Bibliography
Airey, Jennifer L., Religion Around Mary Shelley (University Park: Pennsylvania University Press, 2019).
Alt, Christina, ‘Extinction, Extermination, and the Ecological Optimism of H. G. Wells’, in Canavan, Gerry and Robinson, Kim Stanley (eds.), Green Planets: Ecology and Science Fiction (Middletown: Wesleyan University Press, 2014), pp. 25–39.
Arnould-Bloomfield, Elisabeth, ‘Posthuman Compassions’, PMLA 130:5 (2015): 1467–1475.
Barton, Roman Alexander, Klaudies, Alexander and Micklich, Thomas, ‘Introduction’, in Barton, Roman Alexander, Klaudies, Alexander and Micklich, Thomas (eds.), Sympathy in Transformation: Dynamics Between Rhetorics, Poetics and Ethics (Berlin, Boston: De Gruyter, 2018), pp. 1–16.
Batson, C. Daniel, ‘These Things Called Empathy: Eight Related but Distinct Phenomena’, in Decety, Jean and Ickes, William (eds.), The Social Neuroscience of Empathy (Cambridge, MA: MIT Press, 2009), pp. 3–15.
Bishop, Andrew, ‘Making Sympathy “Vicious” on The Island of Dr. Moreau’, Nineteenth-Century Contexts 43:2 (2021): 205–220.
Boddice, Rob, The Science of Sympathy: Morality, Evolution, and Victorian Civilization (Illinois: University of Illinois, 2016).
Britton, Jeanne M., Vicarious Narratives: A Literary History of Sympathy, 1750–1850 (Oxford: Oxford University Press, 2019).
Bryn Jones Square, Shoshannah, ‘The “victim of too much loving”: Perdita Verney’s Self-Destructive Sympathy in Mary Shelley’s The Last Man’, Studies in Literary Imagination 51:1 (Spring 2018): 61–78.
Burke, Edmund, A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful, edited by Phillips, Adam (Oxford: Oxford University Press, 1998).
Caldwell, Janis McLarren, Literature and Medicine in Nineteenth-Century Britain: From Mary Shelley to George Eliot (Cambridge: Cambridge University Press, 2004).
Cameron, Lauren, ‘Mary Shelley’s Malthusian Objections in The Last Man’, Nineteenth-Century Literature 67:2 (September 2012): 177–203.
Cameron, Lauren, ‘Questioning Agency: Dehumanizing Sustainability in Mary Shelley’s The Last Man’, in Ben, P. Robertson (ed.), Romantic Sustainability: Endurance and the Natural World, 1780–1830 (Maryland: Lexington Books, 2016), pp. 261–273.
Cantor, Paul A., ‘The Apocalypse of Empire: Mary Shelley’s The Last Man’, in Sydney M. Conger, Frederick Frank, S. and O’Dea, Gregory (eds.), Iconoclastic Departures: Mary Shelley After Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley’s Birth (Madison: Fairleigh Dickinson University Press, 1997) pp. 193–211.
Clasen, Mathias, ‘Vampire Apocalypse: A Biocultural Critique of Richard Matheson’s I Am Legend’, Philosophy and Literature 34:2 (October 2010): 313–328.
Cohen, Jeffrey Jerome, ‘Monster Culture (Seven Theses)’, in Mittman, Asa Simon and Hensel, Marcus (eds.), Classic Readings on Monster Theory (Leeds: Arc Humanities Press, 2020), pp. 43–54.
Cohen, Simchi, ‘The Legend of Disorder: The Living Dead, Disorder and Autoimmunity in Richard Matheson’s I Am Legend’, Horror Studies 5:1 (2014): 47–63.
Daffron, Benjamin Eric, Romantic Doubles: Sex and Sympathy in British Gothic Literature 1790–1830 (New York: AMS Press, 2002).
Decety, Jean and Ickes, William (eds.), The Social Neuroscience of Empathy (Cambridge, MA: MIT Press, 2009).
Deckard, Sharae, ‘Ecogothic’, in Webster, Maisha and Reyes, Xavier Aldana (eds.), Twenty-First Century Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2021), pp. 174–188.
Deren, Jennifer, ‘Revolting Sympathies in Mary Shelley’s The Last Man’, Nineteenth Century Literature 72:2 (2017): 135–160.
Edward, Laura Hyatt, ‘A Brief Conceptual History of Einfühlung: 18th-Century Germany to Post-World War II U.S. Psychology’, History of Psychology 16:4 (2013): 269–281.
Faubert, Michelle, ‘Challenging Sympathy in Mary Shelley’s Fiction: Frankenstein, Matilda, and “The Mourner”’, English: Journal of the English Association 71:275 (2022): 315–332.
Faubert, Michelle, ‘The Fictional Suicides of Mary Wollstonecraft’, Literature Compass 12:12 (2015): 652–659.
