Genetic Criticism and the Creative Process: Essays from Music, Literature, and Theater

doi:10.1017/9781580467537

Studies of the genesis of musical, literary, and theatrical works.

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Contents

Frontmatter
pp i-iv
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Contents
pp v-vi
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Acknowledgments
pp vii-viii
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Genetic Criticism and the Creative Process
pp 1-16
- By William Kinderman
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1 - Texts, Variants, and Variations: Evolving Contexts in Literature and Theater
pp 17-18
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2 - Genetic Processes in Music: From Beethoven to Leroux
pp 94-95
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1 - From Varieties of Genetic Experience to Radical Philology
pp 19-34
- By Geert Lernout
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2 - Variant and Variation: Toward a Freudo-bathmologico-Bakhtino-Goodmanian Genetic Model?
pp 35-50
- By Daniel Ferrer
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3 - The Genetic Record of a Voice: Variants in Barthes's Le Plaisir du texte
pp 51-67
- By Armine Kotin Mortimer
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4 - Can Genetic Criticism Be Applied to the Performing Arts?
pp 68-80
- By Jean-Louis Lebrave
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5 - “The hardy Laurel”: Beckett and Early Film Comedy
pp 81-92
- By Robert B. Graves
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6 - From Melodic Patterns to Themes: The Sketches for the Original Version of Beethoven's “Waldstein” Sonata, Op. 53
pp 95-107
- By Alan Gosman
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7 - From Conceptual Image to Realization: Some Thoughts on Beethoven's Sketches
pp 108-122
- By Lewis Lockwood
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8 - The Process within the Product: Exploratory Transitional Passages in Beethoven's Late Quartet Sketches
pp 123-150
- By Peter McCallum
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9 - “They Only Give Rise to Misunderstandings”: Mahler's Sketches in Context
pp 151-169
- By James L. Zychowicz
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10 - A Study of Richard Strauss's Creative Process: Der Rosenkavalier's “Presentation Scene” and “Schlußduett”
pp 170-191
- By Joseph E. Jones
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11 - Genetic Criticism and Cognitive Anthropology: A Reconstruction of Philippe Leroux's Compositional Process for Voi(rex)
pp 192-216
- By Nicolas Donin
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Afterword
pp 217-220
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Contributors
pp 221-224
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Index
pp 225-229
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Genetic Criticism and the Creative Process

Essays from Music, Literature, and Theater

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Contents

Frontmatter
pp i-iv

Contents
pp v-vi

Acknowledgments
pp vii-viii

Genetic Criticism and the Creative Process
pp 1-16

1 - Texts, Variants, and Variations: Evolving Contexts in Literature and Theater
pp 17-18

2 - Genetic Processes in Music: From Beethoven to Leroux
pp 94-95

1 - From Varieties of Genetic Experience to Radical Philology
pp 19-34

2 - Variant and Variation: Toward a Freudo-bathmologico-Bakhtino-Goodmanian Genetic Model?
pp 35-50

3 - The Genetic Record of a Voice: Variants in Barthes's Le Plaisir du texte
pp 51-67

4 - Can Genetic Criticism Be Applied to the Performing Arts?
pp 68-80

5 - “The hardy Laurel”: Beckett and Early Film Comedy
pp 81-92

6 - From Melodic Patterns to Themes: The Sketches for the Original Version of Beethoven's “Waldstein” Sonata, Op. 53
pp 95-107

7 - From Conceptual Image to Realization: Some Thoughts on Beethoven's Sketches
pp 108-122

8 - The Process within the Product: Exploratory Transitional Passages in Beethoven's Late Quartet Sketches
pp 123-150

9 - “They Only Give Rise to Misunderstandings”: Mahler's Sketches in Context
pp 151-169

10 - A Study of Richard Strauss's Creative Process: Der Rosenkavalier's “Presentation Scene” and “Schlußduett”
pp 170-191

11 - Genetic Criticism and Cognitive Anthropology: A Reconstruction of Philippe Leroux's Compositional Process for Voi(rex)
pp 192-216

Afterword
pp 217-220

Contributors
pp 221-224

Index
pp 225-229

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Genetic Criticism and the Creative Process

Essays from Music, Literature, and Theater

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