago Press.
Dilthy, Wilhelm. (2002). The Formation of the Historical World in the Human Sciences. Princeton, NJ: Princeton University Press.
Dinshaw, Carolyn. (2012). How Soon Is Now? Medieval Texts, Amateur Readers, and the Queerness of Time. Durham, NC: Duke University Press.
Dox, Donnalee. (2004). The Idea of the Theatre in Latin Christian Thought: Augustine to the Fourteenth Century. Ann Arbor, MI: University of Michigan Press.
Dox, Donnalee. (2016). Reckoning with the Spirit in the Paradigm of Performance. Ann Arbor, MI: University of Michigan Press.
Dray, William. (1999). History as Re Enactment: R.G. Collingwood’s Idea of History. New York: Oxford University Press.
Dror, Otniel E. (2020). Historians in the Emotion Laboratory. Emotions Review, 12 (3), pp. 191–192.
Duncan, Carol. (1995). Civilizing Rituals: Inside Public Art Museums. New York: Routledge.
Dutton, Elisabeth. (2019). A Manifesto for Performace Research. In The Methuen Drama Handbook of Theatre History and Historiography, Cochrane, Clare and Robinson, Joanna, eds. London: Bloomsbury, pp. 249–261.
Eire, Carlos M. N. (2023). They Flew: A History of the Impossible. New Haven, CT: Yale University Press.
Enders, Jody. (1992). Rhetoric and the Origin of Medieval Drama. Ithaca, NY: Cornell University Press.
Even-Ezra, Ayelet. (2021). Lines of Thought: Branching Diagrams and the Medieval Mind. Chicago, IL: University of Chicago Press.
Fabião, Eleonora. (2006). Precarious, Precarious, Precarious Performative Historiography and the Energetics of the Paradox: Arthur Bispo do Rosario’s and Lygia Clark’s Works in Rio de Janeiro. Ph.D Dissertation, New York University, Department of Performance Studies.
Farjoun, Amir. (2024). Epistemic Theatres: The Dramaturgy of Knowledge in Twenty-First Century Theatre. Ph.D Dissertation, CUNY Graduate Center.
Farrugia, Peter. (2024). “Tout est possible!” Using Historical Re-enactment in a University Classroom. The History Teacher, 57 (4), pp. 441–465.
Fassler, Margot. (2010). The Virgin of Chartres: Making History through Liturgy. New Haven, CT: Yale University Press.
Feiss, Hugh. (2024). Meditation and Prayer in the Eleventh- and Twelfth-Century Monastery: Struggling towards God (review). American Benedictine Review, 75 (1), pp. 103–104.
Ferrer, Jorge N. and Sherman, Jacob H., eds. (2009). The Participatory Turn: Spirituality, Mysticism, Religious Studies. Albany: State University of New York Press.
Foucault, Michel. (1995). Discipline and Punish. New York: Vintage.
Freire, Paulo. (2000). Pedagogy of the Oppressed. New York: Bloomsbury.
Freudenheim, Tom. (2017). Museums and Religion: Uneasy Companions. In Religion in Museums: Global and Multidisciplinary Perspectives, Buggeln, Gretchen, Paine, Crispin, Plate, S. Brent, eds. New York: Bloomsbury, pp. 181–189.
Fricke, Beate and Kumler, Aden, eds. (2022). Destroyed, Disappeared, Lost, Never Were. University Park, PA: Penn State University Press.
Fulton, Rachel. (1996). Mimetic Devotion, Marian Exegesis, and the Historical Sense of the Song of Songs. Viator, 27, pp. 85–116.
Fulton Brown, Rachel. (2017). Mary and the Art of Prayer: The Hours of the Virgin in Medieval Christian Life and Thought. New York: Columbia University Press.
Gadamer, Hans-Georg. (1997). Truth and Method, trans. Joel Weinshiemer. New York: Continuum.
Garbes, Angela. (2022). Essential Labor: Mothering as Social Change. New York: Harper Collins.
Gasparini, Valentino, Patzelt, Maik, Raja, Rubina, et al., eds. (2020). Lived Religion in the Ancient Mediterranean World: Approaching Religious Transformations from Archaeology, History, and Classics. Berlin: DeGruter.
Gertsman, Elina. (2015). Worlds Within: Opening the Medieval Shrine Madonna. University Park, PA: Penn State University Press.
Gharavi, Lance. (2013). About[/]Doing: Religion and Theater in the Academy. In Religion, Theater, and Performance, Gharavi, Lance, ed. New York: Routledge, pp. 210–219.