Faubert, Michelle, ‘Werther Goes Viral: Suicidal Contagion, Anti-Vaccination, and Infectious Sympathy’, Literature and Medicine 34:2 (Fall 2016): 389–417.
Foley, Matt, Gothic Voices: The Vococentric Soundworld of Gothic Writing (Cambridge: Cambridge University Press, 2023).
Glasgow, Adryan, ‘“Wild Work”: The Monstrosity of Whiteness in I Am Legend’, in Mathews, Cheyenne and Haedicke, Janet V. (eds.), Reading Richard Matheson: A Critical Survey (Lanham, MD: Rowman & Littlefield, 2014), pp. 31–43.
Greenslade, William, Degeneration, Culture and the Novel 1880–1940 (Cambridge: Cambridge University Press, 1994).
Godwin, William, An Enquiry Concerning Political Justice, edited by Philp, Mark (Oxford: Oxford University Press, 2013).
Goss, Erin M., ‘The Smiles that One Is Owed: Justice, Justine, and Sympathy for a Wretch’, in Orrin, N. C. Wang (ed.), Frankenstein in Theory (New York: Bloomsbury Academic, 2021), pp. 185–198.
Haraway, Donna J., Simians, Cyborgs, and Women: The Reinvention of Nature (New York: Routledge, 1991).
Haraway, Donna J., When Species Meet (Minneapolis: University of Minnesota Press, 2008).
Haslanger, Andrea, ‘The Last Animal: Cosmopolitanism in The Last Man’, European Romantic Review 27:5 (2016): 659–678.
Heise-von der Lippe, Anya, ‘Introduction: Post/human/Gothic’, in der Lippe, Anya Heise-von (ed.), Posthuman Gothic (Cardiff: University of Wales Press, 2017), pp. 1–16.
Heise-von der Lippe, Anya, ‘Posthuman Gothic’, in Webster, Maisha and Reyes, Xavier Aldana (eds.), Twenty-First Century Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2021), pp. 218–230.
Horkheimer, Max and Adorno, Theodor W., The Dialectic of Enlightenment, trans. Edmund Jephcott, edited by Noeri, Gunzelin Schmid (Stanford: Stanford University Press, 2002).
Hume, Kathryn, ‘Eat or be Eaten: H. G. Wells’s Time Machine’, Philological Quarterly 69:2 (Spring 1990): pp. 233–251.
Huntington, John, The Logic of Fantasy: H. G. Wells and Science Fiction (New York: Columbia University Press, 1982).
Hurley, Kelly, The Gothic Body: Sexuality, Materialism, and Degeneration at the Fin de Siècle (Cambridge: Cambridge University Press, 2004).
Keen, Suzanne, Empathy and the Novel (New York: Oxford University Press, 2007).
Knight, Rhonda, ‘Evolving the Human in Richard Matheson’s I Am Legend and M. R. Carey’s Hungry Plague Novels’, Supernatural Studies: An Interdisciplinary Journal of Art, Media, and Culture 7:1 (2021): 50–72.
Koenig-Woodyard, Chris, ‘“Lovie – is the vampire so bad?”: Posthuman Rhetoric in Richard Matheson’s I Am Legend’, in der Lippe, Anya Heise-von (ed.), Posthuman Gothic (Cardiff: University of Wales Press, 2017), pp. 77–92.
Koenig-Woodyard, Chris, ‘The Mathematics of Monstrosity: Vampire Demography in Richard Matheson’s I Am Legend, University of Toronto Quarterly 87:1 (Winter 2018): 81–109.
Kristeva, Julia, Powers of Horror: An Essay on Abjection (New York: Columbia University Press, 1982).
Lamb, Jonathan, The Evolution of Sympathy in the Long Eighteenth Century (London: Pickering & Chatto, 2009).
Lee, Michael Parish, ‘Reading Meat in H. G. Wells’, Studies in the Novel 42:3 (Fall 2010): 249–268.
Matheson, Richard, I Am Legend (New York: Tom Doherty Associates, 1995).
Marshall, David, The Surprising Effects of Sympathy: Marivaux, Diderot, Rousseau, and Mary Shelley (Chicago: The University of Chicago Press, 1988).
McLean, Steven, The Early Fiction of H. G. Wells: Fantasies of Science (New York: Palgrave Macmillan, 2009).
McWhir, Anne, ‘Mary Shelley’s Anti-Contagionism: The Last Man as “Fatal Narrative”’, Mosaic: An Interdisciplinary Critical Journal 35:2 (June 2002): 23–38.
McWhir, Anne, ‘Introduction’, in McWhir, Anne (ed.), Mary Shelley: The Last Man (Peterborough: Broadview, 1996), xiii–xxxvi.
Melville, Peter, ‘The Problem of Immunity in “The Last Man”’, SEL: Studies in English Literature, 1500–1900 47:4 (Autumn 2007): 825–846.
