Skip to main content Accessibility help
×
  • The digital format of this book is no longer available to purchase from Cambridge Core. Other formats may be available.
  • Please contact Liverpool University Press for availability about this product

    https://www.liverpooluniversitypress.co.uk/

  • Show more authors
  • You may already have access via personal or institutional login
  • Select format
  • Publisher:
    Liverpool University Press
    Publication date:
    22 July 2017
    31 December 2016
    ISBN:
    9781781383865
    9781781382912
    Dimensions:
    Weight & Pages:
    Dimensions:
    Weight & Pages:
You may already have access via personal or institutional login
Selected: Digital
Add to cart View cart Buy from Cambridge.org

Book description

Drawing from neuroscience on the idea of 'internal gain', an internal volume control which helps us amplify and focus on quiet sounds in times of threat, danger or intense concentration, Ruby Robinson's brilliant debut introduces a poet whose work is governed by a scrupulous attention to the detail of the contemporary world. Moving and original, her poems invite us to listen carefully and use ideas of hearing and listening to explore the legacies of trauma. The book celebrates the separateness and connectedness of human experience in relationships and our capacity to harm and love.

Reviews

The most vital poetry is fuelled by truth, even when it may expose us to the source of pain. Ruby Robinson’s poems enact this risk with great skill, reaffirming the power of the art. Every Little Sound is an extraordinary first collection from a very gifted young poet.

Colette Bryce

Robinson is concerned with 'the gaps between – when sets are dismantled and rebuilt, or a tortoise hibernates while all human life continues around it. In poems that pulse with sensory detail – the sun pushing through iced air, a horizon 'enflaming' the shallows at the water’s edge – her poetry amplifies the quietest, habitually unheard, sounds of our lives. There is a metaphysical sensibility - at work in poems like the wonderful ‘Undress’ – a modern take on the resistant lover trope, but with a delicious twist: while Donne and Marvell stop short of a resolution, Robinson’s fictional lover is marvellously yielding. Her crisp phrasing and relentless reaching after the truth make hers a rare and powerful new voice. Ruby Robinson is one to watch.

Julia Copus

Ruby Robinson is a real find. Her agile and poised poems play with scale, listen out and in, and crank the gain up on the world. It’s great to discover such an exciting debut.

Paul Farley

To read 'Apology' in full is to be within the experience of the speaker. In part because of the hardness of language, clinical at times, the poem, and the collection, is irreparably moving.

Angelina d'Roza Source: Antiphon, 18

Several ventures into prose and long-narrative confessional poetry punctuate the collection...and are stunning precisely on account of their grace and restraint.

Theophilus Kwek Source: The London Magazine

These are taut, vibrant, intimate poems, structured in a such a way as to replicate the complicated manoeuvres our brains make as we try to understand human behaviour.

Josephine Corcoran Source: JosephineCorcoan.org

 Robinson retains/regains an artistic distance that augurs well for future collections...

Martyn Crucefix Source: MartynCrucefix.com

From the outset, we are forewarned – there is nothing so personal that it cannot be expressed here. Robinson brings to light the unspoken connection between reader and poet, and even in the darkest of lines, empathy arises.

Frances Kelly Source: Dundee University Reviews of the Arts

Every Little Sound had the most profound impact on me

Noel Williams Source: The North

An intelligent and disturbing debut that explores how family affects both our sense of self and our intimate relationships. Composed of free verse and occasional prose poems, it is stylistically original in its diction and syntax as speaker and poet grapple to render experience.

Carrie Etter Source: The Guardian

There are too many examples of good poetry in this book for any review outside of a monograph to do it justice. Perhaps all that needs to be said is that this is a serious arrival of a poet that I would view to be among our absolute best.

Patrick Davidson Roberts Source: The Next Review

‘Past’ kind of took my breath away when I first read it...The poem seems to be directly addressing the reader, as if we are part of that confession, as if we are the one being spoken to.

Kim Moore, Poetry

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents


Page 1 of 2



Page 1 of 2


Metrics

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.

Accessibility standard: Unknown

Why this information is here

This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.

Accessibility Information

Accessibility compliance for the PDF of this book is currently unknown and may be updated in the future.