Giannachi, Gabriella and Kaye, Nick. (2011). Performing Presence: Between the Live and the Simulated. Manchester: Manchester University Press.
Goffman, Erving. (1959). The Presentation of Self in Everyday Life. New York: Doubleday.
Gordon, Avery F. (2008). Ghostly Matters: Haunting and the Sociological Imagination. Minneapolis: University of Minnesota Press.
Hahn, Cynthia. (2017). The Graphic Cross as Salvific Mark and Organizing Principle: Making, Marking, Shaping. In Graphic Devices and the Early Decorated Book, Brown, Michelle, Garipzanov, Ildar H., and Tilghman, Benjamin C., eds. Martlesham: Boydell and Brewer, pp. 100–125.
Hammann, Byron Ellsworth. (2016). How to Chronologize with a Hammer, or, the Myth of Homogeneous, Empty Time. HAU: Journal of Ethnographic Theory, 6 (1), pp. 261–292.
Hardison, O. B. (1965). Christian Rite and Christian Drama in the Middle Ages: Essays in the Origin and Early History of Modern Drama. Baltimore, MD: Johns Hopkins University Press.
Hartman, Saidiya. (1997). Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America. New York: Oxford University Press.
Hartman, Saidiya. (2008). Venus in Two Acts. Small Axe, 12 (2), pp. 1–14.
Hen, Yitzak and Innes, Matthew, eds. (2000). The Uses of the Past in the Early Middle Ages. New York: Cambridge University Press.
Huizinga, Johan. (1954). The Waning of the Middle Ages: A Study of the Forms of Life, Thought, and Art in France and the Netherlands in the 14th and 15th centuries. New York: Anchor Press.
Hunt, Lynn. (2009). The Experience of Revolution. French Historical Studies, 32 (4), pp. 671–678.
Husband, Timothy B. (2013). Creating the Cloisters. New York: Metropolitan Museum of Art.
Ingold, Tim. (2013). Making: Anthropology, Archaeology, Art, and Architecture. New York: Routledge.
Irvine, Richard D. G. (2010). The Experience of Ethnographic Fieldwork in an English Benedictine Monastery: Or, Not Playing at Being a Monk. Fieldwork in Religion, 5 (2), pp. 221–235.
Jackson, Ken and Marotti, Arthur F.. (2004). The Turn to Religion in Early Modern English Studies. Criticism, 46 (1), pp.167–190.
Jackson, Reginald. (2021). A Proximate Remove: Queering Intimacy and Loss in The Tale of Genji. Berkeley: University of California Press.
Jakobsen, Janet R. and Pellegrini., Ann (2008). Secularisms. Durham, NC: Duke University Press.
James, William. (1971). Essays in Radical Empiricism and a Pluralistic Universe. New York: Dutton.
James, William. (2009). The Varieties of Religious Experience. New York: Random House.
Jarausch, Konrad. (1989). Towards a History of Experience: Postmodern Predicaments in Theory and Interdisciplinarity. Central European History, 22 (¾), pp. 427–443.
Jay, Martin. (2005). Songs of Experience: Modern American and European Variations on a Universal Theme. Berkeley: University of California Press.
Jucan, Ioana B., Parikka, Jussi, and Schneider, Rebecca. (2018). Remain. Lüneburg: Meson Press.
Jung, Jacqueline E. (2020). Eloquent Bodies: Movement, Expression, and the Human Figure in Gothic Sculpture. New Haven, CT: Yale University Press.
Katajala-Peltomaa, Sari and Toivo, Raisa Maria, eds. (2022). Histories of Experience in the World of Lived Religion. New York: Palgrave.
Kemp, Amanda. (1998). This Black Body in Question. In The Ends of Performance, Phalen, Peggy and Lane, Jill, eds. New York: New York University Press, pp. 116–131.
Kerr, Julie. (2009). Life in the Medieval Cloister. New York: Continuum Press.
Kirshenblatt-Gimblett, Barbara. (1998). Destination Culture: Tourism, Museums, Heritage. Berkeley: University of California Press.
Kitzinger, Beatrice. (2019). The Cross, the Gospels, and the Work of Art in the Carolingian Age. New York: Cambridge University Press.
Kleinberg, Ethan, Wallach Scott, Joan, and Wilder, Gary. (2020). Theses on Theory and History, with Comments. History of the Present, 10 (1), pp. 157–165.
Kumler, Aden. (2023). All Form Is a Process of Notation: Hrabanus Maurus’ “Exemplativist” Art. In L’art medieval est-il contemporain? Denoël, Charlotte, Dryansky, Larisa, Marchesin, Isabelle, and Verhagen, Erik, eds. Turnhout: Brepols, pp. 91–112.
