Galileo's Reading

Crystal Hall

doi:10.1017/CBO9781107252318

Galileo (1564–1642) incorporated throughout his work the language of battle, the rhetoric of the epic, and the structure of romance as a means to elicit emotional responses from his readers against his opponents. By turning to the literary as a field for creating knowledge, Galileo delineated a textual space for establishing and validating the identity of the new, idealized philosopher. Galileo's Reading places Galileo in the complete intellectual and academic world in which he operated, bringing together, for example, debates over the nature of floating bodies and Ludovico Ariosto's Orlando furioso, disputes on comets and the literary criticism of Don Quixote, mathematical demonstrations of material strength and Dante's voyage through the afterlife, and the parallels of his feisty note-taking practices with popular comedy of the period.

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Galileo's Reading

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Contents

Galileo’s Reading - Half title page
pp i-ii

Galileo’s Reading - Title page
pp iii-iii

Copyright page
pp iv-iv

Contents
pp v-v

Acknowledgments
pp vi-vi

Introduction
pp 1-13

Chapter One - The poetry of early modern philosophy
pp 14-43

Chapter Two - Starry knights
pp 44-70

Chapter Three - Sarsi and the Saracens
pp 71-101

Chapter Four - Galileo’s lesson onDon Chisciotte(1622–1625)
pp 102-128

Chapter Five - Shipwrecked, clueless, and quixotic
pp 129-161

Conclusion
pp 162-172

Notes
pp 173-224

Bibliography
pp 225-242

Index
pp 243-249

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