Drawing from neuroscience on the idea of 'internal gain', an internal volume control which helps us amplify and focus on quiet sounds in times of threat, danger or intense concentration, Ruby Robinson's brilliant debut introduces a poet whose work is governed by a scrupulous attention to the detail of the contemporary world. Moving and original, her poems invite us to listen carefully and use ideas of hearing and listening to explore the legacies of trauma. The book celebrates the separateness and connectedness of human experience in relationships and our capacity to harm and love.
The most vital poetry is fuelled by truth, even when it may expose us to the source of pain. Ruby Robinson’s poems enact this risk with great skill, reaffirming the power of the art. Every Little Sound is an extraordinary first collection from a very gifted young poet.
Colette Bryce
Robinson is concerned with 'the gaps between – when sets are dismantled and rebuilt, or a tortoise hibernates while all human life continues around it. In poems that pulse with sensory detail – the sun pushing through iced air, a horizon 'enflaming' the shallows at the water’s edge – her poetry amplifies the quietest, habitually unheard, sounds of our lives. There is a metaphysical sensibility - at work in poems like the wonderful ‘Undress’ – a modern take on the resistant lover trope, but with a delicious twist: while Donne and Marvell stop short of a resolution, Robinson’s fictional lover is marvellously yielding. Her crisp phrasing and relentless reaching after the truth make hers a rare and powerful new voice. Ruby Robinson is one to watch.
Julia Copus
Ruby Robinson is a real find. Her agile and poised poems play with scale, listen out and in, and crank the gain up on the world. It’s great to discover such an exciting debut.
Paul Farley
Angelina d'Roza Source: Antiphon, 18
Several ventures into prose and long-narrative confessional poetry punctuate the collection...and are stunning precisely on account of their grace and restraint.
Theophilus Kwek Source: The London Magazine
These are taut, vibrant, intimate poems, structured in a such a way as to replicate the complicated manoeuvres our brains make as we try to understand human behaviour.
Josephine Corcoran Source: JosephineCorcoan.org
Robinson retains/regains an artistic distance that augurs well for future collections...
Martyn Crucefix Source: MartynCrucefix.com
From the outset, we are forewarned – there is nothing so personal that it cannot be expressed here. Robinson brings to light the unspoken connection between reader and poet, and even in the darkest of lines, empathy arises.
Frances Kelly Source: Dundee University Reviews of the Arts
Every Little Sound had the most profound impact on me
Noel Williams Source: The North
An intelligent and disturbing debut that explores how family affects both our sense of self and our intimate relationships. Composed of free verse and occasional prose poems, it is stylistically original in its diction and syntax as speaker and poet grapple to render experience.
Carrie Etter Source: The Guardian
There are too many examples of good poetry in this book for any review outside of a monograph to do it justice. Perhaps all that needs to be said is that this is a serious arrival of a poet that I would view to be among our absolute best.
Patrick Davidson Roberts Source: The Next Review
‘Past’ kind of took my breath away when I first read it...The poem seems to be directly addressing the reader, as if we are part of that confession, as if we are the one being spoken to.
Kim Moore, Poetry
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