Mestas, Menina, ‘The “Werther Effect” of Goethe’s Werther: Anecdotal Evidence in Historical News Reports’, Health Communication (2023): 1–6.
Paley, Morton D., ‘The Last Man: Apocalypse Without Millennium’, in Anne, K. Mellor (ed.), The Other Mary Shelley: Beyond Frankenstein (Oxford: Oxford University Press, 1993), pp. 107–123.
Phillips, David P., ‘The Influence of Suggestion on Suicide: Substantive and Theoretical Implications of the Werther Effect’, American Sociological Review 39:3 (June 1974): 340–354.
Philmus, Robert M. and Hughes, David Y. (eds.), H. G. Wells: Early Writings in Science and Science Fiction (California: University of California Press, 1975).
Pick, Daniel, Faces of Degeneration: A European Disorder, c. 1848 – c. 1918 (Cambridge: Cambridge University Press, 1989).
Quinn, Emelia, Reading Veganism: The Monstrous Vegan, 1818 to Present (Oxford: Oxford University Press, 2021).
Richardson, Rebecca, ‘The Environmental Uncanny: Imagining the Anthropocene in Mary Shelley’s The Last Man’, ISLE: Interdisciplinary Studies in Literature and Environment 26:4 (Autumn 2019): pp. 1062–1083.
Shelley, Mary, Frankenstein; or, the Modern Prometheus, edited by Macdonald, David Lorne and Scherf, Kathleen (Peterborough: Broadview, 2012).
Shelley, Mary, The Last Man, edited by McWhir, Anne (Peterborough: Broadview, 1996).
Shelley, Mary, The Journals of Mary Shelley, 1814–1844, edited by Paula, R. Feldman and Scott-Kilvert, Diana, 2 Vols (Oxford: Oxford University Press, 1987). www.nlx.com/collections/110> [last accessed 16 August 2023]. Small, Ernest, ‘The New Noah’s Ark: Beautiful and Useful Species Only. Part 1. Biodiversity Conservation Issues and Priorities’, Biodiversity 12:4 (2011): 232–247.
Small, Ernest, ‘The New Noah’s Ark: Beautiful and Useful Species Only. Part 2. The Chosen Species’, Biodiversity 13:1 (2012): 37–53.
Smith, Adam, The Theory of Moral Sentiments, edited by Haakonssen, Knud (Cambridge: Cambridge University Press, 2002).
Smith, Andrew and Hughes, William, ‘Introduction: defining the ecoGothic’, in Smith, Andrew and Hughes, William (eds.), EcoGothic (Manchester: Manchester University Press, 2013), pp. 1–14.
Snyder, Robert Lance, ‘Apocalypse and Indeterminacy in Mary Shelley’s “The Last Man”’, Studies in Romanticism 17:4 (Fall 1978): 435–452.
Stephanou, Aspasia, ‘“The Last of the Old Race”: I Am Legend and Bio-Vampire-Politics’, in Mathews, Cheyenne and Haedicke, Janet V. (eds.), Reading Richard Matheson: A Critical Survey (Lanham, MD: Rowman & Littlefield, 2014), pp. 17–28.
Sterrenburg, Lee, ‘The Last Man: Anatomy of a Failed Revolution’, Nineteenth-Century Fiction 33:3 (December 1978): 324–347.
Thorson, Jan and Öberg, Per-Anne, ‘Was there a Suicide Epidemic after Goethe’s Werther?’ Archives of Suicide Research 7:1 (2003): 69–72.
Valentine, Colton, ‘H. G. Wells and the Fin-de-Siècle Gustatory Paradox’, The Review of English Studies 71:302 (2020): 937–951.
Vargo, Lisa, ‘Male and Female Werthers: Romanticism and Gothic Suicide’, in Hughes, William and Smith, Andrew (eds.), Suicide and the Gothic (Manchester: Manchester University Press, 2019), pp. 36–51.
Vint, Sherryl, ‘Animals and Animality from the Island of Moreau to the Uplift Universe’, The Yearbook of English Studies 37:2 (2007): 85–102.
Wagar, W. Warren, Terminal Visions: The Literature of Last Things (Bloomington: Indiana University Press 1982).
Wagner-Lawlor, Jennifer A., ‘Performing History, Performing Humanity in Mary Shelley’s The Last Man’, SEL: Studies in English Literature 1500–1900 42:4 (Autumn 2002): 753–780.
Wells, H. G., The Island of Doctor Moreau, edited by Harris, Mason (Peterborough: Broadview Press, 2009).
Wells, H. G., The Time Machine, edited by Ruddick, Nicholas (Peterborough: Broadview Press, 2001).
Wells, H. G., The War of the Worlds, edited by Danahay, Martin A. (Peterborough: Broadview Press, 2003).