Logan, Dana W. (2022). Awkward Rituals: Sensations of Governance in Protestant America. Chicago, IL: University of Chicago Press.
Loveless, Natalie. (2019). How to Make Art at the End of the World: A Manifesto for Research Creation. Durham, NC: Duke University Press.
Madison, D. Soyini. (2005). Critical Ethnography: Methods, Ethics, and Performance. New York: Sage.
Mahmood, Saba. (2011). Politics of Piety: The Islamic Revival and the Feminist Subject. Princeton, NJ: Princeton University Press.
Mancia, Lauren. (2019). Emotional Monasticism: Affective Piety at the Eleventh-Century Monastery of John of Fécamp. Leeds: Manchester University Press.
Mancia, Lauren. (2023). Meditation and Prayer in the Eleventh- and Twelfth-Century Monastery: Struggling towards God. Amsterdam: ARC Humanities Press.
Mariani, Angela. (2017). Improvisation and Inventio in the Performance of Medieval Music. New York: Oxford University Press.
Mason, David V. (2018). The Performative Ground of Religion and Theatre. New York: Routledge.
Massumi, Brian and Manning, Erin. (2014). Thought in the Act: Passages in the Ecology of Experience. Minneapolis: University of Minnesota.
McCrary, Charles. (2022). Sincerely Held: American Secularism and Its Believers. Chicago, IL: University of Chicago Press.
McCutcheon, Russell. (2003). Manufacturing Religion: The Discourse on Sui Generis Religion and the Politics of Nostalgia. New York: Oxford University Press.
Melville, Gert and Schürer, Markus, eds. (2002). Das Eigene und das Ganze: Zum individuellen im mittelalter lichen Religiosentum. Münster: Lit Verlag.
Meyer, Birgit. (2015). How to Capture the “Wow”: R.R. Marett’s Notion of Awe and the Study of Religion. Journal of the Royal Anthropological Institute, 22, pp. 7–26.
Miller, Patricia Cox. (2012). The Corporeal Imagination: Signifying the Holy in Late Ancient Christianity. Philadelphia: University of Pennsylvania Press.
Mitterauer, Michael. (2010). Why Europe: The Medieval Origins of Its Special Path. New York: Oxford University Press.
Morgan, David, ed. (2009). Religion and Material Culture: The Matter of Belief. New York: Routledge.
Moxey, Keith. (2013). Visual Time: The Image in History. Durham, NC: Duke University Press.
Nelson, Robert. (2007). Empathetic Vision: Looking at and with a Performative Byzantine Miniature. Art History, 30, pp. 489–502.
Newman, Barbara. (2005). What Did It Mean to Say I Saw? The Clash between Theory and Practice in Medieval Visionary Culture. Speculum, 80 (1), pp. 1–43.
Newman, Barbara. (2021).The Permeable Self: Five Medieval Relationships. Philadelphia: University of Pennsylvania.
Newman, Martha. (2020). Cistercian Stories for Nuns and Monks: The Sacramental Imagination of Engelhard of Langheim. Philadelphia: University of Pennsylvania.
Noble, Thomas F. X. (2009). Images, Iconoclasm, and the Carolingians. Philadelphia: University of Pennsylvania Press.
Noland, Carrie. (2009). Agency and Embodiment: Performing Gestures/Producing Culture. Cambridge, MA: Harvard University Press.
Novick, Peter. (1988). That Noble Dream: The “Objectivity Question” and the American Historical Profession. New York: Cambridge University Press.
Nyong’O, Tavia. (2009). The Amalgamation Waltz: Race, Performance, and the Ruses of Memory. Minneapolis: University of Minnesota Press.
O’Doherty, Brian. (1976). Inside the White Cube: The Ideology of the Gallery Space. Berkeley: University of California Press.
Ono, Yoko. (2000). Grapefruit: A Book of Instructions and Drawings. New York: Simon and Schuster.
Overlie, Mary. (2016). Standing in Space: The Six Viewpoints Theory and Practice. New York: Six Viewpoints Institute.
Page, Sarah-Jane and Pilcher, Katy, eds. (2021). Embodying Religion, Gender, and Sexuality. New York: Routledge.
Peers, Glenn. (2020). Animism, Materiality, and Museums: How Do Byzantine Things Feel? Leeds: ARC Humanities Press.
Peers, Glenn. (2024). Byzantine Media Subjects. Ithaca, NY: Cornell University Press.
Pelligrini, Ann. (2009). Feeling Secular. Women and Performance: A Journal of Feminist Theory, 19 (2), pp. 205–218.
