Intercultural Screen Adaptation: British and Global Case Studies

Intercultural Screen Adaptation offers a wide-ranging examination of how film and television adaptations (and non-adaptations) interact with the cultural, social and political environments of their national, transnational and post-national contexts.

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Contents

Frontmatter
pp i-iv
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Contents
pp v-vi
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List of Illustrations
pp vii-vii
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Acknowledgements
pp viii-ix
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List of Contributors
pp x-xiv
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Introduction
pp 1-8
- By Michael Stewart, Robert Munro
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PART I - NOSTALGIA, HERITAGE AND THE TOURIST GAZE
pp 9-10
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1 - Adapting Pagnol and Provence
pp 11-25
- By Jeremy Strong
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2 - ‘A Tourist in Your Own Youth’: Spatialised Nostalgia in T2: Trainspotting
pp 26-45
- By Douglas McNaughton
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3 - ‘200 Miles Outside London’: The Tourist Gaze of Far from the Madding Crowd
pp 46-64
- By Shelley Anne Galpin
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PART II - RADICAL CONTINGENCIES: NEGLECTED FIGURES AND TEXTS
pp 65-66
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4 - Reframing Performance: The British New Wave on Stage and Screen
pp 67-83
- By Victoria Lowe
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5 - Why We Do Not Adapt Jean Rhys
pp 84-98
- By Sarah Artt
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PART III - RE-ENVISIONING THE NATIONAL IMAGINARY
pp 99-100
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6 - ‘To see oursels as ithers see us’: Textual, Individual and National Other-selves in Under the Skin
pp 101-119
- By Robert Munro
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7 - Back to the Future: Recalcitrance and Fidelity in Julieta
pp 120-138
- By Michael Stewart
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PART IV - THE LOCAL, THE GLOBAL AND THE COSMOPOLITAN
pp 139-140
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8 - El Patrón Del Mal: A National Adaptation and Narcos Precedent
pp 141-154
- By Ernesto Pérez Morán
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9 - Constructing Nationhood in a Transnational Context: BBC’s 2016 War and Peace
pp 155-171
- By Carol Poole, Ruxandra Trandafoiu
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10 - The Beautiful Lie: Radical Recalibration and Nationhood
pp 172-188
- By Yvonne Griggs
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PART V - REMAKING, TRANSLATING: DIALOGUES ACROSS BORDERS
pp 189-190
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11 - In Another Time and Place: Translating Gothic Romance in The Handmaiden
pp 191-205
- By Chi-Yun Shin
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12 - Chains of Adaptation: From D’entre les morts to Vertigo, La Jetée and Twelve Monkeys
pp 206-221
- By Jonathan Evans
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13 - A ‘Double Take’ on the Nation(al) in the Dutch-Flemish Monolingual Film Remake
pp 222-240
- By Eduard Cuelenaere
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Index
pp 241-246
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Intercultural Screen Adaptation

British and Global Case Studies

Book description

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Contents

Frontmatter
pp i-iv

Contents
pp v-vi

List of Illustrations
pp vii-vii

Acknowledgements
pp viii-ix

List of Contributors
pp x-xiv

Introduction
pp 1-8

PART I - NOSTALGIA, HERITAGE AND THE TOURIST GAZE
pp 9-10

1 - Adapting Pagnol and Provence
pp 11-25

2 - ‘A Tourist in Your Own Youth’: Spatialised Nostalgia in T2: Trainspotting
pp 26-45

3 - ‘200 Miles Outside London’: The Tourist Gaze of Far from the Madding Crowd
pp 46-64

PART II - RADICAL CONTINGENCIES: NEGLECTED FIGURES AND TEXTS
pp 65-66

4 - Reframing Performance: The British New Wave on Stage and Screen
pp 67-83

5 - Why We Do Not Adapt Jean Rhys
pp 84-98

PART III - RE-ENVISIONING THE NATIONAL IMAGINARY
pp 99-100

6 - ‘To see oursels as ithers see us’: Textual, Individual and National Other-selves in Under the Skin
pp 101-119

7 - Back to the Future: Recalcitrance and Fidelity in Julieta
pp 120-138

PART IV - THE LOCAL, THE GLOBAL AND THE COSMOPOLITAN
pp 139-140

8 - El Patrón Del Mal: A National Adaptation and Narcos Precedent
pp 141-154

9 - Constructing Nationhood in a Transnational Context: BBC’s 2016 War and Peace
pp 155-171

10 - The Beautiful Lie: Radical Recalibration and Nationhood
pp 172-188

PART V - REMAKING, TRANSLATING: DIALOGUES ACROSS BORDERS
pp 189-190

11 - In Another Time and Place: Translating Gothic Romance in The Handmaiden
pp 191-205

12 - Chains of Adaptation: From D’entre les morts to Vertigo, La Jetée and Twelve Monkeys
pp 206-221

13 - A ‘Double Take’ on the Nation(al) in the Dutch-Flemish Monolingual Film Remake
pp 222-240

Index
pp 241-246

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Intercultural Screen Adaptation

British and Global Case Studies

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Contents

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