Pentcheva, Bissera V. (2020). Performative Images and Cosmic Sound in the Exultet Liturgy of Southern Italy. Speculum, 95 (2), pp. 396–466.
Pickup, Martin. (2015). Real Presence in the Eucharist and Time Travel. Religious Studies, 51 (3), pp. 379–389.
Polanyi, Michael. (1974). Personal Knowledge: Towards a Post-Critical Philosophy. Chicago, IL: University of Chicago Press.
Pollack, Della. (1998). Performative Writing. In The Ends of Performance, Phelan, Peggy and Lane, Jill, eds. New York: New York University Press, pp. 73–104.
Pollack, Della, ed. (2005). Remembering: Oral History Performance. New York: Palgrave Macmillan.
Postlewait, Thomas. (2009). The Cambridge Introduction to Theatre Historiography. New York: Cambridge University Press.
Powell, Amy Knight. (2023). Zoe Leonard’s Suitcases. In L’art medieval est-il contemporain? Is Medieval Art Contemporary? Denoël, Charlotte, Dryansky, Larisa, Marchesin, Isabelle, and Verhagen, Erik, eds. Turnhout: Brepols, 224–243.
Preston, Carrie J. (2016). Learning to Kneel: Noh, Modernism, and Journeys in Teaching (Modernist Latitudes). New York: Columbia University Press.
Promey, Sally. (2017). Foreword. In Religion in Museums: Global and Multidisciplinary Perspectives, Buggeln, Gretchen, Paine, Crispin, and Plate, S. Brent, eds. New York: Bloomsbury, pp. xix–xxv.
Rider, Jeff. (2015). The Middle Ages Are within Your Grasp: Motor Neurons, Mirror Neurons, Simulacra, and Imagining the Past. Studies in Medievalism, XXIV, pp. 155–175.
Roach, Joseph. (1996). Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press.
Rosenwein, Barbara. (2006). Emotional Communities in the Early Middle Ages. New York: Cornell University Press.
Rüpke, Jörg. (2016). On Roman Religion: Lived Religion and the Individual in Ancient Rome. Ithaca, NY: Cornell University Press.
Schaefer, Donovan O. (2015). Religious Affects: Animality, Evolution, and Power. Durham, NC: Duke University Press.
Schaefer, Donovan O. (2022). Wild Experiment: Feeling Science and Secularism after Darwin. Durham, NC: Duke University Press.
Schechner, Richard. (1985). Between Theater and Anthropology. Philadelphia: University of Pennsylvania Press.
Schechner, Richard. (2001). What Is “Performance Studies” Anyway? In New Approaches to Theatre Studies and Performance Analysis, Berghaus, Günter, ed. Berlin: Max Niemeyer Verlag, pp. 1–11.
Schleif, Corine and Schier, Volker. (2009). Katerina’s Windows: Donation and Devotion, Art and Music, as Heard and Seen in the Writings of a Birgittine Nun. University Park, PA: Penn State University Press.
Schneider, Rebecca. (2011). Performing Remains: Art and War in Times of Theatrical Reenactment. New York: Routledge.
Schneider, Rebecca. (2014). Theater & History. New York: Springer.
Scott, Joan Wallach. (1991). The Evidence of Experience. Critical Inquiry, 17 (4), pp. 773–797.
Sergi, Matthew. (2020). Practical Cues and Social Spectacle in the Chester Plays. Chicago, IL: University of Chicago Press.
Seth, Vanita. (2024). (Un)Doing History: A Case for Epistemological Alterity. History and Theory, 63 (1), pp. 112–136.
Sharpe, Christina. (2016). In the Wake. Durham, NC: Duke University Press.
Shifrin, Susan. (2023). The Museum as Experience: Learning, Connection, and Shared Space. Leeds: ARC Humanities Press.
Smail, Daniel Lord. (2021). Foreword. In Decolonizing “Prehistory”: Deep Time and Indigeneous Knowledges in North America, Mackenthun, Gesa and Mucher, Christen, eds. p. 8.
Smith, Bonnie G. (1998). The Gender of History: Men, Women, and Historical Practice. New York: Cambridge University Press, pp. ix–xii.
Smith, Linda Tuhiwai. (1999). Decolonizing Methodologies: Research and Indigeneous Peoples. London: Zed Books.
Smith, Pamela H. (2022). From Lived Experience to the Written Word: Reconstructing Practical Knowledge in the Early Modern World. Chicago, IL: University of Chicago Press.
Smith, Pamela H., Meyers, Amy R. W., and Harold, J. Cook, eds. (2017). Ways of Making and Knowing: The Material Culture of Empirical Knowledge. Chicago, IL: University of Chicago Press.
Sonntag, Jörg. (2011). On the Way to Heaven: Rituals of Caritas in High Medieval Monasteries. In Aspects of Charity: Concern for One’s Neighbor in Medieval Vita Religiosa, Melville, Gert, ed. Berlin: Lit Verlag, pp. 29–55.
Sontag, Susan. (1966). Against Interpretation. New York: Farrar, Straus, Giroux.
Soussloff, Catherine M. (2000). Like a Performance: Performativity and the Historicized Body from Bellori to Mapplethorpe. In Acting on the Past: Historical Performance across the Disciplines, Franco, Mark and Richards, Annette, eds. Middletown, CT: Wesleyan University Press, pp. 69–98.
Spatz, Ben. (2015). What a Body Can Do. New York: Routledge.
Spatz, Ben. (2020). Blue Sky Body: Thresholds for Embodied Research. New York: Routledge.
Spiegel, Gabrielle M. (1997). The Past as Text: The Theory and Practice of Medieval Historiography. Baltimore, MD: Johns Hopkins University Press.
Sponsler, Claire. (2017). From Archive to Repertoire: The Disguising at Hertford and Performance Practices. In Medieval Theatre Performance: Actors, Dancers, Automata, and Their Audiences, Butterworth, Philip and Normington, Katie, eds. Suffolk: DS Brewer, pp. 15–34.
Sterk, Andrea and Caputo, Nina, eds. (2014). Faithful Narratives: Historians, Religion, and the Challenge of Objectivity. New York: Cornell University Press.
Sternhell, Yael A. (2023). War on Record: The Archive and the Afterlife of the Civil War. New Haven, CT: Yale University Press.
Stoller, Paul. (1997). Sensuous Scholarship. Philadelphia: University of Pennsylvania Press.
Strukus, Wanda. (2011). Mining the Gap: Physically Integrated Performance and Kinesthetic Empathy. Journal of Dramatic Theory and Criticism, 25 (2), pp. 89–105.
Swift, Christopher. (2011). A Penitent Prepares: Affect, Contrition, and Tears. In Crying in the Middle Ages: Tears of History, Gertsman, Elina, ed. New York: Routledge, pp. 79–101.
Symes, Carol. (2007). A Common Stage: Theater and Public Life in Medieval Arras. Ithaca, NY: Cornell University Press.
Symes, Carol. (2016). Liturgical Texts and Performance Practices. In Understanding Medieval Liturgy, Gittos, Helen and Hamilton, Sarah, eds. New York: Routledge, pp. 239–267.
Taves, Ann. (2000). Fits, Trances and Visions: Experiencing Religion and Explaining Experience from Wesley to James. Princeton, NJ: Princeton University Press.
Taylor, Charles. (2018). The Ethics of Authenticity. Cambridge, MA: Harvard University Press.
Taylor, Diana. (2003). The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham, NC: Duke University Press.
Trilling, Lionel. (1973). Sincerity and Authenticity. Cambridge, MA: Harvard University Press.
Troyano, Alina. (2000). I, Carmelita Tropicana: Performing between Cultures (Bluestreak). New York: Beacon Press.
Tullet, William, Leemans, Inger, Hsu, Hsuan, et al. (2022). AHR History Lab: Smell, History, and Heritage. American Historical Review, 127 (1), pp. 261–308.
Turner, Victor. (1982). From Ritual to Theatre: The Human Seriousness of Play. New York: PAJ, pp. 7–60.
Umbach, Maiken and Humphery, Mathew. (2018). Authenticity: The Cultural History of a Political Concept. New York: Palgrave Macmillan.
Vitz, Evelyn. (2014). “The Seven Sleepers of Ephesus”: Can We Reawaken Performance of This Hagiographical Folktale? In Medieval and Early Modern Performance in the Eastern Mediterranean, Öztürkmen, Arzu, Vitz, Evelyn Birge, eds. Turnhout: Brepols, pp. 89–121.
Weigert, Laura. (2015). French Visual Culture and the Making of Medieval Theater. New York: Cambridge University Press.
Wiles, David. (2003). A Short History of Western Performance Space. New York: Cambridge University Press.
Wood, Ian and Loud, G. A., eds. (1991). Church and Chronicle in the Middle Ages. London: Bloomsbury Academic.
Woolf, Daniel. (2019). A Concise History of History: Global Historiography from Antiquity to the Present. New York: Cambridge University Press.
Yardley, Anne Bagnall. (2006). Performing Piety: Musical Culture in Medieval English Nunneries. New York: Palgrave.
